The writings of the Marquis de Sade have recently attained notoriety in the canon of world literature. Now Sade himself is often celebrated as a heroic apostle of individual rights and a giant of philosophical thought. In this detailed investigative work, Laurence Bongie tests these claims and finds them unfounded and undeserved.

"A valuable correction to the perception of Sade as a profound thinker, a great writer, and a martyr to liberty. Drawing on original archival work, Bongie tries to illuminate Sade's childhood and his relationship with his parents. . . . Fluent and well-informed."—Library Journal

"Mr. Bongie . . . has written an investigation focusing on one aspect of Sade's character and development, his heretofore neglected relationship with his aristocratic mother. . . . A profitable selection."—Richard Bernstein, New York Times

"A welcome corrective. Bongie's book . . . aims to deflate the exalted claims made about the marquis by demonstrating that he was a monstrous character."—Scott Stossel, Boston Phoenix Literary Supplement

 In one of his public disavowals of autobiography, Nathaniel Hawthorne informed his readers that external traits "hide the man, instead of displaying him," directing them instead to "look through the whole range of his fictitious characters, good and evil, in order to detect any of his essential traits." In this multidimensional biography of America's first great storyteller, Edwin Haviland Miller answers Hawthorne's challenge and reveals the inner landscapes of this modest, magnetic man who hid himself in his fiction. Thomas Woodson hails Miller's account as "the best biography of this most elusive of American authors."

Biography of the first Prime Minister of the 20th Century during the height of the British Empire

Situated in a remote outpost in West Virginia at the turn of the last century, the story that Lenore McComas Coberly tells in Sarah’s Girls is one of place, people, and unquenchable spirit. In this fictionalized account of her recent ancestors, Coberly masterfully traces the journeys of their lives, their dreams, and their hardships over the course of the twentieth century.

At its center is the story of Lena, who returns to care for her dead sister’s daughters, giving up the promise of a life that can spare her the adversity rural living guarantees. The author goes back to Big Ugly Creek, the place where her grandparents met—and the place whose memory she cannot leave.

Using the stories she was told in her childhood as a bridge to the past, Coberly uncovers facts about her family history from documents that have made their way from one generation to another and the truth from the inherent understanding she has of these people who are so close to her.

But Sarah’s Girls is not about the author; it is about the people and a place she loves. It is fiction written to tell the deeper truth about the hold West Virginia—its mountains and its valleys—has on its people.

Verrier Elwin (1902-1964) was unquestionably the most colorful and influential non-official Englishman to live and work in twentieth-century India. A prolific writer, Elwin's ethnographic studies and popular works on India's tribal customs, art, myth and folklore continue to generate controversy.

Described by his contemporaries as a cross between Albert Schweitzer and Paul Gauguin, Elwin was a man of contradictions, at times taking on the role of evangelist, social worker, political activist, poet, government worker, and more. He rubbed elbows with the elite of both Britain and India, yet found himself equally at home among the impoverished and destitute. Intensely political, the Oxford-trained scholar tirelessly defended the rights of the indigenous and, despite the deep religious influences of St. Francis and Mahatma Gandhi on his early career, staunchly opposed Hindu and Christian puritans in the debate over the future of India's tribals. Although he was ordained as an Anglican priest, Elwin was married twice to tribal women and enthusiastically (and publicly) extolled the tribals' practice of free sex. Later, as prime minister Nehru's friend and advisor in independent India, his compelling defense of tribal hedonism made him at once hugely influential, extremely controversial, and the polemical focal point of heated discussions on tribal policy and economic development.

Savaging the Civilized is both biography and history, an exploration through Elwin's life of some of the great debates of the twentieth century: the future of development, cultural assimilation versus cultural difference, the political practice of postcolonial as opposed to colonial governments, and the moral practice of writers and intellectuals.

