1446 scholarly books by University of Alabama Press and 123
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Douglas Walton University of Alabama Press, 2005 Library of Congress BC199.A26W35 2004 | Dewey Decimal 160
This book examines three areas in which abductive reasoning is especially important: medicine, science, and law. The reader is introduced to abduction and shown how it has evolved historically into the framework of conventional wisdom in logic. Discussions draw upon recent techniques used in artificial intelligence, particularly in the areas of multi-agent systems and plan recognition, to develop a dialogue model of explanation. Cases of causal explanations in law are analyzed using abductive reasoning, and all the components are finally brought together to build a new account of abductive reasoning.
By clarifying the notion of abduction as a common and significant type of reasoning in everyday argumentation, Abductive Reasoning will be useful to scholars and students in many fields, including argumentation, computing and artificial intelligence, psychology and cognitive science, law, philosophy, linguistics, and speech communication and rhetoric.
A valuable recounting of the first formal archaeological excavations in Puerto Rico.
Originally published as the Twenty-Fifth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution in 1907, this book was praised in an article in American Anthropologist as doing "more than any other to give a comprehensive idea of the archaeology of the West Indies."
Until that time, for mainly political reasons, little scientific research had been conducted by Americans on any of the Caribbean islands. Dr. Fewkes' unique skills of observation and experience served him well in the quest to understand Caribbean prehistory and culture. This volume, the result of his careful fieldwork in Puerto Rico in 1902-04, is magnificently illustrated by 93 plates and 43 line drawings of specimens from both public and private collections of the islands.
A 1907 article in the Journal of the Royal Anthropological Institute of Great Britain and Ireland described the volume as "a most valuable contribution to ethnographical science."
The Ace of Lightning
Stephen-Paul Martin University of Alabama Press, 2017 Library of Congress PS3563.A7292A6 2016 | Dewey Decimal 813.54
Stephen-Paul Martin’s The Ace of Lightning is a series of interconnected stories focused on a turning point in Western history: the assassination in Sarajevo of Archduke Franz Ferdinand of Austria which triggered World War I, and the mysterious circumstances that led Gavrilo Princip to shoot and kill the heir apparent to one of Europe’s most powerful empires.
Far from being a conventional work of historical fiction, Martin’s collection asks readers to think about what truly constitutes history. What would the past look like if history was written under the influence of Mad Magazine and The Twilight Zone? What happens when the assassination in Sarajevo becomes “the assassination in Sarajevo,” when Gavrilo Princip becomes “Gavrilo Princip,” when the past and the present shape a textual future that looks suspiciously like a past that never was and a present that never is?
Covering the entire body of Mark Twain's fiction, Clark Griffith in Achilles and the Tortoise answers two questions: How did Mark Twain write? And why is he funny? Griffith defines and demonstrates Mark Twain's poetics and, in doing so, reveals Twain's ability to create and sustain human laughter.
Through a close reading of the fictions–short and long, early and late–Griffith contends that Mark Twain's strength lay not in comedy or in satire or (as the 19th century understood the term) even in the practice of humor. Rather his genius lay in the joke, specifically the "sick joke." For all his finesse and seeming variety, Twain tells the same joke, with its single cast of doomed and damned characters, its single dead-end conclusion, over and over endlessly.
As he attempted to attain the comic resolution and comically transfigured characters he yearned for, Twain forever played, for Griffith, the role of the Achilles of Zeno's Paradox. Like the tortoise that Achilles cannot overtake in Zeno's tale, the richness of comic life forever remained outside Twain's grasp.
The last third of Griffith's study draws parallels between Mark Twain and Herman Melville. Although the two authors never met and seem not to have read each other's works, they labored under the sense of what, in Moby-Dick, Ishmael calls "a vast practical joke . . . at nobody's expense but [one's] own." The laughter occasioned by this cosmic conspiracy shapes the career of Huckleberry Finn fully as much as it does Ishmael's voyage. Out of the laughter are generated the respective obsessions of Captain Ahab and Bartleby, of Pudd'nhead Wilson and Hadleyburg. Reduced at last to a dry mock, the laughter is the prevailing tone of both Billy Budd and The Mysterious Stranger Manuscripts.
People regularly use plants for a wide range of utilitarian, spiritual, pharmacological, and dietary purposes throughout the world. Scholarly understanding of the nature of these uses in prehistory is particularly limited by the poor preservation of plant resources in the archaeological record. In the last two decades, researchers in the South Pacific and in Central and South America have developed microscopic starch grain analysis, a technique for overcoming the limitations of poorly preserved plant material.
In Acorns and Bitter Roots, Timothy C. Messner establishes starch grain analysis in the temperate climates of eastern North America using the Delaware River Watershed as a case study for furthering scholarly understanding of the relationship between native people and their biophysical environment in the Woodland Period. Messner’s analysis is based on extensive reviews of the literature on early historic and prehistoric native plant use and the collation of all available archaeobotanical data, a review of which also guided the author in selecting contemporary botanical specimens to identify and in interpreting starch residues recovered from ancient plant-processing technologies. The evidence presented here sheds light on many local ecological and cultural developments as ancient people shifted their subsistence focus from estuarine to riverine settings. These archaeobotanical datasets, Messner argues, illuminate both the conscious and unintentional translocal movement of ideas and ecologies throughout the Eastern Woodlands.
Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated “late-Romantic” poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism’s poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day.
According to editors July Carr and Jeffrey C. Robinson, “active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “Poetry fetter’d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.
Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed.
Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis. Cover image: Ruckenfigur by Susan Bee, 2013, oil on linen, 24 x 30 in.
Contributors: Dan Beachy-Quick / Julie Carr / Jacques Darras / Rachel Blau DuPlessis / Judith Goldman / Simon Jarvis / Andrew Joron / Nigel Leask / Jennifer Moxley / Bob Perelman / Jeffrey C. Robinson / Jerome Rothenberg / Elizabeth Willis / and Heriberto Yépez
“There have been any number of books of interview with contemporary writers, but none precisely like this one. The author/editor has somehow managed to get these very different poets to follow his lead and (in many cases for the first time anywhere) to reveal much about their intellectual habits, assumptions, and preconceptions. In almost every case he has been able to get these poets to talk more openly and freely than anyone else has ever done.” – George Garrett
Ad Hominem Arguments
Douglas Walton University of Alabama Press, 2009 Library of Congress P301.5.P47W347 1998 | Dewey Decimal 808
Essential to an understanding of argumentation and logic, Ad Hominem Arguments is a vital contribution to legal theory and media and civic discourse.
In the 1860s, northern newspapers attacked Abraham Lincoln's policies by attacking his character, using the terms "drunk," "baboon," "too slow," "foolish," and "dishonest." Steadily on the increase in political argumentation since then, the argumentum ad hominem, or personal attack argument, has now been carefully refined as an instrument of "oppo tactics" and "going negative" by the public relations experts who craft political campaigns at the national level. In this definitive treatment of one of the most important concepts in argumentation theory and informal logic, Douglas Walton presents a normative framework for identifying and evaluating ad hominem or personal attack arguments.
Personal attack arguments have often proved to be so effective, in election campaigns, for example, that even while condemning them, politicians have not stopped using them. In the media, in the courtroom, and in everyday confrontation, ad hominem arguments are easy to put forward as accusations, are difficult to refute, and often have an extremely powerful effect on persuading an audience.
Walton gives a clear method for analyzing and evaluating cases of ad hominem arguments found in everyday argumentation. His analysis classifies the ad hominem argument into five clearly defined subtypes—abusive (direct), circumstantial, bias, "poisoning the well," and tu quoque ("you're just as bad") arguments—and gives methods for evaluating each type. Each subtype is given a well-defined form as a recognizable type of argument. The numerous case studies show in concrete terms many practical aspects of how to use textual evidence to identify and analyze fallacies and to evaluate argumentation as fallacious or not in particular cases.
Biesecker reveals the full range of Kenneth Burke's contribution to the possibility of social change.
In Addressing Postmodernity, Barbara Biesecker examines the relationship between rhetoric and social change and the ways human beings transform social relations through the purposeful use of symbols. In discerning the conditions of possibility for social transformation and the role of human beings and rhetoric in it, Biesecker turns to the seminal work of Kenneth Burke.
Through a close reading of Burke's major works, A Grammar of Motives, A Rhetoric of Motives, and The Rhetoric of Religion: Studies in Logology, Biesecker addresses the critical topic of the
fragmentation of the contemporary lifeworld. As Biesecker shows, postmodernity will have a major impact on Burkeian scholarship and on the rhetorical critique of social relations in general.
Biesecker confronts directly the challenges posed by postmodernity to social theorists and critics alike. In juxtaposing the work of Burke and Jurgen Habermas, Biesecker argues that a radicalized rereading of Burke's theory of the negative opens the way toward a resolutely rhetorical theory of social change and human agency.
Originally published in 1845, Adventures of Captain Simon Suggs is a series of sketches written in part to parody some the campaign literature of the era. The character, Simon Suggs, with his motto, “it is good to be shifty in a new country,” fully incarnates a backwoods version of the national archetypes now know as the confidence man, the grafter, the professional flim-flam artist supremely skilled in the arts by which a man gets along in the world. This classic volume of good humor is set in the rough-and-tumble world of frontier life and politics.
“Beardsley’s book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history f the subject never noticed before, or at least, not so clearly.” —The Journal of Aesthetics and Art Criticism
A new statement of how "beauty" in nature is understood and appreciated.
Aesthetic experience is one of the fundamental ways that we develop a relationship to our natural surroundings. Emily Brady provides a comprehensive study of this type of experience and the central philosophical issues related to it, developing her own original theory of aesthetic appreciation of nature. She provides useful background to the current debate and an up-to-date critical appraisal of contemporary theories.
The context of the contemporary debate is laid out through a discussion of aesthetic experience and aesthetic qualities; early theories of aesthetic appreciation of nature, including the beautiful, the sublime, and the picturesque; and differences between artistic and environmental appreciation and interpretation. Brady situates her own approach in relation to a set of noncognitive accounts of appreciation. Her "integrated aesthetic" brings together various features of appreciation, including the senses, emotion, and imagination, with a reappraisal of the concept of disinterestedness. These ideas are further developed within the more practical domains of aesthetic judgment and education of the environment and through an examination of the role of aesthetic value in environmental conservation.
Arnold Berleant of Long Island University, a pioneer in this area of research, has declared Brady’s work, "admirably comprehensive coverage of the subject." Julie C. Van Camp of California State University, Long Beach, has said, "The bibliography is priceless. . . . The discussions of such philosophers as Kant and Dewey seem plausible and understandable to an audience of students and the educated public." This book will be valuable to readers interested in such wide-ranging subjects as philosophy, aesthetics, ethics, ecology, conservation, environmental policy-making, geography, and landscape architecture.
Despite their shortcomings, “radical” politicians, including African Americans, made worthy contributions to the state of Florida during the era of Reconstruction. Joe Richardson disputes many of the misconceptions about the state’s debt and corruption by exploring how some African American politicians were quite capable and learned their duties quickly. Even more remarkable was the rapidity with which the unlettered ex-slaves absorbed education and adjusted to their status as free men. African Americans in the Reconstruction of Florida delves into the problems encountered by the freed men and traces their successes and failures during the first decade after emancipation.
In this collection of essays by seven outstanding American scholars, interests as diverse as feminism, Marxism, deconstruction, and cultural poetics are brought together around a central question: How does the choice of a particular theory after the practice of reading, and how do altered practices of reading in turn call forth more theory?
All Alabama elections are colorful, but the 1986 gubernatorial contest may trump them all for its sheer strangeness. With the retirement of an aging and ill George Wallace, both the issues and candidates contending for the office were able to set the course of Alabama politics for generations to follow. Whereas the Wallace regimes were particular to Alabama, and the gubernatorial campaign was conducted in a partial vacuum with his absence, Alabama also experienced a wave of partisan realignment. A once solidly Democratic South was undergoing a tectonic political shift as white voters in large numbers abandoned their traditional Democratic political home for the revived Republicans, a party shaped in many respects by the Wallace presidential bids of 1968 and 1972 and the Reagan revolution of the 1980s.
