A SCHOLARLY BOOK REPOSITORY
WInner of the Best First Book from the Native American and Indigenous Studies Association
Winner of the Labriola Center American Indian National Book Award
Winner of the Ann Saddlemyer Award from the Canadian Association for Theatre Research
Reimagining how we understand and write about the Indigenous listening experience
Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives. A critical response to what has been called the “whiteness of sound studies,” Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. This, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism’s “tin ear” that renders silent the epistemic foundations of Indigenous song as history, law, and medicine.
With case studies on Indigenous participation in classical music, musicals, and popular music, Hungry Listening examines structures of inclusion that reinforce Western musical values. Alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, Hungry Listening offers examples of “doing sovereignty” in Indigenous performance art, museum exhibition, and gatherings that support an Indigenous listening resurgence.
Throughout the book, Robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. Through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. Indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.
Despite American education’s recent mania for standardized tests, testing misses what really matters about learning: the desire to learn in the first place. Curiosity is vital, but it remains a surprisingly understudied characteristic. The Hungry Mind is a deeply researched, highly readable exploration of what curiosity is, how it can be measured, how it develops in childhood, and how it can be fostered in school.
“Engel draws on the latest social science research and incidents from her own life to understand why curiosity is nearly universal in babies, pervasive in early childhood, and less evident in school…Engel’s most important finding is that most classroom environments discourage curiosity…In an era that prizes quantifiable results, a pedagogy that privileges curiosity is not likely to be a priority.”
—Glenn C. Altschuler, Psychology Today
“Susan Engel’s The Hungry Mind, a book which engages in depth with how our interest and desire to explore the world evolves, makes a valuable contribution not only to the body of academic literature on the developmental and educational psychology of children, but also to our knowledge on why and how we learn.”
—Inez von Weitershausen, LSE Review of Books
"Kass is a distinguished and graceful writer. . . . It is astonishing to discover how different is our world from that of the animals, even in that which most evidently betrays that we too are animals—our need and desire for food."—Roger Scruton, Times Literary Supplement
"Yum."—Miss Manners
“A literary page-turner. . . . Part Cormac McCarthy, part Tom Drury and Raymond Chandler, Kapcala has created a voice all his own.” —Brian Castleberry
One October night in the depressed steel town of Lodi, Ohio, two police officers respond to a call about trespassers in the derelict Lodi Steel machine shop. A chase through the crumbling cathedral of steel columns launches a chain of events that will test the officers’ partnership and leave a boy to fend for himself in a decaying Rust Belt neighborhood choked by joblessness, boredom, and addiction.
On the opposite end of town, a young woman steps out of a rust-bucket Grand Marquis into an all-night diner. Instead of luggage, she carries mementos: an ankh tattoo she inked herself and a wallet-sized photograph of a boy who disappeared. She doesn’t realize her ex-boyfriend has hired two brothers to track her down and bring her back, by any means necessary.
The complex female leads of Hungry Town, with its sharp dialogue and poetic sensibility, turn classic noir and cop drama tropes on their heads. These morally complicated characters weave in and out of each other’s lives, sometimes violently, sometimes with surprising compassion.
Food was a critical front in the Cold War battle for Asia. “Where Communism goes, hunger follows” was the slogan of American nation builders who fanned out into the countryside to divert rivers, remodel villages, and introduce tractors, chemicals, and genes to multiply the crops consumed by millions. This “green revolution” has been credited with averting Malthusian famines, saving billions of lives, and jump-starting Asia’s economic revival. Bono and Bill Gates hail it as a model for revitalizing Africa’s economy. But this tale of science triumphant conceals a half century of political struggle from the Afghan highlands to the rice paddies of the Mekong Delta, a campaign to transform rural societies by changing the way people eat and grow food.
The ambition to lead Asia into an age of plenty grew alongside development theories that targeted hunger as a root cause of war. Scientific agriculture was an instrument for molding peasants into citizens with modern attitudes, loyalties, and reproductive habits. But food policies were as contested then as they are today. While Kennedy and Johnson envisioned Kansas-style agribusiness guarded by strategic hamlets, Indira Gandhi, Marcos, and Suharto inscribed their own visions of progress onto the land.
Out of this campaign, the costliest and most sustained effort for development ever undertaken, emerged the struggles for resources and identity that define the region today. As Obama revives the lost arts of Keynesianism and counter-insurgency, the history of these colossal projects reveals bitter and important lessons for today’s missions to feed a hungry world.
