It has become common to lament Americans' tendency to pursue individual interests apart from any institutional association. But to those who charge that Americans are at home watching television rather than getting involved in their communities, Robert Wuthnow answers that while certain kinds of civic engagement may be declining, innovative new forms are taking their place.

Acknowledging that there has been a significant change in group affiliations--away from traditional civic organizations--Wuthnow shows that there has been a corresponding movement toward affiliations that respond to individual needs and collective concerns. Many Americans are finding new and original ways to help one another through short-term task-oriented networks. Some are combining occupational skills with community interests in nonprofit and voluntary associations. Others use communication technologies, such as the World Wide Web, to connect with like-minded people in distant locations. And people are joining less formal associations, such as support groups and lobbying efforts, within their home communities.

People are still connected, but because of the realities of daily life, they form "loose connections." These more fluid groups are better suited to dealing with today's needs than the fraternal orders and ladies' auxiliaries of the past. Wuthnow looks at the challenges that must be faced if these innovative forms of civic involvement are to flourish, and calls for resources to be made available to strengthen the more constructive and civic dimensions of these organizations. This book helps us to understand and encourage the community spirit of today.

An arresting memoir of love and unbending religion, toxicity and disease, and one family’s desperate wait for a miracle that never came.

Kathleen Dorothy Blackburn was the oldest of five children, a twelve-year-old from Lubbock, Texas, whose evangelical family eschewed public education for homeschooling, and wove improbable scientific theories into literal interpretations of the Bible. Then her father, a former air force pilot, was diagnosed with cancer at the age of thirty-eight, and, “it was like throwing gasoline on the Holy Spirit.” Stirred by her mother, the family committed to an extreme diet and sought deliverance from equally extreme sources: a traveling tent preacher, a Malaysian holy man, a local faith-healer who led services called “Miracles on 34th Street.”

What they didn’t know at the time was that their lives were entangled with a larger, less visible environmental catastrophe. Fire-fighting foams containing carcinogenic compounds had contaminated the drinking water of every military site where her father worked. Commonly referred to as “forever chemicals,” the presence of PFAS in West Texas besieged a landscape already burdened with vanishing water, taking up residence in wells and in the bloodstreams of people who lived there. An arresting portrait of the pernicious creep of decline, and a powerful cry for environmental justice, Loose of Earth captures the desperate futility and unbending religious faith that devastated a family, leaving them waiting for a miracle that would never come.

Returning to Chicago from France, Taft established a bustling studio and began a twenty-one-year career as an instructor at the Art Institute, succeeded by three decades as head of the Midway Studios at the University of Chicago. This triumphant era included ephemeral sculpture for the 1893 World's Columbian Exposition; a prolific turn-of-the-century period marked by the gold-medal-winning The Solitude of the Soul; the 1913 Fountain of the Great Lakes; the 1929 Alma Mater at the University of Illinois; and large-scale projects such as his ambitious program for Chicago's Midway with the monumental Fountain of Time. In addition, the book charts Taft's mentoring of women artists, including the so-called White Rabbits at the World's Fair, many of whom went on to achieve artistic success.

Lavishly illustrated with color images of Taft's most celebrated works, Lorado Taft: The Chicago Years completes the first major study of a great American artist.

“Samuel Wilberforce,” writes Standish Meacham, “is best remembered as Soapy Sam, the bishop who debated Huxley on evolution and lost. He always insisted his nickname derived from the fact that though many times in hot water he emerged in every case with clean hands. Others had a less flattering explanation. They believed he was inordinately ambitious and that he trimmed to a line dictated by ambition.”

In this volume Meacham presents the first scholarly biography of Wilberforce, a prominent bishop in the Church of England from 1845 to 1873. Drawing upon source materials only recently made available to scholars, the author traces through correspondence and diaries the life of this outstanding Victorian Churchman, describing at the same time the theological temper of the period. Meacham’s emphasis, however, is on Wilberforce as a human being. He reveals his subject in a variety of roles: as favorite, for a time, of Victoria and Prince Albert; as staunch Churchman; as debater in the House of Lords; as a conscientious bishop traveling from one end of his diocese to the other, exerting his considerable energies to raise church funds, encourage his often dispirited clergy, and admonish his flock; and as a sometimes vigorous adversary of Tractarianism.

During the times in which Wilberforce lived, especially the last decade or so of his life, the old orthodoxies were losing their force and new discoveries and modes of thought were breaking down religious certainties. Meacham describes the spiritual struggle Wilberforce waged against Darwinism and higher criticism. He depicts also the private struggle of an essentially good man against the temptations of power and ambition, and the difficulties entailed in the dual role of Churchman and member of the House of Lords whose associates were almost wholly of the privileged class.

Cain has been ranked as one of the two best dramatic poems written in England in the nineteenth century. Because of its religious heterodoxy, which veiled a political iconoclasm, and also because of Byron’s notoriety, Cain stirred up a storm among Tories and clergymen “from Kentish town to Pisa.” From 1821 to 1830 more was printed about its eighteen hundred alarming lines than about the twenty thousand of Don Juan. One solemn Frenchman even translated the work in order to supply his countrymen with a text that he could then rewrite and confute.

After the initial controversy, readers began to regard Cain not merely as revolutionary propaganda but as a fictional portrait of common youthful experience: a sequence of aspiration, discontent, uncertainty, confusion, misunderstood isolation, fear, frustration, anger, and finally a rash, inevitable, but futile revolt that led to a future of hopeless regret.

Truman Guy Steffan here presents a text, arrived at by collation of the first and several later editions with the original manuscript (presently in the Stark Collection of the Miriam Lutcher Stark Library at the Harry Ransom Center, the University of Texas at Austin).

The first eight essays, which comprise Part I, cover a number of literary topics: Byron’s defense of his purposes in Cain and the relevance of his dramatic theory to the poem; the characterization that is an ideological confrontation, a revelation of personal conflict, as well as a rendering of individuals who have an existence independent of the author; the principles that controlled Byron’s absorption and expansion of biblical materials; the integration of the imagery with the dramatic substance; the incongruities of the language; the metrical heterodoxy; and a description of the manuscript and of Byron’s insertions.

Part II contains the text of Cain, accompanied by notes on the variants, the manuscript cancellations and additions, certain linguistic details, and the scansion of some unusual verses. Then follow annotations on allusions, sources, and analogues, and on a few passages of the play that have elicited unusual conflict over interpretation.

Part III provides a history of Cain criticism, from the opinions of Byron’s social and literary circle and of the major periodicals and pamphlets to the more complicated contribution of the twentieth century.

This important work stands not only as a valuable addition to Byron scholarship but also as an illuminating record of the changing critical and cultural attitudes from the early nineteenth century to the 1960s. Steffan has done a remarkable job in bringing together and synthesizing an enormous body of material.

