How artists challenged a military dictatorship through mass print technologies in 1970s and 1980s São Paulo.

Throughout the 1970s and into the 1980s, during Brazil's military dictatorship, artists shifted their practices to critique the government and its sanitized images of Brazil, its use of torture, and its targeted persecutions. Mari Rodríguez Binnie's The São Paulo Neo-Avant-Garde examines these artworks and their engagement with politics and mainstream art institutions and practices.

As Binnie skillfully shows, artists appropriated processes like photocopy, offset lithography, and thermal and heliographic printing, making newly available technologies of mass production foundational to their work of resistance against both the dictatorship and the established art world. Often working collaboratively, these artists established alternative networks of exchange locally and internationally to circulate their work. As democracy was reestablished in Brazil, and in the decades that followed, their works largely fell out of sight. Here, in the first English-language book to focus entirely on conceptual practices in São Paulo in the 1970s and 1980s, Binnie unearths a scene critical to the development of contemporary Brazilian Art.

She lived on the island of Lesbos around 600 B.C.E. She composed lyric poetry, only fragments of which survive. And she was--and is--the most highly regarded woman poet of Greek and Roman antiquity.

Little more than this can be said with certainty about Sappho, and yet a great deal more is said. Her life, so little known, is the stuff of legends; her poetry, the source of endless speculation. This book is a search for Sappho through the poetry she wrote, the culture she inhabited, and the myths that have risen around her. It is an expert and thoroughly engaging introduction to one of the most enduring and enigmatic figures of antiquity.Margaret Williamson conducts us through ancient representations of Sappho, from vase paintings to appearances in Ovid, and traces the route by which her work has reached us, shaped along the way by excavators, editors, and interpreters. She goes back to the poet's world and time to explore perennial questions about Sappho: How could a woman have access to the public medium of song? What was the place of female sexuality in the public and religious symbolism of Greek culture? What is the sexual meaning of her poems? Williamson follows with a close look at the poems themselves, Sappho's "immortal daughters." Her book offers the clearest picture yet of a woman whose place in the history of Western culture has been at once assured and mysterious.

A great metropolis of the ancient world, “golden” Sardis was the place where legendary Croesus ruled, where coinage was invented. Since 1958 an archaeological team has been working at the site to retrieve evidence of the rich Lydian culture as well as of the prehistoric Anatolian settlement and the Hellenistic and Roman civilizations that followed the Lydian kingdom. Here is a comprehensive and fully illustrated account of what the team has learned, presented by the eminent archaeologist who led the expedition.

George Hanfmann and his collaborators survey the environment of Sardis, the crops and animal life, the mineral resources, the industries for which the city was famed, and the pattern of settlement. The history of Sardis is then reconstructed, from the early Bronze Age to Late Antiquity. Archaeologists who have done the excavating contribute descriptions of shops and houses, graves, the precinct and Altar of Artemis, the Acropolis, gold-working installations and techniques, the bath and gymnasium complex, and the Synagogue. The material finds are studied in the context of other evidence, and there emerges an overall picture of the Lydian society, culture, and religion, the Greek and subsequently the Roman impact, the Jewish community, and the Christianization of Sardis. Historians of the ancient world will find this account invaluable.

Ancient Sardis, the capital of Lydia, was of outstanding importance: in the Lydian period it held the residence of the kings and subsequently, under Persian rule, the satraps. Throughout antiquity it remained an administrative center. Travelers of modern times and archaeological excavations have revealed, from the city site and its surroundings, inscriptions written mostly in Greek, some in Latin. Their texts deal with all kinds of subjects: decrees, public honors, civil and sacred laws, letters, epitaphs, and more.

In the corpus “Sardis VII 1” (1932) W. H. Buckler and D. M. Robinson published all inscriptions (228 items) known up to 1922, after which year excavation at Sardis came to a halt because of the Greek-Turkish war. Since excavation resumed in 1958, a portion of the Greek and Latin inscriptions has been published in various, widely scattered places; another portion, containing important texts discovered during the last ten years, was until now unpublished. The aim of this monograph is to present in a comprehensive corpus the entire epigraphic harvest (485 items) made in Sardis and its territory since 1958. Each inscription is accompanied by a description of the monument, bibliography, translation, and commentary; indices, concordances, photographs, and maps complement the collection.

A critical resource that traces the reign of Sargon in context

Josette Elayi's book is the only existing biography of Sargon II, the famous Assyrian king, who was a megalomaniac and a warlord. Elayi addresses such important questions, including what was his precise role in the disappearance of the kingdom of Israel; how did Sargon II succeed in enlarging the borders of the Assyrian Empire by several successful campaigns; how did he organize his empire (administration, trade, agriculture, libraries), and what was the so-called sin of Sargon?

Features:

• Interpretations of decisive events during the life and reign of the Assyrian king
• An evaluation of Sargon II s reign
• Maps, tables, and illustrations

A comprehensive military history of one of the most important empires of Late Antiquity

The Sasanian Empire at War: Persia, Rome, and the Rise of Islam, 224–651 is the first comprehensive study in English examining war and society in one of the most important empires in world history: the Persian Empire of 224-651 AD, ruled by the Sasanian clan. At its height the Sasanians governed lands from the Indus River in the east to Egypt and the Mediterranean in the west. Adversaries of Rome, they also faced grave challenges from nomadic powers from Central Asia, notably the Huns and Turks. The Sasanians were able to maintain their empire for hundreds of years through nearly constant warfare, but when their expansion was checked in the north by the Byzantines at Constantinople in 626, and with the Muslim invasions to their south and west beginning in the 630s, the empire could no longer be sustained, and it finally collapsed.

