A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture.
The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture--sexual difference--can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology--Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson--has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality.
Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories--the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture--works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story--one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery--a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison's project.
Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson's work introduces a new mode of discourse--which Ferguson calls queer of color analysis--that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology.
Roderick A. Ferguson is assistant professor of American studies at the University of Minnesota.
Aberrations of Mourning
Laurence A. Rickels University of Minnesota Press, 2011 Library of Congress PT129.R47 2011 | Dewey Decimal 830.9353
Aberrations of Mourning, originally published in 1988, is the long unavailable first book in Laurence A. Rickels’s “unmourning” trilogy, followed by The Case of California and Nazi Psychoanalysis.
Rickels studies mourning and melancholia within and around psychoanalysis, analyzing the writings of such thinkers as Freud, Nietzsche, Lessing, Heinse, Artaud, Keller, Stifter, Kafka, and Kraus. Rickels maintains that we must shift the way we read literature, philosophy, and psychoanalysis to go beyond traditional Oedipal structures.
Aberrations of Mourning argues that the idea of the crypt has had a surprisingly potent influence on psychoanalysis, and Rickels shows how society’s disturbed relationship with death and dying, our inability to let go of loved ones, has resulted in technology to form more and more crypts for the dead by preserving them—both physically and psychologically—in new ways.
The lack of peace in Sri Lanka is commonly portrayed as a consequence of a violent, ethnonationalist conflict between the Sinhalese majority and the Tamil minority. Viewed in this light, resolution could be attained through conflict management. But, as Qadri Ismail reveals, this is too simplistic an understanding and cannot produce lasting peace.
Abiding by Sri Lanka examines how the disciplines of anthropology, history, and literature treat the Sri Lankan ethnic conflict. Anthropology, Ismail contends, approaches Sri Lanka as an object from an “outside” and western point of view. History, addressing the conflict from the “inside,” abides by the place and so promotes change that is nationalist and exclusive. Neither of these fields imagines an inclusive community. Literature, Ismail argues, can.
With close readings of texts that “abide” by Sri Lanka, texts that have a commitment to it, Ismail demonstrates that the problems in Sri Lanka raise fundamental concerns for us all regarding the relationship between democracies and minorities. Recognizing the structural as well as political tendencies of representative democracies to suppress minorities, Ismail rethinks democracy by redefining the concept of the minority perspective, not as a subject-position of numerical insignificance, but as a conceptual space that opens up the possibility for distinction without domination and, ultimately, peace.
Qadri Ismail is associate professor of English at the University of Minnesota. He has also been a journalist in Sri Lanka.
Adaptive Strategies and Population Ecology of Northern Grouse was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This book is at once a major reference to the species of grouse that inhabit North America and the Holarctic and a synthesis of all the available data on their ecology, sociobiology, population dynamics, and management. The book undertakes to answer two long-standing questions in population ecology: what actually regulates the numbers within a population, and what are the breeding and survival strategies evolved in this northern environment? For Volume I, editors Arthur T. Bergerud and Michael W. Gratson have drawn together their own work and that of colleagues in North America, Iceland, and Norway—in all, eleven research studies, averaging six years' duration, on eight species of grouse. These studies deal with the blue and ruffed grouse of the forest habitat; the sharp-tailed grouse, prairie chicken, and sage grouse of the prairie or steppe; and the white-tailed, rick, and willow ptarmigan found in alpine and arctic tundras. The authors describe the rich repertoire of behavior patterns developed by the hen and the cock to achieve their two primary objectives—first, to stay alive, and then to breed. Volume II, primarily the work of Bergerud, synthesizes the evidence in Volume I and in the grouse research literature from a theoretical perspective. Several potentially controversial sociobiological hypotheses are advanced to account for flocking behavior, migration, dispersal, roosting and feeding behavior, mate choice and mating systems. The demographic analysis provides new insights into cycles of abundance, the limitation of numbers, and the demographic factors that determine densities. The contributors, besides Bergerud and Gratson: R.C. Davies, A. Gardarson, J.E. Hartzler, R.A. Huempfner, D.A. Jenni, D.H. Mossop, S. Myrberget, R.E. Page, R.K. Schmidt, W.D. Svedarsky, and J.R. Tester.
Adaptive Strategies and Population of Northern Grouse was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The first volume contains eleven studies of eight grouse species; the second contains primarily the work of Bergerud, which utilizes the evidence in the first volume to advance theories of behavior and offer new demographic insights.
This second volume contains primarily the work of Bergerud, which utilizes the evidence in the first volume to advance theories of behavior and offer new demographic insights.
Administrative Districts and Field Offices of the Minnesota State Government was first published in 1943. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Number 2 in Studies in Administration, a series sponsored by the Public Administration Training Center at the University of Minnesota; established in 1936 to provide instruction, research facilities, and information in the field of public administration.This volume presents a comprehensive analysis of the functions and duties of state and county offices in Minnesota, paying special attention to district field offices. Topics discussed include: the Departments of Agriculture, Commerce, Conservation, Education, Health, Highways, Labor, Social Security, and Taxation; the Livestock Sanitary Board; the Bureau of Criminal Apprehension; and the Railroad and Warehouse Commission.
Adolescent Personality and Behavior was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.What kinds of boys and girls are likely to become delinquent? Can they be identified before they get into trouble so that steps may be taken to prevent their delinquency (if prevention is possible)? What about school “dropouts” – are they distinguishable from other youngsters before they leave school? What are the characteristics of a normal adolescent? Questions like these, far-reaching, complex, and profoundly important in the face of increasing concern about the problems of adolescence, are dealt with in the comprehensive study reported in this book.Professors Hathaway and Monachesi have studied the personality and behavior of approximately 15,000 young people in an effort to determine whether it is possible to predict subsequent development of desirable or undesirable behavior. The subjects of the study were ninth-grade youngsters, at the outset, and their later careers were followed for a period of four to six years. The Minnesota Multiphasic Personality Inventory, a psychometric test, was administered to the boys and girls when they were in the ninth grade. The MMPI findings are correlated with a wealth of other data – personality evaluations by teachers and others, police records, family socioeconomic status, school achievement, type of residence community, and other factors – to provide a large-scale picture of adolescent personality and behavior. Details of the study – its plan and execution – are given, along with a general description of the MMPI, its use, and interpretation.
Adrienne Kennedy Reader
Adrienne Kennedy University of Minnesota Press, 2001 Library of Congress PS3561.E4252A6 2001 | Dewey Decimal 812.54
An essential collection of works by one of our greatest living playwrights.
Adrienne Kennedy has been a force in American theatre since the early 1960s, influencing generations of playwrights with her hauntingly fragmentary lyrical dramas. Exploring the violence racism visits upon people's lives, Kennedy's plays express poetic alienation, transcending the particulars of character and plot through ritualistic repetition and radical structural experimentation. Frequently produced, read, and taught, they continue to hold a significant place among the most exciting dramas of the past fifty years.
This first comprehensive collection of her most important works traces the development of Kennedy's unique theatrical oeuvre from her Obie-winning Funnyhouse of a Negro (1964) through significant later works such as A Movie Star Has to Star in Black and White (1976), Ohio State Murders (1992), and June and Jean in Concert, for which she won an Obie in 1996. The entire contents of Kennedy's groundbreaking collections In One Act and The Alexander Plays are included, as is her earliest work "Because of the King of France" and the play An Evening with Dead Essex (1972). More recent prose works "Secret Paragraphs about My Brother," "A Letter to Flowers," and "Sisters Etta and Ella" are fascinating refractions of the themes and motifs of her dramatic works, even while they explore new material on teaching and writing. An introduction by Werner Sollors provides a valuable overview of Kennedy's career and the trajectory of her literary development.
"Kennedy's plays are strong dreams that reveal us in our most vulnerable moments." Robert Brustein, director of the American Repertory Theater
"There are times when we see plays that are so extraordinary-out of this world- we are literally shaken out of our everyday selves. There are greater things in heaven and hell, we realize, and this feeling of 'bigger things' does not easily leave us. The achievement of Adrienne Kennedy's plays is that they hurl us into another place, like a dark stream of consciousness in the blackest of worlds." New York Observer
"Adrienne Kennedy's plays are like towering rock formations, frightening and beautiful." Alisa Solomon, Village Voice
"For four decades Kennedy has been writing the most intensely personal plays of any playwright in the USA, yet to call them autobiographical is misleading. They are about her and not about her, and this paradox gives her work a power, an intimacy, and a truthfulness that few others achieve. . . . Kennedy's works are dream plays, lyrical explorations of a troubled consciousness, female and black, often divided against itself and at odds with the world around it." Boston Phoenix
"Adrienne Kennedy is one of the black female doyennes of theater, where she has become a role model for a younger generation." New York Times
"With Beckett gone, Adrienne Kennedy is probably the boldest artist now writing for the theater." Michael Feingold, Village Voice
"[Kennedy writes] out-of-kilter, lyrical, and drop-dead brilliant work for the American theater." Lisa Jones, Village Voice
Adrienne Kennedy (b. 1931) is a three-time Obie-award winning playwright whose works have been widely anthologized and performed around the world. Among her many honors are the Guggenheim fellowship and the American Academy of Arts and Letters award.
Adult Abilities: A Study of University Extension Students was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Adults learn much better than is commonly believed; this is the conclusion reached by Dr. Herbert Sorenson in a nation-wide study of many thousands of adult students in university extension classes. Dr. Sorenson conducted a personal investigation in the state universities of Virginia, California, Kentucky, Colorado, Utah, Indiana, and Minnesota, as well as numerous other schools throughout the country that offer courses for adults. His findings, incorporated in this volume, contribute a substantial body of new data on a subject about which too little has been known heretofore.
