Contributors. Julie D’Acci, Mary Desjardins, Jane Feuer, Mary Beth Haralovich, Michele Hilmes, Moya Luckett, Lauren Rabinovitz, Jane M. Shattuc, Mark Williams

Television existed for a long time before it became commonplace in American homes. Even as cars, jazz, film, and radio heralded the modern age, television haunted the modern imagination. During the 1920s and 1930s, U.S. television was a topic of conversation and speculation. Was it technically feasible? Could it be commercially viable? What would it look like? How might it serve the public interest? And what was its place in the modern future? These questions were not just asked by the American public, but also posed by the people intimately involved in television’s creation. Their answers may have been self-serving, but they were also statements of aspiration. Idealistic imaginations of the medium and its impact on social relations became a de facto plan for moving beyond film and radio into a new era.

In Television in the Age of Radio, Philip W. Sewell offers a unique account of how television came to be—not just from technical innovations or institutional struggles, but from cultural concerns that were central to the rise of industrial modernity. This book provides sustained investigations of the values of early television amateurs and enthusiasts, the fervors and worries about competing technologies, and the ambitions for programming that together helped mold the medium.

Sewell presents a major revision of the history of television, telling us about the nature of new media and how hopes for the future pull together diverse perspectives that shape technologies, industries, and audiences.

Poignant, fresh, and convincing, these are stories of women who smell of hairspray and beer and of landscapers who worry about their livers, of flooded basements and loud trucks, of bad exes and horrible jobs, of people who remain loyal to sports teams that always lose. Displaced by circumstances both in and out of their control, the characters who populate Tell Everyone I Said Hi are lost in their own surroundings, thwarted by misguided aspirations and long-buried disappointments, but fully open to the possibility that they will again find their way.  

This casebook includes an introduction by the editor, a chronology of Olsen’s life, an authoritative text of “Tell Me a Riddle,” relevant essays by Olsen, seven critical essays, and a bibliography.

The contributors are: Joanne Trautmann Banks, Constance Coiner, Rachel Blau Duplessis, Mara Faulkner, Elaine Orr, Linda Ray Pratt, and Deborah Silverton Rosenfelt.

"Virginia Sutter uses an interesting technique to write the history of her people, the Northern Arapaho Indian Nation. She constructs her work as a series of conversations between herself and her paternal great-grandmother. . . . [T]hrough this device, the history of the Arapaho people is traced from the early nineteenth-century years, when the buffalo ran aplenty and the prairies were boundless, through present-day living conditions in American Indian tribal reservations."
- Moira Richards, www.WomenWriters.net

"Emblematic of the struggle of so many Native Americans of the twentieth century, who seek to reconcile modernity with tradition, and who struggle to recast, reframe, and restore what is Native, even as the majority culture has done its best to uproot, separate, and tell Natives that they can be either modern or Native, but certainly not both."
- Brian Hosmer, Studies in American Indian Literatures (SAIL)

Tell Me, Grandmother is at once the biography of Goes-in-Lodge, a traditional Arapaho woman of the nineteenth century, and the autobiography of her descendant, Virginia Sutter, a modern Arapaho woman with a Ph.D. in public administration. Sutter adeptly weaves her own story with that of Goes-in-Lodge - who, in addition to being Sutter's great-grandmother, was first wife of Sharpnose, the last chief of the Northern Arapaho nation.

Writing in a question-and-answer format between twentieth-century granddaughter and matriarchal ancestor, Sutter discusses four generations of home life, including details about child rearing, education, courtship, marriage, birthing, and burial. Sutter's portrait of Goes-in-Lodge is based on tribal history and interviews with tribal members. Goes-in-Lodge speaks of social and ceremonial gatherings, the Sun Dance, the sweat lodges, and the changes that took place on the Great Plains throughout her lifetime. Sutter details her own life as a child born in a teepee to a white mother and Indian father and the discrimination and injustice she faced struggling to make her way in an increasingly Euro-American world.

Deaf students are attending mainstream postsecondary institutions in increasing numbers, raising the stakes for the complicated and multifaceted task of tutoring deaf students at these schools. Common tutoring practices used with hearing students do not necessarily work for deaf people. Rebecca Day Babcock researched and wrote Tell Me How It Reads: Tutoring Deaf and Hearing Students in the Writing Center to supply writing instructors an effective set of methods for teaching Deaf and other students how to be better writers.