In this book, Michael J. Decker examines Sasanian warfare, including military capabilities, major confrontations, organization and weapons of the Persian army. In addition to providing a comprehensive overview of the conflicts that marked this vital period in the history of Eurasia, The Sasanian Empire at War challenges long cherished notions of the inferiority of Sasanian military capabilities and renders a new image of a sophisticated, confident culture astride the heart of Eurasia at the end of the ancient world and birth of the Silk Road. Persian arms were among the many features of their culture that drew widespread admiration and was one of the keys to the survival of Iranian culture beyond the Arab Conquest and into the present day.

In 1889 two Russian immigrants, Emma Goldman and Alexander Berkman, met in a coffee shop on the Lower East Side. Over the next fifty years Emma and Sasha would be fast friends, fleeting lovers, and loyal comrades. This dual biography offers an unprecedented glimpse into their intertwined lives, the lasting influence of the anarchist movement they shaped, and their unyielding commitment to equality and justice.

Berkman shocked the country in 1892 with "the first terrorist act in America," the failed assassination of the industrialist Henry Clay Frick for his crimes against workers. Passionate and pitiless, gloomy yet gentle, Berkman remained Goldman's closest confidant though the two were often separated-by his fourteen-year imprisonment and by Emma's growing fame as the champion of a multitude of causes, from sexual liberation to freedom of speech. The blazing sun to Sasha's morose moon, Emma became known as "the most dangerous woman in America." Through an attempted prison breakout, multiple bombing plots, and a dramatic deportation from America, these two unrelenting activists insisted on the improbable ideal of a socially just, self-governing utopia, a vision that has shaped movements across the past century, most recently Occupy Wall Street.

Sasha and Emma is the culminating work of acclaimed historian of anarchism Paul Avrich. Before his death, Avrich asked his daughter to complete his magnum opus. The resulting collaboration, epic in scope, intimate in detail, examines the possibilities and perils of political faith and protest, through a pair who both terrified and dazzled the world.

Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437–1444. Originally standing some six yards high, double-sided, with a splendid gilt frame over the main altar of the local Franciscan church, it was the Rolls Royce of early Renaissance painting. But its myriad figures and scenes tempted the collectors of the nineteenth and twentieth centuries, and today its disassembled panels can be found in twelve museums throughout Europe and the United States.

To produce this landmark volume, experts in art and general history, painting technique and conservation, woodworking, architecture, and liturgy have joined forces across the boundaries of eight different nations. A model of collaboration, it opens new windows onto the creative process of the artist as he confronted a late-medieval church at a crossroad of cultures, the miracle-working body of a holy man, and a community of Franciscan friars breathing the exhilarating air of reform. To confront such challenges, Sassetta raised the most spiritual school of early Italian art, the Sienese, to a higher level of understanding, grace, and splendor.

Women writers occupy prominent positions in late 20th century Iranian literature, despite the increased legal and cultural restrictions placed upon women since the 1978-1979 Islamic Revolution. One of these writers is Moniru Ravanipur, author of the critically acclaimed The Drowned and Heart of Steel.

Satan's Stones is the first English translation of her 1991 short story collection Sangha-ye Sheytan. Often set in the remote regions of Iran, these stories explore many facets of contemporary Iranian life, particularly the ever-shifting relations between women and men. Their bold literary experimentation marks a new style in Persian fiction akin to "magical realism."

Reports from Iran indicated that Satan's Stones had been banned there by government authorities. While its frank explorations of Iranian society may have offended Islamic leaders, they offer Western readers fresh perspectives on Iranian culture from one of the country's most distinguished writers.

Captures the sometimes outrageous, often humorous, and always bigger-than-life spirit of the World's Greatest Pitcher, Leroy Satchel Paige

This book began when the author met "the Satch" for the first time at the Twilight Zone Lounge of the Rhythm Lanes Bowling Alley in Kansas City. What started as a simple interview for Holiday magazine quickly grew into an animated conversation that lasted nearly a week as Paige and Fox moved from bar to club to restaurant to auto repair shop and from one topic to the next. Fox describes, with amazement, the reception the legendary baseball player received at Gates' Place, a famous barbecue restaurant, and The Flamingo, a big dance club. Over the course of the week, Paige shared stories about his start in the Negro leagues, his time with the Kansas City Monarchs, and barnstorming around the country, sleeping on the ground because there were no hotels for blacks. He also tells of his breakthrough to the big leagues when he signed with the Cleveland Indians and later pitched two shutouts against the Chicago White Sox.

In addition to his baseball career, Paige tells Fox about his childhood in Mobile, Alabama, catching fish during the Jubilee, throwing rocks at white boys, hustling bags at the train station, and working in the Depression era medicine shows. In contrast to these humble beginnings, Satchel recounts his later connections with film and music celebrities like Orson Welles, Jelly Roll Morton, Billie Holliday, and Cab Calloway. He also expounds on his friendships with other sports greats, including Goose Tatum, Meadowlark Lemon, and Sugar Ray Robinson.