Ladies! Learn to Drive! Your Country Needs Women Drivers!
Do you drink German water?
When Britain declared war on Germany in 1914, industrious companies wasted no time in seizing the commercial opportunities presented by the conflict. Without TV or radio, newspapers provided one of the few ways in which the British public could get reliable news of the war. To cater to their rising readerships, advertising emerged as the new science of sales, growing increasingly sophisticated throughout the war years in both visual presentation and psychological appeal.
The Huns Have Got my Gramophone! collects some of the most compelling and cleverly worded original advertisements created between 1914 and 1918. Many of the advertisements are aimed at women, from fearless guard dogs promising protection while husbands are away to soaps and skin creams for “beauty on duty.” Others use the power of patriotism to push new products for men, including “officers’ waterproof trench coats,” and one young officer writing in the Times attests to the coats’ superior weather resistance by boldly asserting that he’d leave his sword behind before he left his Burberry. Together, the advertisements collected in the book reveal how advertisers sought to create new markets for products that took into account social change throughout the course of the conflict.
Featuring a range of products, from clothing, cigarettes, and invalid carriages to motorcycles and portable Decca phonographs—the “ideal gramophone for active service”—the book offers a new and unexpected source of historical information and an intimate glimpse of a nation at war.
As a serial killer stalks prostitutes in Columbus, Ohio, a distraught brother asks private investigator Andy Hayes to find his sister before it’s too late. In a deadly race against time, Andy soon learns he’s not the only person hunting Jessica Byrnes, but he may be the only one who wants her alive. Byrnes hasn’t been seen in weeks following a downward slide that started as a runaway teenager and may have ended permanently on the streets.
Assisting Andy is ex-prostitute Theresa Sullivan. She now works at St. Andrew’s, the mission church run by Andy’s pal the Reverend Roy Roberts, who is less than keen on Theresa reliving the memories that nearly killed her. A local congresswoman making headlines with her work against human trafficking puts pressure on Andy to solve the case, while the police don’t want him near their exhaustive search for the murderer. At the same time, Andy’s hunt for Jessica exposes the buying and selling of trafficked women across the region. Looming over Andy’s increasingly desperate search is the shadow of his most dangerous adversary yet.
As a serial killer stalks prostitutes in Columbus, Ohio, a distraught brother asks private investigator Andy Hayes to find his sister before it’s too late. In a deadly race against time, Andy soon learns he’s not the only person hunting Jessica Byrnes, but he may be the only one who wants her alive. Byrnes hasn’t been seen in weeks following a downward slide that started as a runaway teenager and may have ended permanently on the streets.
Assisting Andy is ex-prostitute Theresa Sullivan. She now works at St. Andrew’s, the mission church run by Andy’s pal the Reverend Roy Roberts, who is less than keen on Theresa reliving the memories that nearly killed her. A local congresswoman making headlines with her work against human trafficking puts pressure on Andy to solve the case, while the police don’t want him near their exhaustive search for the murderer. At the same time, Andy’s hunt for Jessica exposes the buying and selling of trafficked women across the region. Looming over Andy’s increasingly desperate search is the shadow of his most dangerous adversary yet.
Simon Kitson informs this remarkable story with findings from his investigation—the first by any historian—of thousands of Vichy documents seized in turn by the Nazis and the Soviets and returned to France only in the 1990s. His pioneering detective work uncovers a puzzling paradox: a French government that was hunting down left-wing activists and supporters of Charles de Gaulle’s Free French forces was also working to undermine the influence of German spies who were pursuing the same Gaullists and resisters. In light of this apparent contradiction, Kitson does not deny that Vichy France was committed to assisting the Nazi cause, but illuminates the complex agendas that characterized the collaboration and shows how it was possible to be both anti-German and anti-Gaullist.
Combining nuanced conclusions with dramatic accounts of the lives of spies on both sides, The Hunt for Nazi Spies adds an important new dimension to our understanding of the French predicament under German occupation and the shadowy world of World War II espionage.
Meticulously researched, documented, and argued, Hunt the Devil opens with contemporary images of the US’s global war on terror in the aftermath of 9/11. In five chapters devoted to the demonization of evildoers, witches, Indians, dictators, and Reds by American writers, in presidential rhetoric, and in popular culture, Ivie and Giner show how the use of demonization in the war on terror is only the most recent manifestation of a process that has recurred throughout American history.