Babcock’s book is based on the resulting study of tutoring writing in the college context with both deaf and hearing students and their tutors. She describes in detail sessions between deaf students, hearing tutors, and the interpreters that help them communicate, using a variety of English or contact signing rather than ASL in the tutorials. These experiences illustrate the key differences between deaf-hearing and hearing-hearing tutorials and suggest ways to modify tutoring and tutor-training practices accordingly. Although this study describes methods for tutoring deaf students, its focus on students who learn differently can apply to teaching writing to Learning Disabled students, ESL students, and other students with different learning styles. Ultimately, the well-grounded theory analysis within Tell Me How It Reads provides a complete paradigm for tutoring in all writing centers.

Queer stories about love, loneliness, the surreal, and the self

The stories in Tell Me feature queer men of various ages reckoning with loneliness, selfishness, and the struggle for self-discovery and identity. In “The Vanisher,” a young bisexual man struggling with his own desire to be seen receives a bandana that allows him to become invisible. In “Retreat,” a widower travels to an artists’ colony to seek an audience with his recently deceased husband. And in “We Are Rendered Silent,” people lose their ability to speak when a man they love dies. Through Baumann’s inventive employment of the strange and surreal, these stories set out to explore the bizarre and often confounding experience of navigating modern-day queerness. With his unique voice and magnificent imagination, Baumann fully immerses readers in the queer experience.
 

“All my work fits in my mouth,” Jo Carson says. “I write performance material no matter what else the pieces get called, and whether they are for my voice or other characters’ voices … they are first to be spoken aloud.” Following an oral tradition that has strong roots in her native Tennessee, the author of Teller Tales invites the reader to participate in events in a way that no conventional history book can.

Both stories in this book are set in East Tennessee in the mid-eighteenth century and share certain characters. The first narrative, “What Sweet Lips Can Do,” recounts the story of the Overmountain Men and the battle of King’s Mountain, a tide-turning battle in the American Revolution. “Men of Their Time” is an exploration of white-Cherokee relationships from early contact through the time of the Revolution.

Although not well known to the outside world, the stories recounted in Teller Tales are cornerstones in the heritage of the Appalachian region and of American history. In ways that will appeal to young and old alike, Jo Carson’s irreverent telling will broaden the audience and the understanding for the stories of native Americans, settlers, explorers, and revolutionaries of early America.

The finest essays from the newest generation of critics and poet-critics are gathered together in this volume documenting the growth in readership and awareness of avant-garde poetries.

This collection demonstrates the breadth and openness of the field of avant-garde poetry by introducing a wide range of work in poetics, theory, and criticism from emerging writers. Examining the directions innovative poetry has taken since the emergence and success of the Language movement, the essays discuss new forms and the reorientation of older forms of poetry in order to embody present and ongoing involvements. The essays center around four themes: the relation between poetics and contemporary cultural issues; new directions for avant-garde practices; in-depth explorations of current poets and their predecessors; and innovative approaches to the essay form or individual poetics.

Diverging from the traditional, linear argumentative style of academic criticism, many of the essays in this collection instead find critical forms more subtly related to poetry. Viewed as a whole, the essays return to a number of shared issues, namely poetic form and the production of present-day poetry. While focusing on North American poetry, the collection does reference the larger world of contemporary poetics, including potential biases and omissions based on race and ethnicity.

This is cutting-edge criticism at its finest, essential reading for students and scholars of avant-garde poetry, of interest to anyone interested in contemporary American literature and poetry.

Telling Narratives analyzes key texts from nineteenth- and early twentieth-century African American literature to demonstrate how secrets and their many tellings have become slavery's legacy. By focusing on the ways secrets are told in texts by Jessie Fauset, Charles W. Chesnutt, Pauline Hopkins, Frederick Douglass, and others, Leslie W. Lewis suggests an alternative model to the feminist dichotomy of "breaking silence" in response to sexual violence. This fascinating study also suggests that masculine bias problematically ignores female experience in order to equate slavery with social death. In calling attention to the sexual behavior of slave masters in African American literature, Lewis highlights its importance to slavery’s legacy and offers a new understanding of the origins of self-consciousness within African American experience.