The ironic intersections between oppression and fame, and between poverty and wealth, that emerge from Paige's narrative memoir exemplify the affliction of talent and genius in an era of racial discrimination and segregation.

At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity.

Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.

Satire, the use of criticism cloaked in wit, has been employed since classical times to challenge the established order of society. In colonial Spanish America during the sixteenth through the eighteenth centuries, many writers used satire to resist Spanish-imposed social and literary forms and find an authentic Latin American voice. This study explores the work of eight satirists of the colonial period and shows how their literary innovations had a formative influence on the development of the modern Latin American novel, essay, and autobiography.

The writers studied here include Sor Juana Inés de la Cruz, Juan del Valle y Caviedes, Cristóbal de Llerena, and Eugenio Espejo. Johnson chronicles how they used satire to challenge the "New World as Utopia" myth propagated by Spanish authorities and criticize the Catholic church for its role in fulfilling imperialistic designs. She also shows how their marginalized status as Creoles without the rights and privileges of their Spanish heritage made them effective satirists. From their writings, she asserts, emerges the first self-awareness and national consciousness of Spanish America.

By linking the two great periods of Latin American literarure—the colonial writers and the modern generation—Satire in Colonial Spanish America makes an important contribution to Latin American literature and culture studies. It will also be of interest to all literary scholars who study satire.

Virtually all theories of satire define it as a criticism of contemporary society. Some argue that satire criticizes the present in favor of a standard of values that has been superseded, and thus that satire is generally backward-looking and conservative. While this is often true of poetic satire, in this study Frank Palmeri asserts that narrative satire performs a different function, that it parodies both the established view of the world and that of its opponents, offering its own distinctive critical perspective.

This theory of satire builds on the idea of dialogical parody in the work of Russian theorist Mikhail Bakhtin, while revising Bakhtin's estimate of carnival. In Palmeri's view, the carnivalesque offers only an inverted mirror image of authoritative discourse, while parodic narrative satire suggests an alternative to both the official world and its inverted opposite.

Palmeri applies this theory of narrative satire to five works of world literature, each of which has generated sharp controversy about the genre to which it rightly belongs: Petronius' Satyricon, Jonathan Swift's A Tale of a Tub, Edward Gibbon's Decline and Fall of the Roman Empire, Herman Melville's The Confidence-Man, and Thomas Pynchon's The Crying of Lot 49. He analyzes the features that link these works and shows how the changing pairs of alternatives that are parodied in these satires reflect changes in the terms of social and cultural oppositions.

Satire in Narrative will appeal to comparatists, specialists in eighteenth-century and American literature, and others interested in theories of genre and the relations between literary forms and social history.

Artful hexameters.

Horace (Quintus Horatius Flaccus, 65–8 BC) was born at Venusia, son of a freedman clerk who had him well educated at Rome and Athens. Horace supported the ill-fated killers of Caesar, lost his property, became a secretary in the Treasury, and began to write poetry. Maecenas, lover of literature, to whom Virgil and Varius introduced Horace in 39, became his friend and made him largely independent by giving him a farm. After 30 Horace knew and aided with his pen the emperor Augustus, who after Virgil’s death in 19 engaged him to celebrate imperial affairs in poetry. Horace refused to become Augustus’ private secretary and died a few months after Maecenas. Both lyric (in various metres) and other work (in hexameters) was spread over the period 40–10 or 9 BC. It is Roman in spirit, Greek in technique.

In the two books of Satires Horace is a moderate social critic and commentator; the two books of Epistles are more intimate and polished, the second book being literary criticism as is also the Ars Poetica. The Epodes in various (mostly iambic) metres are akin to the ‘discourses’ (as Horace called his satires and epistles) but also look towards the famous Odes, in four books, in the old Greek lyric metres used with much skill. Some are national odes about public affairs; some are pleasant poems of love and wine; some are moral letters; all have a rare perfection. The Odes and Epodes are found in LCL 33.

Composed in Germany by a monastic poet steeped in classical lore and letters, the Satires of Amarcius (Sextus Amarcius Gallus Piosistratus) unrelentingly attack both secular vices and ecclesiastical abuses of the late eleventh century. The verses echo Horace and Prudentius, are laced with proverbs and polemic, and portray vividly aspects of contemporary life—the foppery of young nobles, the vainglory of the nouveaux riches, the fastidiousness of debauched gluttons. This is the first English translation of the Satires.

The Eupolemius is a late-eleventh-century Latin epic that recasts salvation history, from Lucifer’s fall through Christ’s resurrection. The poem fuses Greek and Hebrew components within a uniquely medieval framework. At once biblical, heroic, and allegorical, it complements the so-called Bible epics in Latin from late antiquity and the refashionings of biblical narrative in Old English verse. It emulates classical Latin epics by Virgil, Lucan, and Statius and responds creatively to the foundational personification allegory by the Christian poet Prudentius. The poem was composed by an anonymous German monk, possibly the author who used the pseudonym Amarcius. Although it focuses on events of both the Hebrew Bible and New Testament, it is also rooted in its own momentous times.