Alabama's own Democratic party contributed to this massive shift with self-destructive campaign behavior that disgusted many of its traditional voters who wound up staying home or voting for a little-known Republican. From the gubernatorial election of 1986 came the shaky balance between the two parties that exists today.
After Wallace recollects and analyzes how these shifts occurred, citing extensive newspaper coverage from the time as well as personal observations and poll data collected by the authors. This volume is certain to be a valuable work for any political scientist, especially those with an interest in Alabama or southern politics.
T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “ After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.
By 1890 Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “ I propose to start a crusade,” he proclaimed in June 1900, “ to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “ the Great Migration.”
By focusing on Thomas’ s ruminations about his disillusion with post– Civil War Florida, Weinfeld highlights the sources of Fortune’ s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow– era racial discrimination and violence. Even decades after he left the South, Fortune’ s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
Rainger examines how and why vertebrate paleontology, a relatively marginal field of scientific inquiry, flourished at New York’s American Museum of Natural History in the early 20th century. It focuses on Henry Fairfield Osborn (1857-1935), a prominent scientist and administrator who dominated vertebrate paleontology in that era and played a pivotal role in creating a leading institution and a manor program of research in that field.
Born into a wealthy New York family, Osborn was in a unique position to follow vigorously his scientific interests in vertebrate paleontology and further worldwide science education through use of the considerable social, political, and financial resources at his command. Yet he was able to guide the development of the American Museum of Natural History’s program in vertebrate paleontology in such a manner as to avoid conflict with the values and beliefs associated with the interests of the upper-class elite who supported the program.
His ties to a wide network of influential figures, including the trustees of the American Museum, provided him with the political and financial resources necessary to build a major program in vertebrate paleontology. An ambitious and energetic man, Osborn took advantage of those opportunities to promote his field of study and to establish himself as a leading administrator at the American Museum, Colombia University, and the New York Zoological Society.
No university has won more football championships than Alabama, and Barry Krauss played a key role in one of them. The linebacker’s fourth down stop of Penn State’s Mike Guman in the Sugar Bowl on January 1, 1979, was recently named by ESPN as one of the ten most important plays of the 20th century.
The Goal Line Stand, as the play became known, immortalized Krauss among legions of fans. More than twenty-five years later, people still tell him exactly what they were doing and how they felt when he collided in mid-air with Guman that New Year’s Day—and almost never mention his twelve-year career in the NFL.
In this entertaining and well-illustrated memoir, Krauss tells of scrimmaging on front lawns with friends as a kid in Pompano Beach, Florida, and of his childhood dream to play for Don Shula. He acknowledges how Coach Bear Bryant tamed his free spirit and shaped him into the football player—and the man—he became. And he emphasizes the importance of team, weaving together the personal stories of his Alabama teammates on the field during the Goal Line Stand, and acknowledges their significant roles in winning the game and the championship.
Ain’t Nothin’ But a Winner offers an insider’s look at how a team is built, tested, and becomes a national champion—and how that process sometimes calls upon an individual to rise to the challenge presented by his own personal gut check.
Air Power and Armies
Sir John Cotesworth Slessor, and foreword by Phillip Meilinger University of Alabama Press, 2009 Library of Congress UG635.G7S45 2009 | Dewey Decimal 358.403
Sir John Cotesworth Slessor (1897–1979) was one of Great Britain's most influential airmen. He played a significant role in building the World War II Anglo-American air power partnership as an air planner on the Royal Air Force Staff, the British Chiefs of Staff, and the Combined Chiefs of Staff. He coordinated allied strategy in 1940–41, helped create an Anglo-American bomber alliance in 1942, and drafted the compromise at the Casablanca Conference that broke a deadlock in Anglo-American strategic debate. Also, Slessor was instrumental in defeating the U-boat menace as RAF Coastal Commander, and later shared responsibility for directing Allied air operations in the Mediterranean. Few aspects of the allied air effort escaped his influence: pilot training, aircraft procurement, and dissemination of operational intelligence and information all depended to a degree on Slessor. His influence on Anglo-American operational planning paved the way for a level of cooperation and combined action never before undertaken by the military forces of two great nations.
Air Power in War
Arthur W. Tedder University of Alabama Press, 2010 Library of Congress D785.T4 2010 | Dewey Decimal 940.544
Arthur Tedder, who was knighted and raised to the peerage for his contributions to the Allied victory in World War II, served in the British air force in World War I and played an important role in professionalizing and organizing British air forces between the two world wars. During World War II he held a succession of increasingly vital air force posts.
In addition to his achievements as Air Commander-in-Chief in the North African theater early in the war, Tedder’s most lasting contribution was as Deputy Supreme Commander under Dwight D. Eisenhower. He deserves much credit for keeping the Allied command functioning and harmonious. He was also the architect of the successful air strategy Eisenhower adopted for the Normandy invasion of 1944, which departed from both the British and American existing doctrine and models by concentrating on German rail systems rather than on either civilian or industrial targets.
Alabama Afternoons is a collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Teresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”
Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html
Born of a concern with Alabama's past and the need to explore and explain that legacy, this book brings together the nation's leading scholars on the prehistory and early history of Alabama and the southeastern U.S. Covering topics ranging from the Mississippian Period in archaeology and the de Soto expedition (and other early European explorations and settlements of Alabama) to the 1780 Siege of Mobile, this is a comprehensive and readable collection of scholarship on early Alabama.
Alabama Blast Furnaces
Joseph H. Woodward, with an introduction by James R. Bennett University of Alabama Press, 2007 Library of Congress TN713.W66 2007 | Dewey Decimal 669.141309761
This work is the first and remains the only source of information on all blast furnaces built and operated in Alabama, from the first known charcoal furnace of 1815 (Cedar Creek Furnace in Franklin County) to the coke-fired giants built before the onset of the Great Depression. Woodward surveys the iron industry from the early, small local market furnaces through the rise of the iron industry in support of the Confederate war effort, to the giant internationally important industry that developed in the 1890s. The bulk of the book consists of individual illustrated histories of all blast furnaces ever constructed and operated in the state? furnaces that went into production and four that were built but never went into blast. Written to provide a record of every blast furnace built in Alabama from 1815 to 1940, this book was widely acclaimed and today remains one of the most quoted references on the iron and steel industry.
John Foshee’s popular and informative Alabama Canoe Rides and Float Trips has been a favorite of canoeing enthusiasts since 1975. it provides a detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state. The trips highlighted in the book range from 3 ½ to 14 miles in length, with difficulty factors varying from leisurely float trips to Class 4 rapids.
This handy guide will assist beginning and expert canoeists in the selection of and preparation for a variety of float experiences. The author gives suggestions for river safety and makes recommendations for equipment. In addition, he points out major danger areas and obstacles that might be encountered on the streams and includes information on river access and use of topographical maps. An appendix contains brief descriptions of the rides, including their put-ins and take-outs, and follows the general format of the individual trip descriptions.
A biographical history of the forefathers who shaped the identity of Alabama politically, legally, economically, militarily, and geographically.
While much has been written about the significant events in the history of early Alabama, there has been little information available about the people who participated in those events. In Alabama Founders:Fourteen Political and Military Leaders Who Shaped the State Herbert James Lewis provides an important examination of the lives of fourteen political and military leaders. These were the men who opened Alabama for settlement, secured Alabama’s status as a territory in 1817 and as a state in 1819, and helped lay the foundation for the political and economic infrastructure of Alabama in its early years as a state.
While well researched and thorough, this book does not purport to be a definitive history of Alabama’s founding. Lewis has instead narrowed his focus to only those he believes to be key figures—in clearing the territory for settlement, serving in the territorial government, working to achieve statehood, playing a key role at the Constitutional Convention of 1819, or being elected to important offices in the first years of statehood.
The founders who readied the Alabama Territory for statehood include Judge Harry Toulmin, Henry Hitchcock, and Reuben Saffold II. William Wyatt Bibb and his brother Thomas Bibb respectively served as the first two governors of the state, and Charles Tait, known as the “Patron of Alabama,” shepherded Alabama’s admission bill through the US Senate. Military figures who played roles in surveying and clearing the territory for further settlement and development include General John Coffee, Andrew Jackson’s aide and land surveyor, and Samuel Dale, frontiersman and hero of the “Canoe Fight.” Those who were instrumental to the outcome of the Constitutional Convention of 1819 and served the state well in its early days include John W. Walker, Clement Comer Clay, Gabriel Moore, Israel Pickens, and William Rufus King.
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama's years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become an valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf.
Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.
An authoritative popular history that places the state in regional and national context.
Alabama is a state full of contrasts. On the one hand, it has elected the lowest number of women to the state legislature of any state in the union; yet according to historians it produced two of the ten most important American women of the 20th century—Helen Keller and Rosa Parks. Its people are fanatically devoted to conservative religious values; yet they openly idolize tarnished football programs as the source of their heroes. Citizens who are puzzled by Alabama's maddening resistance to change or its incredibly strong sense of tradition and community will find important clues and new understanding within these pages.
Written by passionate Alabamian and accomplished historian Wayne Flynt, Alabama in the Twentieth Century offers supporting arguments for both detractors and admirers of the state. A native son who has lived, loved, taught, debated, and grieved within the state for 60 of the 100 years described, the author does not flinch from pointing out Alabama's failures, such as the woeful yoke of a 1901 state constitution, the oldest one in the nation; neither is he restrained in calling attention to the state's triumphs against great odds, such as its phenomenal number of military heroes and gifted athletes, its dazzling array of writers, folk artists, and musicians, or its haunting physical beauty despite decades of abuse.
Chapters are organized by topic—politics, the economy, education, African Americans, women, the military, sport, religion, literature, art, journalism—rather than chronologically, so the reader can digest the whole sweep of the century on a particular subject. Flynt’s writing style is engaging, descriptive, free of clutter, yet based on sound scholarship. This book offers teachers and readers alike the vast range and complexity of Alabama's triumphs and low points in a defining century.
Why does Alabama rank so low on many of the indicators of quality of life? Why did some of the most dramatic developments in the civil rights revolution of the 1960s take place in Alabama? Why is it that a few interest groups seem to have the most political power in Alabama? William H. Stewart’s Alabama Politics in the Twenty-First Century explores these questions and more, illuminating many of the often misunderstood details of contemporary Alabama politics in this cohesive and comprehensive publication.
The Alabama state government, especially as a specimen of Deep South politics, is a topic of frequent discussion by its general public—second only to college football. However, there remains a surprising lack of literature focusing on the workings of the state’s bureaucracy in an extensive and systematic way. Bearing in mind the Yellowhammer State’s long and rich political history, Stewart concentrates on Alabama’s statecraft from the first decade of the twenty-first century through the November 2010 elections and considers what the widespread Republican victories mean for their constituents. He also studies several different themes prominent during the 2010 elections, including the growing number and influence of special interest groups, the respective polarization of whites and blacks into the Republican and Democratic parties, and the increasingly unwieldy state constitution.
This fascinating and revealing text provides a wealth of information about an extremely complex state government. Featuring detailed descriptions of important concepts and events presented in a thorough and intelligible manner, Alabama Politics in the Twenty-First Century is perfect for scholars, students, everyday Alabamians, or anyone who wants the inside scoop on the subtle inner workings of the Cotton State’s politics.
A lavish presentation of 208 folksongs collected throughout Alabama in the 1940s.
Alabama is a state rich in folksong tradition, from old English ballads sung along the Tennessee River to children's game songs played in Mobile, from the rhythmic work songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical heritage of blacks and whites, rich and poor, hill folk and cotton farmers, these songs endure as a living part of the state's varied past.
In the mid 1940s Byron Arnold, an eager young music professor from The University of Alabama, set out to find and record as many of these songs as he could and was rewarded by unstinting cooperation from many informants. Mrs. Julia Greer Marechal of Mobile, for example, was 90 years old, blind, and a semi-invalid, but she sang for Arnold for three hours, allowing the recording of 33 songs and exhausting Arnold and his technician. Helped by such living repositories as Mrs. Marechal, the Arnold collection grew to well over 500 songs, augmented by field notes and remarkable biographical information on the singers.