This book explores the traditional art of storytelling still practiced by Kiowas today as Gus Palmer shares conversations held with storytellers. Combining narrative, personal experience, and ethnography in an original and artful way, Palmer—an anthropologist raised in a traditional Kiowa family—shows not only that storytelling remains an integral part of Kiowa culture but also that narratives embedded in everyday conversation are the means by which Kiowa cultural beliefs and values are maintained.

Palmer's study features contemporary oral storytelling and other discourses, assembled over two and a half years of fieldwork, that demonstrate how Kiowa storytellers practice their art. Focusing on stories and their meaning within a narrative and ethnographic context, he draws on a range of material, including dream stories, stories about the coming of Táimê (the spirit of the Sun Dance) to the Kiowas, and stories of tricksters and tribal heroes. He shows how storytellers employ the narrative devices of actively participating in oral narratives, leaving stories wide open, or telling stories within stories. And he demonstrates how stories can reflect a wide range of sensibilities, from magical realism to gossip.

Firmly rooted in current linguistic anthropological thought, Telling Stories the Kiowa Way is a work of analysis and interpretation that helps us understand story within its larger cultural contexts. It combines the author's unique literary talent with his people's equally unique perspective on anthropological questions in a text that can be enjoyed on multiple levels by scholars and general readers alike.

Janet Burstein argues that American Jewish writers since the 1980s have created a significant literature by wrestling with the troubled legacy of trauma, loss, and exile. Their ranks include Cynthia Ozick, Todd Gitlin, Art Spiegelman, Pearl Abraham, Aryeh Lev Stollman, Jonathan Rosen, and Gerda Lerner. Whether confronting the massive losses of the Holocaust, the sense of “home” in exile, or the continuing power of Jewish memory, these Jewish writers search for understanding within “the little secrets” of their dark, complicated, and richly furnished past.

Contributors. Luz del Alba Acevedo, Norma Alarcón, Celia Alvarez, Ruth Behar, Rina Benmayor, Norma E. Cantú, Daisy Cocco De Filippis, Gloria Holguín Cuádraz, Liza Fiol-Matta, Yvette Flores-Ortiz, Inés Hernández-Avila, Aurora Levins Morales, Clara Lomas, Iris Ofelia López, Mirtha N. Quintanales, Eliana Rivero, Caridad Souza, Patricia Zavella

As he explores the causes of the East-West conflict from its most remote antecedents, Herodotus includes conflicting traditions about different historical periods as well as apparently tangential descriptions of the customs of faraway peoples. What was his aim in combining such diverse material? Rosaria Vignolo Munson argues that Herodotus' aim was two-fold: to use historical narrative to illuminate the present and to describe barbarian customs so that the Greeks might understand themselves.

Herodotus assumes the role of advisor to his audience, acting as a master of metaphor and oracular speech and as an intellectual fully aware of new philosophical and political trends. By comparing, interpreting, and evaluating facts through time and space or simply by pointing them out as objects of "wonder," he teaches that correct political action is linked to an appropriate approach to foreigners and additional "others." Munson relies on traditional scholarship and modern studies in narratology and related critical fields to distinguish between narrative and metanarrative, providing a framework for analyzing the construction of Herodotus' discourse and his presentation of himself through it.

Munson's work will be useful to classicists and ancient historians and will also engage anthropologists interested in cultural interaction and notions of ethnicity and literary critics interested in narrative constructions.

Telling Young Lives presents more than a dozen fascinating, ethnograph-ically informed portraits of young people facing rapid changes in society and politics from different parts of the world. From a young woman engaged in agricultural labor in the High Himalayas to a youth activist based in Tanzania, the distinctive voices from the U.K., India, Germany, Sierra Leone, South Africa and Bosnia Herzegovina, provide insights into the active and creative ways these youths are addressing social and political challenges such as war, hunger and homelessness.

