A SCHOLARLY BOOK REPOSITORY2207 start with M start with M
Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.
How social and political power was wielded in order to build Moundville
A Dan Josselyn Memorial Publication
A classic resource on early knowledge of prehistoric mounds and the peoples who constructed them in the eastern United States
With this accessible volume, Henry Clyde Shetrone made available to general readers the archaeological research data and conclusions concerning the ancient mounds and earthworks that dot the landscape of eastern North America. Dismissing popularly held theories of mysterious giants who built these structures, he explained that their purposes were defensive and ceremonial, that they had been used for habitation, burial, and worship. Their builders were antecedents of the native peoples of present-day America and had been skilled artisans and engineers with successful agricultural practices and structured leadership.
Twenty chapters discuss aspects of mound-builder cultures: quarrying of flint and obsidian for knapping into points; mining of copper and iron and its fashioning into tools and ceremonial objects; spinning and weaving materials and methods; smoking customs; carving of calumets and their use in ceremony; freshwater pearls and other items for body ornamentation; and the use of stone burial vaults, cremation basins, and concepts of an afterlife. Data is presented from excavations ranging broadly from Massachusetts to Florida and from Texas to North Dakota.
As Bradley Lepper points out in his new introduction, "The Mound-Builders is a testament to Shetrone's success at working towards 'correlation and systematization' of data, as well as public education. . . . Shetrone was no armchair popularizer. His work was based on years of excavation and first-hand familiarity with much of the data. His popularizations [still] echo with the ring of the shovel and trowel in gravelly soil."
Inaugural pocket guide from our new series of illustrated guidebooks
In the 13th century, Moundville was one of the largest Native American settlements north of Mexico. Spread over 325 acres were 29 earthen mounds arranged around a great plaza, a mile-long stockade, and dozens of dwellings for thousands of people. Moundville, in size and complexity second only to the Cahokia site in Illinois, was a heavily populated town, as well as a political and religious center.
Moundville was sustained by tribute of food and labor provided by the people who lived in the nearby floodplain as well as other smaller mound centers. The immediate area appears to have been thickly populated, but by about A.D. 1350, Moundville retained only ceremonial and political functions. A decline ensued, and by the 1500s the area was abandoned. By the time the first Europeans reached the Southeast in the 1540s, the precise links between Moundville's inhabitants and what became the historic Native American tribes had become a mystery.
Illustrated with 50 color photos, maps, and figures, Moundville tells the story of the ancient people who lived there, the modern struggle to save the site from destruction, and the scientific saga of the archaeologists who brought the story to life. Moundville is the book to read before, during, or after a visit to Alabama’s prehistoric metropolis.
The two works reprinted in this volume represent the pinnacle of the career of one of the most remarkable American archaeologists of the early 20th century, Clarence Bloomfield Moore.
Moore's Certain Aboriginal Remains of the Black Warrior River (1905) and Moundville Revisited (1907) brought the Moundville site in Alabama to the attention of the scholarly world in dramatic fashion by offering a splendid photographic display and expert commentary on its artifactual richness. Moore was the leading southeastern specialist of his day and the most prolific excavator of southern sites during the early part of the 20th century. Today Moore gives the impression of having been everywhere, having excavated everything, and having published on all of it. Moundville Expeditions contains facsimile reprints of these two classic works, along with a new scholarly introduction by one of the leading authorities on the Moundville archaeological site. Once again these rare materials on Moundville are available both for scholars and for a general audience.
In print for the first time in fifty years, Mount Le Conte is a reissue of the important 1966 self-published memoir by Paul J. Adams (1901–1985), a well-known Tennessee naturalist and the first custodian of the Smoky Mountain’s majestic summit in the years before the area was declared a national park.
Appointed custodian of Mount Le Conte in 1925 by the Great Smoky Mountains Conservation Association, Adams went to work immediately and spent a year making the camp suitable for overnight visitors. Mount Le Conte, a massive mile-high formation extending five miles from the main divide of the Great Smoky Mountains, with its rugged landscapes, rushing streams, and fecund forests, was considered a prime showplace in efforts to establish the Smokies as a national park.
In addition to an extensive introduction, the editors have augmented the original text of Mount Le Conte with several photographs and sketches gleaned from Adams’s personal papers, resulting in a fuller, more complete reconstruction of Adams’s role in establishing the camp that would later come to be known as Le Conte Lodge.
An important source on the fascinating history of Mount Le Conte in the pre-Park era, this book is a companion to the recently published Smoky Jack: The Adventures of a Dog and his Master on Mount Le Conte (University of Tennessee Press, 2016).
As an important site for multiple religions, Mount Sinai has become a major destination for hundreds of visitors per day. In this multifaceted book, George Manginis delves into the natural environment of Mount Sinai, its importance in the Muslim tradition, the cult of Saint Catherine, the medieval pilgrimage phenomenon, modern-day tourism, and much more. Featuring notes, a bibliography, and illustrations from nineteenth-century travelers’ books, this deft blend of historical analysis, art history, and archaeological interpretation will appeal to tourists and scholars alike.
In The Mountain, geographers Bernard Debarbieux and Gilles Rudaz trace the origins of the very concept of a mountain, showing how it is not a mere geographic feature but ultimately an idea, one that has evolved over time, influenced by changes in political climates and cultural attitudes. To truly understand mountains, they argue, we must view them not only as material realities but as social constructs, ones that can mean radically different things to different people in different settings.
From the Enlightenment to the present day, and using a variety of case studies from all the continents, the authors show us how our ideas of and about mountains have changed with the times and how a wide range of policies, from border delineation to forestry as well as nature protection and social programs, have been shaped according to them. A rich hybrid analysis of geography, history, culture, and politics, the book promises to forever change the way we look at mountains.
The present study is the fruit of years of excavation and research by the author. The manuscript was largely sketched out when Martin Harrison unexpectedly passed away, and the volume has been finished and prepared for press by his long-time assistant Wendy Young, with further guidance from friends and colleagues with whom he had discussed the project.
The resulting volume explores Martin Harrison's belief that the coastal cities of Lycia declined after the fifth century C.E., and that smaller settlements (monasteries, villages, and towns) appeared in the mountains and further inland. In addition he considered that there was a demographic shift of masons and sculptors from the cities to serve these new settlements. This beautifully illustrated study provides convincing evidence from architecture, sculpture, and inscriptional sources to support this theory. It also contains a description of Amorium in Phrygia, as revealed in survey and excavation seasons from 1987 until the author's untimely death half a dozen years later. The volume includes a preface by Stephen Hill and an appendix by Michael Ballance and Charlotte Roueché on three special inscriptions from Ovacik.