An Alabama Songbook is the result of Arnold's efforts and those of his informants across the state and has been shaped by Robert W. Halli Jr. into a narrative enriched by more than 200 significant songs-lullabies, Civil War anthems, African-American gospel and secular songs, fiddle tunes, temperance songs, love ballads, play-party rhymes, and work songs. In the tradition of Alan Lomax's The Folk Songs of North America and Vance Randolph's Ozark Folksongs, this volume will appeal to general audiences, folklorists, ethnomusicologists, preservationists, traditional musicians, and historians.
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by European nations, later to become a permanent part of the United States. A cotton and slave state for more than half of the 19th century, Alabama declared its independence and joined another nation, the Confederate States of America, for its more than four-year history. The state assumed an uneasy and uncertain place in the 19th century’s last 35 years. Its role in the 20th century has been tumultuous but painfully predictable. This comprehensive history, written in the last decade of that century, presents, explains, and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Alabama: The History of a Deep South State is the first completely new comprehensive account of the state since A.B. Moore’s 1935 work. Divided into three main sections, the first concluding in 1865, the second in 1920, and the third bringing the story to the present, the book’s organization is both chronological and topical. General readers will welcome this modern history of Alabama, which examines such traditional subjects as politics, military events, economics, and broad social movements. Of equal value are sections devoted to race, Indians, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural elements—from literature to sport—that have enriched Alabama’s history. The roles of individual leaders, from politicians to creative artists, are discussed. There is as well strong emphasis on the common people, those Alabamians who have been rightly described as the “bone and sinew” of the state. Each section of the book was written by a scholar who has devoted much of his or her professional life to the study of that period of Alabama’s past, and although the three sections reflect individual style and interpretation, the authors have collaborated closely on overall themes and organization. The result is an objective look at the colorful, often controversial, state’s past. The work relies both on primary sources and such important secondary sources as monographs, articles, and unpublished theses and dissertations to provide fresh insights, new approaches, and new interpretations.
A new and up-to-date edition of Alabama’s history to celebrate the state’s bicentennial.
Alabama: The History of a Deep South State,Bicentennial Edition is a comprehensive narrative account of the state from its earliest days to the present. This edition, updated to celebrate the state’s bicentennial year, offers a detailed survey of the colorful, dramatic, and often controversial turns in Alabama’s evolution. Organized chronologically and divided into three main sections—the first concluding in 1865, the second in 1920, and the third bringing the story to the present—makes clear and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by a number of European nations prior to becoming a permanent part of the United States in 1819. A cotton and slave state for more than half of the nineteenth century, Alabama seceded in 1861 to join the Confederate States of America, and occupied an uneasy and uncertain place in America’s post-Civil War landscape. Alabama’s role in the twentieth century has been equally tumultuous and dramatic.
General readers as well as scholars will welcome this up-to-date and scrupulously researched history of Alabama, which examines such traditional subjects as politics, military history, economics, race, and class. It contains essential accounts devoted to Native Americans, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural developments, from literature to sport, that have enriched Alabama’s history. The stories of individual leaders, from politicians to creative artists, are also highlighted. A key facet of this landmark historical narrative is the strong emphasis placed on the common everyday people of Alabama, those who have been rightly described as the “bone and sinew” of the state.
Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.
From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.
Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.
Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.
Alabama Wildlife, Volume 5
Edited by Ericha Shelton-Nix University of Alabama Press, 2017 Library of Congress QL606.52.U6A58 2004 | Dewey Decimal 596.09761
Alabama Wildlife, Volume 5 collects the most recent findings of virtually all experts in the field as of 2012, when the Third Alabama Nongame Wildlife Conference was convened at Auburn University.
Alabama Wildlife, Volume 5 offers a comprehensive update and provides a wealth of new information concerning changes and developments relative to the conservation status of wild animal populations of the state that have occurred in the decade since publication of the previous four volumes in 2004. Enhancements include the addition of any new or rediscovered taxon, species priority status changes, and taxonomic changes, plus the addition of the crayfishes, which were left out previously because so little was known about these understudied taxa.
A complete taxonomic checklist is included, which lists each imperiled taxon along with its priority designation followed by detailed species accounts. The eighty-four crayfish species accounts are comprised of a physical description (including a photograph, when available), distribution map, habitat summary, key life history, ecological information, basis for its status classification, and specific conservation and management recommendations. This revised expansion of the Alabama Wildlife set will be helpful to those seeking to broaden their knowledge of Alabama’s vast wildlife resources and will greatly influence future studies in the conservation of many of the imperiled species.
The University of Alabama Press originally released a set of four volumes titled Alabama Wildlife in 2004. The series consisted of A Checklist of Vertebrates and Selected Invertebrates (Volume 1), Imperiled Aquatic Mollusks and Fishes (Volume 2), Imperiled Amphibians, Reptiles, Birds, and Mammals (Volume 3), and Conservation and Management Recommendations for Imperiled Wildlife (Volume 4). However, Alabama Wildlife, Volume 5 offers an all-inclusive and complete update of these four previously published volumes, making it the single resource required for all those working with or interested in Alabama’s wild animals.
No other state has embraced and preserved its civil rights history more thoroughly than Alabama. Nor is there a place where that history is richer. Alabama’s Civil Rights Trail tells of Alabama’s great civil rights events, as well as its lesser-known moments, in a compact and accessible narrative, paired with a practical guide to Alabama’s preserved civil rights sites and monuments.
In his history of Alabama’s civil rights movement, Cradle of Freedom (University of Alabama Press, 2004), Frye Gaillard contends that Alabama played the lead role in a historic movement that made all citizens of the nation, black and white, more free. This book, geared toward the casual traveler and the serious student alike, showcases in a vividly illustrated and compelling manner, valuable and rich details. It provides a user-friendly, graphic tool for the growing number of travelers, students, and civil rights pilgrims who visit the state annually.
The story of the civil rights movement in Alabama is told city by city, region by region, and town by town, with entries on Montgomery, Birmingham, Selma, Tuscaloosa, Tuskegee, and Mobile, as well as chapters on the Black Belt and the Alabama hill country. Smaller but important locales such as Greensboro, Monroeville, and Scottsboro are included, as are more obscure sites like Hale County’s Safe House Black History Museum and the birthplace of the Black Panther Party in Lowndes County.
"This vignette of local southern history . . . recounts Renfroe's career as sheriff of Sumter County for a little more than two years, followed by six years of bizarre activities as a fugitive from justice before being lynched in July 1886. . . . He led the local Ku Klux Klan in 1868-69, participated in the Meridian riot of 1871, and took part in the killing of two active Republicans, one white and one black, in 1874. Rumors attributed other slayings to this violence-prone man who in 1867 had fled another county after killing his brother-in-law. . . . The story clearly illustrates the violent tactics of the redemption process."—Journal of American History
This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.
Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from TuskegeeUniversity, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
“When these words were written everybody had read or heard of Simon Suggs, the shifty man whose antics had been recorded in many a gusty tale of Alabama frontier life which had drawn laughter and applause from newspaper readers throughout the United States. And everybody, at least in Alabama in the 1850s, knew something about his creator, Johnson Jones Hooper. . . . The immortal Suggs, his alter ego, has kept his name alive and renewed its luster, in a biography that deserves almost unqualified praise. Dr. Hoole’s Alias Simon Suggs is a noteworthy achievement. . . . A milestone in contemporary Alabama scholarship, it will become a standard reference work on the literary and political scene [and] as a distinguished piece of biographical writing, skillfully organized and deftly presented.”—AlabamaReview
Roy Hoffman University of Alabama Press, 2000 Library of Congress PS3558.O34634A78 2000 | Dewey Decimal 813.54
Nebraska Waters is black; Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold on the TV screen and out their window, they are like family--almost.
As Nebraska makes her way, day in and day out, to Vivian's home where she cooks and helps tend the Gold children, the bond between the women both strengthens and frays. The "almost" threatens to widen into a great divide.
The two women's husbands affect their relationship, as do their children. This is particularly true of the youngest children, Viv Waters and Benjamin Gold, who, born the same year, are coming of age in a changing South.
Reminiscent of Peter Taylor's Wife of Nashville, Alfred Uhry's Driving Miss Daisy, and the television series I'll Fly Away, Roy Hoffman's novel explores the relationship that begins when one person goes to work for another, and their friendship, across lines of income, race, and religion, develops dimensions of understanding--and misunderstanding
This volume is the first-ever English translation of the memoirs of Karl Heller, a twenty-year-old aspiring Austrian botanist who traveled to Mexico in 1845 to collect specimens. He passed through the Caribbean, lived for a time in the mountains of Veracruz, and journeyed to Mexico City through the cities of Puebla and Cholula. After a brief residence in the capital, Heller moved westward to examine the volcanoes and silver mines near Toluca.
When the United States invaded Mexico in 1846–47 conditions became chaotic, and the enterprising botanist was forced to flee to Yucatán. Heller lived in the port city of Campeche, but visited Mèrida, the ruins of Uxmal, and the remote southern area of the Champotòn River."
From there Heller, traveling by canoe, journeyed through southern Tabasco and northern Chiapas and finally returned to Vienna through Cuba and the United States bringing back thousands of samples of Mexican plants and animals.
Heller's account is one of the few documents we have from travelers who visited Mexico in this period, and it is particularly useful in describing conditions outside the capital of Mexico City.
In 1853 Heller published his German-language account as Reisen in Mexiko, but the work has remained virtually unknown to English or Spanish readers. This edition now provides a complete, annotated, and highly readable translation.
A daughter of John Gayle (lawyer and political leader who was governor of Alabama from 1831 to 1835), the devoted wife of Josiah Gorgas (chief of ordnance for the Confederacy), and the loving mother of William Crawford Gorgas (surgeon-general of the United States Army) and five other children – Amelia Gayle Gorgas (1826-1913) was all these things and a fascinating person in her own right – an antebellum Southern woman who made the transition to postbellum life and survived the difficult readjustments of the defeated South. Her biography is not just another account of a hero’s daughter, wife, or mother. It presents both the life of an individual who was herself a most attractive and appealing person and a captivating picture of the segment of nineteenth-century American society within which she moved.
The authors skillfully avoid overdramatizing their heroine – though she lived in dramatic times – and emphasize the strength, flexibility, and resiliency that characterized so many of the purportedly fragile, helpless Southern women of her generation. IN turn, Amelia adapted herself readily to the relative prosperity of her early married life as wife of a United States Army officer in Maine, to the tensions and dangers of the Confederate capital Richmond during the Civil War, to the struggle to make a new life in the economically depressed South in the period immediately after the war, and to the postwar pleasures and problems of academic communities at The University of the South in Sewanee, Tennessee, and The University of Alabama in Tuscaloosa, Alabama.
As told by Mary Tabb Johnston and Elizabeth Johnston Lipscomb, the life-story of this extraordinary woman is a delightful, fast-moving narrative indeed – a “good read” for young and old alike. The authors’ scholarship is extensive and penetrating, and yet their style is as graceful and enticing as their subject.
Fakery, authenticity, and identity in American literature and culture at the turn of the 20th century
Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real.
When counterfeiting is applied to individual identities, it fosters fluidityin social boundaries and the games of social climbing and passing that have come to be representative of American culture: the Horatio Alger story, the con man or huckster, the social climber, the ethnically ambiguous.
Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
Elizabeth Stoddard was a gifted writer of fiction, poetry, and journalism; successfully published within her own lifetime; esteemed by such writers as William Dean Howells and Nathaniel Hawthorne; and situated at the epicenter of New York's literary world. Nonetheless, she has been almost excluded from literary memory and importance. This book seeks to understand why. By reconsidering Stoddard’s life and work and her current marginal status in the evolving canon of American literary studies, it raises important questions about women’s writing in the 19th century and canon formation in the 20th century.