John Trumbull, the colonial American satiric poet, is one of the most readable, and certainly one of the most amusing, of our early men of letters. His poems, with all their wit and bite, bring back to life again the days of the Revolutionary War—powdered wigs, flirting belles, political quarrels, town meetings, brawling mobs, inept generals, flaming national purpose, and all. And if the colonial period seems a long way back in time, his satiric poem on the Progress of Dulness in education will show that time—or at least time in the colleges—has not moved so fast after all.

Trumbull's two long poems, so important to the beginnings of America's national poetry and to an understanding of America's literary heritage, were out of print for a number of years and had, in fact, never before been accurately reprinted from the original versions. Here they are available, complete with the original biting prefaces, in a dependable text for the scholar, annotated for the general reader interested in the literature and history of the American eighteenth century. The annotation is inclusive but kept to a minimum.

In the year 2000 the World Health Organization estimated that 85 percent of fifteen-year-olds in Botswana would eventually die of AIDS. In Saturday Is for Funerals we learn why that won’t happen.

Unity Dow and Max Essex tell the true story of lives ravaged by AIDS—of orphans, bereaved parents, and widows; of families who devote most Saturdays to the burial of relatives and friends. We witness the actions of community leaders, medical professionals, research scientists, and educators of all types to see how an unprecedented epidemic of death and destruction is being stopped in its tracks.

This book describes how a country responded in a time of crisis. In the true-life stories of loss and quiet heroism, activism and scientific initiatives, we learn of new techniques that dramatically reduce rates of transmission from mother to child, new therapies that can save lives of many infected with AIDS, and intricate knowledge about the spread of HIV, as well as issues of confidentiality, distributive justice, and human rights. The experiences of Botswana offer practical lessons along with the critical element of hope.

Originally published in 1984

From the original publication:
The Saturn system is the most complex in the solar system, and this book is to summarize it all: the planet, rings, satellites, the magnetospheres, and the interaction with the interplanetary medium. The effective date of the material is approximately November 1983.

An antiquarian’s festival.

The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion.

The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

An antiquarian’s festival.

The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion.

The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

An antiquarian’s festival.

The Saturnalia, Macrobius’ encyclopedic celebration of Roman culture written in the early fifth century AD, has been prized since the Renaissance as a treasure trove of otherwise unattested lore. Cast in the form of a dialogue, the Saturnalia treats subjects as diverse as the divinity of the Sun and the quirks of human digestion while showcasing Virgil as the master of all human knowledge from diction and rhetoric to philosophy and religion.

The new Latin text is based on a refined understanding of the medieval tradition and improves on Willis’ standard edition in nearly three hundred places. The accompanying translation—only the second in English and the only one now in print—offers a clear and sprightly rendition of Macrobius’ ornate Latin and is supplemented by ample annotation. A full introduction places the work in its cultural context and analyzes its construction, while indexes of names, ancient works cited in both text and notes, and topics make the work more readily accessible than ever before.

Two rollicking Roman satires.

The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature.

Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49.

For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.

Petronius (C. or T. Petronius Arbiter), who is reasonably identified with the author of this famous satyric and satiric novel, was a man of pleasure and of good literary taste who flourished in the times of Claudius (41–54 CE) and Nero (54–68). As Tacitus describes him, he used to sleep by day, and attend to official duties or to his amusements by night. At one time he was governor of the province of Bithynia in Asia Minor and was also a consul, showing himself a man of vigour when this was required. Later he lapsed into indulgence (or assumed the mask of vice) and became a close friend of Nero. Accused by jealous Tigellinus of disloyalty and condemned, with self-opened veins he conversed lightly with friends, dined, drowsed, sent to Nero a survey of Nero's sexual deeds, and so died, 66 CE.

The surviving parts of Petronius's romance Satyricon mix philosophy and real life, prose and verse, in a tale of the disreputable adventures of Encolpius and two companions, Ascyltus and Giton. In the course of their wanderings they attend a showy and wildly extravagant dinner given by a rich freedman, Trimalchio, whose guests talk about themselves and life in general. Other incidents are a shipwreck and somewhat lurid proceedings in South Italy. The work is written partly in pure Latin, but sometimes purposely in a more vulgar style. It parodies and otherwise attacks bad taste in literature, pedantry and hollow society.

Apocolocyntosis, "Pumpkinification" (instead of deification), is probably by Seneca the wealthy philosopher and courtier (ca. 4 BCE–65 CE). It is a medley of prose and verse and a political satire on the Emperor Claudius written soon after he died in 54 CE and was deified.

Saaq al-Bambuu (The Bamboo Stalk) by Kuwaiti novelist Saud al-Sanousi provides students at the intermediate-advanced Arabic language level the opportunity to engage with an award-winning work of contemporary fiction. This abridged version has been approved by the author, authenticating the richness of a text that offers students the means to develop vocabulary and reading fluency while sensitizing them to the stylistics of the language.

The novel is a coming-of-age story of a half-Filippino, half-Kuwaiti teen who returns to his father's Kuwait. There, he explores his own identity as a poor Filipino in a culture he does not know well and receives a mixed welcome from his own wealthy relatives. Universal concepts of identity, faith, belonging, poverty/wealth, and otherness are explored through a poetic narrative and engaging plot that will keep students captivated from the first line to the very last page.