Do democratic states bring about greater social and economic equality among their citizens? Modern India embraced universal suffrage from the moment it was free of British imperial rule in 1947—a historical rarity in the West—and yet Indian citizens are far from realizing equality today. The United States, the first British colony to gain independence, continues to struggle with intolerance and the consequences of growing inequality in the twenty-first century.

From Boston Brahmins to Mohandas Gandhi, from Hollywood to Bollywood, Nico Slate traces the continuous transmission of democratic ideas between two former colonies of the British Empire. Gandhian nonviolence lay at the heart of the American civil rights movement. Key Indian freedom fighters sharpened their political thought while studying and working in the United States. And the Indian American community fought its own battle for civil rights.

Spanning three centuries and two continents, Lord Cornwallis Is Dead offers a new look at the struggle for freedom that linked two nations. While the United States remains the world’s most powerful democracy, India—the world’s most populous democracy—is growing in wealth and influence. Together, the United States and India will play a predominant role in shaping the future of democracy.

In the pre-Hispanic Mesoamerican world, histories and collections of ritual knowledge were often presented in the form of painted and folded books now known as codices, and the knowledge itself was encoded into pictographs. Eight codices have survived from the Mixtec peoples of ancient Oaxaca, Mexico; a part of one of them, the Codex Zouche-Nuttall, is the subject of this book. As a group, the Mixtec codices contain the longest detailed histories and royal genealogies known for any indigenous people in the western hemisphere. The Codex Zouche-Nuttall offers a unique window into how the Mixtecs themselves viewed their social and political cosmos without the bias of western European interpretation. At the same time, however, the complex calendrical information recorded in the Zouche-Nuttall has made it resistant to historical, chronological analysis, thereby rendering its narrative obscure.

In this pathfinding work, Robert Lloyd Williams presents a methodology for reading the Codex Zouche-Nuttall that unlocks its essentially linear historical chronology. Recognizing that the codex is a combination of history in the European sense and the timelessness of myth in the Native American sense, he brings to vivid life the history of Lord Eight Wind of Suchixtlan (AD 935–1027), a ruler with the attributes of both man and deity, as well as other heroic Oaxacan figures. Williams also provides context for the history of Lord Eight Wind through essays dealing with Mixtec ceremonial rites and social structure, drawn from information in five surviving Mixtec codices.

Less cynical than Talleyrand, more imaginative than Metternich, as creative as Guizot, Lord Liverpool was one of the great European conservatives of his age. He served as prime minister for the longest continuous term in nineteenth-century Britain and presided over the triumphant years of the Napoleonic War, the strife-torn era of the “Peterloo” massacre, and the founding of the great liberal free-trade revolution in financial and commercial policy that heralded Victorianism.

Norman Gash’s biography is the first modern reassessment of this misunderstood statesman. Gash places Liverpool within the kaleidoscopic parliamentary politics of the time and shows how he governed with the collective strength and unity of the cabinet. By offering parsimonious administration and enlightened economic policy, Liverpool hoped to preserve the old constitution and prevent both Catholic emancipation and parliamentary reform. Balancing interests and preserving order, Liverpool also contended with the vicissitudes of the still powerful monarchs—the aging and disturbed George III and the capricious and self-indulgent George IV, whose attempted divorce almost toppled the Liverpool administration.

This is not only an account of one of the most professional prime ministers of Great Britain, but also the story of the personal relations that shaped Lord Liverpool and the private life that gave him immense satisfaction. Based on correspondence and Lord Liverpool’s private papers, Gash’s work recasts the history of a turbulent age and its most prominent political figure.

The lives built by Black Americans in a pair of summer resort towns

In the late nineteenth and early twentieth centuries, northern resort towns were in their heyday as celebrated retreats for America's wealthy. Lord, Please Don't Take Me in August documents the experiences of African Americans in Saratoga Springs, New York, and Newport, Rhode Island--towns that provided a recurring season of expanded employment opportunities, enhanced social life, cosmopolitan experience, and, in a good year, enough money to last through the winter.

Affirming that the decision to live in their tiny resort communities was conscious and deliberate, Myra B. Young Armstead shows how Afro-Saratogians and Afro-Newporters organized their rhythms, their routines, and their communities to create meaningful identities for themselves. Living on streets close to their churches, developing social organizations that promoted their standards of gentility and respectability, and lobbying for wider opportunities, these African Americans actively shaped their lives within the structures and limitations imposed on them.

Armstead situates the resort town between the poles of the rural South and the large industrial cities of the North. She shows how these small northern towns, with their seasonal economic rhythms and domestic wage work, permitted an important continuity between rural and urban lifestyles and a path from rural South to urban North besides the jarring, disruptive journey that often ended in the ghetto.

"Lord, Please Don't Take Me in August" tells a story that is at once American and uniquely African American: a story of economic imperatives and enlarged social aspirations culminating in a season--June, July, and August--that brought Blacks as close as they could get to the American Dream.

For this first English edition of his distinguished study of Pythagoreanism, Weisheit und Wissenschajt: Studien zu Pythagoras, Philolaos, und Platon, Walter Burkert has carefully revised text and notes, taking account of additional literature on the subject which appeared between 1962 and 1969.

By a thorough critical sifting of all the available evidence, the author lays a new foundation for the understanding of ancient Pythagoreanism and in particular of the relationship within it of “lore” and “science.” He shows that in the twilight zone when the Greeks were discovering the rational interpretation of the world and quantitative natural science, Pythagoras represented not the origin of the new, but the survival or revival of ancient, pre-scientific lore or wisdom, based on superhuman authority and expressed in ritual obligation.

2008 — Gold Award in Californiana – California Book Awards – Commonwealth Club of California
2010 — NACCS Book Award – National Association for Chicana and Chicano Studies

City plazas worldwide are centers of cultural expression and artistic display. They are settings for everyday urban life where daily interactions, economic exchanges, and informal conversations occur, thereby creating a socially meaningful place at the core of a city.

At the heart of historic Los Angeles, the Plaza represents a quintessential public space where real and imagined narratives overlap and provide as many questions as answers about the development of the city and what it means to be an Angeleno. The author, a social and cultural historian who specializes in nineteenth- and early twentieth-century Los Angeles, is well suited to explore the complex history and modern-day relevance of the Los Angeles Plaza. From its indigenous and colonial origins to the present day, Estrada explores the subject from an interdisciplinary and multiethnic perspective, delving into the pages of local newspapers, diaries and letters, and the personal memories of former and present Plaza residents, in order to examine the spatial and social dimensions of the Plaza over an extended period of time.