The Adventures of Lindamira was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Adventures of Lindamira, A Lady of Quality. Written by her own hand, to her Friend in the Country. In IV Parts. Revised and Corrected by Mr. Tho. Brown (London, 1702) is a very rare but important and interesting early English novel. This work was reissued in 1713 as The Lover's Secretary: or the Adventures of Lindamira, and again, with the same title, in 1734, 1745, and 1751.
Lindamira is remarkable historically as one of the earliest epistolary novels in English and also as one of the first pieces of extended prose fiction to enter the gap between the risque, realistic romance on one hand and the artificial French romance of court life on the other. The book is entertaining and compares favorably in naturalness, humor, and plausibility with the work of the contemporary Mrs. Behn, Congreve, and even Defoe.
Most historians have been unfamiliar with the work for the good reason that few copies have survived. The British Museum, Yale, University of Pennsylvania, Newberry, and Brown University have copies of the second or later edition. The only known copy of the first edition is in the Library of the University of Minnesota, and it is from this copy of the first edition that the University of Minnesota Press has reprinted this edition.
Aesop’s Anthropology is a guide for thinking through the perplexing predicaments and encounters that arise as the line between human and nonhuman shifts in modern life. Recognizing that culture is not unique to humans, John Hartigan Jr. asks what we can learn about culture from other species. He pursues a variety of philosophical and scientific ideas about what it means to be social using cultural dynamics to rethink what we assume makes humans special and different from other forms of life. Through an interlinked series of brief essays, Hartigan explores how we can think differently about being human.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Paul De Man University of Minnesota Press, 1996 Library of Congress PN81.D378 1996 | Dewey Decimal 801.95
An important reconsideration of ideology by one of this century's most eminent theorists.
This long-awaited volume by one of the major figures of twentieth-century thought represents perhaps the most provocative, serious, and important rethinking of "ideology" since the publication of Althusser's essays in the 1960s and 1970s. Aesthetic Ideology offers the definitive resource to de Man's thoughts on philosophy, politics, and history.
The core of Aesthetic Ideology is a rigorous inquiry into the relation of rhetoric, epistemology, and aesthetics, one that presents radical notions of materiality. De Man reads Kant and Hegel with a combination of philosophical rigor, interpretive pressure, speculative daring, and ironic good humor that is unique to him, ultimately reaching the heart of philosophical aesthetics.
The texts collected here were written or delivered as lectures during the last years of de Man's life, between 1977 and 1983. Many of them have never been available previously in any form; these include essays on Kant's materialism, his relation to Schiller, and the concept of irony. A culmination of de Man's thinking on these central issues, Aesthetic Ideology is a necessary and vital component of your humanities bookshelf.
Paul de Man (1919-1983) held appointments at Cornell, Johns Hopkins, the University of Zurich, and Yale. Among his books are Blindness and Insight (1983), The Resistance to Theory (1986), Critical Writings, 1953-1978 (1993), and Allegories of Reading (1979).
Andrzej Warminski is professor of comparative literature at the University of California, Irvine. He is the author of Readings in Interpretation (1987) and the forthcoming Material Inscriptions.
According to the National Institute of Mental Health, more than half of the world's population will have a depressive disorder at some point in their lifetimes. In The Aesthetics of Disengagement Christine Ross shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image. Ross examines the works of Ugo Rondinone, Rosemarie Trockel, Ken Lum, John Pilson, Liza May Post, Vanessa Beecroft, and Douglas Gordon, articulating how their art conveys depression's subjectivity and addresses a depressed spectator whose memory and perceptual faculties are impaired. Drawing from the fields of psychoanalysis as well as psychiatry, Ross demonstrates the ways in which a body of art appropriates a symptomatic language of depression to enact disengagement - marked by withdrawl, radical protection of the self from the other, distancing signals, isolation, communication ruptures, and perceptual insufficiency. Most important, Ross reveals the ways in which art transforms disengagement into a visual strategy of disclosure, a means of reaching the viewer, and how in this way contemporary art puts forth a new understanding of depression.
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today.
Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture.
Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
Craig L. Wilkins, a registered architect, teaches architecture and urban planning at the University of Michigan.
There have been few book-length engagements with the question of sexuality in Africa, let alone African homosexuality. African Intimacies simultaneously responds to the public debate on the “Africanness” of homosexuality and interrogates the meaningfulness of the terms “sexuality” and “homosexuality” outside Euro-American discourse. Speculating on cultural practices interpreted by missionaries as sodomy and resistance to colonialism, Neville Hoad begins by analyzing the 1886 Bugandan martyrs incident—the execution of thirty men in the royal court. Then, in a series of close readings, he addresses questions of race, sex, and globalization in the 1965 Wole Soyinka novel The Interpreters, examines the emblematic 1998 Lambeth conference of Anglican bishops, considers the imperial legacy in depictions of the HIV/AIDS crisis, and reveals how South African writer Phaswane Mpe’s contemporary novel Welcome to Our Hillbrow problematizes notions of African identity and cosmopolitanism.Hoad’s assessment of the historical valence of homosexuality in Africa shows how the category has served a key role in a larger story, one in which sexuality has been made in line with a vision of white Western truth, limiting an understanding of intimacy that could imagine an African universalism.Neville Hoad is assistant professor of English at the University of Texas, Austin.
African Literature in the Twentieth Century was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This paperback makes available the major part of Professor Dathorne's The Black Mind.It concentrates on the writings of Africans in various African and European languages and provides insight, both broad and deep, into the Black intellect. Professor Dathorne examines the literature of Africans as spoken or written in their local languages and in French, Portuguese, and English. This extensive survey and interpretation gives the reader a remarkable pathway to an understanding of the Black imagination and its relevance to thought and creativity throughout the world.
The author himself lived in Africa for ten years, and his view is not that of an outsider, since it is as a Black man that he speaks about Black people. Throughout the book, a major theme is the demonstration that, despite slavery and colonialism, Africans remained very close to their own cultures. Professor Dathorne shows that African writers may be, like some Afro-American writers, "marginal men," but that they are Black men and it is as Black men that they feel the nostalgia of their past and the corrosive influences of their present.
O. R. Dathorne is a member of the Department of Black Studies and of the Department of English at Ohio State University. He has taught at universities in Nigeria and Sierra Leone and served as a UNESCO adviser in Sierra Leone. He also has taught at Ohio State University, Howard University, and the University of Wisconsin and lectured at Yale, Federal City College, Michigan State, and other universities in and out of the United States. He is the author of two novels and editor of a number of anthologies of Black literature, and has written widely in journals on his subject.
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.
The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.
Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.
Against Ecological Sovereignty is a passionate defense of radical ecology that speaks directly to current debates concerning the nature, and dangers, of sovereign power. Engaging the work of Bataille, Arendt, Levinas, Nancy, and Agamben, among others, Mick Smith reconnects the political critique of sovereign power with ecological considerations, arguing that ethical and political responsibilities for the consequences of our actions do not end with those defined as human.
Against Ecological Sovereignty is the first book to turn Agamben’s analysis of sovereignty and biopolitics toward an investigation of ecological concerns. In doing so it exposes limits to that thought, maintaining that the increasingly widespread biopolitical management of human populations has an unrecognized ecological analogue—reducing nature to a “resource” for human projects. Smith contends that a radical ecological politics must resist both the depoliticizing exercise of sovereign power and the pervasive spread of biopolitics in order to reveal new possibilities for creating healthy human and nonhuman communities.
Presenting a stinging critique of human claims to sovereignty over the natural world, Smith proposes an alternative way to conceive of posthumanist ecological communities—one that recognizes the utter singularity of the beings in them.
An unexpected and valuable critique of community that points out its complicity with capitalism.
Community is almost always invoked as an unequivocal good, an indicator of a high quality of life, caring, selflessness, belonging. Into this common portrayal, Against the Romance of Community introduces an uncommon note of caution, a penetrating, sorely needed sense of what, precisely, we are doing when we call upon this ideal.
Miranda Joseph explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or "globalization." She shows how community legitimates the social hierarchies of gender, race, nation, and sexuality that capitalism implicitly requires.
Joseph argues that social formations, including community, are constituted through the performativity of production. This strategy makes it possible to understand connections between identities and communities that would otherwise seem disconnected: gay consumers in the United States and Mexican maquiladora workers; Christian right "family values" and Asian "crony capitalism." Exposing the complicity of social practices, identities, and communities with capitalism, this truly constructive critique opens the possibility of genuine alliances across such differences.
Miranda Joseph is associate professor of women's studies at the University of Arizona.
Agricultural Cooperation was first published in 1957. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Much has been written and published on the general subject of agricultural cooperation, but the material has been scattered and hard to find until now. The volume makes available in convenient form a selection of the most significant articles and excerpts from books, magazines, pamphlets, and other publications. It provides a comprehensive view of the development of farmers' cooperatives in the United States and an evaluation of their relation to the present economy.
The 54 articles are by 49 different contributors from various branches of cooperative activity. Among them are professors of agricultural economies, government research experts in agricultural cooperation, officers and members of cooperative organizations, as well as government officials including former Secretary of Agriculture Clinton P. Anderson and Senators Paul H. Douglas and George D. Aiken. J. K. Stern, president of the American Institute of Cooperation, contributes a foreword.
The articles deal significantly with such broad subjects as the economic and social forces that have shaped the development of cooperatives, the place of cooperative organizations in helping to meet the present-day needs of agriculture, and the role of these farmer-owned businesses in the nation's economy.