The volume will be of interest to historians of the Near East and classical antiquity, to archaeologists, and to students of architectural history.
Martin Harrison was Professor of Archaeology, University of Oxford. Wendy Young was Research Assistant to the author until his death.
The series, established by one of the twentieth-century West's most distinguished historians, Leonard Arrington, has become a leading forum for prominent historians to address topics related to Mormon history. The first lecturer was Arrington himself. He was followed by Richard Lyman Bushman, Richard E. Bennett, Howard R. Lamar, Claudia L. Bushman, Kenneth W. Godfrey, Jan Shipps, Donald Worster, Laurel Thatcher Ulrich, and F. Ross Peterson. Utah State University hosts the Leonard J. Arrington Mormon History Lecture Series. The University Libraries' Special Collections and Archives houses the Arrington collection. The state's land grant university began collecting records very early, and in the 1960s became a major depository for Utah and Mormon records. Leonard and his wife Grace joined the USU faculty and family in 1946, and the Arringtons and their colleagues worked to collect original diaries, journals, letters, and photographs.
Although trained as an economist at the University of North Carolina, Arrington became a Mormon historian of international repute. Working with numerous colleagues, the Twin Falls, Idaho, native produced the classic Great Basin Kingdom: An Economic History of the Latter-day Saints in 1958. Utilizing available collections at USU, Arrington embarked on a prolific publishing and editing career. He and his close ally, Dr. S. George Ellsworth helped organize the Western History Association, and they created the Western Historical Quarterly as the scholarly voice of the WHA. While serving with Ellsworth as editor of the new journal, Arr ington also helped both the Mormon History Association and the independent journal Dialogue get established.
But the cost of a bus ticket was more than a week's wages in a lumber camp, and the mountaineer paid dearly in loss of kin, culture, homeplace, and freedom.
Numerous scholarly works have addressed this migration that brought more than one million mountaineers to Ohio alone. But Mountain People in a Flat Land is the first popular history of Appalachian migration to one community — Ashtabula County, an industrial center in the fabled “best location in the nation.”
These migrants share their stories of life in Appalachia before coming north. There are tales of making moonshine, colorful family members, home remedies harvested from the wild, and life in coal company towns and lumber camps.
The mountaineers explain why, despite the beauty of the mountains and the deep kinship roots, they had to leave Appalachia.
Stories of their hardships, cultural clashes, assimilation, and ultimate successes in the flatland provide a moving look at an often stereotyped people.
“Scholars of Appalachia’s Civil War have long awaited Todd Groce’s study of East Tennessee secessionists. I am pleased to report that this ground-breaking study of Southern Mountain Confederates was worth the wait.”—Kenneth Noe, State University of West Georgia
A bastion of Union support during the Civil War, East Tennessee was also home to Confederate sympathizers who took up the Southern cause until the bitter end. Yet historians have viewed these mountain rebels as scarcely different from other Confederates or as an aberration in the region's Unionism. Often they are simply ignored.
W. Todd Groce corrects this distorted view of East Tennessee's antebellum development and wartime struggle. He paints a clearer picture of the region’s Confederates than has previously been available, examining why they chose secession over union and revealing why they have become so invisible to us today. Drawing extensively on primary sources—newspapers, diaries, government reports—Groce allows the voices of these mountain rebels finally to be heard.
Groce explains the economic forces and the family and political ties to the Deep South that motivated the East Tennessee Confederates reluctantly to join the fight for Southern independence. Caught in a war they neither sought nor started, they were trapped between an unfriendly administration in Richmond and a hostile Union majority in their midst. When the fighting was over and they returned home to face their vengeful Unionist neighbors, many were forced to flee, contributing to the postwar economic decline of the region.
Placing the story in a broad context, Groce provides an overview of the region's economy and explains the social origins of secessionist sympathies. He also presents a collective profile of one hundred high-ranking Confederate officers from East Tennessee to show how they were representative of the rising commercial and financial leadership in the region.
Mountain Rebels intertwines economic, political, military, and social history to present a poignant tale of defeat, suffering, and banishment. By piecing together this previously untold story, it fills a void in Southern history, Civil War history, and Appalachian studies.
The Author: W. Todd Groce is executive director of the Georgia Historical Society.
These robust people were talented artisans, making well-constructed shelters, powerful horn bows, and expertly tailored clothing that was highly sought by their trading partners. They moved in small, kin-based bands, accompanied by large dogs that were indispensable hunting and trekking companions. Moving seasonally through portions of the Beartooth, Absaroka, and Wind River ranges, the Sheep Eaters made skillful use of their environment.
Written for general readers, Mountain Spirit includes photographs, lithographs, and a number of color drawings and sketches of Sheep Eater life ways by Davíd Joaquin. It presents a vivid picture of the vanished way of life of a people whose accomplishments have been largely ignored in histories of Native peoples.
Situating the yamauba within the construct of yōkai and archetypes, Noriko T. Reider investigates the yamauba attributes through the examination of narratives including folktales, literary works, legends, modern fiction, manga, and anime. She traces the lineage of a yamauba image from the seventh-century text Kojiki to the streets of Shibuya, Tokyo, and explores its emergence as well as its various, often conflicting, characteristics. Reider also examines the adaptation and re-creation of the prototype in diverse media such as modern fiction, film, manga, anime, and fashion in relation to the changing status of women in Japanese society.
Offering a comprehensive overview of the development of the yamauba as a literary and mythic trope, Mountain Witches is a study of an archetype that endures in Japanese media and folklore. It will be valuable to students, scholars, and the general reader interested in folklore, Japanese literature, demonology, history, anthropology, cultural studies, gender studies, and the visual and performing arts.
The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure’s early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career—beginning officially in 1937—as the symbol of West Virginia University.
Alternately a rabble-rouser and a romantic embodiment of the state’s history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway’s account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the university) to tame or contain it.
Organized from volunteer companies from the upper and lower portions of East Tennessee, the men of the Nineteenth represented an anomaly—Confederates in the midst of the largest Unionist stronghold of the South. Why these East Tennesseans chose to defy their neighbors, risking their lives and fortunes in pursuit of Southern independence, lacks a simple answer. John D. Fowler finds that a significant number of the Nineteenth’s members belonged to their region’s local elite—old, established families engaged in commercial farming or professional occupations. The influence of this elite, along with community pressure, kinship ties, fear of invasion, and a desire to protect republican liberty, generated Confederate sympathy amongst East Tennessee secessionists, including the members of the Nineteenth.