Telling Young Lives has great appeal for classroom use in geography courses and makes a welcome contribution to the growing field of “young geographies,” as well as to politics and political geography. Its focus on individual portraits gives readers a fuller, more vivid picture of the ways in which global changes are reshaping the actual experiences and strategies of young people around the world.

Everyone knows that work in America is not what it used to be. Layoffs, outsourcing, contingent work, disappearing career ladders—these are the new workplace realities for an increasing number of people. But why? In The Temp Economy, Erin Hatton takes one of the best-known icons of the new economy—the temp industry—and finds that it is more than just a symbol of this degradation of work. The temp industry itself played an active role in this decline—and not just for temps. Industry leaders started by inventing the "Kelly Girl," exploiting 1950s gender stereotypes to justify low wages, minimal benefits, and chronic job insecurity. But they did not stop with Kelly Girls. From selling human"business machines" in the 1970s to "permatemps" in the 1990s, the temp industry relentlessly portrayed workers as profit-busting liabilities that hurt companies' bottom lines even in boom times. These campaigns not only legitimized the widespread use of temps, they also laid the cultural groundwork for a new corporate ethos of ruthless cost cutting and mass layoffs.

Succinct, highly readable, and drawn from a vast historical record of industry documents, The Temp Economy is a one-stop resource for anyone interested in the temp industry or the degradation of work in postwar America.

"In this book, Jonathan Riley-Smith provides an approachable and expert introduction to the two most famous and most active military orders, the Knights Templar and Knights Hospitaller, and their activities in the Levant. It is a first-rate study, energetically and engagingly written by the world's most accomplished historian of the crusades." --Thomas Madden, St. Louis University

"The image of the military orders is mostly dominated by their military, political, or economic role while their spirituality and their religious character are often neglected. This book, from a great authority on crusading and military orders, offers an inspiring new perspective. Its chapters, concise and well-founded studies concentrating on the inner life of Templars and Hospitallers in the Holy Land, will thus contribute to a considerably better understanding of their history." --Juergen Sarnowsky, Universitaet Hamburg

"Jonathan Riley-Smith, Grand Master of Hospitaller studies since the 1960s, offers the first systematic comparison of the two earliest, most famous, and most researched Military Orders--the Temple and the Hospital. Contrasting the Templars' exclusive commitment to warfare with the Hospitaller dedication to the care of the sick and poor as well as to warfare, Riley-Smith persuasively argues that this disparity influenced decisively not only the internal stratification and the governance of the two Orders, but also their chances of survival. The book, which will have a major impact on future studies, amounts also to an act of love for the Hospital." --Benjamin Z. Kedar, The Hebrew University of Jerusalem

"There is no historian better equipped to define the nature of the two great orders of the Hospital and the Temple than Jonathan Riley-Smith. In this concise analysis he brings to bear his great depth of experience not only to show the similarities and differences between the two orders, but also to place them firmly in their contemporary context." --Malcolm Barber, University of Reading, UK

The Templars and the Hospitallers were the two earliest and most famous of the major Military Orders of the Roman Catholic Church from the early twelfth to the middle of the thirteenth century. In this book, Jonathan Riley-Smith attends to the Templars' and Hospitallers' primary role as religious orders, not as military phenomena or economic powerhouses. In a prologue, four chapters, and an epilogue, Riley-Smith discusses the origins of the orders in dedication to the protection of pilgrims to the Holy Land (Templars) and to the care of the poor and the sick among them (Hospitallers). He examines their traditions and early history, the organization of their communities, modes of governance, and, in the fourth chapter, important differences between the orders and a brief account of their respective fates in the wake of the Crusades. The Templars were eventually persecuted by the Church and the order suppressed. Riley-Smith speculates that the violent end of the order was caused both by jealousy of its wealth and by internal problems of governance that left it vulnerable to accusations of conducting blasphemous rites. The Hospitallers survived in one form or another to the present day; vestiges of the original order inform the contemporary Knights of Malta.

This collection raises timely questions about peace and stability as it interrogates the past and present status of international relations.

The post–World War II liberal international order, upheld by organizations such as the United Nations, the North Atlantic Treaty Organization, and similar alliances, aspired to ensure decades of collective security, economic stability, and the rule of law. All of this was a negotiated process that required compromise—and yet it did not make for a peaceful world.