“Alien” has a double meaning in the United States, suggesting both “foreigner” and “extraterrestrial creature.” In Alienhood, Katarzyna Marciniak explores this semantic duality. Interrogating the dominant images of aliens in American popular culture—and in legal, historical, linguistic, and literary discourses—Marciniak examines “alienhood” and the impact it has on the daily experiences of migrants, legal or illegal.
Using examples from exilic literature and cinema, including the works of Julia Alvarez, Eva Hoffman, Gregory Nava, and Roman Polanski, Alienhood theorizes multicultural experiences of liminal characters that belong in the interstices between nations. Investigating gendered, racialized, and ideological formations of “aliens,” Marciniak’s readings put into dialogue narratives from both the second world and the third world in relation to “first worldness.” This dialogue problematizes the meanings of “transnational” and brings the so-called second world into these debates. In doing so, Marciniak reorients the study of immigrant or exile subjects beyond the celebrated notion of transnationalism.
With its unique focus on “aliens” in relation to discourses of immigration, exile, and displacement, Alienhood shows how transnationality is, for many dislocated people, an unattainable privilege.
Katarzyna Marciniak is associate professor of English at Ohio University.
All Faithful People was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In 1924 Robert and Helen Lynd went to Middletown (Muncie, Indiana) to study American institutions and values. The results of their work are the classic studies Middletown (1929) and Middletown in Transition (1937). In the late 1970s a team of social scientists returned to Middletown to gauge the changes that have taken place in the fifty years since the Lynds' first visit. The Middletown III Project, by replicating the earlier work, in some cases by using the same questions, provides an unprecedented portrait of a small American town as it adapts to changing times. Its first report, Middletown Families, was published by Minnesota in 1982.
This book explores the role of religion in the life of Middletown. Using the Lynds' magnificent cache of empirical data as a base, social scientists on the Middletown III Project attempted to gauge how religious beliefs and practices have changed. For the most part, their findings show that the current perception of a trend toward a more secular society is not true. In Middletown, religion seems to be more important than ever.
All Faithful People also covers the history of Middletown's churches, the differences between the town's Protestants and Catholics, religious participation among young people, and the role in Middletown life of private devotions and public rituals. In conclusion, the authors of All Faithful People evaluate Middletown as a representative community. They attempt to explain the myth of the death of organized religion, and briefly compare religion in America to religion in other Western countries.
Fifty years after the Lynds first made Middletown famous, a team of social scientists returned to find out how American values have changed. This, their second report, focuses on religion. What does religion mean to Middletown today? Has America become a secular society? Those are some of the questions discussed in All Faithful People.
All Things Common was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In Dr. Peters' study of the Hutterian Brethren (commonly called Hutterites), a group of devoutly religious farmers who have established many communal colonies in the midlands of the United States and Canada, he first traces the historical development of the group and then describes in detail their way of life by focusing on the Manitoba colonies.
After their church was founded in Central Europe at the time of the Reformation, the Hutterians moved slowly east until they settled in Russia, where they lived for over one hundred years. Then, in the 1870's, they immigrated to America and settled in the Dakota Territory. During World War I they fled to Canada under pressure of wartime hysteria. Since they moved to Canada, the Hutterians have encountered more problems but have successfully spread their colonies across the prairie provinces and back into the United States.
At present, the Hutterians are the oldest and most successful community group in the history of western civilization. They believe that their practice of Christian communism is in true harmony with the spirit and teachings of early Christianity. Other aspects of their behavior such as the refusal to do military service and their disapproval of radio, television, dancing, movies, and cosmetics have made them a source of interest and concern to their neighbors.
The book is a thorough introduction to the Hutterians for the general reader and will be of special interest to historians, theologians, sociologists, and economists.
Allegories of Empire was first published in 1993.“Allegories of Empire re-constellates a metropolitan masterpiece, Forster’s A Passage to India, within colonial discourse studies. Sharpe, a materialist feminist, is scrupulous in her use of theory to articulate nationalism, historical race-gendering, and contemporary feminist critique.” -Gayatri Chakravorty Spivak, Columbia University“Jenny Sharpe has done a great service in opening up the virtually taboo subject of the rape of the white woman by the colored man, and, furthermore, in teaching us theory - making by locating this frenzy of fantasy and reality within a specific crisis of European colonialism in India. ... In showing how a ‘wild anthropology’ must continuously rework feminism in the face of racism, and vice versa, she shows how the margins of empire were and still are at its center.” -Michael Taussig, New York UniversityAllegories of Empire introduces race and colonialism to feminist theories of rape and sexual difference, deploying women’s writing to undo the appropriation of English (universal) womanhood for the perpetuation of Empire.Sharpe brings the historical memory of the 1857 Indian Mutiny to bear upon the theme of rape in British adn Anglo-Indian fiction. She argues that the idea of Indian men raping white women was not part of the colonial landscape prior to the revolt that was remembered as the savage attack of mutinous Indian soldiers on defenseless English women.By showing how contemporary theories of female agency are implicated in an imperial past, Sharpe argues that such models are inappropriate, not only for discussion of colonized women, but for European women as well. Ultimately, she insists that feminist theory must begin from difference and dislocation rather than from identity and correspondence if it is to get beyond the race-gender-class impasse.Jenny Sharpe received her Ph.D. in comparative literature at the University of Texas at Austin and is currently a professor of English at the University of California at Los Angeles. She has contributed articles to Modern Fiction Studies, Genders, and boundary 2.
Allen Tate - American Writers 39 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Allen Tate and His Work was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The thirty-five essays and memoirs about Allen Tate which are collected in this volume along with the introduction by Radcliffe Squires provide a perceptive, many-windowed view of Tate's work and his life. Poet, critic, novelist -- Tate is all of these, and the selections, reflecting these various aspects of his career, are arranged in sections entitled "The Man," "The Essayist," "The Novelist," and "The Poet." As Professor Squires points out, the last three divisions take cognizance of the astounding diversity of Tate's achievement. "But in a last analysis," he continues, "the divisions are an Aristotelian nicety, an arbitrary convenience. His work is really all of a piece. It has all derived from the same energy, the same insights. It has all had a single aim."
What is that aim? Squires compares it to a simple physics experiment in which students are taught the principles of pressure, and he goes on to explain: "The synergy of Allen Tate's poetry, fiction, and essays has had the aim of applying pressure—think of the embossed, bitterly stressed lines, his textured metaphors—until it brings up before our eyes a blanched parody of the human figure, which is our evil, the world's evil, so that we begin to long for God. That has seemed to him a worthwhile task to perform for modern man threatened by such fatal narcissism, such autotelic pride that he is in danger of disappearing into a glassy fantasy of his own concoction. We shall need his help for a long time to come."
The selections were first published in a variety of periodicals and books over the years. The volume includes a substantial bibliography.
In the 1980s, Italy transformed from a country of emigration to one of immigration. Italians are now faced daily with the presence of migrants from all over Africa, parts of South and Central America, the Middle East, Asia, and Eastern Europe. While much attention has been paid to the impact on Italians, few studies have focused on the agency of migrants themselves. In An Alliance of Women, Heather Merrill investigates how migrants and Italians struggle over meanings and negotiate social and cultural identities.
Taking as a starting point the Italian crisis over immigration in the early 1990s, Merrill examines grassroots interethnic spatial politics among female migrants and Turin feminists in Northern Italy. Using rich ethnographic material, she traces the emergence of Alma Mater—an anti-racist organization formed to address problems encountered by migrant women. Through this analysis, Merrill reveals the dynamics of an alliance consisting of women from many countries of origin and religious and class backgrounds.
Highlighting an interdisciplinary approach to migration and the instability of group identities in contemporary Italy, An Alliance of Women presents migrants grappling with spatialized boundaries amid growing nativist and anti-immigrant sentiment in Western Europe.
Heather Merrill is assistant professor of geography and anthropology at Dickinson College.
Alms for Oblivion
Edward DahlbergForeword by Sir Herbert Read University of Minnesota Press, 1967
Alms for Oblivion was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume makes available in book form a collection of seventeen essays by Edward Dahlberg, who has been called one of the great unrecognized writers of our time. Some of the selections have never been published before; others have appeared previously only in magazines of limited circulation. There is a foreword by Sir Herbert Read.
The individual essays are on a wide range of subjects: literary, historical, philosophical, personal. The longest is a discussion of Herman Melville's work entitled "Moby-Dick - A Hamitic Dream." The fate of authors at the hands of reviewers is the subject of the essay called "For Sale." In "No Love and No Thanks" the author draws a characterization of our time. He presents a critique of the poet William Carlos Williams in "Word-Sick and Place- Crazy," and a discussion of F. Scott Fitzgerald in "Peopleless Fiction." In "My Friends Stieglitz, Anderson, and Dreiser" he discusses not only Alfred Stieglitz, Sherwood Anderson, and Theodore Dreiser but other personalities as well. He also writes of Sherwood Anderson in "Midwestern Fable." In "Cutpurse Philosopher" the subject is William James. "Florentine Codex" is about the conquistadores. Other essays in the collection are the following: "Randolph Bourne," "Our Vanishing Cooperative Colonies," "Chivers and Poe," "Domestic Manners of Americans," "Robert McAlmon: A Memoir," "The Expatriates: A Memoir," and an essay on Allen Tate.