Utilizing an exhaustive exploration of primary source materials, the author creates a new model for future regimental histories—a model that goes beyond “bugles and bullets” to probe the motivations for enlistment, the socioeconomic backgrounds, the wartime experiences, and the postwar world of these unique Confederates. The Nineteenth served from the beginning of the conflict to its conclusion, marching and fighting in every major engagement of the Army of Tennessee except Perryville. Fowler uses this extensive service to explore the soldiers’ effectiveness as fighting men, the thrill and fear of combat, the harsh and often appalling conditions of camp life, the relentless attrition through disease, desertion, and death in battle, and the specter of defeat that haunted the Confederate forces in the West. This study also provides insight into the larger issues of Confederate leadership, strategy and tactics, medical care, prison life, the erosion of Confederate morale, and Southern class relations. The resulting picture of the war is gritty, real, and all too personal. If the Civil War is indeed a mosaic of “little wars,” this, then, is the Nineteenth’s war.
Research in environmental justice reveals that low-income and minority neighborhoods in our nation’s cities are often the preferred sites for landfills, power plants, and polluting factories. Those who live in these sacrifice zones are forced to shoulder the burden of harmful environmental effects so that others can prosper. Mountains of Injustice broadens the discussion from the city to the country by focusing on the legacy of disproportionate environmental health impacts on communities in the Appalachian region, where the costs of cheap energy and cheap goods are actually quite high.
Through compelling stories and interviews with people who are fighting for environmental justice, Mountains of Injustice contributes to the ongoing debate over how to equitably distribute the long-term environmental costs and consequences of economic development.
Contributors:
Laura Allen, Brian Black, Geoffrey L. Buckley, Donald Edward Davis, Wren Kruse, Nancy Irwin Maxwell, Chad Montrie, Michele Morrone, Kathryn Newfont, John Nolt, Jedediah S. Purdy, and Stephen J. Scanlan.
Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.
Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
-Ama Ata Aidoo
"A splendid coming-of-age story so full of vivid color and emotion, the words seem to dance off the page. But this is not only Falola's memoir; it is an account of a new nation coming into being and the tensions and negotiations that invariably occur between city and country, tradition and modernity, men and women, rich and poor. A truly beautiful book."
-Robin D. G. Kelley
"More than a personal memoir, this book is a rich minihistory of contemporary Nigeria recorded in delicious detail by a perceptive eyewitness who grew up at the crossroads of many cultures."
-Bernth Lindfors
"The reader is irresistibly drawn into Falola's world. The prose is lucid. There is humor. This work is sweet. Period."
-Ngugi wa Thiongo'o
A Mouth Sweeter Than Salt gathers the stories and reflections of the early years of Toyin Falola, the grand historian of Africa and one of the greatest sons of Ibadan, the notable Yoruba city-state in Nigeria.
Redefining the autobiographical genre altogether, Falola miraculously weaves together personal, historical, and communal stories, along with political and cultural developments in the period immediately preceding and following Nigeria's independence, to give us a unique and enduring picture of the Yoruba in the mid-twentieth century. This is truly a literary memoir, told in language rich with proverbs, poetry, song, and humor.
Falola's memoir is far more than the story of one man's childhood experiences; rather, he presents us with the riches of an entire culture and community-its history, traditions, pleasures, mysteries, household arrangements, forms of power, struggles, and transformations.
A Booklist Top 10 Arts Book of 2019
A No Depression Top Music Book of 2019
Curtis Mayfield. The Chi-Lites. Chaka Khan. Chicago’s place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America’s future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like “We’re a Winner” and “I Plan to Stay a Believer.” Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness. Soul music also accompanied the rise of African American advertisers and the campaign of Chicago’s first black mayor, Harold Washington, in 1983. This empowerment was set in stark relief by the social unrest roiling in Chicago and across the nation: as Chicago’s homegrown record labels produced rising stars singing songs of progress and freedom, Chicago’s black middle class faced limited economic opportunities and deep-seated segregation, all against a backdrop of nationwide deindustrialization.
Drawing on more than one hundred interviews and a music critic’s passion for the unmistakable Chicago soul sound, Cohen shows us how soul music became the voice of inspiration and change for a city in turmoil.
Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them.
Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture.
Particular attention is paid to the various ways that archaeology can and should contribute to contemporary social and environmental issues. Contributors come together to provide a synthetic volume on current research and possibilities for future explorations. Moving forward, they argue that archaeologists must continue to include researchers from across political and disciplinary boundaries and enhance collaboration with Native American groups.
This book will be of interest to professional and academic archaeologists, as well as students working in the field of the American Southwest.
A Movement of the People: The Roots of Environmental Education and Advocacy in Alabama is a detailed history of the Alabama Environmental Quality Association (AEQA). The AEQA helped to establish groundbreaking environmental protection and natural resource preservation policies for the state and the region and grew into one of the nation’s most progressive environmental education efforts.
The AEQA began in 1966 with the relatively simple political action agenda of cleaning up unsightly and unsanitary roadside trash. These inspired citizens collaborated with civic leaders to identify and remove illegal rural dumps and create more regulated landfills statewide. Eventually they became involved in the “Keep America Beautiful” campaign and with the US Public Health Service in its attempt to rid the state of the yellow-fever mosquito vector, Aedes aegypti, which breeds in standing, fetid water. The acme of these early efforts was the passage of Alabama’s Solid Waste Disposal Law of 1969, one of the nation’s first such bills.
The AEQA’s dedicated staff and supporters spearheaded other environmental projects, many of which remain active today, such as recycling programs with industry giants throughout the Southeast and the founding of the Bartram Trail Conference, a multistate initiative to identify and preserve the path that Quaker botanist William Bartram took through the territory before its formation into states.
Using recorded interviews with Martha McInnis, executive vice president of the AEQA, and full access to a meticulously preserved archive of the organization’s papers and artifacts, Katie Lamar Jackson relates this previously untold story of remarkable “citizen activism.” A Movementof the People is a valuable account of the organization’s growth and advancement, both economically and societally, which serves as a blueprint for successful civic activism and grassroots organizing.
Featuring more than one hundred and fifty photographs and images, Movements of Air reprints the breathtaking pictures of Étienne-Jules Marey—images captured between 1899 and 1901 during his scientific experiments with moving air and smoke—and complements them with essays by Georges Didi-Huberman and Laurent Mannoni.
Mannoni begins by reflecting on Marey’s experimental approach. As the founder of the “graphic method,” Marey was also the developer of an aerodynamic wind tunnel. His experiments’ photographs of fluid motion introduced a whole world of movements and turbulences, and fluids, and influenced generations of scientists and artists alike. Didi-Huberman expands on the philosophical debates surrounding these aesthetically and technically instructive images. Even though Marey’s main interest was graphic information, Didi-Huberman shows us how the flow of all things drew this ingenious experimenter to a photographic practice that creates drags, streaks, expansions, and visual dances. Marey’s wind tunnel photographs were also themselves causes of turbulence in the history of images. The artists Dombois and Oeschger explore these “graphical” vortices of the last 120 years, providing at the end of the book a collage from historical and contemporary material interlaced with their own image-making in Dombois’s wind tunnel at the Zurich University of the Arts.