In April 1775 Abigail Lovell’s family is divided politically―while her father, who has for decades been schoolmaster at the prestigious Latin School, remains loyal to King George III, she and her two brothers engage in undercover activities designed to destabilize the British occupation of Boston. Her sickly older brother, James, operates the patriots’ spy ring, while Abigail acts as a courier, eluding increasingly aggressive British patrols, and her younger brother, Benjamin, slips out of the city to fight alongside Abigail’s love, Ezra, in the battles at Lexington and Concord. With the help of her friend, Rachel Revere, Abigail smuggles money and supplies out to her brother, Ezra, and Rachel’s husband, Paul. But when a British sergeant is found murdered, Abigail stands accused before a military tribunal, and on the eve of the British assault on Bunker Hill she and her brothers plot to influence the outcome of that pivotal battle. In the tradition of The Name of theRose and Girl with the Pearl Earring, The Schoolmaster’s Daughter is the story of a family torn asunder by political strife and a determined young woman who makes courageous sacrifices for the patriot cause at the outbreak of the American Revolution.
 

Colonial administrator, writer, explorer, Buddhist, and friend to China's last emperor, Sir Reginald Johnston (1874–1938) was a distinguished sinologist with a tangled love and family life that he kept secret even from his closest friends. Born and educated in Edinburgh, he began his career in the colony of Hong Kong and eventually became Commissioner of the remote British leased territory of Weihai in northern China. He travelled widely and, during a break from colonial service, served as tutor and advisor to Puyi, the deposed emperor. As the only foreigner allowed to work in the Forbidden City, he wrote the classic account of the last days of the Qing Dynasty—Twilight in the Forbidden City. Granted unique access to Johnston's extensive personal papers, once thought to be lost, Shiona Airlie tells the life of a complex and sensitive character whose career made a deep impression on 20th-century China.

Now in paperback, this award-winning history tells the story of the author’s great-great grandfather, John Murray Murdoch, who came to America from Scotland to gather with other members of the Church of Jesus Christ of Latter-day Saints during the nineteenth century.
Murdoch embraced Mormonism and set out for the Utah Territory in 1852 with his wife, Ann, and their family. En route they suffered the deaths of their two young children. Two years later, John’s mother, Wee Granny, and Ann’s brother, James Steele, both perished, along with many others of the ill-fated Martin handcart company, as they attempted to immigrate to Salt Lake City.

Murdoch was a respected member of the community and participated in the military preparations and maneuvers against the U.S. Army in the 1857 Utah War. Eventually the family moved to the Heber valley as early settlers there. Murdoch later became one of Wasatch county’s first elected officials and helped establish the sheep-ranching industry in Utah. The 'everyman' aspect of John Murdoch’s life makes his a compelling story. It will fascinate anyone interested in the individuals who helped create Utah's history. 

Winner of the Evans Handcart Award. 

The sound of nineteenth-century women, once thought lost to us, is alive because ordinary women like Emily Hawley Gillespie gave voice to their thoughts in diaries. This condensed version of the 2,500-page journals of Emily Gillespie, faithfully written from 1858 to 1888, is a detailed account of rural Iowa life. More than this, it contains the reflections of a woman who dreamed of being a painter and writer and instead became a wife and a mother, a woman whose radical convictions were recorded in her diary, while publicly she conformed to the prescribed life of a Victorian pioneer woman. Through Emily's journals, readers are offered immediate and unmodified contact with settlers in Iowa one hundred years ago. A wealth of facts are included—what produce she harvested and preserved from her garden, how her husband tended his fields and what he raised, the challenges and rewards of family life.

Judy Lensink's skillful analysis shows the larger patterns in Emily Gillespie's life and provides keys that unlock the diary's secrets. Emily's life is revealed as a youth full of promise fading into middle and declining years of lost dreams and eventual tragedy, which caused her to write, "I have written many things in my journal, but the worst is a secret to be burried when I shall cease to be."

Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature.

Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.

A gripping and thought-provoking work that is unlike any Civil War novel previously written, Sharpshooter takes us into the mind of one of the war’s veterans as he attempts, years after the conflict, to reconstruct his experiences and to find some measure of meaning in them.

A child of the divided East Tennessee mountain region, Willis Carr left home at age thirteen to follow his father and brothers on a bridge-burning mission for the Union cause. Imprisoned at Knoxville, he agreed to join the Confederate army to avoid being hanged and became a sharpshooter serving under General Longstreet. He survived several major battles, including Gettysburg, and eventually found himself guarding prisoners at the infamous Andersonville stockade, where a former slave taught him to read.