Several sacred artifacts have gone missing from the Minnesota Red Earth Reservation and the suspect list is continuously growing. While it could be the racists from the bordering town, or a young man struggling with problems at home, or the county coroner and his cronies, the need for answers and apprehending the culprit is amplified when Jed Morriseau, the Tribal Chairman, is murdered. Investigating these mysterious occurrences because of tribal traditions and the honor of her family, Renee LaRoche works to track down the people responsible. But can she maintain her intense investigation as well as her new relationship with Samantha Salisbury, the visiting women’s studies professor at the white college nearby? Renee is caught between the traditions of her tribe and efforts to help her chimook lover accept their cultural differences.
Despite being heralded as the answer to racial conflict in the post–civil rights United States, the principal political effect of multiracialism is neither a challenge to the ideology of white supremacy nor a defiance of sexual racism. More accurately, Jared Sexton argues in Amalgamation Schemes, multiculturalism displaces both by evoking long-standing tenets of antiblackness and prescriptions for normative sexuality.
In this timely and penetrating analysis, Sexton pursues a critique of contemporary multiracialism, from the splintered political initiatives of the multiracial movement to the academic field of multiracial studies, to the melodramatic media declarations about “the browning of America.” He contests the rationales of colorblindness and multiracial exceptionalism and the promotion of a repackaged family values platform in order to demonstrate that the true target of multiracialism is the singularity of blackness as a social identity, a political organizing principle, and an object of desire. From this vantage, Sexton interrogates the trivialization of sexual violence under chattel slavery and the convoluted relationship between racial and sexual politics in the new multiracial consciousness.
An original and challenging intervention, Amalgamation Schemes posits that multiracialism stems from the conservative and reactionary forces determined to undo the gains of the modern civil rights movement and dismantle radical black and feminist politics.
Jared Sexton is assistant professor of African American studies and film and media studies at the University of California, Irvine.
Ambrose Bierce - American Writers 37 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
America in the Forties: Letters of Ole Munch Ræder was first published in 1929. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.These lively, well-informed letters with their shrewd comment on the American scene are an important addition to Americana. Between De Tocqueville and Bryce there were few more competently trained observers than the author, Munch Ræder, a distinguished Norwegian jurist sent by his government in 1847 to study American legal institutions.Ræder traveled widely and wrote home to a Christiania newspaper his observations on many topics: American politics and social customs, the working of the “melting pot,” slavery, westward expansion, transportation, Chicago with a budding reputation as a tough town, New York where hogs on the open streets had been forbidden. Not without interest is the reaction of the United States to the European revolution of 1848 and Munch Ræder’s own dream of a Pan-Scandinavian Union.Dr. Gunnar J. Malmin has supplied an excellent translation of the necessary notes. Through the aid of descendants of Munch Ræder, he has added letters not published in the original Christiana journal.
In the spring of 1934, a small group of militant union organizers led Minneapolis truckers on a series of strikes that sought to break the city's antiunion grip. The striking truckers, in protest of scab workers, took to the streets of the city's warehouse district where they faced violent opposition from the police and members of the Citizen's Alliance, a group representing Minneapolis's business community. The conflict exploded when police fired on the unarmed strikers, killing four and injuring countless others. The events surrounding Bloody Friday shifted the balance of power between labor and business in Minneapolis and proved to be a significant victory for the labor movement nationwide, contributing to the ratification of the landmark National Labor Relations Act. When first published in 1937, Charles Rumford Walker's American City was praised as an evenhanded portrayal of the truckers' strike. Focusing on the personal experiences of the participants, Walker recounts the interests, motives, and passions on both sides of the conflict, capturing the heated emotions of those involved. He offers a vivid account of a period that transformed Minneapolis and forged the way for workers' rights nationwide.
In her research on popular culture of the Vietnamese diaspora, Nhi T. Lieu explores how people displaced by war reconstruct cultural identity in the aftermath of migration. Embracing American democratic ideals and consumer capitalism prior to arriving in the United States, postwar Vietnamese refugees endeavored to assimilate and live the American Dream. In The American Dream in Vietnamese, she claims that nowhere are these fantasies played out more vividly than in the Vietnamese American entertainment industry.
Lieu examines how live music variety shows and videos, beauty pageants, and Web sites created by and for Vietnamese Americans contributed to the shaping of their cultural identity. She shows how popular culture forms repositories for conflicting expectations of assimilation, cultural preservation, and invention, alongside gendered and classed dimensions of ethnic and diasporic identity.
The American Dream in Vietnamese demonstrates how the circulation of images manufactured by both Americans and Vietnamese immigrants serves to produce these immigrants’ paradoxical desires. Within these desires and their representations, Lieu finds the dramatization of the community’s struggle to define itself against the legacy of the refugee label, a classification that continues to pathologize their experiences in American society.
The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism.Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today.Max Cavitch is assistant professor of English at the University of Pennsylvania.
An American Engineer in Afghanistan was first published in 1948.The legend of Afghanistan as “The Forbidden Country” grew chiefly from a warning of the British Indian Government which once guarded the Afghan frontier north of the Khyber Pass -- “It is absolutely forbidden to cross this border into Afghanistan.” A glance at the endsheet map in this book will recall its strategic position in the Middle East.When A. C. Jewett entered in 1911 with an escort supplied for his safe transportation to Kabul, he was the first American permitted to live in the country since 1880. He was employed by Habibullah Khan, the Amir of Afghanistan, to take charge of installing a hydroelectric plan, and it was during this stay that the first attempts toward modernization were made in Afghanistan. Although he came for only a year, it was eight years before his work was completed. Electrical apparatus had to be hauled over rough mountain passes. The work elephants’ harnesses had to be made by hand. Labor was not skilled and whenever crops were harvested, his deliveries of supplies stopped!Written in a lively, readable style, Jewett’s letters and journal notes tell the story of the land of the Afghans. An isolated country of ancient caravan trails, mull-walled caravansaries, and villages -- it was little touched by Western ideas in the last days of the old monarchy. But forces have been unleashed in Asia which even remote Afghanistan is unlikely to escape. Jewett’s entertaining story will help westerners to understand coming events.
Traces the history of eugenics ideology in the United States and its ongoing presence in contemporary life.
The Nazis may have given eugenics its negative connotations, but the practice--and the "science" that supports it--is still disturbingly alive in America in anti-immigration initiatives, the quest for a "gay gene," and theories of collective intelligence. Tracing the historical roots and persistence of eugenics in the United States, Nancy Ordover explores the political and cultural climate that has endowed these campaigns with mass appeal and scientific legitimacy.
American Eugenics demonstrates how biological theories of race, gender, and sexuality are crucially linked through a concern with regulating the "unfit." These links emerge in Ordover's examination of three separate but ultimately related American eugenics campaigns: early twentieth-century anti-immigration crusades; medical models and interventions imposed on (and sometimes embraced by) lesbians, gays, transgendered people, and bisexuals; and the compulsory sterilization of poor women and women of color. Throughout, her work reveals how constructed notions of race, gender, sexuality, and nation are put to ideological uses and how "faith in science" can undermine progressive social movements, drawing liberals and conservatives alike into eugenics-based discourse and policies.
"In this compact, far-ranging cultural critique, Ordover invites us to make connections between anti-immigrant panics, sterilization campaigns and the search for the genetic roots of sexual desire. Eugenics, she argues, is like a â€˜scavenger' that collects and exploits anxieties about national identity, consigning the politically disenfranchised to the garbage dump. It uses the value-free language of â€˜science' and â€˜public health' to mask its political agenda." --Los Angeles Times Book Review
Nancy Ordover is an independent scholar who lives in New York City.
The first in-depth look at this pioneering "reality TV" documentary.
Before 1973, the Loud family of Santa Barbara, California, lived in the privacy of their own home. With the airing of the documentary An American Family, that "privacy" extended to every American home that had a television in it-and there was no going back to the happy land of Beaver, Donna Reed, and Father Knows Best. This book is the first to offer a close, sustained look at An American Family-the documentary that blurred conventions, stirred passions among viewers and reviewers, revised impressions of family life and definitions of private and public, and began the breakdown of distinctions between reality and spectacle that culminated in cultural phenomena from The Oprah Winfrey Show to Survivor.
While placing Craig Gilbert's innovative series in the context of 1970s nonfiction film and television, Jeffrey Ruoff tells the story behind An American Family from conception to broadcast, from reception to long-term impact. He reintroduces us to the Louds as intimate details of their daily lives, from one child's dance recital to another's gay lifestyle to the parents' divorce proceedings, unfold first before the camera and then before American viewers, challenging audiences to think seriously about family, marital relations, sexuality, affluence, and the American dream. In the documentary's immediate impact-on both producers and viewers of media-Ruoff uncovers the roots of new nonfiction forms including confessional talk shows like Oprah, first-person documentary films like Ross McElwee's acclaimed Sherman's March, and reality TV programs such as The Real World, Survivor, and Big Brother.
A comprehensive production and reception study, Ruoff's work restores An American Family to its rightful, pioneering place in the history of American television.
Jeffrey Ruoff is a film historian, documentary filmmaker, and assistant professor of film and television studies at Dartmouth College. He is co-author (with Kenneth Ruoff) of The Emperor's Naked Army Marches On (1998).
The American Farmer and the Export Market was first published in 1934. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Shall we isolate ourselves behind the walls of national self-sufficiency and do without what we cannot produce? Or shall we try to break down trade barriers and restore export markets? How can we escape the intolerable combination of abundance and poverty?“We have enough resources in the United States to provide for twice our present standard of living,” Secretary Wallace has asserted. This book is the most comprehensive analysis yet published of the problems that must be solved, the long-time plans that must be thought out, before America can abolish its “rural slums” and achieve the full benefit of its enormous resources.Self-sufficiency and continued or increased exportation each has its price. Professors Dowell and Jesness show just what we may expect to gain or to lose from reducing production, shifting crops, abandoning sub-marginal land, boosting farm prices, and legislating trade barriers. They point out the relationship between agricultural and industrial recovery and between our policy in regard to world markets and the possibility of collecting our foreign debts.The authors present facts, not theories – the pertinent facts on both sides of the most vital question that the American farmer faces today – After the AAA, what?