When Winston Churchill referred to the UN framework as “the temple of peace” in his famous 1946 Iron Curtain speech, he maintained that international alliances could help provide necessary stability so free people could prosper, both economically and politically. Though the pillars of international order remain in place today, in a world defined as much by populism as protest, leaders in the United States no longer seem inclined to serve as the indispensable power in an alliance framework that is built on shared values, human rights, and an admixture of hard and soft power.

In this book, nine scholars and practitioners of diplomacy explore both the successes and the flaws of international cooperation over the past seventy years. Collectively, the authors seek to address questions about how the liberal international order was built and what challenges it has faced, as well as to offer perspectives on what could be lost in a post-American world.

From Storey County's High Victorian Italianate-styled courthouse to Lander County's former schoolhouse, now a Neo-classical courthouse, Temples of Justice provides an architectural history of the courthouses of Nevada. In Nevada's first published architectural history, Temples of Justice treats the state's buildings as a series of documents from the past. Presented collectively the courthouses illustrate the choices and influences that have affected Nevada's communities as the citizens have sought to project an image of themselves and their aspirations through public architecture. The courthouses are important local public facilities, and they provide an excellent opportunity to understand the history of attitudes and tastes in the state. 

Swedish scientist and visionary Emanuel Swedenborg (1688–1772) writes that the Ten Commandments are the most important part of the Bible. They encapsulate what we need to do to grow as spiritual people, with a meaning that penetrates far beyond the surface level of words and deeds.

One of the fundamentals of Swedenborg’s theology is the concept that underlying the literal text of the Bible is an inner spiritual meaning. Using this method of interpretation, Swedenborg peels back the layers of the Ten Commandments to reveal a cohesive set of teachings with both practical applications and far-reaching spiritual implications.

Although Swedenborg discusses the Ten Commandments in many places throughout his writings, he wrote four extended commentaries on the subject in four separate volumes: Secrets of Heaven (volume 7, published in 1754), True Christianity (1771), the short work Life (1763), and the posthumously published Revelation Explained (1758–1759). Those four commentaries are now being combined in a single volume for the first time, allowing the reader to compare and contrast Swedenborg’s approach across a seventeen-year span.

This book offers new insights for spiritual seekers and students of Swedenborg alike, illuminating what is at once a familiar set of biblical teachings and one of the cornerstones of Swedenborg’s system of personal growth.

In Ten Is the Age of Darkness, Geta LeSeur explores how black authors of the United States and English- speaking Caribbean have taken a European literary tradition and adapted it to fit their own needs for self-expression. LeSeur begins by defining the structure and models of the European genre of the bildungsroman, then proceeds to show how the circumstances of colonialism, oppression, race, class, and gender make the maturing experiences of selected young black protagonists different from those of their white counterparts.

Examining the parallels and differences in attitudes toward childhood in the West Indies and the United States, as well as the writers' individual perspectives in each work of fiction, LeSeur reaches intriguing conclusions about family life, community participation in the nurturing of children, the timing and severity of the youngsters' confrontation of adult society, and the role played by race in the journey toward adulthood.

LeSeur's readings of African American novels provide new insights into the work of Langston Hughes, James Baldwin, Toni Morrison, Paule Marshall, and Richard Wright, among others. When read as examples of the bildungsroman rather than simply as chronicles of black experiences, these works reveal an even deeper significance and have a more powerful impact. LeSeur convincingly demonstrates that such African American novels as Baldwin's Go Tell It on the Mountain, Wright's Black Boy, and Morrison's The Bluest Eye concentrate to a large extent on protest, while such African West Indian works as George Lamming's In the Castle of My Skin, Austin Clarke's Amongst Thistles and Thorns, Jamaica Kincaid's Annie John, and Erna Brodber's Jane and Louisa Will Soon Come Home reflect a more naive, healthy re-creation of what childhood can and should be, despite economic and physical impoverishment. She also gives a special space within the genre to Paule Marshall's BrownGirl, Brownstones and Ntozake Shange's Betsey Brown and the importance of "woman time," "woman voice," and mothers.