Essays in this study locate Stoddard in the context of her contemporaries, such as Dickinson and Hawthorne, while others situate her work in the context of major 19th-century cultural forces and issues, among them the Civil War and Reconstruction, race and ethnicity, anorexia and female invalidism, nationalism and localism, and incest. One essay examines the development of Stoddard's work in the light of her biography, and others probe her stylistic and philosophic originality, the journalistic roots of her voice, and the elliptical themes of her short fiction. Stoddard’s lifelong project to articulate the nature and dynamics of woman's subjectivity, her challenging treatment of female appetite and will, and her depiction of the complex and often ambivalent relationships that white middle-class women had to their domestic spaces are also thoughtfully considered.
The editors argue that the neglect of Elizabeth Stoddard's contribution to American literature is a compelling example of the contingency of critical values and the instability of literary history. This study asks the question, “Will Stoddard endure?” Will she continue to drift into oblivion or will a new generation of readers and critics secure her tenuous legacy?
This work brings various important topics and groups in American religious history the rigor of scholarly assessment of the current literature. The fruitful questions that are posed by the positions and experiences of the various groups are carefully examined. American Denominational History points the way for the next decade of scholarly effort.
Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa?
American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events.
But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
The last quarter of the 18th century was a period of extensive political, economic, and social change in North America, as the continent-wide struggle between European superpowers waned. Native groups found themselves enmeshed in the market economy and new state forms of control, among other new threats to their cultural survival. Native populations throughout North America actively engaged the expanding marketplace in a variety of economic and social forms. These actions, often driven by andexpressed through changes in material culture, were supported by a desire to maintain distinctive ethnic identities.
Illustrating the diversity of Native adaptations in an increasingly hostile and marginalized world, this volume is continental in scope—ranging from Connecticut to the Carolinas, and westward through Texas and Colorado. Calling on various theoretical perspectives, the authors provide nuanced perspectives on material culture use as a manipulation of the market economy. A thorough examination of artifacts used by Native Americans, whether of Euro-American or Native origin, this volume provides a clear view of the realities of the economic and social interactions between Native groups and
the expanding Euro-American population and the engagement of these Native groups in determining their own fate.
American Literary Minimalism
Robert C. Clark University of Alabama Press, 2015 Library of Congress PS366.M55C53 2015 | Dewey Decimal 810.911
Although a handful of books and articles have been written about American literary Minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Ann Beattie was asked how she felt about being “ classed as a minimalist,” she began her answer: “ none of us have ever known what that means.” Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary Minimalism. Robert C. Clark’ s American Literary Minimalism fills this significant gap.
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the Imagists and literary Impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “ form is thought,” and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of Minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway’ s In Our Time; Raymond Carver’ s Cathedral; Jay McInerney’ s Bright Lights, Big City; Susan Minot’ s Monkeys; Sandra Cisneros’ s Caramelo; and Cormac McCarthy’ s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.
This collection of essays highlights the “peculiarly American” issues of public administration ranging from 1870 to 1974, when they were first published. Every contributor was assigned a period of American history and given the opportunity to write on what he or she deemed the most important or relevant concern of that period. This method, employed for this book and the connected National Association of Schools of Public Affairs and Administration conference, resulted in a wide-reaching, if eclectic, collection. Supplanted by Mosher’s impressive summarization of the field throughout the years, the book still holds prominence as a source for scholars, workers, and students alike in public administration.
The essays raise such issues as the education of civil servants, the changes necessitated by crises, the growth of social sciences in governmental concerns, and primarily, the role of public administrators in America. Each author is a distinguished expert in his own right, and each essay can stand alone as a remarkable insight into the changing world of public administration within American society. Frederick Mosher’s expertise and supervision shapes this work into a remarkable and holistic perspective on public administration over time.
A firsthand account of the American Jewish experience on the frontlines.
During the height of the Korean conflict, 1950-51, Orthodox Jewish chaplain Milton J. Rosen wrote 19 feature-length articles for Der Morgen Zhornal, a Yiddish daily in New York, documenting his wartime experiences as well as those of the servicemen under his care.
As chaplain, Rosen was able to offer a unique account of the American Jewish experience on the frontlines and in the United States military while also describing the impact of the American presence on Korean citizens and their culture. His interest in Korean attitudes toward Jews is also a significant theme within these articles.
Stanley R. Rosen has translated his father's articles into English and provides background on Milton Rosen's military service before and after the Korean conflict. He presents an introductory overview of the war which includes helpful maps and photographs. The sum is a readable account of war and its turmoil from an astute and compassionate observer.
In this first effort to define an American scientific community, originally published in 1968, George Daniels has chosen for special study the 56 scientists most published in the 16 scientific journals identified as “national” during the period 1815 to 1845. In this reprint edition, with a new preface and introduction, Daniels shows how American scientists emerged from a disorganized group of amateurs into a professional body sharing a common orientation and common goals.
Oral history by Marines who fought to liberate Kuwait from Saddam Hussein's invading forces.
America's Battalion tells the experiences of one unit, the 3rd Battalion, 3rd Marines, during Operation Desert Storm—the first Gulf War. Building from interviews with the members of the batallion, Otto Lehrack examines the nature of warfare in the Persian Gulf. The terrain of the Arabian Peninsula and the disposition of the enemy dictated conventional warfare requiring battalion and regimental assaults coordinated at the division level, so interviewees are primarily the officers and senior non-commissioned officers concerned.
The 3rd of the 3rd, also known as "America's Battalion," had just returned from deployment in the summer of 1990 when they were required to immediately re-deploy to a strange land to face a battle-hardened enemy after Iraq invaded Kuwait. Theirs was only the second Marine battalion to arrive in Saudi Arabia. They participated in the first allied ground operation of the war, played a key role in the battle for the city of Khafji, and were the first to infiltrate the Iraqi wire and minefield barrier in order to provide flank security for the beginning of the allied offensive.
Facing an enemy that had used some of the most fearsome weapons of mass destruction—chemical and biological agents—against its former opponents and against its own people, the Marines had been prepared for the worst. Lehrack has documented this unit's remarkable performance through the accounts of those who participated in the historic events in the Persian Gulf and returned home to tell of them.
Imagines the development of the Western Hemisphere without European contact and colonization.
This work answers the hypothetical question: What would the Americas be like today— politically, economically, culturally— if Columbus and the Europeans had never found them, and how would American peoples interact with the world's other societies? It assumes that Columbus did not embark from Spain in 1492 and that no Europeans found or settled the New World afterward, leaving the peoples of the two American continents free to follow the natural course of their Native lives.
The Americas That Might Have Been is a professional but layman-accessible, fact-based, nonfiction account of the major Native American political states that were thriving in the New World in 1492. Granberry considers a contemporary New World in which the glories of Aztec Mexico, Maya Middle America, and Inca Peru survived intact. He imagines the roles that the Iroquois Confederacy of the American Northeast, the powerful city-states along the Mississippi River in the Midwest and Southeast, the Navajo Nation and the Pueblo culture of the Southwest, the Eskimo Nation in the Far North, and the Taino/Arawak chiefdoms of the Caribbean would play in American and world politics in the 21st Century.
Following a critical examination of the data using empirical archaeology, linguistics, and ethnohistory, Granberry presents a reasoned and compelling discussion of native cultures and the paths they would have logically taken over the past five centuries. He reveals the spectacular futures these brilliant pre-Columbian societies might have had, if not for one epochal meeting that set off a chain of events so overwhelming to them that the course of human history was forever changed.
Julian Granberry is Language Coordinator with Native American Language Services in Florida and author of numerous publications, including A Grammar and Dictionary of the Timucua Language.
"Offers the latitude to explain a model of cultural evolution based on kinship categories while speculating about hjow several Indian nations might have developed sans colonialism."— North Dakota Quarterly
"Granberry offers scenarios that should have us thinking of the innumerable possible trajectories that these societies might have followed had they not been impacted by Europeans."— Journal of Anthropological Research
Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.
In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.
The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.
In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.
Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
Among the Swamp People is the story of author Watt Key’s discovery of the Mobile-Tensaw River Delta. “The swamp” consists of almost 260,000 acres of wetlands located just north of Mobile Bay. There he leases a habitable outcropping of land and constructs a primitive cabin from driftwood to serve as a private getaway. His story is one that chronicles the beauties of the delta’s unparalleled natural wonders, the difficulties of survival within it, and an extraordinary community of characters—by turns generous and violent, gracious and paranoid, hilarious and reckless—who live, thrive, and perish there.
There is no way into the delta except by small boat. To most it would appear a maze of rivers and creeks between stunted swamp trees and mud. Key observes that there are few places where one can step out of a boat without “sinking to the knees in muck the consistency of axle grease. It is the only place I know where gloom and beauty can coexist at such extremes. And it never occurred to me that a land seemingly so bleak could hide such beauty and adventure.”
It also chronicles Key’s maturation as a writer, from a twenty-five-year-old computer programmer with no formal training as a writer to a highly successful, award-winning writer of fiction for a young adult audience with three acclaimed novels published to date.
In learning to make a place for himself in the wild, as in learning to write, Key’s story is one of “hoping someone—even if just myself—would find value in my creations.”
“A retired major general of the Marine Corps offers here an interpretive history of the campaign culminating in the battle of New Orleans, based on a meticulous review of the sources and employing the perceptive of modern military doctrine. Written with a military regard for precision . . . [the book] nevertheless gathers force and even suspense though its emphasis on the importance f the events at hand . . [T]his is now probably the best book on the topic.”—Choice
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms:Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, andare of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.
Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.
The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
"A stimulating and readable venture in the history of ideas. Blending arguments and material from philosophy, theology, history and science, Rue addresses a fundamental problem in Western Culture: the crisis of meaning and the eclipse of the shared value system upon which personal wholeness and social coherence in the West have been based."
Native American cultures of Puerto Rico prior to the arrival of the Spanish in 1493.
A book on the prehistory of a modern geopolitical entity is artificial. It is unlikely that prehistoric occupants recognized the same boundaries and responded to the same political forces that operated in the formation of current nations, states, or cities. Yet, archaeologists traditionally have produced such volumes and they generally represent anchors for ongoing research in a specific region, in this case the island of Puerto Rico, its immediate neighbors, and the wider Caribbean basin.
To varying degrees, this work addresses issues and draws data from beyond the boundaries of Puerto Rico because in prehistoric times the water between islands likely was not viewed as a boundary in our modern sense of the term. The last few decades have witnessed a growth of intense archaeological research on the island, from material culture in the form of lithics, ceramics, and rock art; to nutritional, architecture, and environmental studies; to rituals and social patterns; to the aftermath of Conquest.
Ancient Borinquen provides a comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology, and it reflects and illuminates similar concerns elsewhere in the West Indies, lowland South America, and Central America.
Within the last 50 years archaeologists have discovered that around the 10th century A.D., native southeastern peoples began a process of cultural change far more complex than anything that had occurred previously. These late prehistoric societies—known as Mississippian—have come to be regarded as chiefdoms. The chiefdoms are of great anthropological interest because in these kinds of societies social hierarchies or rank and status were first institutionalized.
Ancient Chiefdoms of the Tombigbee focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi. Exploring the relationships involving polity size, degree of social ranking, and resource control provides insights into cycles of chiefdom development and fragmentation. Blitz concludes that the sanctified, security maintenance roles of communal food storage management and war leadership were a sufficient basis for formal chiefly authority but insufficient for economically based social stratification.
Archaeologists are unsure exactly when the Maya inhabited the coastal areas of Belize, but ample evidence exists to support an extensive maritime trade network along the coast by A.D. 600 This volume focuses on the maritime trade network sites on Ambergris Caye, Belize where excavations have revealed remnants of very small villages, or camps, along the Caribbean coastline.
Ancient Muses: Archaeology and the Arts
Edited by John H. Jameson Jr., John E. Ehrenhard, and Christine A. Finn University of Alabama Press, 2003 Library of Congress CC75.7.A53 2003 | Dewey Decimal 930.1
Known widely in Europe as "interpretive narrative archaeology," the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This book is the first compilation of international case studies of the various artistic methods used in this new form of education—one that makes archaeology "come alive" for the nonprofessional. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery—all can effectively communicate archaeological processes and cultural values to public audiences.