American Historical Explanations was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In this new edition of American Historical Explanations,Gene Wise expands his examination of historical thinking to include the latest work in American Studies, the new social history, ethnography, and psychohistory. Wise asserts that historians address their subjects through an intervening set of assumptions, or what he calls "explanation forms," similar to the philosophical paradigms that Thomas Kuhn has found in scientific inquiry. Through analysis of historical-cultural texts (including the work of V. L. Parrington, Lionel Trilling, and Perry Miller) he defines the forms used by several groups of American historians and traces the process by which an old form breaks down and is replaced by a new set of assumptions. Throughout, he aims to study the process of change in the history of ideas. His conclusions extend beyond historiography and will be useful for those interested in literature, social sciences, and the arts.
American Humorists - American Writers 42 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
American Imperialism in the Image of Peer Gynt was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is the life story of an economic historian whose distinguished career has included nine years of service as a United States government official in various capacities, both military and civilian, around the world. It is a revealing and often disturbing account, evoking in the author's mind, as he reflects on his own experiences and those of other American emissaries abroad, the image of Ibsen's Peer Gynt, who wandered over the earth thinking he was doing good, only to find when he returned home that both his virtues and his sins were so insignificant that his soul was scheduled by the buttonmolder to be cast into limbo in the form of a little lead button.
Professor Johnson's book is much more than an autobiography. From the vantage point of his experiences and observations he provides a critical evaluation of American efforts abroad. He discusses cultural factors that have shaped American preconceptions and attitudes over the last half century and attempts to explain why a generation of presumably well-equipped Americans has been singularly incapable of materializing the hopes and aspirations of both the American people and the world community.
American Interests and Policies in the Middle East, 1900-1939 was first published in
1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Scholars concerned with the diplomatic history of the United States have largely neglected the subject of American relations with the Middle East during the four decades before World War I. With this study, Professor DeNovo fills the gap by describing and assessing the United States' cultural, economic, and diplomatic relations with Turkey, Persia, and the Arab East in that period. He traces, chronologically and topically, the activities of such American interest groups as Protestant missionaries, educators, philanthropists, archaeologists, businessmen, and technical advisers, as well as the official actions of their government.
The account falls roughly into three chronological periods. The first section traces the interest groups through the pre-World War I years of political and cultural stirring in the Ottoman Empire and Persia. Special attention is given to the Chester Project for railroad development in Turkey. The second part deals with the upheavals accompanying World War I and the tasks of peacemaking from the Mudros armistice through the Lausanne settlement of 1923. The latter chapters detail the rise of the Turkish national movement, the deepening Persian and Arab nationalism, and the accommodation of American cultural and economic groups to these conditions. The author points out that before World War II began, Americans had acquired a significant interest in Middle Eastern oil and had become emotionally involved in the Arab-Zionist tension. In 1939 the United States was on the verge of a new phase in its Middle Eastern relations when that region would become more intimately linked to America's national security.
American Literary Naturalism, a Divided Stream was first published in 1956. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The literary concept of naturalism perpetually contradicts itself, oscillating between the transcendental affirmation of human freedom and the demonstration of its nonexistence. In this tension it gropes for forms that will satisfy both demands. These contradictions, and this divided stream, Mr. Walcutt shows, represent the central intellectual and social problem of the modern world, where the confusions between materialism and religion are ubiquitous.
In tracing the development of naturalism in the novel, the author provides a background with chapters on naturalistic theory and the theory and practice of Emile Zola. He then traces the shifts in form through the worlds of Harold Frederic, Hamlin Garland, Stephen Crane, Jack London, Frank Norris, Winston Churchill, Theodore Dreiser, Sherwood Anderson, James T. Farrell, John Steinbeck, Ernest Hemingway, and John Dos Passes.
College English commented: "This is a book that will clarify some of the confusion that teachers and students face when they discover that naturalistic novels do not always follow naturalistic theory."
Writing in Prairie Schooner, Ihab Hassan pointed out: "In speculating on the origins of naturalism, in perceiving the inner contradictions of its spirit and the tensions of its form, and in following its full and vital sweep as it allies itself now with impressionism, now with expressionism, Professor Walcutt manages to throw new light on a major movement in American letters."
In American Pietàs, Ruby C. Tapia reveals how visual representations of racialized motherhood shape and reflect national citizenship. By means of a sustained engagement with Roland Barthes’s suturing of race, death, and the maternal in Camera Lucida, Tapia contends that the contradictory essence of the photograph is both as a signifier of death and a guarantor of resurrection.
Tapia explores the implications of this argument for racialized productions of death and the maternal in the context of specific cultural moments: the commemoration of Princess Diana in U.S. magazines; the intertext of Toni Morrison’s and Hollywood’s Beloved; the social and cultural death in teen pregnancy, imaged and regulated in California’s Partnership for Responsible Parenting campaigns; and popular constructions of the “Widows of 9/11” in print and televisual journalism.
Taken together, these various visual media texts function in American Pietàs as cultural artifacts and as visual nodes in a larger network of racialized productions of maternal bodies in contexts of national death and remembering. To engage this network is to ask how and toward what end the racial project of the nation imbues some maternal bodies with resurrecting power and leaves others for dead. In the spaces between these different maternities, says Tapia, U.S. citizen-subjects are born—and reborn.
American Policy Toward Communist Eastern Europe was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Perhaps no aspect of American foreign relations has been in greater need of clarification and understanding than our policy toward the Communist nations of Eastern Europe, both as to what has happened in the past and what is possible for the future. In this book a former State Department Official, now on the staff of the Council on Foreign Relations, provides objective information which will help students, professors, members of adult study groups, and others concerned with American foreign policy to understand and discuss this important subject.
Mr. Campbell reminds us that the cold war began in Eastern Europe in the aftermath of the second World War. Since that time, the question of what to do about Eastern Europe has been in the forefront of American foreign policy. For some years, he contends, we have been uncertain of our objectives and ambivalent in our policies. Meanwhile, changes since the death of Stalin have created new situations both for the Soviet Union and for the West.
In analyzing what has happened, the author emphasizes the forces which have shaken the unity of the Soviet bloc to create new perspectives and possibilities. He discusses the effects of the Soviet- Chinese split, the relationship of the German question to that of Eastern Europe, and the phenomenon of national Communism as it has appeared in different forms in Yugoslavia, Poland, Rumania, and elsewhere.
After presenting the historical background, the author discusses American aims and current policies and outlines the choices he sees ahead. He does not plead for any one of the alternative lines of action, presenting them, rather, as a basis for reasoned consideration and debate.
The American Short Story - American Writers 14 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
An American Social Worker in Italy was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Mrs. Charnley, an American social worker, spent six months in Italy on a Fulbright grant as a consultant to Italian child welfare agencies and schools of social work. Here, in diary form, she tells of her experiences during those months when she struggled to teach American social work principles to her Italian colleagues. The task was complicated not only by the need to communicate in a newly learned tongue but also by the necessity to tailor American casework philosophies to a vastly different culture. The story abounds in humor and pathos and, at the same time, offers rich information about Italy, its people, and its child-care methods and institutions.
Mrs. Charnley points out that one Italian child in ten spends his first seventeen years in an institution. The nation's laws for the protection of children date back to the Caesars; even the most progressive of the social workers she met hoped for reforms only in terms of decades or centuries. Against this background, the situations in which she found herself were sometimes frustrating, often comic, always challenging. Her determination to help Italy's half-million institutionalized children took her behind the doors of many orphanages and convents, into close contact with the children and the nuns and priests who cared for them. She studied the records of social agencies, analyzed problems with their staffs, and lectured at social work schools.
American Studies was first published in 1948. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Although the immediate subject of this book is American Studies, its ultimate concern is with the broad pattern of higher education in the United States. The program of American Studies uses the materials of the American scene to advance a contemporary movement in education, and to modify a tendency of mankind to live predominantly in one of the three tenses: past, present, or future. The movement in education is an attempt to supplement, but not replace, extreme academic specialization with a synthesis of knowledge.
Mr. McDowell, who has made firsthand observation of procedures in more than thirty colleges and universities in all parts of the United States, discusses curriculums and courses in American civilization throughout the country and the American Studies program at the University of Minnesota, which is the most extensive and inclusive existing today. In summing up, he analyzes the relationship of American Studies to regional culture, national loyalty, and world society.
The book is addressed to all who are concerned with American civilization or American education, but most particularly to those concerned with both. The discussion, though dealing chiefly with the liberal arts college and the graduate school, also has relevance for the general public and for high school teachers and administrators in higher education, for college teachers of the social sciences and humanities, and for graduate students and mature undergraduates about to choose a major field or already engaged in a study of American culture.
A forthright look at the future of the discipline in the wake of immense social changes.
What becomes of "national knowledge" in our age of globalization? If dramatic changes in technology, commerce, and social relations are undermining familiar connections between culture and place, what happens to legacies of learning that put the nation at the center of the study of history, culture, language, politics, and geography? In short, what remains of American Studies? At a critical moment, this book offers a richly textured historical perspective on where our notions of national knowledge-and our sense of American Studies-have come from and where they may lead in a future of new ideas about culture and community.