The author contributes to the growing historiography of Los Angeles by providing a groundbreaking analysis of the original core of the city that covers a long span of time, space, and social relations. He examines the impact of change on the lives of ordinary people in a specific place, and how this change reflects the larger story of the city.

“This fine new translation by Timothy Grundy of Anton Wagner's Los Angeles with Edward Dimendberg's lucidly probing introduction constitutes a major contribution to urban history and our understanding of one of the world's most enigmatic and significant cities.”

—Thomas S. Hines, Research Professor of History and Architecture and Urban Design, UCLA
 

“Edward Dimendberg has done a remarkable job bringing Anton Wagner's classic study of Los Angeles to a wider readership. This landmark publication will enable many strands of urban scholarship to enter into dialogue for the first time.”

—Matthew Gandy, Professor of Geography, University of Cambridge, and author of Natura Urbana: Ecological Constellations in Urban Space (2022)

Los Lobos leaped into the national spotlight in 1987, when their cover of “La Bamba” became a No. 1 hit. But what looked like an overnight achievement to the band’s new fans was actually a way station in a long musical journey that began in East Los Angeles in 1973 and is still going strong. Across four decades, Los Lobos (Cesar Rosas, Conrad Lozano, David Hidalgo, Louie Pérez, and Steve Berlin) have ranged through virtually the entire breadth of American vernacular music, from rockabilly to primal punk rock, R&B to country and folk, Mexican son jarocho to Tex-Mex conjunto and Latin American cumbia. Their sui generis sound has sold millions of albums and won acclaim from fans and critics alike, including three Grammy Awards.

Los Lobos, the first book on this unique band, traces the entire arc of the band’s career. Music journalist Chris Morris draws on new interviews with Los Lobos members and their principal collaborators, as well as his own reporting since the early 1980s, to recount the evolution of Los Lobos’s music. He describes the creation of every album, lingering over highlights such as How Will the Wolf Survive?, La Pistola y El Corazon, and Kiko, while following the band’s trajectory from playing Mexican folk music at weddings and dances in East L.A. to international stardom and major-label success, as well as their independent work in the new millennium. Giving one of the longest-lived and most-honored American rock bands its due, Los Lobos celebrates the expansive reach and creative experimentalism that few other bands can match.

Sergio Lemus explores the lives of these migrants and looks at the struggles they face as they work to make the city their home. Drawing on fieldwork in South Chicago, Lemus tells the stories of first and second-generation yarderos and discusses the historical, economic, cultural, and political ramifications they face as they acquire their working-class identity. Lemus’s compassionate portrait places them within America’s ongoing tradition as a nation of immigrants while analyzing their place within today’s transborder cultural moment.

Perceptive and humane, Los Yarderos reveals how a group of Mexican immigrants navigates the crossings of the borders that divide class, color hierarchies, gender, and belonging.

The rapid growth of organized crime in Mexico and the government’s response to it have driven an unprecedented rise in violence and impelled major structural economic changes, including the recent passage of energy reform. Los Zetas Inc. asserts that these phenomena are a direct and intended result of the emergence of the brutal Zetas criminal organization in the Mexican border state of Tamaulipas. Going beyond previous studies of the group as a drug trafficking organization, Guadalupe Correa-Cabrera builds a convincing case that the Zetas and similar organizations effectively constitute transnational corporations with business practices that include the trafficking of crude oil, natural gas, and gasoline; migrant and weapons smuggling; kidnapping for ransom; and video and music piracy.

Combining vivid interview commentary with in-depth analysis of organized crime as a transnational and corporate phenomenon, Los Zetas Inc. proposes a new theoretical framework for understanding the emerging face, new structure, and economic implications of organized crime in Mexico. Correa-Cabrera delineates the Zetas establishment, structure, and forms of operation, along with the reactions to this new model of criminality by the state and other lawbreaking, foreign, and corporate actors. Since the Zetas share some characteristics with legal transnational businesses that operate in the energy and private security industries, she also compares this criminal corporation with ExxonMobil, Halliburton, and Blackwater (renamed “Academi” and now a Constellis company). Asserting that the elevated level of violence between the Zetas and the Mexican state resembles a civil war, Correa-Cabrera identifies the beneficiaries of this war, including arms-producing companies, the international banking system, the US border economy, the US border security/military-industrial complex, and corporate capital, especially international oil and gas companies.

When Losing Control was first published a decade ago it was years ahead of its time. Its argument was simple - the real causes of global insecurity were the widening socio-economic divide, global marginalisation and environmental limitations, especially climate change and conflict over energy resources.

Paul Rogers, one of the most original thinkers on international security, pointed to a world in which irregular warfare from the margins would prevent powerful states from maintaining their position. He even predicted accurately how the United States would respond to a catastrophic attack.

The new edition brings the whole analysis right up to date, arguing persuasively that the world’s elite cannot maintain control and that a far more emancipatory and sustainable approach to global security has to be developed.

Japan has had one since before the Pacific War. Germany has always had one. Britain has had one after another. Shouldn't the United States get one?

Though hotly debated throughout the 1980s, this was the wrong question, leading to years of delay and confusion. The United States already had an Industrial Policy, said Otis Graham, but one which was uncoordinated and often harmful. This policy morass, which continued in the 1990s under George Bush despite the erosion of America's competitive position, owes much to a misunderstood history of government economic policy. Elements of both parties, but especially Reagan Republicans, have obscured our real choices with historical myths.

What should the United States have done when the nation saw its industries rapidly becoming globally uncompetitive? What reforms do we need now, asks Graham, to redirect our public policies for competitive strength? Industrial policy reform is an important part of a public-private set of remedies, but it hinges upon an improved use of policy history and of historical perspective generally. He proposes an explicit if minimalist approach by the federal government that would pull together and reform our de facto industrial policies in order to equip the United States with the institutional capacity to formulate industrial interventions guided by continuous learning, strategic vision, and bipartisan participation by both labor and management.

Losing Time is important reading for policy-makers, community leaders, academics involved in public policy, economics, and history, and readers generally concerned about their future.

Shortlisted for the Cundill History Prize

“Remarkable and pathbreaking…A radical rethink of colonial historiography and a compelling argument for the reassessment of the historical traditions of Hindustan.”
—Mahmood Mamdani

“The brilliance of Asif’s book rests in the way he makes readers think about the name ‘Hindustan’…Asif’s focus is Indian history but it is, at the same time, a lens to look at questions far bigger.”
—Soni Wadhwa, Asian Review of Books

“Remarkable…Asif’s analysis and conclusions are powerful and poignant.”
—Rudrangshu Mukherjee, The Wire

“A tremendous contribution…This is not only a book that you must read, but also one that you must chew over and debate.”
—Audrey Truschke, Current History

Did India, Pakistan, and Bangladesh have a shared regional identity prior to the arrival of Europeans in the late fifteenth century? Manan Ahmed Asif tackles this contentious question by inviting us to reconsider the work and legacy of the influential historian Muhammad Qasim Firishta, a contemporary of the Mughal emperors Akbar and Jahangir. Inspired by his reading of Firishta and other historians, Asif seeks to rescue our understanding of the region from colonial narratives that emphasize difference and division.