An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.
After the advent of sound, women in the British film industry formed an essential corps of below-the-line workers, laboring in positions from animation artist to negative cutter to costume designer. Melanie Bell maps the work of these women decade-by-decade, examining their far-ranging economic and creative contributions against the backdrop of the discrimination that constrained their careers. Her use of oral histories and trade union records presents a vivid counter-narrative to film history, one that focuses not only on women in a male-dominated business, but on the innumerable types of physical and emotional labor required to make a motion picture. Bell's feminist analysis looks at women's jobs in film at important historical junctures while situating the work in the context of changing expectations around women and gender roles.
Illuminating and astute, Movie Workers is a first-of-its-kind examination of the unsung women whose invisible work brought British filmmaking to the screen.
With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
For the first time since 1968, David Austin brings alive the speeches and debates of the most important international gathering of black radicals of the era. With never-before-seen texts from Stokely Carmichael, Walter Rodney, and C. L. R. James, these documents will prove invaluable to anyone interested in black radical thought and political activism of the 1960s.
Moving Beyond Borders examines the life and accomplishments of Julian Samora, the first Mexican American sociologist in the United States and the founding father of the discipline of Latino studies. Detailing his distinguished career at the University of Notre Dame from 1959 to 1984, the book documents the history of the Mexican American Graduate Studies program that Samora established at Notre Dame and traces his influence on the evolution of border studies, Chicano studies, and Mexican American studies.
Samora's groundbreaking ideas opened the way for Latinos to understand and study themselves intellectually and politically, to analyze the complex relationships between Mexicans and Mexican Americans, to study Mexican immigration, and to ready the United States for the reality of Latinos as the fastest growing minority in the nation. In addition to his scholarly and pedagogical impact, his leadership in the struggle for civil rights was a testament to the power of community action and perseverance. Focusing on Samora's teaching, mentoring, research, and institution-building strategies, Moving Beyond Borders explores the legacies, challenges, and future of ethnic studies in United States higher education.
Contributors are Teresita E. Aguilar, Jorge A. Bustamante, Gilberto Cárdenas, Miguel A. Carranza, Frank M. Castillo, Anthony J. Cortese, Lydia Espinosa Crafton, Barbara Driscoll de Alvarado, Herman Gallegos, Phillip Gallegos, José R. Hinojosa, Delfina Landeros, Paul López, Sergio X. Madrigal, Ken Martínez, Vilma Martínez, Alberto Mata, Amelia M. Muñoz, Richard A. Navarro, Jesus "Chuy" Negrete, Alberto López Pulido, Julie Leininger Pycior, Olga Villa Parra, Ricardo Parra, Victor Rios, Marcos Ronquillo, Rene Rosenbaum, Carmen Samora, Rudy Sandoval, Alfredo Rodriguez Santos, and Ciro Sepulveda.
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful.
Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
Considering such factors as artistic intention, institutional deployment, critical interpretation, and popular reception, Alinder provides calibrated readings of the photographs from this period. She uncovers the tension between Dorothea Lange's moving and critical images of the camps and the War Relocation Authority's blindly positive captions. She also analyzes Ansel Adams's attempt to combat negative war propaganda through humanizing photographs of Japanese Americans and locates the limits of such a counternarrative in the midst of a national mobilization against Japan.
Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children.
Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.
Cape Cod is known for its beaches, throngs of summer visitors, and the activities that accompany seaside living, but it is also home to many kettle ponds, which offer a more tranquil setting. Formed from glaciers breaking apart and so named due to a rounded shape that appears like a kettle, these waterways are home to a diverse array of wildlife, while remaining peaceful and even a bit hidden.
Big enough for a canoeist to feel solitude and serenity, small enough to not appear on large-scale maps, Centerville’s Long Pond (one of seven on the Cape that share this name), consists of fifty-one acres of crystal clear waters, fresh air, and the fish, turtles, waterfowl, ospreys, and otters that call this special place home. In A Moving Meditation, Stephen G. Waller offers an intimate look at the pond’s intriguing natural and human history; its abundant animal life, across the seasons; and the encroaching effects of climate change.
In the late 1980s, after a decade spent engaged in more routine interest-group politics, thousands of lesbians and gay men responded to the AIDS crisis by defiantly and dramatically taking to the streets. But by the early 1990s, the organization they founded, ACT UP, was no more—even as the AIDS epidemic raged on. Weaving together interviews with activists, extensive research, and reflections on the author’s time as a member of the organization, Moving Politics is the first book to chronicle the rise and fall of ACT UP, highlighting a key factor in its trajectory: emotion.
Surprisingly overlooked by many scholars of social movements, emotion, Gould argues, plays a fundamental role in political activism. From anger to hope, pride to shame, and solidarity to despair, feelings played a significant part in ACT UP’s provocative style of protest, which included raucous demonstrations, die-ins, and other kinds of street theater. Detailing the movement’s public triumphs and private setbacks, Moving Politics is the definitive account of ACT UP’s origin, development, and decline as well as a searching look at the role of emotion in contentious politics.
The development of public transit is an integral part of both business and urban history in late nineteenth-century America. The author begins this study in 1880, when public transportation in large American cities was provided by numerous, competing horse-car companies with little or no public control of operation. By 1912, when the study concludes, a monopoly in each city operated a coordinated network of electric-powered streetcars and, in the largest cities, subways, which were regulated by city and state agencies. The history of transit development reflects two dominant themes: the constant pressure of rapid growth in city population and area and the requirements of the technology developed to service that growth.
The case studies here include three of the four cites that had rapid transit during this period. Each case study examines, first, the mechanization of surface lines and, second, the implementation of rapid transit. New York requires an additional chapter on steam-powered, elevated railroads, for early population growth there required rapid transit before the invention of electric technology. Urban transit enterprise is viewed within a clear and familiar pattern of evolution—the pattern of the last half of the nineteenth century, when industries with expanding markets and complex, costly processes of production and distribution adopted new strategy and structure, administered by a new class of professional managers.
Reducing residential segregation is the best way to reduce racial inequality in the United States. African American employment rates, earnings, test scores, even longevity all improve sharply as residential integration increases. Yet far too many participants in our policy and political conversations have come to believe that the battle to integrate America’s cities cannot be won. Richard Sander, Yana Kucheva, and Jonathan Zasloff write that the pessimism surrounding desegregation in housing arises from an inadequate understanding of how segregation has evolved and how policy interventions have already set many metropolitan areas on the path to integration.