The America that seems to be disappearing before our very eyes is, George Lipsitz argues, actually the cumulative creation of yesterday's struggles over identity, culture, and power. With examples from statistics and history, poster designs and music lyrics, Lipsitz shows how American Studies has been shaped by the social movements of the 1930s, 1960s, and 1980s. His analysis reveals the sedimented history of social movement contestation contained in contemporary popular music, visual art, and cinema.
Finally, Lipsitz identifies the ways in which the globalization of commerce and culture are producing radically new understandings of politics, performance, consumption, knowledge, and nostalgia; the changing realities present not so much a danger as a clear challenge to a still-evolving American Studies--a challenge that this book helps us to confront wisely, flexibly, and effectively.
George Lipsitz is professor of ethnic studies at the University of California, San Diego, where he serves as director of the Thurgood Marshall Institute. He is the author of many books, including Time Passages, The Possessive Investment in Whiteness: How White People Profit from Identity Politics (1998), and Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place (1997). He also edited Stan Weir's Singlejack Solidarity (2004).
In 1997, when the New York Times described Filipino American serial killer Andrew Cunanan as appearing “to be everywhere and nowhere,” Allan Punzalan Isaac recognized confusion about the Filipino presence in the United States, symptomatic of American imperialism’s invisibility to itself. In American Tropics, Isaac explores American fantasies about the Philippines and other “unincorporated” parts of the U.S. nation that obscure the contradictions of a democratic country possessing colonies.Isaac boldly examines the American empire’s images of the Philippines in turn-of-the-century legal debates over Puerto Rico, Progressive-era popular literature set in Latin American borderlands, and midcentury Hollywood cinema staged in Hawai‘i and the Pacific islands. Isaac scrutinizes media coverage of the Cunanan case, Boy Scout adventure novels, and Hollywood films such as The Real Glory (1939) and Blue Hawaii (1961) to argue that territorial sites of occupation are an important part of American identity. American Tropics further reveals the imperial imagination’s role in shaping national meaning in novels such as Carlos Bulosan’s America Is in the Heart (1946) and Jessica Hagedorn’s Dogeaters (1990), Filipino American novels forced to articulate the empire’s enfolded but disavowed borders.Tracing the American empire from the beginning of the twentieth century to Philippine liberation and the U.S. civil rights movement, American Tropics lays bare Filipino Americans’ unique form of belonging marked indelibly by imperialism and at odds with U.S. racial politics and culture.Allan Punzalan Isaac is assistant professor of English at Wesleyan University.
The American Writer and the European Tradition was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a series of perceptive essays by twelve scholars this volume brings a fresh viewpoint to the study of American literature. From the colonial gentlemen-scholars to contemporary poets and novelists, the American writer is seen in relation to the cultural influences that flowed from Europe to America, intermingled with native tendencies, and then flowed from America to Europe.
Three themes bind the essays together: What was the American writer's original heritage of European ideas? What ideas, moods, manners in American writers were indigenous, or mostly so, to America? And finally, what has been the influence of American letters abroad?
American-Australian Relations was first published in 1947. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This new study fills a wide gap in the story of American-Australian relations and is a timely addition to the literature in this field. There has been no comprehensive treatment of the topic before, and it will be of interest to those seeking information that the thorough documentation includes wide use of reports of the American consuls in Australia, and material from Australian parliamentary debates and Australian and American newspapers.
Australia has emerged from the war as an important world power that demands a prominent role in the south and southwest Pacific. At the same time the United States has become more and more deeply involved in Far Eastern affairs. The book gives the background of the development and shows the gradual enlargement of spheres of mutual interest between the two countries, both political and economic, from the end of the eighteenth century down to the problems presented by postwar developments in the Pacific.
Emphasis is placed on the economic and political ambitions of the two countries, and on their resulting agreements and disagreements both in their direct relations and in their relations with the whole Far Eastern region. Dr. Levi points out that the new importance of the Pacific resulting from World War II has proved to both nations their mutual dependence, but at the same time has increased their national interest in ever-widening and overlapping spheres in the Pacific area.
An innovative reading of John Gower's work and an exciting new approach to medieval vernacular texts.
"Moral Gower" he was called by friend and sometime rival Geoffrey Chaucer, and his Confessio Amantis has been viewed as an uncomplicated analysis of the universe, combining erotic narratives with ethical guidance and political commentary. Diane Watt offers the first sustained reading of John Gower's Confessio to argue that this early vernacular text offers no real solutions to the ethical problems it raises--and in fact actively encourages "perverse" readings.
Drawing on a combination of queer and feminist theory, ethical criticism, and psychoanalytic, historicist, and textual criticism, Watt focuses on the language, sex, and politics in Gower's writing. How, she asks, is Gower's Confessio related to contemporary controversies over vernacular translation and debates about language politics? How is Gower's treatment of rhetoric and language gendered and sexualized, and what bearing does this have on the ethical and political structure of the text? What is the relationship between the erotic, ethical, and political sections of Confessio Amantis? Watt demonstrates that Gower engaged in the sort of critical thinking more commonly associated with Chaucer and William Langland at the same time that she contributes to modern debates about the ethics of criticism.
Diane Watt is senior lecturer in English at the University of Wales, Aberystwyth.
Analyses of Theories and Methods of Physics and Psychology was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.This is Volume IV of the Minnesota Studies in the Philosophy of Science, a series published in cooperation with the Minnesota Center for Philosophy of Science at the University of Minnesota and edited by Herbert Feigl and Grover Maxwell. Dr. Feigl was the director of the Center.In a preface to the first volume in the series, Professors Feigl and Michael Scriven noted the extensive concern of the Center with “the meaning of theoretical concepts as defined by their locus in the ‘nomological net’ and the related rejection of the reductionist forms of operationism and positivism.” In this volume, several contributors are again concerned with philosophical, logical, and methodological problems of psychology. As before, some papers deal with broad philosophical issues, others with more specific problems of method or interpretation. However, a deep concern for logical and methodological problems of special relevance to the physical sciences is reflected in a number of essays.The contents are arranged in two sections, the first part being based on the papers and discussion from a conference held at the Center on the problems of correspondence rules. Contributors are Herbert Feigl, Paul K. Feyerabend, N.R. Hanson, Carl G. Hempel, Mary Hesse, Grover Maxwell, and William Rozeboom. The second group of essays, by various members of the staff of the Center and some of its visitors, reflects current issues and controversies of great interest. The contributors are William Demopoulos, Keith Gunderson, Paul E. Meehl (three essays), and Michael Radner.
The Anatomy of Judgment
Philip J. Regal University of Minnesota Press, 1990 Library of Congress BC177.R345 1990 | Dewey Decimal 128.3
The Anatomy of Judgment was first published in 1990. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
"The Anatomy of Judgment is a unique and valuable contribution to the literature of the social and humanistic contexts for science . . . The book will illuminate dark corners for any reader, and dozens of interesting points come to light." –Neil Greenberg, University of Tennessee
Tracing the emergence of science and the social institutions that govern it, The Anatomy of Judgment is an odyssey into what human thinking or judgment means. Philip Regal moves deftly from the history of Western philosophy to concepts of rationality in non-Western cultures, from the conceptual issues of the Salem witch trials to the basic structure of the human brain. The Anatomy of Judgment offers new perspectives on the workings of individual judgment and the social responsibility it entails.
Philip Regal is a professor of ecology and behavioral biology at the University of Minnesota. He served, during his pre- and postdoctoral work, as Coordinator's Appointee to the Mental Health Training Program at UCLA's Brain Research Institute.
When Andy Kaufman succumbed suddenly to lung cancer in 1984, some of his fans believed that his death was yet another elaborate prank. Over the previous decade, Kaufman had achieved improbable fame for his bizarre antiperformances—lip-synching the Mighty Mouse theme song, reading The Great Gatsby aloud in its entirety when people expected comedy, asking audience members to touch a boil on his neck—that perplexed, annoyed, or offended his viewers.
In Andy Kaufman, Florian Keller explores Kaufman’s career within a broader discussion of the ideology of the American Dream. Taking as his starting point the 1999 biopic Man on the Moon, Keller brilliantly decodes Kaufman in a way that makes it possible to grasp his radical agenda beyond avant-garde theories of transgression. As an entertainer, Kaufman submerged his identity beneath a multiplicity of personas, enacting the American belief that the self can and should be endlessly remade for the sake of happiness and success. He did this so rigorously and consistently, Keller argues, that he exposed the internal contradictions of America’s ideology of self-invention.
Keller posits that Kaufman offered a radically different—and perhaps more potent—logic of cultural criticism than did more overtly political comedians such as Lenny Bruce. Presenting close readings of Kaufman’s most significant performances, Keller shows how Kaufman mounted—for the benefit of an often uncomprehending public—a sustained and remarkable critique of America’s obsession with celebrity and individualism.
Florian Keller is a fellow at the Institute of Cultural Studies, School of Art and Design, University of Applied Sciences and Arts, Zurich.
Beginning with a historical account of why animal stories pose endemic critical challenges to literary and cultural theory, Animal Stories argues that key creative developments in narrative form became inseparable from shifts in animal politics and science in the past century. Susan McHugh traces representational patterns specific to modern and contemporary fictions of cross-species companionship through a variety of media—including novels, films, fine art, television shows, and digital games—to show how nothing less than the futures of all species life is at stake in narrative forms.
McHugh’s investigations into fictions of people relying on animals in civic and professional life—most obviously those of service animal users and female professional horse riders—showcase distinctly modern and human–animal forms of intersubjectivity. But increasingly graphic violence directed at these figures indicates their ambivalent significance to changing configurations of species.