While enlarging our understanding of both the similarities and the differences in the black experiences of the Carribean and American youngsters coming of age, Ten Is the Age of Darkness also suggests that children of color in similar spheres share many common experiences. LeSeur concludes that the bildungsromane by black writers provide uniquely revealing contributions to the Afro-World literary canon and point the way for others to examine literary pieces in Third World communities of color.

Ten Theses for an Aesthetics of Politics is an invitation to culture makers, political thinkers of all kinds, and everyday spectators to reconsider their love of the world of appearances. Inspired by Jacques Rancière’s Ten Theses on Politics and work by Hannah Arendt, Stanley Cavell, and Roland Barthes, Davide Panagia offers conceptual provocations that emphasize the sense of conviction one has when facing the frictions of aesthetic experience. Rooted in varied and variable experiences of border crossings, Panagia invites readers to reflect on the relational practices that appearances engender.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Extinguishing the minds (and souls) of our children in ten easy steps

This volume, which examines the special contributions of a number of women mystery writers, sheds light on this significant example of common interests in recreational reading among women and men and the reasons behind the early and continuing uncharacteristic near-equality of both sexes in this field of endeavor.

The Tenant of Fire is about Queens, NY—its history, public and personal, real and imagined. Many of the people who populate this book—Irish Catholics, Italian-Americans—were once considered ethnic but now fall wholly under the banner of white. And from their anxieties a man like Donald Trump emerges. Born and raised in Queens, Trump is both the product and purveyor of a localized nativist politic.

The young white speaker of these poems works to record his parents’ and neighbors’, both white and of color, and his own attempts at navigating a shifting landscape. In poems on the homecoming of Vietnam vets, or the aftermath of Hurricane Sandy, or the firebombing of Malcolm X’s house, The Tenant of Fire explores how and why the plurality of a place like Queens, where now nearly two hundred languages are spoken, is viewed as a threat to national security.

"Again and again in Christina Hutchins’s exquisite Tender the Maker, poems startle us into awareness of the overlooked, the nearly always invisible (such as a library’s unused dictionary), and the marvelous, those aspects of life that come under the rubric of ‘mystery,’ in all senses of the word. Hutchins combines a pitch-perfect and precise lyricism with a postmodern sensibility of language’s materiality.”
—Cynthia Hogue, judge for the 2015 May Swenson Poetry Award

"An elegantly crafted, dense work that invites readers to travel on spiritual, philosophical, and historical journeys."
—Kirkus Reviews

"Tender the Maker revisits the age-old comparison between poet and deity, highlighting its blind spots, namely the times when creating also means losing, destroying, forgetting.​ . . . Each poem becomes a map where time and space intersect and unearth connections that help us confront the weight of history, whether our own or that of others."
—Fjords Review 

"[T]hroughout the book, Hutchins guides me into her patient, fragile, complex vision. . . . Both the depth and the precision of Hutchins’s work arise from her exact attention to the 'motion-in-relation' of herself as an artist, which is also attention to the tools of her work and to her imagination’s duty to honor the seen and the not seen."
—Beloit Poetry Journal

The May Swenson Poetry Award is an annual competition named for May Swenson, one of America’s most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in her hometown of Logan, Utah.

Early in the nineteenth century, an army colonel stood before a crowd at the Salem County Courthouse and ate buckets of tomatoes to prove that they were not poisonous. Ever since, the red vegetable of summer has played a starring role in New Jersey’s history.  Although today visitors to the state are more likely to see smoke-spewing factories than acres of farmland or grazing cattle, the state’s legacy of agriculture and farming continues, and extends far beyond the popular Jersey tomato.

In Tending the Garden State, Charles Harrison tells the story of the state’s rich agricultural history from the time when Leni-Lenape Indians scratched the earth with primitive tools up through today.  He recalls New Jersey’s rural past, traces the evolution of farming over the course of the twentieth century, and explains innovative approaches to protecting the industry.

Drawing on interviews with farmers, as well as researchers, professional planners, designers, and architects, Harrison discovers that despite the discouraging spread of suburban sprawl, the Garden State’s farming legacy is not as endangered as it may seem.  Many residents care deeply about preserving New Jersey’s agricultural industry and are making great strides to keep the tradition alive for future generations. Some of these protective measures include new laws that encourage the conservation of land and research devoted to helping farmers make the most of their limited acreage.  Innovative techniques such as high-tunnel farming, together with the growth of some very profitable farm specializations, such as turf grass, aquaculture, horticulture, and wine making, will enable farmers to remain active and successful in the state’s oldest industry.