The 23 contributors to this volume are a diverse group of archaeologists, educators, and artisans who have direct experience in schools, museums, and at archaeological sites. Citing specific examples, such as the film The English Patient, science fiction mysteries, and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize, and demystify the research process. A 16-page color section illuminates their examples, and an accompanying CD includes relevant videos, music, web sites, and additional color images.
In their Introduction, the editors invoke the ancient muses to inspire the modern presenters and interpreters of archaeological research. They aptly quote George Santayana, from his poem "The Power of Art":
". . . may our hands immortalize the day
When life was sweet, and save from utter death
The sacred past that should not pass away."
John H. Jameson Jr. is an archaeologist and John E. Ehrenhard is Director at the National Park Service's Southeast Archeological Center in Tallahassee, Florida. Christine A. Finn is research associate at the Institute of Archaeology at the University of Oxford in England.
Ancient Ocean Crossings paints a compelling picture of impressive pre-Columbian cultures and Old World civilizations that, contrary to many prevailing notions, were not isolated from one another, evolving independently, each in its own hemisphere. Instead, they constituted a “global ecumene,” involving a complex pattern of intermittent but numerous and profoundly consequential contacts.
In Ancient Ocean Crossings:Reconsidering the Case for Contacts with the Pre-Columbian Americas, Stephen Jett encourages readers to reevaluate the common belief that there was no significant interchange between the chiefdoms and civilizations of Eurasia and Africa and peoples who occupied the alleged terra incognita beyond the great oceans.
More than a hundred centuries separate the time that Ice Age hunters are conventionally thought to have crossed a land bridge from Asia into North America and the arrival of Columbus in the Bahamas in 1492. Traditional belief has long held that earth’s two hemispheres were essentially cut off from one another as a result of the post-Pleistocene meltwater-fed rising oceans that covered that bridge. The oceans, along with arctic climates and daunting terrestrial distances, formed impermeable barriers to interhemispheric communication. This viewpoint implies that the cultures of the Old World and those of the Americas developed independently.
Drawing on abundant and concrete evidence to support his theory for significant pre-Columbian contacts, Jett suggests that many ancient peoples had both the seafaring capabilities and the motives to cross the oceans and, in fact, did so repeatedly and with great impact. His deep and broad work synthesizes information and ideas from archaeology, geography, linguistics, climatology, oceanography, ethnobotany, genetics, medicine, and the history of navigation and seafaring, making an innovative and persuasive multidisciplinary case for a new understanding of human societies and their diffuse but interconnected development.
An examination of two seemingly incongruous areas of study: classical models of argumentation and modern modes of digital communication
What can ancient rhetorical theory possibly tell us about the role of new digital media technologies in contemporary public culture? Some central issues we currently deal with—making sense of information abundance, persuading others in our social network, navigating new media ecologies, and shaping broader cultural currents—also pressed upon the ancients.
Ancient Rhetorics and Digital Networks makes this connection explicit, reexamining key figures, texts, concepts, and sensibilities from ancient rhetoric in light of the glow of digital networks, or, ordered conversely, surveying the angles and tangles of digital networks from viewpoints afforded by ancient rhetoric. By providing an orientation grounded in ancient rhetorics, this collection simultaneously historicizes contemporary developments and reenergizes ancient rhetorical vocabularies.
Contributors engage with a variety of digital phenomena including remix, big data, identity and anonymity, memes and virals, visual images, decorum, and networking. Taken together, the essays in Ancient Rhetoricsand Digital Networks help us to understand and navigate some of the fundamental communicative issues we deal with today.
In And I Said No Lord, photographer and writer Joel Katz presents a pictorial chronicle of his travels through the shifting islands of fear and loss, freedom and deliverance that was segregated Mississippi during the Freedom Summer of 1964.
In June 1964, college student Joel Katz boarded a Greyhound bus in Hartford, Connecticut, for Jackson, Mississippi. He carried few possessions—a small bag of clothes, a written invitation to call on Frank Barber, who was special assistant to Governor Paul Johnson, and a Honeywell Pentax H1-A camera with three lenses.
A few days after his arrival in Jackson, the city’s Daily News ran on its front page an FBI alert seeking Andrew Goodman, James Chaney, and Michael Schwerner, three field workers from the Congress of Racial Equality (CORE) who’d gone missing while investigating a church burning in Neshoba County.
In the uneasy silence of their disappearance, Katz began a seven-week journey across the state. Along the way, he met the people of Mississippi, black and white, of all ages and classes, from the humble to the grand. These Mississippians encouraged or obstructed change in their traditional culture or simply observed the edifice of that culture tremble and fall.
During 1964’s Freedom Summer, Katz met ministers making history and journalists writing it. He photographed Martin Luther King Jr. and James Abernathy, taught at a freedom school, interviewed a leader of the White Citizens Councils, was harassed by Jackson police, and escaped death in Vicksburg. Six weeks after Katz arrived in Mississippi, the FBI found the bodies of Goodman, Chaney, and Schwerner in an earthen dam.
Inspired by the social documentary photographs of Walker Evans and Robert Frank, Katz snapped hauntingly quotidian photos on his Pentax camera. Amid acts of brutal savagery and transcendent courage that transfixed the nation, Katz discovered resilient individuals living quiet lives worthy of witness. And I Said No Lord is a moving and luminous record of Americans in evolution.
Winner of the Elizabeth Agee Prize in American Literature
In Animal, Vegetable, Digital, Elizabeth Swanstrom makes a confident and spirited argument for the use of digital art in support of ameliorating human engagement with the environment and suggests a four-part framework for analyzing and discussing such applications.
Through close readings of a panoply of texts, artworks, and cultural artifacts, Swanstrom demonstrates that the division popular culture has for decades observed between nature and technology is artificial. Not only is digital technology not necessarily a brick in the road to a dystopian future of environmental disaster, but digital art forms can be a revivifying bridge that returns people to a more immediate relationship to nature as well as their own embodied selves.
To analyze and understand the intersection of digital art and nature, Animal, Vegetable, Digital explores four aesthetic techniques: coding, collapsing, corresponding, and conserving. “Coding” denotes the way artists use operational computer code to blur distinctions between the reader and text, and, hence, the world. Inviting a fluid conception of the boundary between human and technology, “collapsing” voids simplistic assumptions about the human body’s innate perimeter. The process of translation between natural and human-readable signs that enables communication is described as “corresponding.” “Conserving” is the application of digital art by artists to democratize large- and small-scale preservation efforts.
A fascinating synthesis of literary criticism, communications and journalism, science and technology, and rhetoric that draws on such disparate phenomena as simulated environments, video games, and popular culture, Animal, Vegetable, Digital posits that partnerships between digital aesthetics and environmental criticism are possible that reconnect humankind to nature and reaffirm its kinship with other living and nonliving things.
Lawrence A. Coben University of Alabama Press, 2011 Library of Congress DS135.U43D543 2007 | Dewey Decimal 947.76
A rare view of a childhood in a European ghetto.
Anna Spector was born in 1905 in Korsun, a Ukrainian town on the Ros River, eighty miles south of Kiev. Held by Poland until 1768 and annexed by the Tsar in 1793 Korsun and its fluid ethnic population were characteristic of the Pale of Settlement in Eastern Europe: comprised of Ukrainians, Cossacks, Jews and other groups living uneasily together in relationships punctuated by violence. Anna’s father left Korsun in 1912 to immigrate to America, and Anna left in 1919, having lived through the Great War, the Bolshevik Revolution, and part of the ensuing civil war, as well as several episodes of more or less organized pogroms—deadly anti-Jewish riots begun by various invading military detachments during the Russian Civil War and joined by some of Korsun’s peasants.
In the early 1990s Anna met Lawrence A. Coben, a medical doctor seeking information about the shtetls to recapture a sense of his own heritage. Anna had near-perfect recall of her daily life as a girl and young woman in the last days in one of those historic but doomed communities. Her rare account, the product of some 300 interviews, is valuable because most personal memoirs of ghetto life are written by men. Also, very often, Christian neighbors appear in ghetto accounts as a stolid peasant mass assembled on market days, as destructive mobs, or as an arrogant and distant collection of government officials and nobility. Anna’s story is exceptionally rich in a sense of the Korsun Christians as friends, neighbors, and individuals.
Although the Jewish communities in Eastern Europe are now virtually gone, less than 100 years ago they counted a population of millions. The firsthand records we have from that lost world are therefore important, and this view from the underrecorded lives of women and the young is particularly welcome.
Stark and vibrant, the two halves of this sutured book expose the Frankenstein-like scars of the assemblage we call “human.”
In “Another Governess” a woman in a decaying manor tries to piece together her own story. In “The Least Blacksmith” a man cannot help but fail his older brother as they struggle to run their father’s forge.
Each of the stories stands alone, sharing neither characters nor settings. But together, they ask the same question: What are the wages of being? The relentless darkness of these tales is punctured by hope—the violent hope of the speaking subject.
Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor.
Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young's "Vodou Headwashing Ceremony" to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of )ohn Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry.
Hank Lazer's introductory essay about "Kudzu textuality" contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
The 18th-century South was a true melting pot, bringing together colonists from England, France, Germany, Ireland, Switzerland, and other locations, in addition to African slaves—all of whom shared in the experiences of adapting to a new environment and interacting with American Indians. The shared process of immigration, adaptation, and creolization resulted in a rich and diverse historic mosaic of cultures.
The cultural encounters of these groups of settlers would ultimately define the meaning of life in the 19th-century South. The much-studied plantation society of that era and the Confederacy that sprang from it have become the enduring identities of the South. A full understanding of southern history is not possible, however, without first understanding the intermingling and interactions of the region's 18th-century settlers. In the essays collected here, some of the South's leading historical archaeologists examine various aspects of the colonial experience, attempting to understand how cultural identity was expressed, why cultural diversity was eventually replaced by a common identity, and how the various cultures intermeshed.
Written in accessible language, this book will be valuable to archaeologists and non-archaeologists alike. Cultural, architectural, and military historians, cultural anthropologists, geographers, genealogists, and others interested in the cultural legacy of the South will find much of value in this book.
In the Southeast, where the written record goes back five hundred years, historical archaeology is a subdivision of history as well as anthropology, for the compleat historical archaeologist mines all sources. The contributors to this volume on the colonial Carolinas and Georgia ask historical questions, provide ample historical contexts, and present their findings in the common language of scholarship.—The Journal of Southern History
Ante-Bellum Alabama: Town and Country was written to give the reader insight into importaant facers of Alabama’s ante-bellum history. Presented in the form of case studies from the pre—Civil War period, the book deals with a city, a town, a planter’s family, rural social life, attitudes concerning race, and Alabama’s early agricultural and industrial development.
Ante-bellum Alabama’s primary interest was agriculture; the chief crop was King Cotton; and most of the people were agriculturalists. Towns and cities came into existence to supply the agricultural needs of the state and to process and distribute farm commodities. Similarly, Alabama’s industrial development began with the manufacture of implements for farm use, in response to the state’s agricultural needs. Rural-agriculture influences dominated the American scene; and in this respect Alabama was typical of her region as well as of most of the United States.
Anthropologists and Indians in the New South
Edited by Rachel Bonney and J. Anthony Paredes, and foreword by Raymond D. Fogelson, with contributions from Patricia Lerch, Lisa J. Lefler, Janet E. Levy, MaxE. White, Susan S. Stans, George Roth, Allan Burns, Penny Jessel, Emanuel J. Drechsel, etc. University of Alabama Press, 2001 Library of Congress E78.S65A658 2001 | Dewey Decimal 975.00497
Choice Outstanding Academic Title for 2002
An important collection of essays that looks at the changing relationships between anthropologists and Indians at the turn of the millennium.
Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of "wannabe" Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in "Old South" days.
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the "lost Indian ancestor" myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.