In a sixth chapter, the authors introduce the archetype of the Trickster. Though not opposed to the Devil per se, the Trickster’s democratic impulses have often provided a corrective antidote to the corrosive and distorting effects of demonization. Invoking the framework of Carl Jung’s shadow aspect, Hunt the Devil offers the Trickster as a figure who can break the cycle of demonization and war.
The role of the mythic Devil in the American psyche has profound implications, not just for American diplomacy and the use of American arms in the world, but for the possibility of domestic peace within an increasingly diverse society. Hunt the Devil provides much of interest to readers and scholars in the fields of war, rhetorical studies, American Studies, US political culture, Jungian psychology, and mythography.
Hunted is based on more than ten years of fieldwork among these centers and the drug users that populate them. Over time, as Kevin Lewis O’Neill engaged both those in treatment and those who surveilled them, he grew increasingly concerned that he, too, had become a hunter, albeit one snatching up information. This thoughtful, intense book will reframe the arc of redemption we so often associate with drug rehabilitation, painting instead a seemingly endless cycle of hunt, capture, and release.
In The Hunter, the first volume in the Parker series, our ruthless antihero roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption. The volume that kickstarted Parker's forty-plus-year career of larceny—and inspired the 1967 motion picture Point Blank, starring Lee Marvin—The Hunter is back, ready to thrill a new generation of noir fans.
Combining the latest empirical studies of archaeological practice with the latest conceptual tools of anthropological and historical theory, this volume seeks to set a new course for hunter-gatherer archaeology by organizing the chapters around three themes. The first section offers diverse views of the role of human agency, challenging the premise that hunter-gatherer societies were bound by their interactions with the natural world. The second section considers how society and culture are constituted. Chapters in the final section take the long view of the historical process, examining how cultural diversity arises out of interaction and the continuity of ritual practices.
A closing commentary by H. Martin Wobst underscores the promise of an archaeology of foragers that does not associate foraging with any particular ideology or social structure but instead invites inquiry into counterintuitive alternatives. Hunter-Gatherer Archaeology as Historical Process seeks to blur the divisions between prehistory and history, between primitive and modern, and between hunter-gatherers and people in other societies. Because it offers alternatives to the dominant discourse and contributes to the agenda of hunter-gatherer research, this book will be of interest to anyone involved in the study of foraging peoples.
Synthesizing research from several important, previously neglected sites, the book anchors its findings in a massive body of data that Mark Stiger gathered over eight years at Tenderfoot - a large lithic-scatter site once categorized as insignificant. Advances in spatial analysis, theoretical approaches, and excavation methods have allowed lithic-scatter sites, once considered less revealing than intact structures and similar sites, to yield startlingly rich cultural evidence.
Presenting artifactual data that reflects changes in houses, game drives, fire pits, stone tools, and debitage, Stiger explains the cultural sequence in the Upper Gunnison Basin and its connections to changes across the West. He relates environmental and cultural changes, relying on paleoenvironmental evidence, changes in floral and faunal usage patterns, and data recovered in multi-year, repetitive surface collections. An overview and critique of past research in the region complements discussion of the advantages of horizontally extensive block excavations and other contemporary ways of excavating and analyzing surface sites.
Stiger's findings hold promise for future research, as high-altitude surface sites are common, under-researched, and relatively well-preserved. The advances in archaeological method and theory that enabled Stiger's outstanding results in the Upper Gunnison Basin will allow many other Western sites to yield fascinating evidence.
Beginning over 10,000 years ago and continuing until the arrival of the Spanish in the 1500s, hunter and gatherer societies occupied the Edwards Plateau of central Texas. Archaeological studies over the past eighty years have reconstructed their subsistence, technology, and settlement patterns, but until now little information has been available on their burial practices, due to the scarcity of known burial sites. This detailed archaeological report describes the human skeletal remains, burial furnishings, and fauna recovered from Bering Sinkhole in Kerr County, the first carefully excavated hunter-gatherer burial site in central Texas.
The remains in Bering Sinkhole were deposited from 7,500 to 2,000 years ago. Leland Bement's analysis reveals a growing elaboration in burial rituals during the period and also uncovers important data on the diet and health of the hunter-gatherers. He discusses climate change based on faunal remains and compares burial goods such as bone, antler, freshwater shell, marine shell, turtle, and stone artifacts with those found at other Texas mortuary sites and with deposits at hunter-gatherer habitation sites in Central Texas.