Anyone interested in New Jersey’s history or, more broadly, in the history of American agriculture, will be delighted by Harrison’s engaging and readable account of farming in the Garden State.

Hervey Johnson's letters offer a fascinating first-person account of the critical Indian War years on the high plains of eastern Wyoming during which a confederation of Sioux, Cheyenne, and Arapaho Indians successfully  defended their Powder River buffalo range.

In The Tenets of Cognitive Existentialism, Dimitri Ginev draws on developments in hermeneutic phenomenology and other programs in hermeneutic philosophy to inform an interpretative approach to scientific practices. At stake is the question of whether it is possible to integrate forms of reflection upon the ontological difference in the cognitive structure of scientific research. A positive answer would have implied a proof that (pace Heidegger) “science is able to think.” This book is an extended version of such a proof. Against those who claim that modern science is doomed to be exclusively committed to the nexus of objectivism and instrumental rationality, the interpretative theory of scientific practices reveals science’s potentiality of hermeneutic self-reflection. Scientific research that takes into consideration the ontological difference has resources to enter into a dialogue with Nature.

Ginev offers a critique of postmodern tendencies in the philosophy of science, and sets out arguments for a feminist hermeneutics of scientific research.

This richly illustrated book is the eighth of nine Classics in Southeastern Archaeology volumes based on Moore's investigations along the waterways of eastern North America.

This oversized reprint volume presents original materials from Moore's northernmost expeditions conducted in the early 1900s as he surveyed areas of potential archaeological interest in the southeastern United States. Some of the sites he found were later targeted for major excavations during the days of the WPA/CCC. Many National Register Historic Sites are today located along the rivers he explored in this work. In many cases, however, Moore's report documents sites since destroyed by river action or by lake impoundments behind hydroelectric dams or by looters.

As with all of Moore's other investigations, his thorough documentation and collaboration with other scholars advanced understanding of aboriginal peoples and fueled debate among the experts. For instance, more than 296 burials were recovered from Indian Knoll on the Green River in Kentucky. Some graves included ceremonially "killed" artifacts, dogs buried with both adults and children, and exotic materials leading to speculations concerning origins, usage, and trade networks. Stone box graves were widespread and somewhat exclusive to this area, giving rise to early assumptions regarding kinship between scattered modern Indian tribes.

Richard Polhemus has compiled a comprehensive inventory of Moore's work in Tennessee, Alabama, Mississippi, and Kentucky and written a concise introduction to place the work in context. In so doing, he has made available to contemporary scholars of history, archaeology, and anthropology a trove of resource material on one of the most archaeologically rich and artifact-diverse regions in the nation.

      A one-of-a-kind reference book, Tennessee Tragedies examines a wide variety of disasters that have occurred in the Volunteer State over the past several centuries. Intended for both general readers and emergency management professionals, it covers natural disasters such as floods, tornadoes, and earthquakes; technological events such as explosions, transportation wrecks, and structure fires; and societal incidents including labor strikes, political violence, lynchings, and other hate crimes.
    At the center of the book are descriptive accounts of 150 of the state’s most severe events. These range from smallpox epidemics in the eighteenth century to the epic floods of 1936–37, from the Sultana riverboat disaster of 1865 (the worst inland marine accident in U.S. history) to the 1968 assassination of Dr. Martin Luther King Jr. Included as well are stories of plane crashes, train wrecks, droughts, economic panics, and race riots. An extensive chronology provides further details on more than 900 incidents, the most complete listing ever compiled for a single state. The book’s introduction examines topics that include our fascination with such tragedies; major causes of death, injury, and destruction; and the daunting problems of producing accurate accountings of a disaster’s effects, whether in numbers of dead and injured or of economic impact. Among the other features are a comprehensive glossary that defines various technical terms and concepts and tables illustrating earthquake, drought, disease, and tornado intensity scales.
    A work of great historical interest that brings together for the first time an impressive array of information,Tennessee Tragedies will prove exceptionally useful for those who must respond to inevitable future disasters.