Rachel A. Bonney is Associate Professor of Anthropology at the University of North Carolina at Charlotte. J. Anthony Paredes is Chief of Ethnography and Indian Affairs in the Southeast Regional Office of the National Park Service and editor of Indians of the Southeastern United States in the Late 20th Century. Raymond D. Fogelson is Professor of Anthropology at the University of Chicago and author of The Cherokees.
"Anthropologists and Indians in the New South reaches beyond the Southeast to touch on issues in all areas of Native American studies and on contemporary methodological and ethical issues in anthropology and other fields such as history. It makes an excellent resource for research as well as teaching. . . . invaluable to any course about Native American culture, history, and contemporary issues."—American Indian Culture and Research Journal
"A nice contribution to the Southeastern anthropological literature for several reasons. First, it highlights the increasingly positive rapprochement between anthropologists and Indians rather than dwelling on the negative, as is so often done. Levy's article on the positive outcomes of NAGPRA is an example of this refreshing perspective. Second, it focuses on the changing relations between these two groups, reminding us that all cultures change; anthropology is no exception. Finally, all of the articles are tied together by the common theme of how anthropology has changed as the relationships between anthropologists and Indians change. Maintaining a strong theme throughout an edited volume is no easy task, especially when there are so many authors. Bonney and Paredes have done a commendable job in keeping this theme alive in each of the chapters and in the introductions to each section. Regardless of one's position on applied anthropology, readers will find the case studies presented here to informatively and succinctly characterize the changing nature of anthropologist-Indian relations in the Southeast today."—Southeastern Archaeology
Anthropology and the Politics of Representation examines the inherently problematic nature of representation and description of living people, specifically in ethnography and more generally in anthropological work as a whole.
In Anthropology and the Politics of Representation volume editor Gabriela Vargas-Cetina brings together a group of international scholars who, through their fieldwork experiences, reflect on the epistemological, political, and personal implications of their own work. To do so, they focus on such topics as ethnography, anthropologists’ engagement in identity politics, representational practices, the contexts of anthropological research and work, and the effects of personal choices regarding self-involvement in local causes that may extend beyond purely ethnographic goals.
Such reflections raise a number of ethnographic questions: What are ethnographic goals? Who sets the agenda for ethnographic writing? How does fieldwork change the anthropologist’s identity? Do ethnography and ethnographers have an impact on local lives and self-representation? How do anthropologists balance long-held respect for cultural diversity with advocacy for local people? How does an author choose what to say and write, and what not to disclose? Should anthropologists support causes that may require going against their informed knowledge of local lives?
Steffan Igor Ayora-Diaz / Beth A. Conklin
/ Les W. Field / Katie Glaskin / Frederic W.
Gleach / Tracey Heatherington / June C.
Nash / Bernard C. Perley / Vilma Santiago-
Irizarry / Timothy J. Smith / Sergey
Sokolovskiy / David Stoll / Gabriela Vargas-
Cetina / Thomas M. Wilson
A fundamental work on the peopling of the Americas.
This volume, originally published in 1922, constitutes the most complete summary of anthropological information on Florida up until that point. Not only does it consider all previous research on Florida archaeology, physical anthropology, and aboriginal history, it also contains Hrdlicka’s analysis of every human bone from Florida that he could find in collections. He made remarkably accurate observations about the general physical types of prehistoric Florida Indians and how they compared to native peoples of surrounding regions.
This reissue of Charles Jones's classic investigations of the Mound Builders will be an invaluable resource for archaeologists today.
Long a classic of southeastern archaeology, Charles Jones'sAntiquities of the Southern Indians was a groundbreaking work that linked historic tribes with prehistoric "antiquities." Published in 1873, it predated the work of Cyrus Thomas and Clarence Moore and remains a rich resource for modern scholars.
Jones was a pioneer of archaeology who not only excavated important sites but also related his findings to other sites, to contemporary Indians, and to artifacts from other areas. His work covers all of the southeastern states, from Virginia to Louisiana, and is noted for its insights into the De Soto expedition and the history of the Creek Indians.
Best known for refuting the popular myth of the Mound Builders, Jones proposed a connection between living Native Americans of the 1800s and the prehistoric peoples who had created the Southeast's large earthen mounds. His early research and culture comparisons led to the eventual demise of the Mound Builder myth.
For this reissue of Jones's book, a new introduction by Frank Schnell places Jones's work in the context of his times and relates it to current research in the Southeast. An engagingly written work enhanced by numerous maps and engravings, Antiquities of the Southern Indians will serve today's scholars and fascinate all readers interested in the region's prehistory.
Frank T. Schnell Jr. is an Archaeologist and Historian at the Columbus Museum in Columbus, Georgia.
This book is a compilation of current research that investigates various aspects of musical experience and stresses the practical applications and implications of investigating music behavior in a systematic, objective manner. Specifically, the book focuses on factors influencing the teaching of children; efficient methods for instructing future teachers; elements affecting musical perception, likes, and dislikes; and innovative efforts to investigate new areas of study. Recent studies by twenty-six nationally known educators that use objective strategies associated with experimental and behavioral research are presented to illustrate how people learn about music and how people are taught to make music. The research studies are introduced by an article emphasizing the usefulness of research literature in devising a teaching strategy and are grouped into four sections: Teaching Music to Children, Teaching Future Teachers, Preference and Perception, and New Horizons. The concluding article is an allegorical proposal for balance and perspective in the consideration of music education.
The latest on the rapidly growing use of innovative archaeological remote sensing for anthropological applications in North America.
Updating the highly praised 2006 publication Remote Sensing in Archaeology, edited by Jay K. Johnson, Archaeological Remote Sensing in North America: Innovative Techniques for Anthropological Applications is a must-have volume for today’s archaeologist. Targeted to practitioners of archaeological remote sensing as well as students, this suite of current and exemplary applications adheres to high standards for methodology, processing, presentation, and interpretation.
The use of remote sensing technologies to address academic and applied archaeological and anthropological research problems is growing at a tremendous rate in North America. Fueling this growth are new research paradigms using innovative instrumentation technologies and broader-area data collection methods. Increasingly, investigators pursuing these new approaches are integrating remote sensing data collection with theory-based interpretations to address anthropological questions within larger research programs.
In this indispensable volume, case studies from around the country demonstrate the technically diverse and major remote sensing methods and their integration with relevant technologies, such as geographic information systems (GIS) and global positioning systems (GPS), and include various uses of the “big four”: magnetometry, resistivity, ground-penetrating radar (GPR), and electromagnetic induction.
The study explores four major anthropological themes: site structure and community organization; technological transformation and economic change; archaeological landscapes; and earthen mound construction and composition. Concluding commentary from renowned expert Kenneth L. Kvamme overviews the practices, advances, and trends of geophysics and remote sensing in the past decade.
The field data and archaeological analysis of the first controlled excavations of the vast "City of the Gods" in central Mexico.
In 1932, the Ethnographical Museum of Sweden sent an archaeological expedition to Mexico under the direction of Sigvald Linné to determine the full extent of this ancient Teotihuacan occupation and to collect exhibit-quality artifacts. Of an estimated 2000-plus residential compounds at Teotihuacan, only 20 apartmentlike structures were excavated at the time. Yet Linné's work revealed residential patterns that have been confirmed later in other locations. Some of the curated objects from the Valley of Mexico and the adjacent state of Puebla are among the most rare and unique artifacts yet found. Another important aspect of this research was that, with the aid of the Museum of Natural History in Washington, Linné's team conducted ethnographic interviews with remnant native Mexican peoples whose culture had not been entirely destroyed by the Conquest, thereby collecting and preserving valuable information for later research.
Sigvald Linné was Professor of Ethnography at the University of Stockholm and Director of the Swedish National Museum of Ethnography until 1969. He published several other books, including The Technique of South American Ceramics.Staffan Brunius is Curator of the Americas at the National Museum of Ethnography in Stockholm. George L. Cowgillis Professor of Anthropology at Arizona State University and coeditor of The Collapse of Ancient States and Civilizations.
David L. DeJarnette, the founder of scientific archaeology in the state of Alabama, reports on archaeological surveys and excavations undertaken in the Chattahoochee River Valley between 1947 and 1962. The three contributors, Wesley R. Hurt, Edward B. Kurjack, and Fred Lamar Pearson Jr., each made signal contributions to the archaeology of the southeastern states. With their mentor, David L. DeJarnette, they worked out a viable cultural chronology of the region from the earliest Paleoindian and Archaic foragers to the period of early European-Indian contact. They excavated key sites, including the Woodland period Shorter Mound, the protohistoric Abercrombie village, and Spanish Fort Apalachicola, in addition to a number of important Creek Indian town sites of the eighteenth century. All are here, illustrated abundantly by site photographs, maps, and of course, the artifacts recovered from these remarkable investigations.
Copublication with the Historic Chattahoochee Commission
A classic work by three important scholars who document prehistoric human occupation along the lower reaches of the continent's largest river.
The Lower Mississippi Survey was initiated in 1939 as a joint undertaking of three institutions: the School of Geology at Louisiana State University, the Museum of Anthropology at the University of Michigan, and the Peabody Museum at Harvard. Fieldwork began in 1940 but was halted during the war years. When fieldwork resumed in 1946, James Ford had joined the American Museum of Natural History, which assumed cosponsorship from LSU. The purpose of the Lower Mississippi Survey (LMS)—a term used to identify both the fieldwork and the resultant volume—was to investigate the northern two-thirds of the alluvial valley of the lower Mississippi River, roughly from the mouth of the Ohio River to Vicksburg. This area covers about 350 miles and had been long regarded as one of the principal hot spots in eastern North American archaeology.
Phillips, Ford, and Griffin surveyed over 12,000 square miles, identified 382 archaeological sites, and analyzed over 350,000 potsherds in order to define ceramic typologies and establish a number of cultural periods. The commitment of these scholars to developing a coherent understanding of the archaeology of the area, as well as their mutual respect for one another, enabled the publication of what is now commonly considered the bible of southeastern archaeology. Originally published in 1951 as volume 25 of the Papers of the Peabody Museum of American Archaeology and Ethnology, this work has been long out of print.
Because Stephen Williams served for 35 years as director of the LMS at Harvard, succeeding Phillips, and was closely associated with the authors during their lifetimes, his new introduction offers a broad overview of the work's influence and value, placing it in a contemporary context.
"Meant for the expert and informed layman, it sets a standard for archaeological studies."—Journal of the West
"One of the important classics in the field. . . Incredibly influential over the decades. . . . Enhancing this timeless volume, the new edition contains four very useful indexes (general, site descriptors, pottery descriptors, and other artifacts). . . .This book should not be an old tome gathering dust on the shelf, but a resource in constant use for reference and inspiration. Students of archaeology should read it as an example of one of the first great syntheses. Nobody should conduct archaeological research in the Southeast without knowing it."—Journal of Alabama Archaeology
"For anyone who has tried long and hard to find a copy of the original, this reprinted volume is a godsend. . . . To say that this 1951 study is a classic is a major understatement. Not only did the volume set the foundation for much of the research conducted within the LMV since that time, it had a significant imapct upon how that research was (and still is) conducted. Names of many of the periods, cultures, and pottery types (even some pottery varieties) that today are commonly employed across the region owe their genesis to PF&G. . . . No archaeologist working in the LMV, and certainly none within the state of Mississippi, should be without a copy. . . . There is no excuse not to have this study now that it is available again at a reasonable price. If you do not yet have a copy, go get one now! You will be very glad that you did."—Mississippi Archaeology
New scholarship provides insights into the archaeology and cultural history of African American life from a collection of sites in the Mid-Atlantic.
This groundbreaking volume explores the archaeology of African American life and cultures in the Upper Mid-Atlantic region, using sites dating from the eighteenth through the twentieth centuries. Sites in Delaware, Pennsylvania, New Jersey, and New York are all examined, highlighting the potential for historical archaeology to illuminate the often overlooked contributions and experiences of the region’s free and enslaved African American settlers.