Included within the book are chapter exercises that develop linguistic and cultural competencies, a short biography of the author, and glossaries of literary terms and devices. As with Laila Familiar's Sayyidi wa Habibi, this authorized version of the abridged text by a contemporary Arabic author will be warmly embraced by college and university students of Arabic as well as by independent learners.

Ponder questions of the united monarchy under Saul and David in light of current historical and archaeological evidence

Reconstructing the emergence of the Israelite monarchy involves interpreting historical research, approaching questions of ancient state formation, synthesizing archaeological research from sites in the southern Levant, and reexamining the biblical traditions of the early monarchy embedded in the books of Samuel and Kings. Integrating these approaches allows for a nuanced and differentiated picture of one of the most crucial periods in the history of ancient Israel. Rather than attempting to harmonize archaeological data and biblical texts or to supplement the respective approach by integrating only a portion of data stemming from the other, both perspectives come into their own in this volume presenting the results of an interdisciplinary Tübingen–Tel Aviv Research Colloquium.

Features:

• Essays on Israel's monarchy by experts in biblical archaeology and biblical studies
• Methods for integrating archaeology and biblical traditions in reconstructing ancient Israel's history
• New research on the sociopolitical process of state formation in Israel and Judah

A detailed discussion by the editor complements this critical edition and translation of the phonetical treatise (Pratisakhya) of the Saunaka Samhita, one of two versions of the second oldest Indian text, the Saunaka Atharvaveda.

The 19th century edition of the text by W.D. Whitney has long been out of date; this reevaluation provides insights into early grammatical thought and helps to re-establish the textual tradition of the Atharvaveda. The book deals with the phonetically correct pronunciation of that text which has received only preliminary treatment thus far. It is also one of the few in its genre.

A fresh take on this critical philosopher.

In this essential rereading of Spinoza’s (1632-1677) philosophical and political writings, Negri positions this thinker within the historical context of the development of the modern state and its attendant political economy. Through a close examination of Spinoza, Negri reveals him as unique among his contemporaries for his nondialectical approach to social organization in a bourgeois age.

More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced.

Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response.

Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created.

Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.

Visionary Chilean writer Roberto Bolaño was known for his darkly poetic prose and postmodern narratives, exemplified in his novel The Savage Detectives. His work is also deeply infused with references to the Western literary canon—from French and Spanish baroque texts to American and German modernism, as well as postmodern literature from Latin America and France. Taking Bolaño’s notion of “savage” reading as a point of departure, this study explores the key authors and literary traditions that underpin his oeuvre. Blending close textual analysis with insights from the history of literature and ideas, Loy offers fresh perspectives on some of Bolaño’s most significant works, including Distant Star, By Night in Chile, and 2666. The intertextual dialogues Loy traces—with figures such as Blaise Pascal, Sor Juana Inés de la Cruz, Charles Baudelaire, William Carlos Williams, Ernst Jünger, Nicanor Parra, and Georges Perec—illuminate the aesthetic universe of an author now regarded as a central figure in twenty-first-century world literature.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

In 1966, the most destructive flood in the history of Venice temporarily submerged the city and threatened its extraordinary art and architecture. Among the organizations that mobilized to protect this fragile heritage was Save Venice Inc. Founded in Boston and now headquartered in New York City, this nonprofit has become the largest and most active committee dedicated to preserving the artistic legacy of Venice.

Christopher Carlsmith tells the fascinating story of Save Venice Inc., from its origins to its fiftieth anniversary. It continues to provide an influential model for philanthropy in the cultural sector, raising substantial funds to conserve and restore paintings, sculptures, books, mosaics, and entire buildings at risk from human and environmental impacts. Employing extensive archival research, oral interviews, and newspaper accounts, Save Venice Inc. explores a range of topics, including leadership, conservation projects, fundraising, and educational outreach. Using a range of methodologies from cultural history and art history, Carlsmith traces the achievements and challenges faced by this and other historic preservation organizations and by this unique city on the sea.

A fascinating and unprecedented ethnography of animal sanctuaries in the United States
 

In the past three decades, animal rights advocates have established everything from elephant sanctuaries in Africa to shelters that rehabilitate animals used in medical testing, to homes for farmed animals, abandoned pets, and entertainment animals that have outlived their “usefulness.” Saving Animals is the first major ethnography to focus on the ethical issues animating the establishment of such places, where animals who have been mistreated or destined for slaughter are allowed to live out their lives simply being animals.   

Based on fieldwork at animal rescue facilities across the United States, Elan Abrell asks what “saving,” “caring for,” and “sanctuary” actually mean. He considers sanctuaries as laboratories where caregivers conceive and implement new models of caring for and relating to animals. He explores the ethical decision making around sanctuary efforts to unmake property-based human–animal relations by creating spaces in which humans interact with animals as autonomous subjects. Saving Animals illustrates how caregivers and animals respond by cocreating new human–animal ecologies adapted to the material and social conditions of the Anthropocene.

Bridging anthropology with animal studies and political philosophy, Saving Animals asks us to imagine less harmful modes of existence in a troubled world where both animals and humans seek sanctuary.