Scholars since Paden have commented on the anxieties embedded in Tennyson's poetry, but this is the first study to examine them systematically. Within each poem Goslee discovers a vulnerable authorial presence threatened by some Other—a personification of divine, sexual, or natural power—which encroaches upon it from the fringes of the poem's imaginative universe. This Other is always interpreted, humanized, or conciliated by some mediating figure, yet the more effectively the mediator confronts an otherwise alien cosmos, the more alien he or she becomes to the authorial presence.

Goslee's approach toward understanding the conflict between Tennyson and the characters he creates includes elements of formalism, psychodynamics, and literary history without being narrowly confined to any one of these. His subtle, elegant reading mediates between those critics who stress authorial intention (e.g., Reed's Perception and Design) and the growing number of critics who follow E. D. H. Johnson in claiming that Tennyson wrote more subversively than he wanted to admit. This original, highly suggestive volume will be important for all Victorian scholars and literary critics.

Pamela Finnegan provides a detailed criticism of a major novel written by one of Chile’s leading literary figures. She analyzes the symbolism and the use of language in The Obscene Bird of Night, showing that the novel’s world becomes an icon characterized by entropy, parody, and materiality. Her study concludes that all linguistic ordering fictionalizes, that the lack of spirituality within the novel’s world is symptomatic of language gone stale, and that blindness to this fact leads to dogma or solipsism, each counter-productive to communication and human endeavor. To revive the linguistic system, she argues, we must revive the creative power of language.

Beginning with the closing decade of European colonial rule in Southeast Asia and covering the wartime Japanese empire and its postwar disintegration, Tensions of Empire focuses on the Japanese in Southeast Asia, Indonesians in Japan, and the legacy of the war in Southeast Asia. It also examines Japanese perceptions of Southeast Asia and the lingering ambivalence toward Japanese involvement in Asia and toward the war in particular.

Drawing on extensive multilingual archival research and interviews, Ken‘ichi Goto has produced a factually rich and balanced view of this region’s historical events of the last century.

Tensions of Empire features detailed discussions of Portuguese Timor in the 1930s and 1940s, the decolonization of Malaya, and twentieth-century Indonesia. This extended inquiry yields a unique view of the complicated network within and beyond the colonial and imperial relationships between a one-time nonwestern colonial power and an entire region.

Of great interest to students of Japan-Southeast Asia relations and to specialists in the modern history of both Southeast Asia and Japan, Professor Goto’s Tensions of Empire is a fascinating account of Japan’s recent past from the inside.

Starting at the beginning of the twentieth century, Albuquerque examines the way the Modernist movement both fueled and inhibited the use of gay imagery in Brazilian drama. This elegant and fluid study ultimately becomes an examination of a whole Latin society, and the ways in which Latin theatre has absorbed and reflected the culture's own changing sensibilities, that will intrigue anyone interested in Latin American culture, literature, or theater.

Winner, 2008 Elizabeth A. Steinberg Prize

Featuring an impressive roster of scholars, The Terminal Classic presents the most recent data and interpretations pertaining to this perplexing period of cultural transformation in the Maya lowlands. Although the research reveals clear interregional patterns, the contributors resist a single overarching explanation. Rather, this volume's diverse and nuanced interpretations provide a new, more properly grounded beginning for continued debate on the nature of lowland Terminal Classic Maya civilization.

Garrick Davis’s Terminal Diagrams may have been inspired by the illustrated maps in airport lounges, or perhaps they are the blueprints of the Apocalypse, with their subjects and objects representing the bitter fruits of either some future nightmare or the present world. Regardless, their vision is so bleak and unsparing, only a few will be able to savor them. Here, the art of poetry has been mechanized just as the world has been mechanized. Whether his subject is a car accident on the freeways of Los Angeles or the Book of Revelation transmitted by television, Davis’s stanzas conjure a kind of futuristic noir. In poem after poem, he examines the artistic possibilities of the machine, and its alterations of human experience, with a modern spirit that—as Baudelaire defined it—has embraced “the sublimity and monstrousness of something new.”