Archaeologies of African American Life in the Upper Mid-Atlantic brings together cutting-edge scholarship from both emerging and established scholars. Analyzing the research through sophisticated theoretical lenses and employing up-to-date methodologies, the essays reveal the diverse ways in which African Americans reacted to and resisted the challenges posed by life in a borderland between the North and South through the transition from slavery to freedom. In addition to extensive archival research, contributors synthesize the material finds of archaeological work in slave quarter sites, tenant farms, communities, and graveyards.
Editors Michael J. Gall and Richard F. Veit have gathered new and nuanced perspectives on the important role free and enslaved African Americans played in the region’s cultural history. This collection provides scholars of the Mid-Atlantic and Northeast regions, African American studies, material culture studies, religious studies, slavery, the African diaspora, and historical archaeologists with a well-balanced array of rural archaeological sites that represent cultural traditions and developments among African Americans in the region. Collectively, these sites illustrate African Americans’ formation of fluid cultural and racial identities, communities, religious traditions, and modes of navigating complex cultural landscapes in the region under harsh and disenfranchising circumstances.
Could archaeologists benefit contemporary cultures and be a factor in solving world problems? Can archaeologists help individuals? Can archaeologists change the world? These questions form the root of “archaeology activism” or “activist archaeology”: using archaeology to advocate for and affect change in contemporary communities.
Archaeologists currently change the world through the products of their archaeological research that contribute to our collective historical and cultural knowledge. Their work helps to shape and reshape our perceptions of the past and our understanding of written history. Archaeologists affect contemporary communities through the consequences of their work as they become embroiled in controversies over negotiating the past and the present with native peoples. Beyond the obvious economic contributions to local communities caused by heritage tourism established on the research of archaeologists at cultural sites, archaeologists have begun to use the process of their work as a means to benefit the public and even advocate for communities.
In this volume, Stottman and his colleagues examine the various ways in which archaeologists can and do use their research to forge a partnership with the past and guide the ongoing dialogue between the archaeological record and the various contemporary stakeholders. They draw inspiration and guidance
from applied anthropology, social history, public history, heritage studies, museum studies, historic preservation, philosophy, and education to develop an activist approach to archaeology—theoretically, methodologically, and ethically.
Addressing the use of geoinformatics in Caribbean archaeology, this volume is based on case studies drawn from specific island territories, namely, Barbados, St. John, Puerto Rico, Jamaica, Nevis, St. Eustatius, and Trinidad and Tobago, as well as inter-island interaction and landscape conceptualization in the Caribbean region. Geoinformatics is especially critical within the Caribbean where site destruction is intense due to storm surges, hurricanes, ocean and riverine erosion, urbanization, industrialization, and agriculture, as well as commercial development along the very waterfronts that were home to many prehistoric peoples. By demonstrating that the region is fertile ground for the application of geoinformatics in archaeology, this volume places a well-needed scholarly spotlight on the Caribbean.
Douglas V. Armstrong, Ivor Conolley, Kevin Farmer, R. Grant Gilmore III, Mark W. Hauser, Eric Klingelhofer, David W. Knight, Roger H. Leech, Stephan Lenik, Parris Lyew-Ayee, Bheshem Ramlal, Basil A. Reid, Reniel Rodríguez, Joshua M. Torres
100 years of archaeological excavations at an important American landmark.
The Shiloh Indian Mounds archaeological site, a National Historic Landmark, is a late prehistoric community within the boundaries of the Shiloh National Military Park on the banks of the Tennessee River, where one of the bloodiest battles of the Civil War was fought in April 1862. Dating between AD 1000 and 1450, the archaeological site includes at least eight mounds and more than 100 houses. It is unique in that the land has never been plowed, so visitors can walk around the area and find the collapsed remains of 800-year-old houses and the 900-meter-long palisade with bastions that protected the village in prehistoric times. Although its location within a National Park boundary has protected the area from the recent ravages of man, river bank erosion began to undermine the site in the 1970s. In the mid-1990s, Paul Welch began a four-year investigation culminating in a comprehensive report to the National Park Service on the Shiloh Indian Mounds.
These published findings confirm that the Shiloh site was one of at least fourteen Mississippian mound sites located within a 50 km area and that Shiloh was abandoned in approximately AD 1450. It also establishes other parameters for the Shiloh archaeological phase. This current volume is intended to make information about the first 100 years of excavations at the Shiloh site available to the archaeological community.
Paul D. Welch is an Associate Professor of Anthropology at Southern Illionois University, Carbondale, and is the author of Moundville's Economy.
Fort Polk Military Reservation encompasses approximately 139,000 acres in western Louisiana 40 miles southwest of Alexandria. As a result of federal mandates for cultural resource investigation, more archaeological work has been undertaken there, beginning in the 1970s, than has occurred at any other comparably sized area in Louisiana or at most other localities in the southeastern United States. The extensive program of survey, excavation, testing, and large-scale data and artifact recovery, as well as historic and archival research, has yielded a massive amount of information. While superbly curated by the U.S. Army, the material has been difficult to examine and comprehend in its totality.
With this volume, Anderson and Smith collate and synthesize all the information into a comprehensive whole. Included are previous investigations, an overview of local environmental conditions, base military history and architecture, and the prehistoric and historic cultural sequence. An analysis of location, environmental, and assemblage data employing a sample of more than 2,800 sites and isolated finds was used to develop a predictive model that identifies areas where significant cultural resources are likely to occur. Developed in 1995, this model has already proven to be highly accurate and easy to use.
Archaeology, History, and Predictive Modeling will allow scholars to more easily examine the record of human activity over the past 13,000 or more years in this part of western Louisiana and adjacent portions of east Texas. It will be useful to southeastern archaeologists and anthropologists, both professional and amateur.
David G. Anderson is an archaeologist with the National Park Service's Southeast Archeological Center in Tallahassee, Florida, and coeditor of The Woodland Southeast.Steven D. Smith is with SCIAA in Columbia, South Carolina. J.W. Joseph and Mary Beth Reed are with New South Associates in Stone Mountain, Georgia.
Across the social sciences, gradualist evolutionary models of historical dynamics are giving way to explanations focused on the punctuated and contingent “ events” through which history is actually experienced. The Archaeology of Events is the first book-length work that systematically applies this new eventful approach to major developments in the pre-Columbian Southeast.
Traditional accounts of pre-Columbian societies often portray them as “ cold” and unchanging for centuries or millennia. Events-based analyses have opened up archaeological discourse to the more nuanced and flexible idea of context-specific, rapidly transpiring, and broadly consequential historical “ events” as catalysts of cultural change.
The Archaeology of Events, edited by Zackary I. Gilmore and Jason M. O’ Donoughue, considers a variety of perspectives on the nature and scale of events and their role in historical change. These perspectives are applied to a broad range of archeological contexts stretching across the Southeast and spanning more than 7,000 years of the region’ s pre-Columbian history. New data suggest that several of this region’ s most pivotal historical developments, such as the founding of Cahokia, the transformation of Moundville from urban center to vacated necropolis, and the construction of Poverty Point’ s Mound A, were not protracted incremental processes, but rather watershed moments that significantly altered the long-term trajectories of indigenous Southeastern societies.
In addition to exceptional occurrences that impacted entire communities or peoples, southeastern archaeologists are increasingly recognizing the historical importance of localized, everyday events, such as building a house, crafting a pot, or depositing shell. The essays collected by Gilmore and O’ Donoughue show that small-scale events can make significant contributions to the unfolding of broad, regional-scale historical processes and to the reproduction or transformation of social structures.
The Archaeology of Events is the first volume to explore the archaeological record of events in the Southeastern United States, the methodologies that archaeologists bring to bear on this kind of research, and considerations of the event as an important theoretical concept.
Complex Mississippian polities were neither developed nor sustained in a vacuum. A broad range of small-scale social groups played a variety of roles in the emergence of regionally organized political hierarchies that governed large-scale ceremonial centers. Recent research has revealed the extent to which interactions among corporately organized clans led to the development, success, and collapse of Moundville. These insights into Moundville’s social complexity are based primarily on the study of monumental architecture and mortuary ceremonialism. Less is known about how everyday domestic practices produced and were produced by broader networks of power and inequality in the region.
Wilson’s research addresses this gap in our understanding by analyzing and interpreting large-scale architectural and ceramic data sets from domestic contexts. This study has revealed that the early Mississippian Moundville community consisted of numerous spatially discrete multi-household groups, similar to ethnohistorically described kin groups from the southeastern United States. Hosting feasts, dances, and other ceremonial events were important strategies by which elite groups created social debts and legitimized their positions of authority. Non-elite groups, on the other hand, maintained considerable economic and ritual autonomy through diversified production activities, risk sharing, and household ceremonialism. Organizational changes in Moundville’s residential occupation highlight the different ways kin groups defined and redefined their corporate status and identities over the long term.
Benjamin A. Steere’s compelling study explores the evolution of houses and households in the southeastern United States from the Woodland to the Historic Indian period (ca. 200 BC to 1800 AD).
The Archaeology of Houses and Households in the Native Southeast contributes enormously to the study of household archaeology and domestic architecture in the region. This significant volume combines both previously published and unpublished data on communities from the Southeast and is the first systematic attempt to understand the development of houses and households as interpreted through a theoretical framework developed from broad-ranging studies in cultural anthropology and archaeology.
Steere’s major achievement is the compilation of one of the largest and most detailed architectural datasets for the Southeast, including data for 1,258 domestic and public structures from 65 archaeological sites in North Carolina, Georgia, Alabama, Tennessee, Kentucky, and the southern parts of Missouri, Indiana, and Illinois. Rare data from hard-to-find cultural resource management reports is also incorporated, creating a broad temporal and geographic scope and serving as one of many remarkable features of the book, which is sure to be of considerable value to archaeologists and anthropologists interested in comparative studies of architecture.
Similar to other analyses, Steere’s research uses multiple theoretical angles and lines of evidence to answer archaeological questions about houses and the people who built them. However, unlike other examinations of household archaeology, this project spans multiple time periods (Woodland, Mississippian, and Historic); is focused squarely on the Southeast; features a more unified approach, using data from a single, uniform database; and privileges domestic architecture as a line of evidence for reconstructing daily life at major archaeological sites on a much broader scale than other investigations.
Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation.
A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.
A 17th-century trading post and Indian town in central Georgia reveal evidence of culture contact and change.
Ocmulgee Old Fields near Macon, Georgia, is the site of a Lower Creek village and associated English trading house dating from the late 17th and early 18th centuries. It was excavated in the early 1930s as part of a WPA project directed by A. R. Kelly, which focused primarily on the major Mississippian temple mounds of Macon Plateau. The specific data for the Old Fields was not analyzed until nearly 30 years after the excavation.
Part of the significance of this site lies in its secure identification with a known group of people and the linkage of those people with recognizable archaeological remains. The Old Fields site was among the very first for which this kind of identification was possible and stands at the head of a continuing tradition of historic sites archaeology in the Southeast.
Carol I. Mason's classic study of the Ocmulgee Old Fields site has been a model for contact-period Indian archaeology since the 1960s. The report includes a discussion of the historic setting and an analysis of the archaeological materials with an identification of the Lower Creek town and possibly of the English trader who lived there. Now, for the first time, the original report is widely available in book form. With a new foreword by the author and a new introduction from Southeastern archaeology expert Marvin T. Smith, readers have the benefit of a contemporary view of this very fine piece of careful scholarship.
Carol I. Mason is Adjunct Professor of Archaeology at Lawrence University in Appleton, Wisconsin, and author of Wisconsin Indians: Prehistory to Statehood.Marvin T. Smith is Professor of Anthropology at Valdosta State University and author of Coosa: The Rise and Fall of a Southeastern Mississippian Chiefdom.