Scholars have debated for decades whether America’s fair housing laws are effective. Moving toward Integration provides the most definitive account to date of how those laws were shaped and implemented and why they had a much larger impact in some parts of the country than others. It uses fresh evidence and better analytic tools to show when factors like exclusionary zoning and income differences between blacks and whites pose substantial obstacles to broad integration, and when they do not.
Through its interdisciplinary approach and use of rich new data sources, Moving toward Integration offers the first comprehensive analysis of American housing segregation. It explains why racial segregation has been resilient even in an increasingly diverse and tolerant society, and it demonstrates how public policy can align with demographic trends to achieve broad housing integration within a generation.
A new perspective on a book that transformed Victorian illustration into a stand-alone art.
Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.
The precipitous rise and controversial fall of a formidable African leader.
Samora Machel (1933–1986), the son of small-town farmers, led his people through a war against their Portuguese colonists and became the first president of the People’s Republic of Mozambique.
Machel’s military successes against a colonial regime backed by South Africa, Rhodesia, the United States, and its NATO allies enhanced his reputation as a revolutionary hero to the oppressed people of Southern Africa. In 1986, during the country’s civil war, Machel died in a plane crash under circumstances that remain uncertain.
Allen and Barbara Isaacman lived through many of these changes in Mozambique and bring personal recollections together with archival research and interviews with others who knew Machel or participated in events of the revolutionary or post-revolutionary years.
The story of Wolfgang Amadeus Mozart’s precocity is so familiar as to be taken for granted. In scholarship and popular culture, Mozart the Wunderkind is often seen as belonging to a category of childhood all by himself. But treating the young composer as an anomaly risks minimizing his impact. In this book, Adeline Mueller examines how Mozart shaped the social and cultural reevaluation of childhood during the Austrian Enlightenment. Whether in a juvenile sonata printed with his age on the title page, a concerto for a father and daughter, a lullaby, a musical dice game, or a mass for the consecration of an orphanage church, Mozart’s music and persona transformed attitudes toward children’s agency, intellectual capacity, relationships with family and friends, political and economic value, work, school, and leisure time.
Thousands of children across the Habsburg Monarchy were affected by the Salzburg prodigy and the idea he embodied: that childhood itself could be packaged, consumed, deployed, “performed”—in short, mediated—through music. This book builds upon a new understanding of the history of childhood as dynamic and reciprocal, rather than a mere projection or fantasy—as something mediated not just through texts, images, and objects but also through actions. Drawing on a range of evidence, from children’s periodicals to Habsburg court edicts and spurious Mozart prints, Mueller shows that while we need the history of childhood to help us understand Mozart, we also need Mozart to help us understand the history of childhood.
We know Mozart as one of history’s greatest composers. But his contemporaries revered him as a multi-instrumentalist, a dazzling improviser, and the foremost keyboard virtuoso of his time. When he composed, it was often with a single aim in mind: to set the stage, quite literally, for compelling and captivating performances. He wrote piano concertos not with an eye to posterity but to give himself a repertoire with which to flaunt his keyboard wizardry before an awestruck public. The same was true of his sonatas, string quartets, symphonies, and operas, all of which were painstakingly crafted to produce specific effects on those who played or heard them, amusing, stirring, and ravishing colleagues and consumers alike.
Mozart the Performer brings to life this elusive side of Mozart’s musicianship. Dorian Bandy traces the influence of showmanship on Mozart’s style, showing through detailed analysis and imaginative historical investigation how he conceived his works as a series of dramatic scripts. Mozart the Performer is a book for anyone who wishes to engage more deeply with Mozart’s artistry and legacy and understand why, centuries later, his music still captivates us.
MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures—and the need for content to fit inside them—are every bit as central to communication as the boxes we call "media."
Tom Gola is a Philadelphia Big Five basketball icon. He led La Salle to the NIT championship in 1952 and the NCAA championship in 1954, and holds the NCAA record for most rebounds in a career. Gola also helped the Philadelphia Warriors win the NBA championship as a rookie in 1956 and was named an All-Star five times before retiring in 1966. But Gola also had many amazing achievements as a coach; his La Salle Explorer teams were a large part of the national basketball landscape. He was inducted into the Naismith Memorial Basketball Hall of Fame in 1976.
In Mr. All-Around, avid sports fan and reporter David Grzybowski provides a definitive biography of Gola. He uses exclusive interviews he conducted with Gola in 2013 and features anecdotes by many figures of Philadelphia and basketball history, including John Cheney, Fran Dunphy, and Lionel Simmons.
After the NBA, Gola transitioned to a second career as a politician, serving as Pennsylvania State Representative and Philadelphia City Controller. His dedication to public service involved joining politician Arlen Specter on a campaign that revolutionized political marketing within Philadelphia. Mr. All-Around is an affectionate testament to the life, career, and legacy of one of Philadelphia’s most beloved sports legends.
For most of the twentieth century, the “Mr. America” image epitomized muscular manhood. From humble beginnings in 1939 at a small gym in Schenectady, New York, the Mr. America Contest became the world’s premier bodybuilding event over the next thirty years. Rooted in ancient Greek virtues of health, fitness, beauty, and athleticism, it showcased some of the finest specimens of American masculinity. Interviewing nearly one hundred major figures in the physical culture movement (including twenty-five Mr. Americas) and incorporating copious printed and manuscript sources, John D. Fair has created the definitive study of this iconic phenomenon.
Revealing the ways in which the contest provided a model of functional and fit manhood, Mr. America captures the event’s path to idealism and its slow descent into obscurity. As the 1960s marked a turbulent transition in American society—from the civil rights movement to the rise of feminism and increasing acceptance of homosexuality—Mr. America changed as well. Exploring the influence of other bodily displays, such as the Mr. Universe and Mr. Olympia contests and the Miss America Pageant, Fair focuses on commercialism, size obsession, and drugs that corrupted the competition’s original intent. Accessible and engaging, Mr. America is a compelling portrayal of the glory days of American muscle.
Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper’s view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today’s fractured journalistic landscape.
Deeply researched and engagingly written, Mr. Associated Press traces Cooper’s career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.
Mr. Democrat tells the story of Jim Farley, Franklin D. Roosevelt's campaign manager. As party boss, Farley experienced unprecedented success in the New Deal years. And like his modern counterpart Karl Rove, Farley enjoyed unparalleled access and power. Unlike Rove, however, Farley was instrumental in the creation of an overwhelming new majority in American politics, as the emergence of the New Deal transformed the political landscape of its time.