After the war, haunted by his memories, Carr writes down his story, revisits the battlefields, studies photographs and drawings, listens to other veterans as they tell their stories, and pores over memoirs and other books. Above all, he embues whatever he hears, sees, and reads with his emotions, his imagination, and his intellect. Yet, even as an old man nearing death, he still feels that he has somehow missed the war, that something essential about it has eluded him. Finally, in a searing moment of personal revelation, a particular memory, long suppressed, rises to the surface of Carr’s consciousness and draws his long quest to a poignant close.

A compelling work of fiction from a writer who is both a gifted novelist and a distinguished student of the Civil War, David Madden’s Sharpshooter invites us to see this signal episode in American history in a new way—to grasp its facts, to imagine what facts cannot convey, and to make the war our own.

Written by a Jewish survivor of the Holocaust, The Shop on Main Street is the story that inspired the highly successful Academy Award–winning Czechoslovak film of the same title. Looking at the Holocaust through the eyes of a complicit individual, the narrative follows a good-natured carpenter living in a Slovak town in 1942 who unwittingly becomes a participant in a moral crisis involving the abuse and persecution of Jews. Describing the film adaptation of Ladislav Grosman’s novel, the New York Times declared that it is a “human drama that is a moving manifest of the dark dilemma that confronted all people who were caught as witnesses to Hitler's terrible crime.” The review continues: “‘Is one his brother's keeper?’ is the thundering question the situation asks, and then, ‘Are not all men brothers?’ The answer given is a grim acknowledgement. But the unfolding of the drama is simple, done in casual, homely, humorous terms—until the terrible, heartbreaking resolution of the issue at the end.”

This bilingual edition, a parallel text in Old French and English, is based on a reexamination of the Old French manuscript, and makes Silence available to specialists and students in various fields of literature and women's studies.
     The Roman de Silence, an Arthurian romance of the thirteenth century, tells of a girl raised as a boy, equally accomplished as a minstrel and knight, whose final task, the capture of Merlin, leads to her unmasking.

Like a number of Netherlanders in the post–World War II era, Inez Hollander only gradually became aware of her family’s connections with its Dutch colonial past, including a Creole great-grandmother. For the most part, such personal stories have been, if not entirely silenced, at least only whispered about in Holland, where society has remained uncomfortable with many aspects of the country’s relationship with its colonial empire.

Unlike the majority of memoirs that are soaked in nostalgia for tempo dulu, Hollander’s story sets out to come to grips with her family’s past by weaving together personal records with historical and literary accounts of the period. She seeks not merely to locate and preserve family memories, but also to test them against a more disinterested historical record. Hers is a complicated and sometimes painful personal journey of realization, unusually mindful of the ways in which past memories and present considerations can be intermingled when we seek to understand a difficult past. Silenced Voices is an important contribution to the literature on how Dutch society has dealt with its recent colonial history.

Among the great figures of Progressive Era reform, Edith and Grace Abbott are perhaps the least sung. Peers, companions, and coworkers of legendary figures such as Jane Addams and Sophonisba Breckinridge, the Abbott sisters were nearly omnipresent in turn-of-the-century struggles to improve the lives of the poor and the working-class people who fed the industrial engines and crowded into diverse city neighborhoods. Grace’s innovative role as a leading champion for the rights of children, immigrants, and women earned her a key place in the history of the social justice movement. As her friend and colleague Eleanor Roosevelt wrote, Grace was “one of the great women of our day . . . a definite strength which we could count on for use in battle.”

A Sister’s Memories is the inspiring story of Grace Abbott (1878–1939), as told by her sister and social justice comrade, Edith Abbott (1876–1957). Edith recalls in vivid detail the Nebraska childhood, impressive achievements, and struggles of her sister who, as head of the Immigrants’ Protective League and the U.S. Children’s Bureau, championed children’s rights from the slums of Chicago to the villages of Appalachia. Grace’s crusade can perhaps be best summed up in her well-known credo: “Justice for all children is the high ideal in a democracy.” Her efforts saved the lives of thousands of children and immigrants and improved those of millions more. These trailblazing social service works led the way to the creation of the Social Security Act and UNICEF and caused the press to nickname her “The Mother of America’s 43 Million Children.” She was the first woman in American history to be nominated to the presidential cabinet and the first person to represent the United States at a committee of the League of Nations.