Now, for the first time, modern readers may consult the single sustained exposition of his views that Owen ever provided: his Hunterian Lectures. Phillip Reid Sloan has transcribed and edited the seven surviving lectures and has written an introduction and commentary that situate this work in the context of Owen's life and the scientific life of the time. The lectures survey some of the history of comparative anatomy since Aristotle and draw on work by some of Owen's contemporaries. Their chief value, however, lies in Owen's elucidation of his own view on the relationships among various groups of living things.
"Owen is one of the linchpin figures of Victorian science. The publication of these lectures is important, and Sloan is to be commended for a fine transcription."—Adrian Desmond, University College, London
In the late 1950s, Chauncey C. Nash started collecting Inuit carvings just as the art of printmaking was being introduced in Kinngait (Cape Dorset), an Inuit community on Baffin Island in the Canadian territory of Nunavut. Nash donated some 300 prints and sculptures to Harvard’s Peabody Museum—one of the oldest collections of early modern Inuit art. The Peabody collection includes not only early Inuit sculpture but also many of the earliest prints on paper made by the women and men who helped propel Inuit art onto the world stage.
Author Maija M. Lutz draws from ethnology, archaeology, art history, and cultural studies to tell the story of a little-known collection that represents one of the most vibrant and experimental periods in the development of contemporary Inuit art. Lavishly illustrated, Hunters, Carvers, and Collectors presents numerous never-before-published gems, including carvings by the artists John Kavik, Johnniebo Ashevak, and Peter Qumalu POV Assappa. This latest contribution to the award-winning Peabody Museum Collections Series fills an important gap in the literature of Native American art.
Michigan State University Press is proud to announce the re-release of Harriette Simpson Arnow's 1949 novel Hunter's Horn, a work that Joyce Carol Oates called "our most unpretentious American masterpiece."
In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people—the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages."
Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska—with studied realism, with landscapes and characters that take on mythic proportions, with humor, and with memorable and remarkable attention to details of the human heart that motivate literature.
This volume examines an almost purely lithic record known in the Puget Sound region as the Olcott Complex. Only loosely described off and on since the early 1960s by a series of researchers, none of whom used the same analytical approach, the Olcott record has never been systematically analyzed until now. As a result, this book fills in enormous gaps in our knowledge regarding the age, mode of subsistence, and adaptive strategy of the Olcott Complex. Chatters and colleagues describe the intensive excavation of three Olcott sites that were threatened by highway construction. The book concludes by pulling those findings together to place the Olcott Complex into its proper place in regional prehistory. An exemplary model of how to conduct archaeological research, the volume demonstrates how important research issues can be addressed in a cultural resource management context.
Extensive appendices available online.
Meet the Jolly Boys—five men from northern Wisconsin who built a deer hunting shack in 1955 and established a tradition that has now lasted over six decades. Hunting Camp 52, affectionately known as Blue Heaven, is a place where every trail, rock, and ravine has its own nickname; every kill is recorded by hand on a window shade; every hunter happily croons along during evening songfests; and every rowdy poker game lasts late into the night. The outhouse is always cold, the porcupines are always a problem, and the vehicles are always getting stuck in the mud, but there’s nowhere else these men would rather be.
In Hunting Camp 52: Tales from a North Woods Deer Camp, John Marvin Hanson—the son of one of the original Jolly Boys—recounts the sidesplitting antics, the memorable hunts, and the profound camaraderie that has developed over almost sixty seasons at Blue Heaven. Hanson also includes more than twenty recipes for gourmet comfort foods prepared each year at camp, from pickled venison hearts to Norwegian meatballs to the treasured recipe for Reali Spaghetti. As the Jolly Boys age and younger generations take up the mantle of Blue Heaven, Hanson comes to appreciate that hunting camp is not about bagging a trophy buck as much as it is about spending time with the friends and family members who matter most.
In his argument, List examines the connection between certain activities and the development of virtue in the classical sources, such as Aristotle and Plato. He then explores the work of Aldo Leopold, identifying three key environmental virtues that field sports instill in practitioners in the kind of conservation advocated by Leopold and others.
After reviewing several powerful philosophical objections to his viewpoint, List considers the future of environmental sportsmanship. He suggests that, in order to incorporate a revived connection between field sports and environmental virtue, the practice of hunting and angling must undergo changes, including shifts that would impact hunter education, civic engagement, the role of firearms, our understanding of “game” animals, and alliances with other sorts of outdoor recreation.