In the 1980s, numerous scientific surveys documented both declining bird populations, especially among Neotropical songbirds that winter in the tropics, and the loss of tropical rain forest habitat. Drawing the seemingly obvious conclusion, scientists and environmental activists linked songbird declines to loss of tropical habitats and alerted the world to an impending ecological catastrophe. Their warnings led to the establishment of the Neotropical Migratory Bird Conservation Program, also known as Partners in Flight, the self-proclaimed largest conservation effort in history.

Looking back over more than a decade of efforts to save migrant birds, John Faaborg offers the first serious evaluation of the state of songbird populations today, the effectiveness of conservation programs such as Partners in Flight, and the reliability and completeness of scientific research on migrant birds. Taking neither an alarmist nor a complacent approach, he shows that many factors besides habitat loss affect bird populations and that Neotropical migrants as a group are not declining dramatically, though some species adapt to habitat alteration more successfully than others. Faaborg's state-of-the-art survey thus clarifies the kinds of information we will need and the conservation efforts we should undertake to ensure the long-term survival of Neotropical migrant birds.

Over seventy-five million Americans listen to podcasts every month, and the average weekly listener spends over six hours tuning into podcasts from the more than thirty million podcast episodes currently available. Yet despite the excitement over podcasting, the sounds of podcasting’s nascent history are vulnerable and they remain mystifyingly difficult to research and preserve. Podcast feeds end abruptly, cease to be maintained, or become housed in proprietary databases, which are difficult to search with any rigor. Podcasts might seem to be highly available everywhere, but it’s necessary to preserve and analyze these resources now, or scholars will find themselves writing, researching, and thinking about a past they can’t fully see or hear.

This collection gathers the expertise of leading and emerging scholars in podcasting and digital audio in order to take stock of podcasting’s recent history and imagine future directions for the format. Essays trace some of the less amplified histories of the format and offer discussions of some of the hurdles podcasting faces nearly twenty years into its existence. Using their experiences building and using the PodcastRE database—one of the largest publicly accessible databases for searching and researching podcasts—the volume editors and contributors reflect on how they, as media historians and cultural researchers, can best preserve podcasting’s booming audio cultures and the countless voices and perspectives podcasting adds to our collective soundscape.

A gorgeously illustrated ode to the beauty and significance of orchids—and to those fighting to save these unique plants across the globe.

Until recently, a myriad of lifeforms enriched our lives. In some places, listening to a nighttime chorus of frogs in the neighborhood marsh was an archetypal touchstone of childhood. Children would search for tadpoles, just steps away from native Lady’s Tresses orchids. Year by year, the chorus became quieter. Today, only a few frogs and orchids remain. Is this the world we want our children to inherit? Do we want orchids to slip through our fingers and, eventually, to vanish?

For biologists Philip Seaton and Lawrence W. Zettler, and the intrepid orchid defenders they introduce in this book, the answer is no. Seaton and Zettler have traveled the world over the past three decades, studying orchids—flagship species for plant conservation. Stunningly illustrated, this book is a culmination of stories about the people—young and old alike—dedicated to protecting these remarkable plants from extinction. In the 19th century, collectors removed, shipped, and sold vast numbers of orchids from the wild. Today, scientists strive to reverse this harm—to protect and rebuild remnants of orchids’ original habitats against human disruption, including climate change. Seaton and Zettler reveal these plants’ bizarre pollination partners, risky liaisons with fungi, and adaptation to human domestication to show that learning orchids’ scientific secrets—and finding human helpers—is key to these plants’ survival.

The story of a fascinating fish and the forward-thinking people who saved them in Wisconsin 

For millennia, sturgeon swam the waterways of Wisconsin. Before the 1800s, an estimated eleven million sturgeon lived in Lake Michigan alone. Menominee and Ojibwe people depended on the fish for food and harvested them sustainably. But in the early 1900s, the lake sturgeon was near extinction. Saving Our Sturgeon tells the remarkable story of lake sturgeon in Wisconsin, the conservation efforts to save the species, and what is being done to keep the population healthy and thriving today.  

Readers will learn about the natural history of the lake sturgeon—its anatomy, behavior, and habitat—and the factors that threatened its survival, from overharvesting to the building of dams that prevented sturgeon from reaching spawning areas. The book, written for young readers aged eleven and up, explains how government agencies, conservationists, and citizen groups worked together to save the sturgeon population in Wisconsin. 

Saving Our Sturgeon includes a chapter about the Menominee Nation’s work to revitalize cultural traditions focused on the sturgeon and restore access to the fish on their reservation. The book also highlights how young people can get involved with sturgeon conservation efforts. 

A great resource for classroom use, Saving Our Sturgeon contains maps, photos, and diagrams, plus a glossary of terms, a timeline of events, a Who’s Who list of individuals and groups featured in the book, and a bibliography that highlights kid-friendly sources to learn more. Young readers will learn basic facts about sturgeon biology, what it means for a species to be threatened or endangered, and how scientists use data to support repopulation. This inspiring book shares a conservation success story about one remarkable (and plenty peculiar) species of fish and shows young readers how they, too, can help protect these incredible creatures.

Saving Schools traces the story of the rise, decline, and potential resurrection of American public schools through the lives and ideas of six mission-driven reformers: Horace Mann, John Dewey, Martin Luther King Jr., Albert Shanker, William Bennett, and James Coleman. Yet schools did not become the efficient, egalitarian, and high-quality educational institutions these reformers envisioned. Indeed, the unintended consequences of their legacies shaped today’s flawed educational system, in which political control of stagnant American schools has shifted away from families and communities to larger, more centralized entities—initially to bigger districts and eventually to control by states, courts, and the federal government.