Reading these developments with narrative adaptations of traditional companion species relations during this period— queer pet memoirs and farm animal fictions—McHugh clarifies the intercorporeal intimacies—the perforations of species boundaries now proliferating in genetic and genomic science—and embeds the representation of animals within biopolitical frameworks.
Animals, Aging, and the Aged was first published in 1981. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume explores the significant contributions of animals to our understanding of aging, to improving geriatric medicine, and to providing companionship and assistance to the elderly. Leo L. Bustad discusses what can be learned from animal life-span studies about the process of aging, including the problems of cardiovascular disease, cancer, osteoporosis, and age-related mental conditions. The results of these studies suggest that changes in life-style—especially the diet—may modify the effects of chronic degenerative diseases.
Other studies show that caring for a pet can contribute greatly to the health and well being of the elderly. Bustad surveys experiments using animals in therapy and he presents, for the first time, evaluative instruments for choosing the appropriate pet. Companion animals allow many elderly people to maintain their independence. Animals are also helpful as aids for those with visual, hearing, and physical impairments. An appendix lists agencies that train dogs as aids to the physically impaired.
Animals, Aging, and the Aged is a thoughtful discussion of the physical, psychological, and social problems faced by the elderly, with emphasis on the ways that animals have contributed to the solution of some of those problems. As such, it will be useful for those involved in geriatric medicine and social work and in veterinary medicine and research. This book is volume 5 in the series Wesley W. Spink Lectures in Comparative Medicine.
In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called “media mix” in Japan and “convergence” in the West.
According to Steinberg, both anime and the media mix were ignited on January 1, 1963, when Astro Boy hit Japanese TV screens for the first time. Sponsored by a chocolate manufacturer with savvy marketing skills, Astro Boy quickly became a cultural icon in Japan. He was the poster boy (or, in his case, “sticker boy”) both for Meiji Seika’s chocolates and for what could happen when a goggle-eyed cartoon child fell into the eager clutches of creative marketers. It was only a short step, Steinberg makes clear, from Astro Boy to Pokémon and beyond.
Steinberg traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains, for the first time, how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.
Anna Livia Plurabelle: The Making of a Chapter was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.This volume traces the development of “Anna Livia Plurabelle,” the most famous chapter in James Joyce’s book Finnegans Wake. Mr. Higginson has collated all the extant drafts of the chapter, both published and unpublished, notably those in the manuscript collection of the British Museum. He has condensed this extensive material into six texts and has used a system of brackets which will enable scholars to reconstruct all of the known drafts from the texts given here. Readers who are interested principally in the major steps of the revisions or in gaining some insight into the larger developments of the work may do so by simply reading the six texts.This book provides the first substantial publication of material from the British Museum collection. While he was working on Finnegans Wake, Joyce sent his manuscript drafts to Miss Harriet Weaver, whom he regarded as the book’s patron. Miss weaver gave the drafts to the British Museum in 1951.In addition to the texts themselves, Mr. Higginson provides an introduction and editorial, bibliographical, and textual notes. In his introduction, he presents a theory of the techniques Joyce used in revising Finnegans Wake. He stresses the obsessive care with which Joyce revised and argues that the revisions produce a concentration, rather than a diffusion, of implication. He believes that both the tedious and the inspired revisions strengthen the structure of the book.Students of Joyce will find this book indispensable. It is of interest also to students of the creative process in general -- writers, critics, and aestheticians -- and to all readers who admire Joyce’s lyrical invocation of Dublin’s queen of rivers.
Answerable Style was first published in 1953. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
By the use of both new and traditional techniques of critical analysis, Arnold Stein presents in this volume of six essays a fresh interpretation of Milton's epic.
Beginning with the assumption that style is "answerable" to idea, he has tried to trace Milton's epic vision as it is bodied forth in patterns of structure (the ideas tested in action) and patterns of expression (the ideas tested in style). Mr. Stein explains: "My approach is in part based on an attempt to accept as fact both that I am a twentieth century reader and that this is a seventeenth-century poem. Milton is, I think, illuminated by some modern critical considerations; and some of those considerations are in turn illuminated, and some are found wanting."
In the antebellum years, the Western world’s symbolic realities were expanded and challenged as merchant, military, and scientific activity moved into Pacific and Arctic waters. In Antebellum at Sea, Jason Berger explores the roles that early nineteenth-century maritime narratives played in conceptualizing economic and social transitions in the developing global market system and what these chronicles disclose about an era marked by immense change.
Focusing on the work of James Fenimore Cooper and Herman Melville, Berger enhances our understanding of how the nineteenth century negotiated its own tenuous progress by portraying how a wide range of maritime stories lays bare disturbing experiences of the new. Berger draws on Slavoj Žižek’s Lacanian notion of fantasy in order to reconsider the complex way maritime accounts operated in the political landscape of antebellum America, examining topics such as the function of maritime labor know-how within a transformation of scientific knowledge, anxiety produced by conflict between gender-specific and culture-specific forms of enjoyment, and how legal practices illuminate troubling juridical paradoxes at the heart of Polk-era political life.
Addressing the ideas of the antebellum age from unexpected and revealing perspectives, Berger calls on the conception of fantasy to consider how antebellum maritime literature disputes conventional views of American history, literature, and national identity.
Smartphones, laptops, tablets, and e-readers all at one time held the promise of a more environmentally healthy world not dependent on paper and deforestation. The result of our ubiquitous digital lives is, as we see in The Anthrobscene, actually quite the opposite: not ecological health but an environmental wasteland, where media never die. Jussi Parikka critiques corporate and human desires as a geophysical force, analyzing the material side of the earth as essential for the existence of media and introducing the notion of an alternative deep time in which media live on in the layer of toxic waste we will leave behind as our geological legacy.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Anti-Apocalypse was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
As the year 2000 looms, heralding a new millennium, apocalyptic thought abounds-and not merely among religious radicals. In politics, science, philosophy, popular culture, and feminist discourse, apprehensions of the End appear in images of cultural decline and urban chaos, forecasts of the end of history and ecological devastation, and visions of a new age of triumphant technology or a gender-free utopia. There is, Lee Quinby contends, a threatening "regime of truth" prevailing in the United States-and this regime, with its enforcement of absolute truth and morality, imperils democracy. In Anti-Apocalypse, Quinby offers a powerful critique of the millenarian rhetoric that pervades American culture. In doing so, she develops strategies for resisting its tyrannies.
Drawing on feminist and Foucauldian theory, Quinby explores the complex relationship between power, truth, ethics, and apocalypse. She exposes the ramifications of this relationship in areas as diverse as jeanswear magazine advertising, the Human Genome project, contemporary feminism and philosophy, texts by Henry Adams and Zora Neale Hurston, and radical democratic activism. By bringing together such a wide range of topics, Quinby shows how apocalypse weaves its way through a vast network of seemingly unrelated discourses and practices. Tracing the deployment of power through systems of alliance, sexuality, and technology, Quinby reveals how these power relationships produce conflicting modes of subjectivity that create possibilities for resistance. She promotes a variety of critical stances—genealogical feminism, an ethics of the flesh, and "pissed criticism"—as challenges to apocalyptic claims for absolute truth and universal morality. Far-reaching in its implications for social and cultural theory as well as for political activism, Anti-Apocalypse will engage readers across the cultural spectrum and challenge them to confront one of the most subtle and insidious orthodoxies of our day.
Lee Quinby is associate professor of English and American studies at Hobart and William Smith Colleges. She is the author of Freedom, Foucault, and the Subject of America (1991) and coeditor (with Irene Diamond) of Feminism and Foucault: Reflections on Resistance (1988).
Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.
Starting from the premise that avant-garde art involves the questioning of bourgeois aesthetics, Novero demonstrates that avant-garde artists, writers, and performers have produced an oppositional aesthetics of indigestible art. Through the rhetoric of incorporation and consumption and the use of material ingredients in their work, she shows, avant-garde artists active in the 1920s and 1930s as well as the neo-avant-garde movements engaged critically with consumer culture, memory, and history.
Attention to food in avant-garde aesthetics, Novero asserts, reveals how these works are rooted in a complex temporality that associates memory and consumption with dynamics of change.
Development, it is generally assumed, is good and necessary, and in its name the West has intervened, implementing all manner of projects in the impoverished regions of the world. When these projects fail, as they do with astonishing regularity, they nonetheless produce a host of regular and unacknowledged effects, including the expansion of bureaucratic state power and the translation of the political realities of poverty and powerlessness into "technical" problems awaiting solution by "development" agencies and experts. It is the political intelligibility of these effects, along with the process that produces them, that this book seeks to illuminate through a detailed case study of the workings of the "development" industry in one country, Lesotho, and in one "development" project.Using an anthropological approach grounded in the work of Foucault, James Ferguson analyzes the institutional framework within which such projects are crafted and the nature of "development discourse," revealing how it is that, despite all the "expertise" that goes into formulating development projects, they nonetheless often demonstrate a startling ignorance of the historical and political realities of the locale they are intended to help. In a close examination of the attempted implementation of the Thaba-Tseka project in Lesotho, Ferguson shows how such a misguided approach plays out, how, in fact, the "development" apparatus in Lesotho acts as an "anti-politics machine," everywhere whisking political realities out of sight and all the while performing, almost unnoticed, its own pre-eminently political operation of strengthening the state presence in the local region.James Ferguson is an associate professor of anthropology at the University of California at Irvine.