Hunting, Fishing, and Environmental Virtue will appeal to academics interested in the ethical issues surrounding hunting and fishing, professionals in wildlife management, and hunters and anglers interested in conservation.
Published in association with the Chicago Wilderness coalition, Hunting for Frogs on Elston comprehensively chronicles Chicagoland's unique urban ecology, from its indigenous prairie and oft-delayed seasons to its urban coyotes and passenger pigeons. In witty, informed prose, Sullivan evokes his adventures netting dog-faced butterflies, hunting rattlesnakes, and watching fireflies mate. Inspired by regional flora and fauna, Sullivan ventures throughout the metropolis and its environs in search of sludge worms, gyrfalcons, and wild onions. In reporting his findings to otherwise oblivious urbanites, Sullivan endeavors to make "alienated, atomized, postmodern people feel at home, connected to something beyond ourselves."
In the sprawling Chicagoland region, where an urban ecosystem teeming with remarkable life evolves between skyscrapers and train tracks, no writer chronicled the delicate balance of nature and industry more vividly than Jerry Sullivan. An homage to the urban ecology Sullivan loved so dearly, Hunting for Frogs on Elston is his fitting legacy as well as a lasting gift to the urban naturalist in us all.
Through research on faunal remains and mortuary assemblages, Lapham tracks both the products Native Americans produced for colonial trade--deerskins and other furs--as well as those items received in exchange--European and native prestige goods that end up in burial contexts. Zooarchaeological analyses provide insights into subsistence practices, deer-hunting strategies, and deer-hide production activities, while an examination of mortuary practices contributes information on the use of the nonlocal goods acquired through trade in deerskins. This study reveals changes in economic organization and mortuary practices that provide new insights into how participation in the colonial deerskin trade initially altered Native American social relations and political systems.
In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion.
Hunting the Ethical State reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.
"The Huron River . . . was called 'Cos-scut-e-nong Sebee'. . . . [It] is a beautiful, transparent stream, passing alternatively through rich bottoms, openings, plains, and sloping woodlands, covered with heavy timber."
---History of Washtenaw County, Michigan, 1881
The Huron River---stretching 130 miles through three counties---has inspired numerous writers throughout the nineteenth and twentieth centuries. Contained here is a collection of new poems, essays, and stories, accompanied by maps, photographs, and illustrations that celebrate the Huron River. Over twenty locally and nationally known literary figures, including Alice Fulton and Charles Baxter, have contributed to this volume. In addition, the work of biologists, naturalists, and even an arche-ologist have been included to give a richer sense of the physical and cultural environment.
Each of these writers reminds us that our lives are more intertwined with the river and its watershed than we might think. The Huron River opens with these words: "Watersheds are the oldest and most durable markers of place. . . . These boundaries affect our lives by defining our natural environment, not only its topography but its soils, its plant and animal life, and to some extent its weather. The water that sustains most of us is the water that flows through our local watershed."
And the river's strength is wondrous unto itself. "The water will always be there, and it will always find its way down," writer Gary Snyder tells us. The river is sometimes visible, sometimes not; yet it "is alive and well under the city streets, running in giant culverts."
John Knott is Professor of English, University of Michigan. After working as a bookseller for twenty years, Keith Taylor now teaches writing part-time for the University of Michigan and works as a freelance writer.
Wendat, or Wyandot, was the name that the five confederated nations of Wendake gave to Huronia, the Ontario territory described by the French in the 1600s. In this book, Georges Sioui, himself a Wendat, tells the history of his people by describing their social ideas and philosophy and their relevance to contemporary life. Sioui argues that for human beings there is only one way of looking at life on earth, and that is as a sacred circle of relationships among all beings. Sioui reviews the Wendats' Creation mythology and explains their origins, migrations, theology, ethics, philosophy, oral literature, and sociology, and their role in Amerindian geopolitics. He then examines archaeology and its role in bridging the gap created by negative perceptions. Finally, he describes Wendat society from an Amerindian viewpoint, concentrating on the period from 1615 to 1650 and drawing on traditional ethnographic documentation.
This post-revisionist study examines the motives and the concerns of the ex-slaves in South Carolina who supported a movement that eventually led to white supremacy.
Although most freedmen throughout the states of the former Confederacy were Republicans loyal to the party of the Federal government that had emancipated them, they were factions of African-American voters who aligned themselves with local white Democratic leaders. one such group of black conservatives joined the “Red Shirts,” white paramilitary clubs that attempted to restore antebellum values in electing former Confederate general Wade Hampton governor of South Carolina in 1876.