Edited by Abbott scholar John Sorensen, A Sister’s Memories is destined to become a classic. It shapes the diverse writings of Edith Abbott into a cohesive narrative for the first time and fills in the gaps of our understanding of Progressive Era reforms. Readers of all backgrounds will find themselves engrossed by this history of the unstoppable, pioneer feminist Abbott sisters.

This is the prequel book to The End of Slavery in Africa, both very well-respected examinations of this subject.

It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats, or the morbids. “Goth” did not gain lexical currency until the late 1980s. But no matter what term was used, “postpunk” encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes.

A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.

A historical novel about the role of science in modern life, set against the backdrop of the 1925 Scopes Trial
 
When William Jennings Bryan began a campaign to get evolution out of American schools in the 1920s, entomologist Martin Sullivan sought refuge from the tumult in his research. Although the theory of evolution provides the foundation for his scientific work, he prefers the careful methods of observation and classification to the passion of public debate. But when Martin takes a job teaching college biology in Seattle, he finds it increasingly difficult to retreat to the haven of science. His students are taking sides in the debate over whether religion and evolution can be reconciled. Socialists are using evolution to justify revolution. Politicians are citing Darwin in defense of anti-immigration laws. And Martin’s own colleagues are insisting that only eugenic reforms will save the world. As anti-evolution legislation spreads across the country and passions flare on all sides, the effort to apply science to marriage laws and mate choice even begins to touch the lives of those he loves. By the time the state of Tennessee puts John T. Scopes on trial for teaching evolution in the summer of 1925, Martin can no longer ignore the debates that surround him and must take a stand in the fight over the role of science in American society.
 
Although set a hundred years ago, The Species Maker wrestles with many issues that continue to confront scientists and science watchers in the present day. Kristin Johnson draws on her experiences in the classroom and extensive knowledge of the history of science to depict what it might have been like for a careful scientist to watch the heated debates over teaching evolution in the United States in the 1920s.
 
Visit www.thespeciesmaker.com for supplemental material including historical essays, links to online primary sources, a glossary, and guiding questions useful for the classroom or book clubs.

 

Concerns over the rise of fascism have been preoccupied with the Trump presidency and the Brexit vote in the UK, yet, globally, we are witnessing a turn towards anti-democratic and illiberal forces. From the tragic denouement of the Egyptian Revolution to the consolidation of the so-called Gujarat Model in India under the leadership of Prime Minister Narendra Modi and the consolidation of the power of Turkish President Recep Tayyip Erdogan, to the recent election of Jair Bolsonaro in Brazil, fascist ideology, aesthetics and fascist personalities appear across the globe. Spectres of Fascism makes a significant contribution to the unfolding discussion on whether what we are witnessing today is best understood as a return to classic twentieth-century ‘fascism,’ or some species of what has been called ‘post-fascism.’ Applying a uniquely global perspective, it combines analyses of historical contexts, theoretical approaches and contemporary geopolitics.

This appealing memoir introduces the family of Charles Hart Spencer and his wife Mary Acheson: seven children born between 1884 and 1895. It also introduces a large Victorian house in Shadyside (a Pittsburgh neighborhood) and a middle-class way of life at the turn of the century.

Mr. Spencer, who worked—not very happily—for Henry Clay Frick, was one of the growing number of middle-management employees in American industrial cities in the 1880s and 1890s. His income, which supported his family of nine, a cook, two regular nurses, and at times a wet nurse and her baby, guaranteed a comfortable life but not a luxurious one. In the words of the editors, the Spencers represent a class that "too often stands silent or stereotyped as we rush forward toward the greater glamour of the robber barons or their immigrant workers."

Through the eyes of Ethel Spencer, the third daughter, we are led with warmth and humor through the routine of everyday life in this household: school, play, church on Sundays, illness, family celebrations, and vacations. Ethel was an observant child, with little sentimentality, and she wrote her memoir in later life as a professor of English with a gift for clear prose and the instincts of an anthropologist. As the editors observe, her memoir is "a fascinating insight into one kind of urban life of three generations ago."