Peterson’s tales help to explain how nation building, progressive education, the civil rights movement, unionization, legalization, special education, bilingual teaching, accountability, vouchers, charters, and homeschooling have, each in a different way, set the stage for a new era in American education.

Now, under the impact of rising cost, coupled with the possibilities unleashed by technological innovation, schooling may be transformed through virtual learning. The result could be a personalized, customized system of education in which families have greater choice and control over their children’s education than at any time since our nation was founded.

“The essential purpose of Saving the Big Sky is to inspire the reader to help conserve even more of Montana,” write Bruce Bugbee, Robert Kiesling, and John Wright in this compelling study of how six million acres of biodiverse land were conserved in Montana over the past fifty years. Indigenous and non-Indigenous knowledge about land stewardship has evolved and since the 1970s tribes, nonprofit organizations, land trusts, and government agencies have conserved land in many creative ways. Beautifully illustrated with more than ninety color photographs and thirty detailed maps, Saving the Big Sky showcases land conservation achievements across eight regions of the state: the Rocky Mountain Front, the Blackfoot Valley, the Greater Yellowstone, the Missoula Region, the Helena Region, Northwest Montana, the Flathead Indian Reservation, and the American Prairie.

Land protection is shown to work best when large, intact, connected landscapes can be conserved, rather than small, fragmented, isolated parcels. Conservationists have found that landowners in Montana more widely accept conservation easements and other voluntary, financially compensating tools that respect private property rights. The brilliant images and striking before-and-after maps featured here celebrate the ranches, farms, wildlife habitats, and scenic open spaces that are forever safeguarded.

In documenting conservation accomplishments and suggesting what more can be done, Saving the Big Sky invites readers to participate in conserving Montana—or whatever cherished landscape they call home.

Crispin Wright's Truth and Objectivity brought about a far-reaching reorientation of the metaphysical debates concerning realism and truth. The essays in this companion volume prefigure, elaborate, or defend the proposals put forward in that landmark work.

The collection includes the Gareth Evans memorial lecture in which the program of Truth and Objectivity was first announced, as well as all of Wright's published reactions to the extensive commentary his study provoked; it presents substantial new developments and applications of the pluralistic outlook on the realism debates proposed in Truth and Objectivity, and further pursues its distinctive minimalist conceptions of truth and of truth-aptitude. Among the papers are important discussions of coherence conceptions of truth, of Hilary Putnam's most recent views on truth, and of the classical debate between correspondence, coherence, pragmatism, and deflationary conceptions of the notion. Others are concerned with Kripke's famous argument against physicalist conceptions of sensation; the distinction between minimal truth-aptitude and cognitive command; a novel prospectus for a philosophy of vagueness; and a new proposal about the most resilient interpretation of relativism.

The media are in crisis. Confronted by growing competition and sagging advertising revenue, news operations in print, on radio and TV, and even online are struggling to reinvent themselves. Many have gone under. For too many others, the answer has been to lay off reporters, join conglomerates, and lean more heavily on generic content. The result: in a world awash with information, news organizations provide citizens with less and less in-depth reporting and a narrowing range of viewpoints. If democracy requires an informed citizenry, this trend spells trouble.

Julia Cagé explains the economics and history of the media crisis in Europe and America, and she presents a bold solution. The answer, she says, is a new business model: a nonprofit media organization, midway between a foundation and a joint stock company. Cagé shows how this model would enable the media to operate independent of outside shareholders, advertisers, and government, relying instead on readers, employees, and innovative methods of financing, including crowdfunding.

Cagé’s prototype is designed to offer new ways to share and transmit power. It meets the challenges of the digital revolution and the realities of the twenty-first century, inspired by a central idea: that news, like education, is a public good. Saving the Media will be a key document in a debate whose stakes are nothing less crucial than the vitality of democracy.

Saving the Neighborhood tells the charged, still controversial story of the rise and fall of racially restrictive covenants in America, and offers rare insight into the ways legal and social norms reinforce one another, acting with pernicious efficacy to codify and perpetuate intolerance.

The early 1900s saw an unprecedented migration of African Americans leaving the rural South in search of better work and equal citizenship. In reaction, many white communities instituted property agreements—covenants—designed to limit ownership and residency according to race. Restrictive covenants quickly became a powerful legal guarantor of segregation, their authority facing serious challenge only in 1948, when the Supreme Court declared them legally unenforceable in Shelley v. Kraemer. Although the ruling was a shock to courts that had upheld covenants for decades, it failed to end their influence. In this incisive study, Richard Brooks and Carol Rose unpack why.

At root, covenants were social signals. Their greatest use lay in reassuring the white residents that they shared the same goal, while sending a warning to would-be minority entrants: keep out. The authors uncover how loosely knit urban and suburban communities, fearing ethnic mixing or even “tipping,” were fair game to a new class of entrepreneurs who catered to their fears while exacerbating the message encoded in covenants: that black residents threatened white property values. Legal racial covenants expressed and bestowed an aura of legitimacy upon the wish of many white neighborhoods to exclude minorities. Sadly for American race relations, their legacy still lingers.