Drago’s fine analysis recovers and explains this lost aspect of Southern black history. Drawing on primary sources that include testimonies of several black Red Shirts before a Congressional investigation of the election and eleven slave narratives, he de-romanticizes the black experience by examining the relationship between black initiative and southern paternalism.
For Simpson this was just one of his many pioneering explorations of hurricanes and extreme storms. Over his decades-long career his research led to great leaps in our understanding of tropical meteorology and our approach to hurricane safety. He was the first director of the National Hurricane Research Project and the second director of the National Hurricane Center, though he may be best known as co-creator of the widely used Saffir-Simpson Hurricane Scale, familiar to anyone who has heard a reporter use the words “category five.”
Simpson’s memoirs take readers from his experience with the Corpus Christi hurricane of 1919 to his travels to study weather across the globe. Along the way he crosses paths with other weather greats, including his trailblazing wife, meteorologist Joanne Simpson. Hurricane Pioneer is a riveting first-hand account at a revolutionary time in meteorology.
This memoir recounts Scott’s life from his birth up through the Rebellion. It tells the story of how the Rebellion started and provides an on-the-ground account of the Rebellion and its immediate aftermath, including the police detainment of the people involved. Now with a new foreword by Austin McCoy that considers the lasting impact of the rebellion, Hurt, Baby, Hurt offers valuable insight into an important part of Detroit history.
Other sportswriters have called Hauser “the dean of fightwriters” (TheSweetScience.com) and “our craft’s most celebrated practitioner” (15Rounds.com). His readers call him one of the last real champions in boxing and one of the very best who has ever written about this sport.
A Hurting Sport continues this tradition of excellence with a behind-the-scenes recounting of 2014’s biggest fights, a look at Floyd Mayweather’s conduct in and out of the ring, analysis of fight impresario Al Haymon’s burgeoning empire, and much more.
Husserl and the Idea of Europe argues that Edmund Husserl’s late reflections on Europe should not be read either as departures from his early transcendental phenomenology or as simple exercises of cultural criticism but rather as systematic phenomenological reflections on generativity and historicity. Timo Miettinen shows that Husserl’s deliberations on Europe contain his most compelling and radical interpretation of the intersubjective, communal, and historical dimensions of phenomenology.
Husserl and his generation worked in the aftermath of World War I, as Europe struggled to redefine itself, and he penned his late writings as the clouds of World War II gathered. Decades later, the fall of the Soviet Union again altered the continent’s identity and its political and economic divisions. Miettinen writes as a European involved in the question of Europe, and many of the recent authors and critics he addresses in this work—such as Michel Foucault, Jacques Derrida, and Giorgio Agamben—likewise deeply engaged with this new problem of European identity. The book illuminates the multifaceted problem of the idea of European rationality, and it defends novel conceptions of universalism and teleology as necessary components of radical philosophical reflection.
Husserl and Transcendental Intersubjectivity analyzes the transcendental relevance of intersubjectivity and argues that an intersubjective transformation of transcendental philosophy can already be found in phenomenology, especially in Husserl. Husserl eventually came to believe that an analysis of transcendental intersubjectivity was a conditio sine qua non for a phenomenological philosophy. Drawing on both published and unpublished manuscripts, Dan Zahavi examines Husserl’s reasons for this conviction and delivers a detailed analysis of his radical and complex concept of intersubjectivity, showing that precisely his reflections on transcendental intersubjectivity are capable of clarifying the core-concepts of phenomenology, thus making possible a new understanding of Husserl’s philosophy.
Against this background the book compares his view with the approaches to intersubjectivity found in Heidegger, Sartre, and Merleau-Ponty, and it then attempts to establish to what extent the phenomenological approach can contribute to the current discussion of intersubjectivity. This is achieved through a systematic confrontation with the language-pragmatical positions of Apel and Habermas.
In a penetrating and lucid discussion of the enigmatic relationship between the work of Edmund Husserl and Martin Heidegger, Steven Galt Crowell proposes that the distinguishing feature of twentieth-century philosophy is not so much its emphasis on language as its concern with meaning. Arguing that transcendental phenomenology is indispensable to the philosophical explanation of the space of meaning, Crowell shows how a proper understanding of both Husserl and Heidegger reveals the distinctive contributions of each to that ongoing phenomenological project.