Asif argues that a European understanding of India as Hindu has replaced an earlier, native understanding of India as Hindustan, a home for all faiths. Turning to the subcontinent’s medieval past, he uncovers a rich network of historians of Hindustan who imagined, studied, and shaped their kings, cities, and societies. The Loss of Hindustan reveals how multicultural Hindustan was deliberately eclipsed in favor of the religiously partitioned world of today. A magisterial work with far reaching implications, it offers a radical reinterpretation of how India came to its contemporary political identity.

For decades, a fog of governmental cover-ups, euphemisms, and societal silence kept the victims the mass incarceration of Americans of Japanese descent during World War II from understanding their experiences. The Japanese American National Museum mounted a critically acclaimed exhibition with the twin goals of educating the general public and encouraging former inmates to come to grips with and tell their own history. 

Combining heartfelt stories with first-rate scholarship, Lost and Found reveals the complexities of a people reclaiming the past. Author/curator Karen L. Ishizuka, a third-generation Japanese American, deftly blends official history with community memory to frame the historical moment of recovery within its cultural legacy. Detailing the interactive strategy that invited visitors to become part of the groundbreaking exhibition, Ishizuka narrates the processes of revelation and reclamation that unfolded as former internees and visitors alike confronted the experience of the camps. She also analyzes how the dual act of recovering—and recovering from—history necessitates private and public mediation between remembering and forgetting, speaking out and remaining silent.

Lost and Found offers a new understanding of modern Japanese regionalism by revealing the tense and volatile historical relationship between region and nation in the late nineteenth and early twentieth centuries. Aizu, a star-crossed region in present-day Fukushima prefecture, becomes a case study for how one locale was estranged from nationhood for its treasonous blunder in the Meiji Restoration, yet eventually found a useful place within the imperial landscape. Local mythmakers—historians, memoirists, war veterans, and others—harmonized their rebel homeland with imperial Japan so as to affirm, ironically, the ultimate integrity of the Japanese polity. What was once “lost” and then “found” again was not simply Aizu’s sense of place and identity, but the larger value of regionalism in a rapidly modernizing society.

In this study, Hiraku Shimoda suggests that “region,” which is often regarded as a hard, natural place that impedes national unity, is in fact a supple and contingent spatial category that can be made to reinforce nationalist sensibilities just as much as internal diversity.

Historically, it has been assumed that war is violence and declarations of war are simply public announcements that serve to initiate combat. Brien Hallett denies both assumptions and claims that war is policy, not violence.

The Lost Art of Declaring War analyzes the crucial differences between combat and war and convincingly argues that the power to "declare" war is in actuality the power to compose a text, draft a document, write a denunciation. Once written, the declaration then serves three functions: to articulate the political purposes of the war, to guide and direct military operations, and to establish the boundary between justified combat and unjustified devastation.

Hallett sounds a clarion call urging the people and their representatives to take up the challenge and write fully reasoned declarations of war. Then, and only then, can a civilized nation like the United States lay claim to being fully democratic, not only in peacetime, but in wartime as well.

Long before GPS, Google Earth, and global transit, humans traveled vast distances using only environmental clues and simple instruments. John Huth asks what is lost when modern technology substitutes for our innate capacity to find our way. Encyclopedic in breadth, weaving together astronomy, meteorology, oceanography, and ethnography, The Lost Art of Finding Our Way puts us in the shoes, ships, and sleds of early navigators for whom paying close attention to the environment around them was, quite literally, a matter of life and death.

Haunted by the fate of two young kayakers lost in a fog bank off Nantucket, Huth shows us how to navigate using natural phenomena—the way the Vikings used the sunstone to detect polarization of sunlight, and Arab traders learned to sail into the wind, and Pacific Islanders used underwater lightning and “read” waves to guide their explorations. Huth reminds us that we are all navigators capable of learning techniques ranging from the simplest to the most sophisticated skills of direction-finding. Even today, careful observation of the sun and moon, tides and ocean currents, weather and atmospheric effects can be all we need to find our way.

Lavishly illustrated with nearly 200 specially prepared drawings, Huth’s compelling account of the cultures of navigation will engross readers in a narrative that is part scientific treatise, part personal travelogue, and part vivid re-creation of navigational history. Seeing through the eyes of past voyagers, we bring our own world into sharper view.

A poetic journey through five decades of wonder, memory, and love, where the ordinary becomes sacred and every line leads home

Spanning five decades of poetic mastery, The Lost Book of Life: New and Selected Poems is the definitive collection from Charles Ghigna, a beloved and influential voice in contemporary Southern poetry. Drawing from fourteen previous volumes and featuring thirty-seven new poems, this landmark collection captures the full arc of Ghigna’s creative evolution, from his early meditations on nature and family to his later reflections on memory, mortality, and the enduring power of love.

With graceful shifts between free verse and traditional forms, Ghigna’s voice is both intimate and expansive—clear as spring water, alive with wit, and steeped in feeling. His poems open doorways into childhood’s bright dreaming, the quiet complexities of fatherhood, and the sacred hush of daily life. Ghigna invites readers to see the world anew, to find beauty in the familiar, and to embrace the sacred in the ordinary. For longtime admirers and new readers alike, The Lost Book of Life is a luminous testament to a life devoted to poetry. It is both compass and keepsake: a celebration of poetry’s enduring light, and a lasting gift to the literature of the American South.

How Tennessee reformers reconciled Southern heritage with rising nationalism, weaving the Lost Cause into the fabric of American progress and identity

The Lost Cause and the Great War tells the stories of central Tennessee Progressive-era reformers to illustrate the fascinating broader issue of how Southerners steeped in Lost Cause Civil War mythologies simultaneously developed patriotic American fervor. Focusing on Luke Lea, a prominent politician and American army officer who attempted to capture Kaiser Wilhelm II during World War I, the book reveals the intricate interplay between three competing ideas: attachment to the memory of the Confederacy, intense American nationalism, and advocacy for progressive reforms.

Hunt shows that Lea and his contemporaries sought either to harmonize these competing loyalties or to compartmentalize them to use when needed. Through insightful accounts of Tennessee’s 1928 presidential campaign, the American Legion’s response to cuts to veteran benefits in 1933, and the redefinition of America’s global role post–World War II, Hunt shows how these reformers achieved a balance that held until the Civil Rights movement disrupted this delicate consensus.