Mr. Democrat is timely and indispensable not just because Farley was a fascinating and unduly neglected figure, but also because an understanding of his career advances our knowledge of how and why he revolutionized the Democratic Party and American politics in the age of the New Deal.
Daniel Scroop is Lecturer in American History, University of Liverpool School of History.
As Charlie McCarthy is to Edgar Bergen, so is Martin T. Dooley to newspaper humorist Finley Peter Dunne. Mr. Dooley in Peace and in War, originally published in 1898, collects brief, humorous pieces Dunne wrote for the Chicago Evening Post and the Chicago Journal. In an Irish-American dialect as thick as the foam on a pint of stout, Mr. Dooley and his friends discuss the military "sthrateejy" for American action in Cuba, "iliction" day shenanigans, Queen Victoria's jubilee, the "new woman," and the strange American sport of football, in which a player puts "a pair iv matthresses on his legs, a pillow behind, [and] a mask over his nose" and tries to kill his fellow men. Through his tall tales and speculations, Mr. Dooley reveals the pleasure and pain of being Irish in Chicago at the turn of the twentieth century.
Clothed in the charming hyperbole and mislocution of the unflappable Mr. Dooley, Dunne's incisive social criticism flies unerringly to the target, exposing prejudice, hypocrisy, insensitivity, and plain old-fashioned humbug.
In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens.
Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on the nature of his home state. But the book did little to counter the arrogance of the French and hardly satisfied Jefferson’s quest to demonstrate that his young nation was every bit the equal of a well-established Europe. Enter the giant moose.
The American moose, which Jefferson claimed was so enormous a European reindeer could walk under it, became the cornerstone of his defense. Convinced that the sight of such a magnificent beast would cause Buffon to revise his claims, Jefferson had the remains of a seven-foot ungulate shipped first class from New Hampshire to Paris. Unfortunately, Buffon died before he could make any revisions to his Histoire Naturelle, but the legend of the moose makes for a fascinating tale about Jefferson’s passion to prove that American nature deserved prestige.
In Mr. Jefferson and the Giant Moose, Lee Alan Dugatkin vividly recreates the origin and evolution of the debates about natural history in America and, in so doing, returns the prize moose to its rightful place in American history.
Late in his career, however, Black's commitment to literalism and intent led him to assume apparently conservative positions in civil liberties cases. In an era characterized by growing acceptance of the belief that judges should adapt the Constitution to changing social and ethical perceptions, many came to regard Black's position as unrealistic and irrelevant.
Tinsley E. Yarbrough analyzes Black's judicial and constitutional philosophy, as well as his approach to specific cases, through the eyes of Black's critics (such as Justices Frankfurter and Harlan) and through an assessment of scholarly opinion of his jurisprudence. The result is a stimulating and provocative addition to the study of Justice Black and the Supreme Court.
“Mr. Taxpayer versus Mr. Tax Spender” presents a comprehensive overview of these grassroots taxpayers’ leagues beginning in the 1860s and shows how they evolved during their heyday in the 1930s. Linda Upham-Bornstein chronicles the ways these taxpayers associations organized as well as the tools they used—constructive economy, political efforts, tax strikes, and tax revolt through litigation—to achieve their objectives.
Taxpayer activity was a direct consequence of—and a response to—the economic crisis of the Great Depression and the expansion of the size and scope of government. “Mr. Taxpayer versus Mr. Tax Spender” connects collective tax resistance in the 1930s to the populist tradition in American politics and to other broad impulses in American political and legal history.
First published in 1932, this was the first thoroughly researched biography of Mary Lincoln ever written, and it remains the most balanced and complete work on this controversial First Lady. Author W. A. Evans challenges the disparaging views of Mary Lincoln that were generally accepted at the time, offering a comprehensive and informed look at a woman whose physical and mental health problems have often been misconstrued or overlooked by other biographers. Evans conducted extensive research, interviewing Mrs. Lincoln’s family members, seeking advice and assistance from numerous Lincoln scholars and historians, scouring thousands of pages of contemporary newspapers and primary resources, reviewing correspondence Mary wrote during her stay at Bellevue Place sanitarium, and consulting with several medical experts. The result of all this research is an objective and detailed portrait of Mrs. Lincoln and her influence on her husband that still has a great deal of historical value for readers today.
A new foreword by Jason Emerson, author of The Madness of Mary Lincoln, provides biographical information on Evans and background on the origins of the book and its reception and influence. Finally back in print, this classic biography is essential reading for all with an interest in the Lincoln family.
Recovering the Life and Influence of the “Mother of American Cooking,” the Woman Who Changed the Way We Learn How to Prepare Meals
In Philadelphia during the first decades of the nineteenth century, a widow, Mrs. Elizabeth Goodfellow, ran a popular bakery and sweet shop. In addition to catering to Philadelphia’s wealthy families and a reputation of having the finest desserts and sweet dishes in the young country, her business stood out from every other establishment in another way: she ran a small school to learn the art of cooking, the first of its kind in America. Despite her fame—references to her cooking as a benchmark abound in the literature of the period—we know very little about who she was. Since she did not keep a journal and never published any of her recipes, we have to rely on her students, most notably Eliza Leslie, who fortunately recorded many of Goodfellow’s creations and techniques. Goodfellow is known to have made the first lemon meringue pie and for popularizing regional foods, such as Indian (corn) meal. Her students also recall that Mrs. Goodfellow stressed using simple wholesome ingredients that were locally grown, presaging modern culinary fashion.
By assembling the many parts of this puzzle from old recipe books, advertisements, letters, diaries, genealogical records, and other primary sources, researcher and writer Becky Diamond has been able to provide a more complete portrait of this influential figure in cooking history. Mrs. Goodfellow: The Story of America’s First Cooking School begins with what we know about Elizabeth Goodfellow—where she was born, her husbands, her children, where her shop was located. We then travel back in time to discover the kinds of foods that would have been available to Goodfellow and how she may have used them. The book next turns to the rise of both commercial eating establishements and books of recipes. From here, the author explains the rapid expansion of cooking schools, such as the New York Cooking Academy and the Boston Cooking School, made famous through its association with Fannie Farmer, and ends with a discussion of the role of celebrity chefs. Thoroughly researched and including a range of authentic recipes, Mrs. Goodfellow is a delicious exploration of the life and legacy of one of America’s most influential cooks.
Today, when a single person can turn an airplane into a guided missile, no one objects to rigorous security before flying. But can the state simply declare some people too dangerous to travel, ever and anywhere? Does the Constitution protect a fundamental right to travel? Should the mode of travel (car, plane, or boat) or itinerary (domestic or international) make a constitutional difference? This book explores the legal and policy questions raised by government travel restrictions, from passports and rubber stamps to computerized terrorist watchlists.