In writing a nativity story from the point of view of a boy who lives in the stable, Shirley Taylor has given us a vivid account of Christ’s birth and a motivating experience to readers and hearers, alike.  Likely to become an ‘instant classic’ of Christian literature, this simple story will inspire thousands of retellings by pastors, Christian educators, parents and grandparents.

​"Shirley Taylor's story gives readers and hearers insight into the town of Bethlehem at the time of the birth of Christ. Wendell Hall's illustrations help us imagine that scene wonderfully. The young homeless boy touches our hearts and imaginations. Not just for children, this is a read aloud book for all ages." - Lauretta Phillips, Storyteller, Author, Radio & TV Host

In the summer of 1881, the twenty-five men of the Lady Franklin Bay Expedition watched their ship sail for home from Discovery Harbor, just 500 miles from the North Pole. Commanded by the ambitious yet underqualified Adolphus W. Greely, this crew represented the first U.S. attempt to engage in scientific study of the Arctic. The frigid landscape offered the promise of great adventure—and unknown dangers. It was an expedition Greely eagerly anticipated long before it began. Standing there on that sunny summer afternoon, no one could have known how much would go wrong.
Drawing upon historic records, diaries, and letters of the men who inhabited the makeshift shelter they called Camp Clay, Laura Waterman reimagines the true story of polar explorers fighting for their lives and their sanity under dehumanizing conditions. This gripping, tragic tale of hunger, fear, and hope is told through the eyes of men at their worst—and most desperate—moments.

In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979.

"Staying On far transcends the events of its central action. . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain's silver age."—Robert Towers, Newsweek

"Scott's vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy."—Jean G. Zorn, New York Times Book Review

"A graceful comic coda to the earlier song of India. . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott."—Paul Gray, Time

"Staying On provides a sort of postscript to [Scott's] deservedly acclaimed The Raj Quartet. . . . He has, as it were, summoned up the Raj's ghost in Staying On. . . . It is the story of the living death, in retirement, and the final end of a walk-on character from the quartet. . . . Scott has completed the task of covering in the form of a fictional narrative the events leading up to India's partition and the achievement of independence in 1947. It is, on any showing, a creditable achievement."—Malcolm Muggeridge, New York Times Book Review

For nearly seventy years, John J. Young Jr. photographed railroads. With unparalleled scope and span, he documented the impact and beauty of railways in American life from 1936 to 2004.

As a child during the Great Depression, J. J. Young Jr. began to photograph railroads in Wheeling, West Virginia. This book collects over one hundred fifty of those images—some unpublished until now—documenting the railroads of Wheeling and the surrounding area from the 1930s until the 1960s.

The photographs within this book highlight the major railroads of Wheeling: the Baltimore & Ohio, the Pennsylvania, the Wheeling & Lake Erie, the Pittsburgh & West Virginia, the New York Central, and the industrial and interurban rail lines that crisscrossed the region. These images capture the routine activities of trains that carried passengers and freight to and from the city and its industries, as well as more unusual traffic, such as a circus-advertising car, the General Motors Train of Tomorrow, and the 1947 American Freedom Train.

In 1844, Horace Wells, a Connecticut dentist, encountered nitrous oxide, or laughing gas—then an entertainment for performers in carnival-like theatrical acts—and began administering the gas as the first true anesthetic. His discovery would change the world, reshaping medicine and humanity’s relationship with pain.
But that discovery would also thrust Wells into scandals that threatened his reputation, his family, and his sanity—hardships and triumphs that resonate in today’s struggles with what hurts us and what we take to stop the hurt.
In this novel, Michael Downs mines the gaps in the historical record and imagines the motivations and mysteries behind Wells’s morbid fascination with pain, as well as the price he and his wife, Elizabeth, paid—first through his obsession, then his addiction.
The book is a love story, but also a story of what love can’t redeem; of narcotic dreams and waking insanity; of humbug and miracle; of pain’s destruction and what pains can never be eased. Following Wells throughout New England and across the ocean to Paris, the novel immerses the reader in the nineteenth century, conveying through rich physical description and telling dialogue the tragic life of a dentist who gave everything to rid the world of suffering.