Hunt’s rich account reveals how Lea and others like him wove national patriotism and Southern collective memory into a cohesive narrative that supported their broader Progressive goals. The book offers much to readers interested in Southern history, the Gilded Age, Prohibition, World War I, World War II, and the beginnings of the Civil Rights movement. It provides vivid examples of how collective memory and narratives shape social and political movements. General readers will discover how white Southerners who remained devoted to vindicating the Confederacy nonetheless became fervent supporters of America's growing nationalism in the early twentieth century.

What if we didn’t always historicize when we read Victorian fiction?

Perhaps perversely, Lost Causes suggests simultaneously that psychoanalysis speaks pressingly to the vexed relationship between history and narrative, and that the theory is neither a- nor anti-historical. Through his readings of Victorian fiction addressing the recent past, Jones finds in psychoanalysis not a set of truths, but rather a method for rhetorical reading, ultimately revealing how its troubled account of psychic causality can help us follow literary language’s representation of the real. Victorian narratives of the recent past and psychoanalytic interpretation share a fascination with effects that persist despite baffling, inexplicable, or absent causes.

In chapters focusing on Thomas Carlyle, Charles Dickens, Charlotte Brontë, and George Eliot, Lost Causes demonstrates that history can carry an ontological, as well as an epistemological, charge—one that suggests a condition of being in the world as well as a way of knowing the world as it really is. From this point of view, Victorian fiction that addresses the recent past is not a failed realism, as it is so frequently claimed, but rather an exploration of possibility in history.

The City of Big Shoulders has always been our most quintessentially American—and world-class—architectural metropolis. In the wake of the Great Fire of 1871, a great building boom—still the largest in the history of the nation—introduced the first modern skyscrapers to the Chicago skyline and began what would become a legacy of diverse, influential, and iconoclastic contributions to the city’s built environment. Though this trend continued well into the twentieth century, sour city finances and unnecessary acts of demolishment left many previous cultural attractions abandoned and then destroyed.

Lost Chicago explores the architectural and cultural history of this great American city,  a city whose architectural heritage was recklessly squandered during the second half of the twentieth century. David Garrard Lowe’s crisp, lively prose and over 270 rare photographs and prints, illuminate the decades when Gustavus Swift and Philip D. Armour ruled the greatest stockyards in the world; when industrialists and entrepreneurs such as Cyrus McCormick, Potter Palmer, George Pullman, and Marshall Field made Prairie Avenue and State Street the rivals of New York City’s Fifth Avenue; and when Louis Sullivan, Daniel Burnham, and Frank Lloyd Wright were designing buildings of incomparable excellence. Here are the mansions and grand hotels, the office buildings that met technical perfection (including the first skyscraper), and the stores, trains, movie palaces, parks, and racetracks that thrilled residents and tourists alike before falling victim to the wrecking ball of progress.

“Lost Chicago is more than just another coffee table gift, more than merely a history of the city’s architecture; it is a history of the whole city as a cultural creation.”—New York Times Book Review

During the Second World War, an unprecedented number of families were torn apart. As the Nazi empire crumbled, millions roamed the continent in search of their loved ones. The Lost Children tells the story of these families, and of the struggle to determine their fate. We see how the reconstruction of families quickly became synonymous with the survival of European civilization itself.

Even as Allied officials and humanitarian organizations proclaimed a new era of individualist and internationalist values, Tara Zahra demonstrates that they defined the “best interests” of children in nationalist terms. Sovereign nations and families were seen as the key to the psychological rehabilitation of traumatized individuals and the peace and stability of Europe.

Based on original research in German, French, Czech, Polish, and American archives, The Lost Children is a heartbreaking and mesmerizing story. It brings together the histories of eastern and western Europe, and traces the efforts of everyone—from Jewish Holocaust survivors to German refugees, from Communist officials to American social workers—to rebuild the lives of displaced children. It reveals that many seemingly timeless ideals of the family were actually conceived in the concentration camps, orphanages, and refugee camps of the Second World War, and shows how the process of reconstruction shaped Cold War ideologies and ideas about childhood and national identity. This riveting tale of families destroyed by war reverberates in the lost children of today’s wars and in the compelling issues of international adoption, human rights and humanitarianism, and refugee policies.

"Highly recommended." —CHOICE

A sharp, engaging look at how pseudoarchaeology shapes public perceptions of the past through media, myth, and misinformation.

Lost City, Found Pyramid delves into the fascinating world of sensational “pseudoarchaeology,” from perennial discoveries of lost pyramids or civilizations to contemporary ghost-hunting and reality TV. It examines how nonscientific pursuit of myths and legends warps both public perceptions of archaeology and of human history itself.
 
A collection of twelve engaging and insightful essays, Lost City, Found Pyramid does far more than argue for the simple debunking of false archaeology. Rather, it brings into focus the value of understanding how and why pseudoarchaeology captures the public imagination. By comprehending pseudoarchaeology’s appeal as a media product, cultural practice, and communication strategy, archaeologists can enhance and enliven how they communicate about real archaeology in the classroom and in the public arena.
 
The first part of Lost City, Found Pyramid provides numerous case studies. Some examine the work of well-intentioned romantics who project onto actual archaeological data whimsical interpretative frameworks or quixotic “proofs” that confirm legends, such as that of the Lost White City of Honduras, or other alternative claims. Other case studies lay bare how false claims may inadvertently lead to the perpetuation of ethnic stereotypes, economic exploitation, political adventurism, and a misunderstanding of science.
 
Offering much of interest to scholars and students of archaeology, archaeology buffs, as well as policy-makers involved in the discovery, curation, and care of archaeological sites and relics, Lost City, Found Pyramid provides an invaluable corrective and hopeful strategy for engaging the public’s curiosity with the compelling world of archaeological discovery.

The concept of generation as a historical category has never been used more effectively than in Lost Comrades. The socialists of the Front Generation, young men in 1914, were driven into political activity and ideological exploration by the experience of the First World War. Their efforts to renew socialism, to carry it beyond Marxism and beyond the working class, were profound and original, yet ultimately they failed.

Lost Comrades follows the Front Generation socialists from their questioning of Marxist orthodoxies in the 1920s into their confrontations with the twin challenges of fascism and world depression in the early 1930s. Responding to these dangers, they devised—with little success—counterpropaganda against the fascists and planning blueprints for the economy. Eventually, some of the most prominent—Sir Oswald Mosley in Britain, Hendrik de Man in Belgium, Marcel Déat in France—shifted their hopes to fascism or, during the Second World War, to collaborationism in Hitler’s Europe. Others, however, like Carlo Mierendorff and Theodor Haubach in Germany, ended as martyrs in the anti-Nazi resistance. Yet even these divergent paths showed parallels reflecting their common starting point.