The Arabic Language was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Arabic, with its rich literary heritage, is one of the major languages of the world. It is spoken by about one hundred million people inhabiting a wide and important area of the Middle East. Yet the language and its significant role in history are little known in the English-speaking countries except among specialists. This book will, it is hoped, help to introduce the language and demonstrate its importance to a wider audience.
Professor Philip K. Hitti of Princeton University writes in the foreword: "Until recently Arabic studies in this country had been limited to the graduate level and confined to a few universities. Since World War II they have inched their way to the undergraduate curriculum of a small number of universities. But they are still top-heavy and anemic. They will so remain unless they send their roots deeper down into high schools and enlist the interest of a widening circle of nonspecialists.
"Hence the value of this work by Professor Chejne. It is a commendable attempt to introduce the Arabic language, with its features and problems, to students and nonspecialists, to tell the story of its dramatic evolution from a tribal dialect to one of the few carriers of world culture, to indicate its unique relation to the religion of Islam and its role in the development of modern Arab nationalism. The book, written in a language intelligible to the layman, sums up what is already known and presents the contribution of the author."
Archibald MacLeish - American Writers 99 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Archipelagoes examines insularity as the space for adventure in the Spanish book of chivalry, much like the space of the forest in French chivalric romance. In this innovative work, Simone Pinet explores the emergence of insularity as a privileged place for the location of adventure in Spanish literature in tandem with the cartographic genre of the isolario.
Pinet looks closely at Amadís de Gaula and the Liber insularum archipelagi as the first examples of these genres. Both isolario and chivalric romance (libros de caballerías) make of the island a flexible yet cohesive framework that becomes intrinsic to the construction of their respective genres. The popularity of these forms throughout the seventeenth century in turn bears witness to the numerous possibilities the archipelagic structure offered, ultimately taken up by the grand genres of each discipline—the atlas and the novel.
Moving from verbal descriptions to engravings and tapestry weavings, and from the chivalric politics and ethics proposed in the Amadís de Gaula to the Insula Barataria episode in Don Quixote, Pinet’s analysis of insularity and the use of the island structure reveals diverging roles for fiction, illuminating both the emergence of the novel and contemporary philosophical discussion on fiction.
The American suburban dream house-a single-family, detached dwelling, frequently clustered in tight rows and cul-de-sacs-has been attacked for some time as homogeneous and barren, yet the suburbs are home to half of the American population. Architectural historian John Archer suggests the endurance of the ideal house is deeply rooted in the notions of privacy, property, and selfhood that were introduced in late seventeenth-century England and became the foundation of the American nation and identity.
Spanning four centuries, Architecture and Suburbia explores phenomena ranging from household furnishings and routines to the proliferation of the dream house in parallel with Cold War politics. Beginning with John Locke, whose Enlightenment philosophy imagined individuals capable of self-fulfillment, Archer examines the eighteenth-century British bourgeois villa and the earliest London suburbs. He recounts how early American homeowners used houses to establish social status and how twentieth-century Americans continued to flock to single-family houses in the suburbs, encouraged by patriotism, fueled by consumerism, and resisting disdain by disaffected youths, designers, and intellectuals. Finally, he recognizes “hybridized” or increasingly diverse American suburbs as the dynamic basis for a strengthened social fabric.
From Enlightenment philosophy to rap lyrics, from the rise of a mercantile economy to discussions over neighborhoods, sprawl, and gated communities, Archer addresses the past, present, and future of the American dream house.
John Archer is professor of cultural studies and comparative literature at the University of Minnesota. His book The Literature of British Domestic Architecture, 1715-1842, is the standard reference on the subject, and he also contributed to the Encyclopedia of Urban America and the Encyclopedia of Twentieth-Century Architecture.
By the end of the twentieth century, Argentina’s complex identity-tango and chimichurri, Eva Perón and the Mothers of the Plaza de Mayo, the Falklands and the Dirty War, Jorge Luis Borges and Maradona, economic chaos and a memory of vast wealth-has become entrenched in the consciousness of the Western world.
In this wide-ranging and at times poetic new work, Amy K. Kaminsky explores Argentina’s unique national identity and the place it holds in the minds of those who live beyond its physical borders. To analyze the country’s meaning in the global imagination, Kaminsky probes Argentina’s presence in a broad range of literary texts from the United States, Poland, England, Western Europe, and Argentina itself, as well as internationally produced films, advertisements, and newspaper features.
Kaminsky’s examination reveals how Europe consumes an image of Argentina that acts as a pivot between the exotic and the familiar. Going beyond the idea of suffocating Eurocentrism as a theory of national identity, Kaminsky presents an original and vivid reading of national myths and realities that encapsulates the interplay among the many meanings of “Argentina” and its place in the world’s imagination.
Amy Kaminsky is professor of gender, women, and sexuality studies and global studies at the University of Minnesota and author of After Exile (Minnesota, 1999).
What happens if we abandon the assumption that a person is a discrete, world-making agent who acts on and creates place? This, Monique Allewaert contends, is precisely what occurred on eighteenth-century American plantations, where labor practices and ecological particularities threatened the literal and conceptual boundaries that separated persons from the natural world.
Integrating political philosophy and ecocriticism with literary analysis, Ariel’s Ecology explores the forms of personhood that developed out of New World plantations, from Georgia and Florida through Jamaica to Haiti and extending into colonial metropoles such as Philadelphia. Allewaert’s examination of the writings of naturalists, novelists, and poets; the oral stories of Africans in the diaspora; and Afro-American fetish artifacts shows that persons in American plantation spaces were pulled into a web of environmental stresses, ranging from humidity to the demand for sugar. This in turn gave rise to modes of personhood explicitly attuned to human beings’ interrelation with nonhuman forces in a process we might call ecological.
Certainly the possibility that colonial life revokes human agency haunts works from Shakespeare’s Tempest and Montesquieu’s Spirit of the Laws to Spivak’s theories of subalternity. In Allewaert’s interpretation, the transformation of colonial subjectivity into ecological personhood is not a nightmare; it is, rather, a mode of existence until now only glimmering in Che Guevara’s dictum that postcolonial resistance is synonymous with “perfect knowledge of the ground.”
Art for Daily Living was first published in 1944. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Art education has faced two great crises in one decade–first the depression and now the war. Out of the chaos and destruction of the early 1930’s came a critical evaluation of educational practices, which challenged art as it was being taught in the schools. the Owatonna Art Education Project was developed to help evolve a sound art education program that could justify itself educationally and financially as an indispensable part of education.Believing that art plays an integral part in the life of every human being, the late Melvin E. Haggerty, dean of the College of Education and the University of Minnesota, obtained a grant from the Carnegie Foundation to develop a new approach to the teaching of art in the public schools–and approach based on the study of a typical Midwestern community and its use of art in everyday living.
Art in Red Wing was first published in 1946. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.What happens to the American small community in periods of war and challenge, change and uncertainty? In an age of planning, why not look at the community basis for planning?With these two questions as a basis, the University of Minnesota, in 1943, began one of the most exhaustive studies of an American community undertaken in recent times. Red Wing, Minnesota, on the banks of the Mississippi River in Goodhue County was chosen as the “typical small American city.”Professors of education, economics, sociology, art, home economics, journalism, and public health joined with city officials and civic leaders in studying every aspect of the city and its people. Their findings are published in eleven bulletins, each devoted to an individual topic. The entire survey, entitled The Community Basis for Postwar Planning, was coordinated by Roland S. Vaile, professor of economics and marketing at the University of Minnesota, and made possible by a grant from the Graduate School.The present study, Art in Red Wing, considers the public role of art and architecture in the reconstruction of the postwar Red Wing community; examining a variety of artistic expression including housing style, civic architecture, window displays, public sculpture, and pottery.
The Art of Eastern India, 300–800 was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Though scholars have extensive knowledge of the art that flourished during Pala rule in Eastern India (ca. 800-1200), little is known about Eastern Indian art during the preceding 500 years. This half-millennium includes the period of the Gupta dynasty and the two centuries that bridge Gupta and Pala rule, when no single dynasty long maintained control of Eastern India. In this study, Frederick M. Asher challenges arthistorical assumptions about Pala art — that it is a new school virtually without links to earlier art 00 by demonstrating that sculpture during the Gupta period and the subsequent three centuries evolved along lines that connect it with Pala art. In so doing, he draws attention to important sculptures, most of them never previously studied, that tell us not only about an unexplored period in Indian art but also about broader aspects of the cultural history and geography of Eastern India.
Asher's work is based on field research in Bihar, West Bengal, and Bangladesh. There he gave special attention to the sites of once-flourishing Buddhist monasteries and to Hindu images still worshipped in village India. The author's photographs of the bronze, terra cotta, and stone sculptures, and his detailed text, provide a virtual catalogue raisonne of the known works of the period.
Asher's analyses of the images and his attributions of dates to them are based upon close attention to artistic style and iconography, and the study of dynastic and social history, contemporary travelers' reports, and religious history. Drawing together these diverse strands of information, he describes the evolution of art forms over a long period in which there was little apparent historic unity. John M. Rosenfield, professor of art history at Harvard University and author of The Art of the Kushans, says, of The Art of Eastern India,"The scholarship is scrupulously detailed and careful . . . [The book] is in the finest tradition of classical scholarship, and will be consulted or several generations."
“In Naples, there are more singers than there are unemployed people.” These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living—or even a fortune. In the process, they brush up against affiliates of the region’s violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.
The “art of making do” refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise “making do,” gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.
The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist’s sense of autonomy. Making his way through Naples’s spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.
Pine’s trenchant observations and his own improvised attempts at “making do” provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life.