"This volume is valuable as a landmark in Southeastern research. It is somewhat outdated in its archaeological comparisons, but it is an excellent source for site findings and historical documentation. . . . The book provides greater insight into more current documents on the topic of these early relationships between the Old and New Worlds in the Southeast. It is a starting point from which to move forward and is valuable as a catalyst for future research."—Southeastern Archaeology
" Mason's work presents the analysis and interpretation of a large body of material excavated by Works Progress Administration archaeologists during the 1930s and, in this case, continued into the 1940s. Large-scale projects, undertaken by field crews numbering in the hundreds of workers, amassed quantities of artifactual material and supporting documentation. In many instances, substantial amounts of material remain unanalyzed and unreported to this day. . . . The Ocmulgee Old Fields site with its mix of indigenous and European people, local material culture and trade goods, and varied functions represents an opportunity to study the Lower Creeks between 1670 and 1717. . . .I recommend (this volume) to all colleagues laboring to understand the early historic peiod in the Southeast."—The Florida Anthropologist
"A masterful blend of meticulous archaeological analysis and wide-ranging historical research . . . with extraordinary style and wisdom."—Journal of Field Archaeology
The rapid growth and development of urban areas in the South have resulted in an increase in the number of urban archaeology projects required by federal and state agencies. These projects provide opportunities not only to investigate marginal areas between the town and countryside but also to recover information long buried beneath the earliest urban structures. Such projects have also created a need for a one-volume update on archaeology as it is practiced in the urban areas of the southeastern United States.
Archaeology of Southern Urban Landscapes will assist practitioners and scholars in the burgeoning fields of urban and landscape archaeology by treating the South as a distinctive social, geographic, and material entity and by focusing on the urban South rather than the stereotypical South of rural plantations. The case studies in this volume span the entire southeastern United States, from Annapolis to New Orleans and from colonial times to the 19th century. The authors address questions involving the function of cities, interregional diversity, the evolution of the urban landscape, and the impact of the urban landscape on southern culture. By identifying the relationship between southern culture and the South's urban landscapes, this book will help us understand the built landscape of the past and predict future growth in the region.
The volume includes:
Introduction: Urban Archaeology in the South, Amy L. Young
Southern Town Plans, Storytelling, and Historical Archaeology, Linda Derry
Mobile's Waterfront: The Development of a Port City, Bonnie L. Gums and George W. Shorter Jr.
Urbanism in the Colonial South: The Development of Seventeenth-Century Jamestown, Audrey J. Horning
Archaeology at Covington, Kentucky: A Particularly "Northern-looking" Southern City, Robert A. Genheimer
Charleston's Powder Magazine and the Development of a Southern City, Martha A. Zierden
Archaeology and the African-American Experience in the Urban South, J. W. Joseph
Ethnicity in the Urban Landscape: The Archaeology of Creole New Orleans, Shannon Lee Dawdy
Developing Town Life in the South: Archaeological Investigations at Blount Mansion, Amy L. Young
The Making of the Ancient City: Annapolis in the Antebellum Era, Christopher N. Matthews
Urban Archaeology in Tennessee: Exploring the Cities of the Old South, Patrick H. Garrow
Archaeological Views of Southern Culture and Urban Life, Paul R. Mullins and Terry H. Klein
A classic work detailing an 11,000-year period of human culture within the largest river system of North America.
The earliest recorded description of the Central Mississippi Valley and its inhabitants is contained within the DeSoto chronicles written after the conquistadors passed through the area between 1539 and 1543. In 1882 a field agent for the Bureau of American Ethnology conducted the first systematic archaeological survey of the region, an area that extends from near the mouth of the Ohio River to the mouth of the Arkansas River, bounded on the east by the Mississippi River and on the west by the Ozark Highlands and Grand Prairie. One hundred years later, the authors produced this first comprehensive overview of all of the archaeological research conducted in the valley during the interim. It is a well-organized compendium, written with both the professional archaeologist and the layperson in mind, and is profusely illustrated with maps, charts, artifact photographs, and drawings. This volume was the first published history of the archaeology of the region and stands as the basic resource for that work today.
The Muskogee Indians who lived along the lower Chattahoochee and Flint River watersheds had, and continue to have, a profound influence on the development of the southeastern United States, especially during the historic period (circa 1540–1836). Our knowledge of that culture is limited to what we can learn from their descendants and from archaeological and historical sources.
Combining historical documents and archaeological research on all known Lower Muskogee Creek sites, Thomas Foster has accurately pinpointed town locations discussed in the literature and reported in contemporary Creek oral histories. In so doing, this volume synthesizes the archaeological diversity and variation within the Lower Creek Indians between 1715 and 1836. The book is a study of archaeological methods because it analyzes the temporal and geographic variation within a single archaeological phase and the biases of that archaeological data. Foster's research segregates the variation between Lower Creek Indian towns through a regional and direct historic approach. Consequently, he is able to discern the unique differences between individual Creek Indian towns.
Foster argues that the study of Creek Indian history should be at the level of towns instead of archaeological phases and that there is significant continuity between the culture of the Historic Period Indians and the Prehistoric and Protohistoric peoples.
H. Thomas Foster II, a specialist in archaeology and human ecology, is Lecturer of Anthropology at Northern Kentucky University and editor ofThe Collected Works of Benjamin Hawkins, 1796–1810. Mary Theresa Bonhage-Freund is a specialist in archaeobotanical analysis at Alma College. Lisa O'Steen is a specialist in zooarchaeological analysis at Wildcat Ridge, Watkinsville, Georgia.
At its height the Moundville ceremonial center was a densely occupied town of approximately 1,000 residents, with at least 29 earthen mounds surrounding a central plaza. Today, Moundville is not only one the largest and best-preserved Mississippian sites in the United States, but also one of the most intensively studied. This volume brings together nine Moundville specialists who trace the site’s evolution and eventual decline.
The sequence of change for public architecture during the Mississippian period may reflect a centralization of political power through time. In the research presented here, some of the community-level assumptions attributed to the appearance of Mississippian mounds are tested against the archaeological record of the Town Creek site—the remains of a town located on the northeastern edge of the Mississippian culture area. In particular, the archaeological record of Town Creek is used to test the idea that the appearance of Mississippian platform mounds was accompanied by the centralization of political authority in the hands of a powerful chief.
A compelling argument has been made that mounds were the seats and symbols of political power within Mississippian societies. While platform mounds have been a part of Southeastern Native American communities since at least 100 B.C., around A.D. 400 leaders in some communities began to place their houses on top of earthen mounds—an act that has been interpreted as an attempt to legitimize personal authority by a community leader through the appropriation of a powerful, traditional, community-oriented symbol. Platform mounds at a number of sites were preceded by a distinctive type of building called an earthlodge—a structure with earth-embanked walls and an entrance indicated by short, parallel wall trenches. Earthlodges in the Southeast have been interpreted as places where a council of community leaders came together to make decisions based on consensus. In contrast to the more inclusive function proposed for premound earthlodges, it has been argued that access to the buildings on top of Mississippian platform mounds was limited to a much smaller subset of the community. If this was the case and if ground-level earthlodges were more accessible than mound-summit structures, then access to leaders and leadership may have decreased through time.
Excavations at the Town Creek archaeological site have shown that the public architecture there follows the earthlodge-to-platform mound sequence that is well known across the South Appalachian subarea of the Mississippian world. The clear changes in public architecture coupled with the extensive exposure of the site's domestic sphere make Town Creek an excellent case study for examining the relationship among changes in public architecture and leadership within a Mississippian society.
Archaeopoetics explores “archaeological poetry,” ground-breaking and experimental writing by innovative poets whose work opens up broad new avenues by which contemporary readers may approach the past, illuminating the dense web of interconnections often lost in traditional historiography.
Critic Mandy Bloomfield traces the emergence of a significant historicist orientation in recent poetry, exemplified by the work of five writers: American poet Susan Howe, Korean-American artist Theresa Hak Kyung Cha, British poet Maggie O’Sullivan, and diasporic African Caribbean writers Kamau Brathwaite and M. NourbeSe Philip. Bloomfield sets the work of these five authors within a vigorous tradition, including earlier work by Ezra Pound and Walter Benjamin, and then shows how these five poets create poems that engender new encounters with pivotal episodes in history, such as the English regicide or Korea’s traumatized twentieth century.
Exploring our shared but imperfectly understood history as well as omissions and blind spots in historiography, Bloomfield outlines the tension between the irretrievability of effaced historical evidence and the hope that poetry may reconstitute such unrecoverable histories. She posits that this tension is fertile, engendering a form of aesthetically enacted epistemological enquiry.
Fascinating and seminal, Archaeopoetics pays special attention to the sensuous materiality of texts and most especially to the visual manifestations of poetry. The poems in Archaeopoetics employ the visual imagery of the word itself or incorporate imagery into the poetry to propose persuasive alternatives to narrative or discursive frameworks of historical knowledge.
A premier mound site offers a wealth of primary data on mortuary practices in the Mississippian Period.
The largest prehistoric mound site in Georgia is located in modern-day Macon and is known as Ocmulgee. It was first recorded in August 1739 by General James Oglethorpe’s rangers during an expedition to the territory of the Lower Creeks. The botanist William Bartram wrote extensively of the ecology of the area during his visit in 1773, but the 1873 volume by Charles C. Jones, Antiquities of the Southern Indians, Particularly of the Georgia Tribes, was the first to treat the archaeological significance of the site.
Professional excavations began at Ocmulgee in 1933 under the auspices of the Smithsonian Institution, using Civil Works Administration labor. Investigations continued under a variety of sponsorships until December 1936, when the locality was formally named a national monument. Excavation of the mounds, village sites, earth lodge, and funeral mound revealed an occupation of the Macon Plateau spanning more than 7,000 years. The funeral mound was found to contain log tombs, bundles of disarticulated bones, flexed burials, and cremations. Grave goods included uniquely patterned copper sun disks that were found at only one other site in the Southeast—the Bessemer site in Alabama—so the two ceremonial centers were established as contemporaries.
In this classic work of archaeological research and analysis, Charles Fairbanks has not only offered a full treatment of the cultural development and lifeways of the builders of Ocmulgee but has also related them effectively to other known cultures of the prehistoric Southeast.
"The tourist archipelagoes of my South / are prisons, too, corruptible" writes the poet Derek Walcott. While Walcott refers to the islands of the Caribbean, the analogous idea of a land made into solitary islands by an imprisoned and inherited corruption is historian J. Mills Thornton III’s American South. The captivating essays in Archipelagoes of My South: Episodes in the Shaping of a Region, 1830–1965 address this overarching and underlying narrative of Alabama politics and the history of the South.
Highlighting events as significant as the role of social and economic conflict in the southern secession movement, various aspects of Reconstruction, and the role of the Ku Klux Klan in the politics of the 1920s, Thornton draws from various points in the southern past in an effort to identify and understand the sources of the region’s power. Moreover, each essay investigates its subject matter and peels back layers with an aim to clarify why the enormous diversity of the southern experience makes that power so great, all the while allowing the reader to see connections that would not otherwise be apparent.
Archipelagoes of My South gathers together previously uncollected essays into a single volume covering the entire length and breadth of Thornton’s career. The author’s principal concerns have always been the arc of regional evolution and the significance of the local. Thus, the mechanisms of political and social change and the interrelationships across eras and generations are recurring themes in many of these essays.
Even those who have spent their entire lives in the South may be unaware of the fractured layers of history that lie beneath the landscape they inhabit. For those southern residents who seek to comprehend more of their own past, this landmark compilation of essays on Alabama and southern history endeavors to provide illumination and enlightenment.
Madeline Gins and Shusaku Arakawa University of Alabama Press, 2002 Library of Congress NA2500.G455 2002 | Dewey Decimal 720.1
This manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another.
This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality.
In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms "human" and "being." When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that "Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility."
Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.
Some of the most visible expressions of human culture are illustrated architecturally. Unfortunately for archaeologists, the architecture being studied is not always visible and must be inferred from soil inconsistencies or charred remains. This study deals with research into roughly a millennium of Native American architecture in the Southeast and includes research on the variation of construction techniques employed both above and below ground. Most of the architecture discussed is that of domestic houses with some emphasis on large public buildings and sweat lodges. The authors use an array of methods and techniques in examining native architecture including experimental archaeology, ethnohistory, ethnography, multi-variant analysis, structural engineering, and wood science technology. A major portion of the work, and probably the most important in terms of overall significance, is that it addresses the debate of early Mississippian houses and what they looked like above ground and the changes that occurred both before and after the arrival of Europeans.