The phenomenon known as Hip Hop encompasses a global, multiethnic, grassroots culture committed to social justice and self-expression through performance. Hip Hop Theater emerged from that culture, mixing spoken-word performance with music and dance and marked by Hip Hop's strong sense of activism and resistance. Hip Hop Theater is engaged with questions of identity – culture, heritage, ethnicity, class, gender, sexuality, and difference—narrating the experiences of historically marginalized peoples and putting them in dialogue with other oppressed communities.

Say Word! Voices from Hip Hop Theater collects eight works by contemporary artists who confront today's compelling issues, ranging from racial profiling and police brutality to women's empowerment and from the commercial exploitation of Hip Hop to identity politics. Editor Daniel Banks has assembled work by Abiola Abrams, Zakiyyah Alexander, Chadwick Boseman, Kristoffer Diaz, Rha Goddess, Antoy Grant, Joe Hernandez-Kolski, Rickerby Hinds, and Ben Snyder, augmented with an extensive introduction and other informative commentary. The book also includes a roundtable moderated by Holly Bass and featuring Hip Hop pioneers Eisa Davis, Danny Hoch, Sarah Jones, and Will Power, a conversation that traces the roots of Hip Hop Theater and imagines its future directions.

In a few thousand words the Constitution sets up the government of the United States and proclaims the basic human and political rights of its people. From the interpretation and elaboration of those words in over 500 volumes of Supreme Court cases comes the constitutional law that structures our government and defines our individual relationship to that government. This book fills the need for an account of that law free from legal jargon and clear enough to inform the educated layperson, yet which does not condescend or slight critical nuance, so that its judgments and analyses will engage students, practitioners, judges, and scholars.

Taking the reader up to and through such controversial recent Supreme Court decisions as the Texas sodomy case and the University of Michigan affirmative action case, Charles Fried sets out to make sense of the main topics of constitutional law: the nature of doctrine, federalism, separation of powers, freedom of expression, religion, liberty, and equality.

Fried draws on his knowledge as a teacher and scholar, and on his unique experience as a practitioner before the Supreme Court, a former Associate Justice of the Supreme Judicial Court of Massachusetts, and Solicitor General of the United States to offer an evenhanded account not only of the substance of constitutional law, but of its texture and underlying themes. His book firmly draws the reader into the heart of today's constitutional battles. He understands what moves today's Court and that understanding illuminates his analyses.

Explore the groundwork for a new commentary series from SBL Press

This book contains verse by verse commentary on selections from the Greek text of the Hebrew Bible known as the Septuagint. Each chapter is from a different bible book, for which there will eventually be a full commentary published in the Society of Biblical Literature Commentary on the Septuagint. The commentary series focuses on the actual process of translation, so its authors try to describe and explain the kinds of decisions the ancient Alexandrian translators made about how to render Hebrew into Greek.

Features

• Translations from and commentary on Genesis, Exodus, Leviticus, Numbers, Esther, Job, and Psalms
Contributions from eight experts on the Septuagint
• Guidelines and procedures used in the production of the translations in the series

The definitive source for how to write and publish in the field of biblical studies

The long-awaited second edition of the essential style manual for writing and publishing in biblical studies and related fields includes key style changes, updated and expanded abbreviation and spelling-sample lists, a list of archaeological site names, material on qur’anic sources, detailed information on citing electronic sources, and expanded guidelines for the transliteration and transcription of seventeen ancient languages.

Features:

• Expanded lists of abbreviations for use in ancient Near Eastern, biblical, and early Christian studies
• Information for transliterating seventeen ancient languages
• Exhaustive examples for citing print and electronic sources

Scale and Scope is Alfred Chandler’s first major work since his Pulitzer Prize–winning The Visible Hand. Representing ten years of research into the history of the managerial business system, this book concentrates on patterns of growth and competitiveness in the United States, Germany, and Great Britain, tracing the evolution of large firms into multinational giants and orienting the late twentieth century’s most important developments.

This edition includes the entire hardcover edition with the exception of the Appendix Tables.

A pioneering call for a new understanding of scale across the humanities

How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? In this way, we routinely transform reality into things already outside of direct human experience, things we hardly comprehend even as we speak of DNA, climate effects, toxic molecules, and viruses. How do we find ourselves with these disorienting layers of scale? Enter Scale Theory, which provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale refigures reality—that teaches us how to think in terms of scale, no matter where our interests may lie. 

Joshua DiCaglio takes us on a fascinating journey through six thought experiments that provide clarifying yet provocative definitions for scale and new ways of thinking about classic concepts ranging from unity to identity. Because our worldviews and philosophies are largely built on nonscalar experience, he then takes us slowly through the ways scale challenges and reconfigures objects, subjects, and relations. 

Scale Theory is, in a sense, nondisciplinary—weaving together a dizzying array of sciences (from nanoscience to ecology) with discussions from the humanities (from philosophy to rhetoric). In the process, a curious pattern emerges: attempts to face the significance of scale inevitably enter terrain closer to mysticism than science. Rather than dismiss this connection, DiCaglio examines the reasons for it, redefining mysticism in terms of scale and integrating contemplative philosophies into the discussion. The result is a powerful account of the implications and challenges of scale, attuned to the way scale transforms both reality and ourselves.