In tracing the history and scope of U.S. travel regulations, Jeffrey Kahn begins with the fascinating story of Mrs. Ruth Shipley, a federal employee who almost single-handedly controlled access to passports during the Cold War. Kahn questions how far national security policies should go and whether the government should be able to declare some individuals simply too dangerous to travel. An expert on constitutional law, Kahn argues that U.S. citizens’ freedom to leave the country and return is a fundamental right, protected by the Constitution.
Since its founding in 1855, Michigan State University has emerged from its modest “oak opening” in the wilderness to become a large campus park. This story reflects the commitment of campus leaders since the nineteenth century to develop MSU as a beautiful and educational public resource, as well as a demonstration model, befitting the premier land-grant institution in the United States.
From early landscape gardeners influenced by Ossian Simonds and the nationally known Olmsted Brothers, to the vision of President John Hannah, the consistent intent has been to interrelate architecture and the campus park. The result is a campus whose development reflects major trends in American architecture and whose contributors include local, regional, and nationally known architectural firms. In MSU Campus—Buildings, Places, Spaces, two Michigan State University professors provide a history and way of seeing the campus by offering eight areas to explore.
Each area includes selected historical sites or markers, public art, and natural locations that complement more than one hundred extant buildings, complete with individual stylistic and historical descriptions and photographs. Historical facts about Michigan State University, suggestions for further reading, and an ample glossary of architectural terms make this book a resource for anyone who is interested in Michigan State University, art and architectural history, Michigan history, and visual culture.
The book will continue to serve as a documentary reminder of MSU’s heritage and vital institutional future long after the 2005 sesquicentennial.
From 1902, when it latched onto such mass circulation magazines as Collier's and McClure's, until it merged into the Progressive movement in 1912, muckraking relentlessly pricked the nation's social conscience by exposing the abuses of industry and politics. Ranging in tone from the scholarly to the sensational, muckraking articles attacked food adulteration, unscrupulous insurance practices, fraudulent claims for patent medicines, and links between government and vice. When muckrakers raised their voices against child labor, graft, monopoly, unsafe mill conditions, and the white slave trade of poor immigrant girls, they found a receptive audience. "I aimed at the public's heart," wrote Upton Sinclair about The Jungle, "and by accident I hit it in the stomach."
Gathering the most significant pieces published during the heyday of the muckraking movement, The Muckrakers brings vividly to life this unique era of exposure and self-examination. For each article, Arthur and Lila Weinberg provide concise commentary on the background of its subject and the specific and long-range repercussions of its publication. The volume features the work of both journalists and fiction writers, including Ida Tarbell, Lincoln Steffens, Upton Sinclair, Ray Stannard Baker, Samuel Hopkins Adams, Thomas W. Lawson, Charles Edward Russell, and Mark Sullivan.
Eloquent and uncompromising, the muckrakers shocked America from a state of lethargy into Progressive reform. This generous volume vividly captures the urgency of their quest.
Nineteenth- and twentieth-century Colombian elite intellectuals, Appelbaum contends, mapped race onto their mountainous topography by defining regions in racial terms. They privileged certain places and inhabitants as white and modern and denigrated others as racially inferior and backward. Inhabitants of Riosucio, however, elaborated local narratives about their mestizo and indigenous identities that contested the white mystique of the Coffee Region. Ongoing violent conflicts over land and politics, Appelbaum finds, continue to shape local debates over history and identity. Drawing on archival and published sources complemented by oral history, Muddied Waters vividly illustrates the relationship of mythmaking and racial inequality to regionalism and frontier colonization in postcolonial Latin America.
At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir.
Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.
The origins of Islam have been the subject of increasing controversy in recent years. The traditional view, which presents Islam as a self-consciously distinct religion tied to the life and revelations of the prophet Muhammad in western Arabia, has since the 1970s been challenged by historians engaged in critical study of the Muslim sources.
In Muhammad and the Believers, the eminent historian Fred Donner offers a lucid and original vision of how Islam first evolved. He argues that the origins of Islam lie in what we may call the "Believers' movement" begun by the prophet Muhammad—a movement of religious reform emphasizing strict monotheism and righteous behavior in conformity with God's revealed law. The Believers' movement thus included righteous Christians and Jews in its early years, because like the Qur'anic Believers, Christians and Jews were monotheists and agreed to live righteously in obedience to their revealed law. The conviction that Muslims constituted a separate religious community, utterly distinct from Christians and Jews, emerged a century later, when the leaders of the Believers' movement decided that only those who saw the Qur'an as the final revelation of the One God and Muhammad as the final prophet, qualified as Believers. This separated them decisively from monotheists who adhered to the Gospels or Torah.
MdM’s political-ethical-spiritual commitments, cultural production, and everyday practices are informed by Indigenous and transnational feminist of color artistic, ceremonial, activist, and intellectual legacies. Contributors fuse stories of celebration, love, and spirit-work with an incisive critique of interlocking oppressions, both intimate and structural, encouraging movement toward “a world where many worlds fit.”
The multidisciplinary, intergenerational, and critical-creative nature of the project coupled with the unique subject matter makes the book a must-have for high school and college students, activist-scholars, artists, community organizers, and others invested in social justice and liberation.
The author describes the adoption of the mule as the major agricultural resource in the American South and its later displacement by the mechanical tractor. After describing the surprising slowness of southern farmers to realize the superiority of the mule over the horse for agricultural labor, Ellenberg strives to capture the symbiosis that emerged between animal and man to illuminate why and how the mule became a standard feature in Southern folk culture.
An Innovative Study on Historical Multiculturalism in Central and Eastern Europe
The Polish-Lithuanian Commonwealth (1569–1795) was once the largest country in Europe—a multicultural republic that was home to Belarusians, Germans, Jews, Lithuanians, Poles, Ruthenians, Tatars, Ukrainians, and other ethnic and religious groups. Although long since dissolved, the Commonwealth remains a rich resource for mythmaking in its descendent modern-day states, but also a source of contention between those with different understandings of its history. Multicultural Commonwealth brings together the expertise of world-renowned scholars in a range of disciplines to present perspectives on both the Commonwealth’s historical diversity and the memory of this diversity. With cutting-edge research on the intermeshed histories and memories of different ethnic and religious groups of the Commonwealth, this volume asks how various contemporary conceptions of multiculturalism can be applied to the region through a critical lens that also seeks to understand the past on its own terms.
As Americans debate what it means to be a multicultural society, one need only turn for lessons to the Southwest, where distinct peoples have coexisted over centuries. Here difference has not only survived but thrived in a melting pot of races and customs.