In tracing these unfulfilled careers, Dan S. White brings a new clarity to the hopes and limitations of European socialism between the two world wars.

Praise for Lost Eagles

"The pilot and observer stories selected have not previously seen much exposure. Not only are they interesting, but I found myself relishing getting to the next chapter to find out what Frederick Zinn was doing during the next stage of his life."
---Alan Roesler, founding member, League of World War I Aviation Historians, and former Managing Editor, Over the Front

Praise for Blaine Pardoe's previous military histories (which average 4.5-star customer reviews on Amazon.com):

Terror of the Autumn Skies: The True Story of Frank Luke, America's Rogue Ace of World War I

"This painstaking biography of World War I ace Frank Luke will earn Pardoe kudos . . . Pardoe has flown a very straight course in researching and recounting Luke's myth-ridden life. . . . Thorough annotation makes the book that much more valuable to WWI aviation scholars as well as for more casual air-combat buffs."
---Booklist

The Cruise of the Sea Eagle: The Amazing True Story of Imperial Germany's Gentleman Pirate

"This is a gem of a story, well told, and nicely laid out with photos, maps, and charts that cleverly illuminate the lost era of ‘gentlemen pirates' at sea . . . [German commerce raider Felix von Luckner's] legend lives on in this lively and readable biography."
---Admiral James Stavridis, U.S. Navy, Naval History

Few people have ever heard of Frederick Zinn, yet even today airmen's families are touched by this man and the work he performed in both world wars. Zinn created the techniques still in use to determine the final fate of airmen missing in action. The last line of the Air Force Creed reads, "We will leave no airman behind." Zinn made that promise possible.

Blaine Pardoe weaves together the complex story of a man who brought peace and closure to countless families who lost airmen during both world wars. His lasting contribution to warfare was a combination of his methodology for locating the remains of missing pilots (known as the Zinn system) and his innovation of imprinting all aircraft parts with the same serial number so that if a wreck was located, the crewman could be identified. The tradition he established for seeking and recovering airmen is carried on to this day.

Blaine Pardoe is an accomplished author who has published dozens of military fiction novels and other books, including the widely acclaimed Cubicle Warfare: Self-Defense Tactics for Today's Hypercompetitive Workplace; Terror of the Autumn Skies: The True Story of Frank Luke, America's Rogue Ace of World War I; and The Cruise of the Sea Eagle: The Amazing True Story of Imperial Germany's Gentleman Pirate.

Jacket photo: Frederick Zinn's Sopwith aircraft, which crashed during World War I. National Museum of the United States Air Force Archives. 

A grandson’s photo album. Old postcards. English porcelain. A granite headstone. These are just a few of the material objects that help reconstruct the histories of colonial people who lived during Japan’s empire. These objects, along with oral histories and visual imagery, reveal aspects of lives that reliance on the colonial archive alone cannot. They help answer the primary question of Lost Histories: Is it possible to write the history of Japan’s colonial subjects? Kirsten Ziomek contends that it is possible, and in the process she brings us closer to understanding the complexities of their lives.

Lost Histories provides a geographically and temporally holistic view of the Japanese empire from the early 1900s to the 1970s. The experiences of the four least-examined groups of Japanese colonial subjects—the Ainu, Taiwan’s indigenous people, Micronesians, and Okinawans—are the centerpiece of the book. By reconstructing individual life histories and following these people as they crossed colonial borders to the metropolis and beyond, Ziomek conveys the dynamic nature of an empire in motion and explains how individuals navigated the vagaries of imperial life.

Linking the study of business and politics, Christine Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. While traditionalists claimed that the business of literature required tight state regulation, an increasingly influential group of reformers argued that books were ordinary commodities whose production and distribution were best left to the free market.

The French Revolution overthrew the system of guilds and privileges that had governed the trade under the Old Regime. In the struggle that followed, the new men known as éditeurs (publishers) pushed for increased liberalization of the market. They relied on collective organization, especially a professional association known as the Cercle de la Librairie, to advocate for abolition of licensing requirements and extension of literary rights. Haynes shows how publishers succeeded in transforming the industry from a tightly controlled trade into a free enterprise, with dramatic but paradoxical consequences for literature in France.

The modern literary marketplace was the outcome of a political struggle both within the publishing world and between the book trade and the state. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting—but also in limiting—press freedom and literary property.

Cristina, the young protagonist of Tree of Desire, and her little brother Joaquín run away from a home that is outwardly normal, but inwardly disfunctional. Lost on the streets of Mexico City, they confront some of the most terrifying aspects of city life. Or is it all a dream? The story suggests, without confirming, that sexual abuse has driven Cristina to her desperate escape. But is it an escape? Are they awakening from a dream, or reentering a nightmare?

Serafín, too, is lost in the city. Searching for his father who has deserted the family, he is virtually helpless amid the city dangers. Serafín finds compassion in surprising places, but will he survive to return to his mother and their rural village?

These two novels by one of Mexico's premier writers illuminate many aspects of contemporary Mexican life. Solares describes Mexico's different social classes with Dickensian realism. His focus on young protagonists, unusual in Mexican literature, opens a window onto problems of children's vulnerability that know no national borders. At the same time, his use of elements of the fantastic and the paranormal, and his evocative writing style, make reading his novels a most pleasurable experience.

In Lost in Transition: Removing, Resettling, and Renewing Appalachia, Aaron D. Purcell presents a thematic and chronological exploration of twentieth-century removal and resettlement projects across southern Appalachia. The book shares complex stories of loss and recollection that have grown and evolved over time.

This edited volume contains seven case studies of public land removal actions in Virginia, Kentucky, the Carolinas, and Tennessee from the 1930s through the 1960s. Some of the removals include the Tennessee Valley Authority and the Norris Basin, Shenandoah National Park and the New River, the Great Smoky Mountains National Park, and the Keowee-Toxaway Project in northwestern South Carolina. Each essay asks key questions: How did governmental entities throughout the twentieth century deal with land acquisition and removal of families and communities? What do the oral histories of the families and communities, particularly from different generations, tell us about the legacies of these removals? This collection reveals confrontations between past and present, federal agencies and citizens, and the original accounts of removal and resettlement and contemporary interpretations. The result is a blending of practical historical concerns with contemporary nostalgia and romanticism, which often deepen the complexity of Appalachian cultural life.

Lost in Transition provides a nuanced and insightful study of removal and resettlement projects that applies critical analysis of fact, mythology, and storytelling. It illustrates the important role of place in southern Appalachian history. This collection is a helpful resource to anthropologists, folklorists, and Appalachian studies scholars, and a powerful volume of stories for all readers who reflect upon the importance of place and home.