New England. 1648. The Piscataqua Settlement. A young woman has been found dead, her violated body stripped naked and thrown in a river. Her husband, a reclusive and learned man, has mysteriously halted his legal proceedings against the most likely suspect, who has disappeared into the wilderness. The settlement’s elders call on a young Englishman, Richard Browne, to discover the truth about what happened. But the more he learns, the more puzzling the crime becomes, and the more he finds himself drawn to the wife of the missing suspect.

With masterful storytelling, Bergland and Hayes demonstrate how Lapham blended his ravenous curiosity with an equable temperament and a passion for detail to create a legacy that is still relevant today.
—John Gurda

In this long overdue tribute to Wisconsin’s first scientist, authors Martha Bergland and Paul G. Hayes explore the remarkable life and achievements of Increase Lapham (1811–1875). Lapham’s ability to observe, understand, and meticulously catalog the natural world marked all of his work, from his days as a teenage surveyor on the Erie Canal to his last great contribution as state geologist.

Self-taught, Lapham mastered botany, geology, archaeology, limnology, mineralogy, engineering, meteorology, and cartography. A prolific writer, his 1844 guide to the territory was the first book published in Wisconsin. Asked late in life which field of science was his specialty, he replied simply, “I am studying Wisconsin.”

Lapham identified and preserved thousands of botanical specimens. He surveyed and mapped Wisconsin’s effigy mounds. He was a force behind the creation of the National Weather Service, lobbying for a storm warning system to protect Great Lakes sailors. Told in compelling detail through Lapham’s letters, journals, books, and articles, Studying Wisconsin chronicles the life and times of Wisconsin’s pioneer citizen-scientist.

In the spring of 1916, as the workers for woman suffrage were laying plans for another attack on the bastions of male supremacy, the idea for The Sturdy Oak was born. Based on the rules of an old parlor game, wherein one person begins a narrative, another continues it, and another follows, this collaborative effort by the leading writers of the day, such as Fannie Hurst, Dorothy Canfield, and Kathleen Norris, is a satiric look at the gender roles of the time.

There is much in The Sturdy Oak that reflects the New York campaign for suffrage of 1916–1917. The setting is the fictional city of Whitewater in upstate New York. Idealistic reformers are pitted against a ruthless political machine, and the traditional picture of man as “the sturdy oak” supporting woman, “the clinging vine,” is ridiculed in the portrayal of an engaging couple, George and Genevieve Remington. Nonetheless, the purpose of the book is not primarily ridicule but reform, and the reader is taken through the steps by which a confirmed anti-suffragist is gradually transformed into a supporter of the suffrage cause.

Beyond its historical interest, The Sturdy Oak is imbued with a political and social currency that makes it applicable even today. And because of the skill of the writers of this composite novel, even eight decades after its initial publication The Sturdy Oak is still, as the New York Times said in 1917, “irresistibly readable.”

Izrael Zachariah Deutsch was born on March 15, 1934, in Komjata, Czechoslovakia. The second youngest child, Izrael lived a bucolic existence with nine brothers and sisters on a farm, differing from them only in that he was deaf. When he was six, his mother took him to Budapest, Hungary, and enrolled him in a Jewish school for deaf children, where he thrived. Soon, however, the Nazi regime in Germany and the Arrow Cross fascists in Hungary destroyed Izrael’s world forever.
       Izrael realized that by being both Jewish and deaf, he faced a double threat of being exported to the gas chambers in Poland. But at every lethal junction, he found a way to survive, first by buying and reselling pastries for extra money that later saved his life in the Budapest ghetto. Still, Izrael was close to death from starvation when he was liberated by Russian soldiers on January 18, 1945.
​       Izrael survived the war only to learn that his parents and two brothers had been murdered by the Nazis. The rest of his brothers and sisters scattered to distant parts of the world. Forced to remain in Budapest, Izrael finished school and became an accomplished machinist. He avoided any part in the Hungarian uprising in 1956 so that he could secure a visa to leave for Sweden. From Sweden he traveled throughout Europe and Israel, using an amazing network of Holocaust survivors, relatives, and deaf friends to ease his journey. He finally settled in Los Angeles, where he married a deaf Jewish woman he had met years before. Along the way, he changed his name from Izrael Deutsch to Harry Dunai.

Love waits for one woman in this charming story of love lost and then found.