This book presents a montage of differing perspectives demonstrating that there is no single, definitive description of the Southwest. It brings together a host of writers, from early travelers and historians to contemporary commentators, who explore a region diverse in its people and ecology and show it to be not just a segment of the nation, but rather a border contact zone.
The editors have assembled an interdisciplinary composite, drawing on history, sociology, anthropology, and geography. Fiction, essays, poetry, newspaper articles, and interviews with local inhabitants add a colorful dimension to the coverage. All of the contributions reveal the tremendous impact that everyday occurrences can have and show how life in the Southwest is affected by the interweaving of social, cultural, and ecological forces. Together they demonstrate the role played by personal and cultural memory in creating alternative views of environment, landscape, human social interaction, conquest, dispossession, technological change, and the survival of cultures.
The Multicultural Southwest is a multifaceted work that shows the many ways in which the past continues to affect the present. It will create in readers an awareness of the phenomena that fuel human imagination and creativity as it opens their eyes to the possibilities of the future.
Multiethnic Japan challenges the received view of Japanese society as ethnically homogeneous. Employing a wide array of arguments and evidence--historical and comparative, interviews and observations, high literature and popular culture--John Lie recasts modern Japan as a thoroughly multiethnic society.
Lie casts light on a wide range of minority groups in modern Japanese society, including the Ainu, Burakumin (descendants of premodern outcasts), Chinese, Koreans, and Okinawans. In so doing, he depicts the trajectory of modern Japanese identity.
Surprisingly, Lie argues that the belief in a monoethnic Japan is a post–World War II phenomenon, and he explores the formation of the monoethnic ideology. He also makes a general argument about the nature of national identity, delving into the mechanisms of social classification, signification, and identification.
the history behind the safety standards limiting the effects of high energy
radiation on human beings. . . . Provides an immense amount of information
in a very readable form."—W. Alan Runciman, Prometheus
"From fallout and radon to radioactive smoke detectors and dental X-rays,
Caufield traces the proliferation of the uses of radiation in medicine,
industry and the military, and in generating energy. An intelligent,
non-alarmist history."—Publishers Weekly
Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, wood, and wax. Through a series of questions—What happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?—many of the works are reappraised as significant art forms in their own right.
Today, the field of architecture faces a reckoning. While there is no longer consensus on what defines an architectural work, theorists, historians, and practitioners are grappling with urgent issues—among them the impact of climate change, the dynamics of power and race in relation with the built environment, and the technological, practical, and ethical dimensions of architecture. As established practices, academic objectives, and professional expectations come under scrutiny, architecture is in search of new definitions, identities, and voices.
Inspired by Italo Calvino’s memos about literature in the twenty-first century, this volume—the second in a series— situates architecture within a broad framework, exploring its complex interactions with environmental, cultural, political, social, artistic, and technological forces. The editors’ objective is to spur conversation across the boundaries that divide architecture’s theorists and historians from practitioners. In addition to the editors, the contributors include Sanford Kwinter, Aleksandra Jaeschke, Jennifer Mack, Rahul Mehrotra, Charles Waldheim, Kristi Cheramie, Jesse Reiser, Julian Harake, Jenny E. Sabin, Charles Davis, Esra Akcan, and David Karmon.
Graeme D. Bird examines a small group of early papyrus manuscripts of Homer’s Iliad, known as the Ptolemaic papyri, which, although fragmentary, are the oldest surviving physical evidence of the text of the Iliad, dating from the third to the first centuries BCE.
These papyri have been described as “eccentric” or even “wild” by some scholars. They differ significantly from the usual text of the Iliad, sometimes showing lines with different wording, at other times including so-called “interpolated” lines that are completely absent from our more familiar version.
Whereas some scholars denigrate these papyri because of their “eccentricity,” this book analyzes their unusual readings and shows that in fact they present authentic variations on the Homeric text, based on the variability characteristic of oral performance.
Covering people and events from 1854 to the present day, this definitive history of Multnomah County provides compelling details about public works triumphs and political scandals.
This book presents Ilija Trojanow’s journey from Mumbai to Mecca in the tradition of the rihla, one of the oldest genres of classical Arabic literature, describing the Hajj, the pilgrimage to the holy sites of Islam. Every Muslim, regardless of geographical location, is implored by tradition to undertake the Hajj at least once in their life if they are able. Trojanow, with the help of his friends, donned the ihram, the traditional garb of the pilgrim, and joined the hundreds of thousands of Muslims who each year go on the Hajj. Over the course of a mere three weeks he experienced a tradition dating back over a thousand years. This personal and enlightening account will provide insights not only for Muslims who have yet to embark on the Hajj, but for those who have already made the journey and want to see a different perspective on it. Mumbai to Mecca also presents a unique glimpse into this pivotal tradition for those non-Muslims who remain barred from the most holy Muslim sites.
the pilgrimage to the holy sites of Islam, through the eyes of a Westener, but with the heart of a Muslim.
Since prehistoric times, Andean societies have been organized around the ayllu, a grouping of real or ceremonial kinspeople who share labor, resources, and ritual obligations. Many Andean scholars believe that the ayllu is as ancient as Andean culture itself, possibly dating back as far as 6000 B.C., and that it arose to alleviate the hardships of farming in the mountainous Andean environment.
In this boldly revisionist book, however, William Isbell persuasively argues that the ayllu developed during the latter half of the Early Intermediate Period (around A.D. 200) as a means of resistance to the process of state formation. Drawing on archaeological evidence, as well as records of Inca life taken from the chroniclers, Isbell asserts that prehistoric ayllus were organized around the veneration of deceased ancestors, whose mummified bodies were housed in open sepulchers, or challups, where they could be visited by descendants seeking approval and favors. By charting the temporal and spatial distribution of chullpa ruins, Isbell offers a convincing new explanation of where, when, and why the ayllu developed.
Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how.
An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.
The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
The Mummy’s Foot and the Big Toe explores the innumerable appearances of the foot in literature, photography, art, sports, and film. Walk with Krell as he discovers gothic tales by French writer Théophile Gautier, disturbing photographs by François Boiffard, and religious paintings by Giotto, Tintoretto, and Caravaggio that all exalt the foot. Marvel with him at the sporting exploits of elite barefoot runners such as Abebe Bikila and Zola Budd, and the surprising representation of the foot in films such as The Adventures of Huckleberry Finn and Kill Bill. Blending insights from the humanities, language studies, the social sciences, and anthropology, and presenting a wealth of tantalizing new images and ideas of the foot, The Mummy’s Foot and the Big Toe will help us all to be better acquainted with the soul and sole of our bottom-most appendage.
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