Anthony Kronman describes a spiritual crisis affecting the American legal profession, and attributes it to the collapse of what he calls the ideal of the lawyer-statesman: a set of values that prizes good judgment above technical competence and encourages a public-spirited devotion to the law.

For nearly two centuries, Kronman argues, the aspirations of American lawyers were shaped by their allegiance to a distinctive ideal of professional excellence. In the last generation, however, this ideal has failed, undermining the identity of lawyers as a group and making it unclear to those in the profession what it means for them personally to have chosen a life in the law.

A variety of factors have contributed to the declining prestige of prudence and public-spiritedness within the legal profession. Partly, Kronman asserts, it is the result of the triumph, in legal thought, of a counterideal that denigrates the importance of wisdom and character as professional virtues. Partly, it is due to an array of institutional forces, including the explosive growth of the country’s leading law firms and the bureaucratization of our courts. The Lost Lawyer examines each of these developments and illuminates their common tendency to compromise the values from which the ideal of the lawyer-statesman draws strength. It is the most important critique of the American legal profession in some time, and an an enduring restatement of its ideals.

The first book to tour forgotten landmarks throughout the state of Minnesota.

Believe it or not, Minnesota’s architectural landscape has included a house made from the fuselage of a B-29 bomber, a hotel that spent its final years as a chicken hatchery, a Civil War cemetery, a treehouse built and occupied year-round by an eccentric university professor, and a railway that once carried passengers up Duluth’s steep incline from Lake Superior.

In Lost Modernities Alexander Woodside offers a probing revisionist overview of the bureaucratic politics of preindustrial China, Vietnam, and Korea. He focuses on the political and administrative theory of the three mandarinates and their long experimentation with governments recruited in part through meritocratic civil service examinations remarkable for their transparent procedures.

The quest for merit-based bureaucracy stemmed from the idea that good politics could be established through the "development of people"--the training of people to be politically useful. Centuries before civil service examinations emerged in the Western world, these three Asian countries were basing bureaucratic advancement on examinations in addition to patronage. But the evolution of the mandarinates cannot be accommodated by our usual timetables of what is "modern." The history of China, Vietnam, and Korea suggests that the rationalization processes we think of as modern may occur independently of one another and separate from such landmarks as the growth of capitalism or the industrial revolution.

A sophisticated examination of Asian political traditions, both their achievements and the associated risks, this book removes modernity from a standard Eurocentric understanding and offers a unique new perspective on the transnational nature of Asian history and on global historical time.

The forgotten story of a decades-long international quest for a rare and coveted orchid, chronicling the botanists, plant hunters, and collectors who relentlessly pursued it at great human and environmental cost.

In 1818, a curious root arrived in a small English village, tucked—seemingly by accident—in a packing case mailed from Brazil. The amateur botanist who cultivated it soon realized that he had something remarkable on his hands: an exceptionally rare orchid never before seen on British shores. It arrived just as “orchid mania” was sweeping across Europe and North America, driving a vast plant trade that catered to wealthy private patrons as well as the fast-growing middle classes eager to display exotic flowers at home. Dubbed Cattleya labiata, the striking purple-and-crimson bloom quickly became one of the most coveted flowers on both continents.

As tales of the flower’s beauty spread through scientific journals and the popular press, orchid dealers and enthusiasts initiated a massive search to recover it in its natural habitat. Sarah Bilston illuminates the story of this international quest, introducing the collectors and nurserymen who funded expeditions, the working-class plant hunters who set out to find the flower, the South American laborers and specialists with whom they contracted, the botanists who used the latest science to study orchids in all their varieties, and the writers and artists who established the near-mythic status of the “lost orchid.” The dark side of this global frenzy was the social and environmental harm it wrought, damaging fragile ecologies on which both humans and plants depended.

Following the human ambitions and dramas that drove an international obsession, The Lost Orchid is a story of consumer desire, scientific curiosity, and the devastating power of colonial overreach.

Listen to a short interview with Risa GoluboffHost: Chris Gondek | Producer: Heron & Crane

In this groundbreaking book, Risa L. Goluboff offers a provocative new account of the history of American civil rights law. The Supreme Court's decision in Brown v. Board of Education has long dominated that history. Since 1954, generations of judges, lawyers, and ordinary people have viewed civil rights as a project of breaking down formal legal barriers to integration, especially in the context of public education. Goluboff recovers a world before Brown, a world in which civil rights was legally, conceptually, and constitutionally up for grabs. Then, the petitions of black agricultural workers in the American South and industrial workers across the nation called for a civil rights law that would redress economic as well as legal inequalities. Lawyers in the new Civil Rights Section of the Department of Justice and in the NAACP took the workers' cases and viewed them as crucial to attacking Jim Crow. By the time NAACP lawyers set out on the path to Brown, however, they had eliminated workers' economic concerns from their litigation agenda. When the lawyers succeeded in Brown, they simultaneously marginalized the host of other harms--economic inequality chief among them--that afflicted the majority of African Americans during the mid-twentieth century. By uncovering the lost challenges workers and their lawyers launched against Jim Crow in the 1940s, Goluboff shows how Brown only partially fulfilled the promise of civil rights.

Since the mid-1980s, Taiwan and mainland China have witnessed a sustained resurgence of academic and intellectual interest in ruxue—“Confucianism”—variously conceived as a form of culture, an ideology, a system of learning, and a tradition of normative values. This discourse has led to a proliferation of contending conceptions of ruxue, as well as proposals for rejuvenating it to make it a vital cultural and psycho-spiritual resource in the modern world.

This study aims to show how ruxue has been conceived in order to assess the achievements of this enterprise; to identify which aspects of ru thought and values academics find viable, and why; to highlight the dynamics involved in the ongoing cross-fertilization between academics in China and Taiwan; and to examine the relationship between these activities and cultural nationalism.

Four key arguments are developed. First, the process of intellectual cross-fertilization and rivalry between scholars has served to sustain academic interest in ruxue. Second, contrary to conventional wisdom, party-state support in the PRC does not underpin the continuing academic discourse on ruxue. Third, cultural nationalism, rather than state nationalism, better explains the nature of this activity. Fourth, academic discourse on ruxue provides little evidence of robust philosophical creativity.

Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry.

Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.

A visual exploration of the transit histories of twenty-three US and Canadian cities.
 
Every driver in North America shares one miserable, soul-sucking universal experience—being stuck in traffic. But things weren’t always like this. Why is it that the mass transit systems of most cities in the United States and Canada are now utterly inadequate?
 
The Lost Subways of North America offers a new way to consider this eternal question, with a strikingly visual—and fun—journey through past, present, and unbuilt urban transit. Using meticulous archival research, cartographer and artist Jake Berman has successfully plotted maps of old train networks covering twenty-three North American metropolises, ranging from New York City’s Civil War–era plan for a steam-powered subway under Fifth Avenue to the ultramodern automated Vancouver SkyTrain and the thousand-mile electric railway system of pre–World War II Los Angeles. He takes us through colorful maps of old, often forgotten streetcar lines, lost ideas for never-built transit, and modern rail systems—drawing us into the captivating transit histories of US and Canadian cities.
 
Berman combines vintage styling with modern printing technology to create a sweeping visual history of North American public transit and urban development. With more than one hundred original maps, accompanied by essays on each city’s urban development, this book presents a fascinating look at North American rapid transit systems.

It is a cherished belief among Thai people that their country was never colonized. Yet politicians, scholars, and other media figures chronically inveigh against Western colonialism and the imperialist theft of Thai territory. Thai historians insist that the country adapted to the Western dominated world order more successfully than other Southeast Asian kingdoms and celebrate their proud history of independence. But many Thai leaders view the West as a threat and portray Thailand as a victim. Clearly Thailand’s relationship with the West is ambivalent.

The Lost Territories explores this conundrum by examining two important and contrasting strands of Thai historiography: the well-known Royal-Nationalist ideology, which celebrates Thailand’s long history of uninterrupted independence; and what the author terms “National Humiliation discourse,” its mirror image. Shane Strate examines the origins and consequences of National Humiliation discourse, showing how the modern Thai state has used the idea of national humiliation to sponsor a form of anti-Western nationalism. Unlike triumphalist Royal-Nationalist narratives, National Humiliation history depicts Thailand as a victim of Western imperialist bullying. Focusing on key themes such as extraterritoriality, trade imbalances, and territorial loss, National Humiliation history maintains that the West impeded Thailand’s development even while professing its support and cooperation. Although the state remains the hero in this narrative, it is a tragic heroism defined by suffering and foreign oppression.

Through his insightful analysis of state and media sources, Strate demonstrates how Thai politicians have deployed National Humiliation imagery in support of ethnic chauvinism and military expansion. The Lost Territories will be of particular interest to historians and political scientists for the light it sheds on many episodes of Thai foreign policy, including the contemporary dispute over Preah Vihear. The book’s analysis of the manipulation of historical memory will interest academics exploring similar phenomena worldwide.

If you take Boston's Blue Line to its northern end, you'll reach the Wonderland stop. Few realize that a twenty-three-acre amusement park once sat nearby—the largest in New England, and grander than any of the Coney Island parks that inspired it. Opened in Revere on Memorial Day in 1906 to great fanfare, Wonderland offered hundreds of thousands of visitors recreation by the sea, just a short distance from downtown Boston.

The story of the park's creation and wild, but brief, success is full of larger-than-life characters who hoped to thrill attendees and rake in profits. Stephen R. Wilk describes the planning and history of the park, which featured early roller coasters, a scenic railway, a central lagoon in which a Shoot-the-Chutes boat plunged, an aerial swing, a funhouse, and more. Performances ran throughout the day, including a daring Fires and Flames show; a Wild West show; a children's theater; and numerous circus acts. While nothing remains of what was once called “Boston's Regal Home of Pleasure” and the park would close in 1910, this book resurrects Wonderland by transporting readers through its magical gates.

Leta E. Miller and Fredric Lieberman take readers into Harrison's rich world of cross-fertilization through an exploration of his outspoken stance on pacifism, gay rights, ecology, and respect for minorities--all major influences on his musical works. Though Harrison was sometimes accused by contemporaries of "cultural appropriation," Miller and Lieberman make it clear why musicians and scholars alike now laud him as an imaginative pioneer for his integration of Asian and Western musics. They also delve into Harrison's work in the development of the percussion ensemble, his use of found and invented instruments, and his explorations of alternative tuning systems. An accompanying compact disc of representative recordings allows readers to examine Harrison's compositions in further detail.

Louis D. Brandeis (1856-1941) played a role in almost every important social and economic movement during his long life: trade unionism, trust busting, progressivism, woman suffrage, scientific management, expansion of civil liberties, hours, wages, and unemployment legislation, Wilson's New Freedom, Roosevelt's New Deal. He invented savings bank life insurance and the preferential union shop, became known as the "People's Attorney," and altered American jurisprudence as a lawyer and Supreme Court judge. Brandeis led American Zionism from 1914 through 1921 and again from 1930 until his death. He earned over two million dollars practicing law between 1878 and 1916 and used his wealth to foster public causes. He was adviser to leaders from Robert La Follette to Frances Perkins, William McAdoo to Franklin Roosevelt, Woodrow Wilson to Harry Truman.

This lively account of Brandeis's life and legacy, based on ten years of research in sources not available to previous biographers, reveals much that is new and gives fuller context to personal and historical events. The most significant revelations have to do with his intellectual development. That Brandeis opposed political and economic "bigness" and excessive concentration of wealth is well known. What was not known prior to Strum's research is how far Brandeis carried his beliefs, becoming committed to the goals of worker participation--the sharing of profits and decision making by workers in "manageable"-sized firms. So it happened that the man who was sometimes dismissed as an outmoded horse-and-buggy liberal championed a cause too radical even for the New Deal braintrusters who were quick to follow his advice in other areas

Strum charts Brandeis's development as a kind of industrial-era Jeffersonian deeply influenced by the classical ideals of Periclean Athens. She shows that this was the source not only of his vision of a democracy based on a human-scaled polis, but also of his sudden emergence, in his late fifties, as the leading American Zionist: he had come to regard Palestine as the locus of a new Athens. And later, on the Supreme Court, this Athenian conception of human potential took justice Brandeis beyond even Justice Holmes in the determined use of judicial power to protect civil liberties and democracy in an industrialized society.

Louis Prima infused the grit and grace of Dixieland jazz with swing and big band sounds, the first whiffs of rock 'n' roll, and a vaudevillian stage presence. Garry Boulard pens the biography of the underrated jazz musician, Las Vegas mainstay, and popular entertainer.

A native of New Orleans, Prima was a Guy Lombardo protégé known as "The Italian Satchmo" who became the country's new jazz sensation at New York's Famous Door in the 1930s. He went on to success as a big band leader before virtually creating the lounge act as a Las Vegas nightclub staple. Employing and later marrying singer Keely Smith, Prima rode high with a series of hit songs and smash albums in the Fifties. But Boulard also looks past the over-the-top stage antics to restore Prima's legacy as an overlooked jazz musician and vocalist, and as a bandleader with an uncanny ability to fuse disparate styles into music that kept audiences cheering and dancing for decades.