In Hustling Is Not Stealing and its follow-up, Exchange Is Not Robbery, a chronicle of exploitation is transformed by verbal art into an ebullient comedy. In Hustling Is Not Stealing, Hawa is a playful warrior struggling against circumstances in Ghana and Togo. In Exchange Is Not Robbery, Hawa returns to her native Burkina Faso, where she achieves greater control over her life but faces new difficulties. As a woman making sacrifices to live independently, Hawa sees her own situation become more complex as she confronts an atmosphere in Burkina Faso that is in some ways more challenging than the one she left behind, and the moral ambiguities of her life begin to intensify.
Combining elements of folklore and memoir, Hawa’s stories portray the diverse social landscape of West Africa. Individually the anecdotes can be funny, shocking, or poignant; assembled together they offer a sweeping critical and satirical vision.
Written in the early seventeenth century, the Hustynja Chronicle represents the first attempt of early modern chroniclers to write a systematic history of Ukraine. The chronological sweep of the text is ambitious, describing the history of Kyivan Rus´ and Ukraine from biblical times until the Union of Brest in 1596. The text covers many critical periods in Ukrainian history, including pre-Mongol Rus´, the expansion of the Grand Duchy of Lithuania, and the emergence of the Cossacks. Its unique style blends the older tradition of presenting information under yearly entries with a newer, more narrative style of chronicle modeled on the works of Polish chroniclers such as Stryjkowski and Bielski.
This publication marks the first time that the Hustynja Chronicle has appeared in a scholarly edition. One copy originally found in the Mharsk Monastery serves as the exemplar for the main text and is accompanied by notes representing variants from six other copies of the text. An introduction by Ukrainian historian Dr. Oleksiy Tolochko, in both the original Ukrainian and English translation, provides a detailed description and history of the chronicle. The Hustynja Chronicle is an essential source for scholars interested in medieval and early-modern Ukrainian history, philology, and chronicle writing.
Hutchins' scathing opposition to the departmentalization of learning and his resounding call for reforms in general education sparked controversy and fueled debate on campus and off. It became a struggle for the heart and soul of higher education—and McNeill, as a student and then as an instructor, was a participant. His account of the university's history is laced with personal reminiscences, encounters with influential fellow scholars such as Richard McKeon, R. S. Crane, and David Daiches, and details drawn from Hutchins' papers and other archives.
McNeill sketches the interplay of personalities with changing circumstances of the Depression, war, and postwar eras. But his central concern is with the institutional life of the University, showing how student behavior, staff and faculty activity and even the Hyde Park neighborhood all revolved around the charismatic figure of Robert Maynard Hutchins—shaped by him and in reaction against him.
Successive transformations of the College, and the tribulations of the ideal of general or liberal education are central to much of the story; but the memoir also explores how the University was affected by such events as Red scares, the remarkably successful Round Table radio broadcasts, the
abolition of big time football, and the inauguration of the nuclear age under the west stands of Stagg Field in 1942.
In short, Hutchins' University sketches an extraordinarily vibrant period for the University of Chicago
and for American higher education. It will revive old controversies among veterans from those times, and may provoke others to reflect anew about the proper role of higher education in American society.
Two hundred years of modern science and culture told through one family history.
This momentous biography tells the story of the Huxleys: the Victorian natural historian T. H. Huxley (“Darwin’s Bulldog”) and his grandson, the scientist, conservationist, and zoologist Julian Huxley. Between them, they communicated to the world the great modern story of the theory of evolution by natural selection. In The Huxleys, celebrated historian Alison Bashford writes seamlessly about these omnivorous intellects together, almost as if they were a single man whose long, vital life bookended the colossal shifts in world history from the age of sail to the Space Age, and from colonial wars to world wars to the cold war.
The Huxleys’ specialty was evolution in all its forms—at the grandest level of species, deep time, the Earth, and at the most personal and intimate. They illuminated the problems and wonders of the modern world and they fundamentally shaped how we see ourselves, as individuals and as a species.
But perhaps their greatest subject was themselves. Bashford’s engaging, brilliantly ambitious book interweaves the Huxleys’ momentous public achievements with their private triumphs and tragedies. The result is the history of a family, but also a history of humanity grappling with its place in nature. This book shows how much we owe—for better or worse—to the unceasing curiosity, self-absorption, and enthusiasm of a small, strange group of men and women.
Matthew Stanley explores the overlap and shift between theistic and naturalistic science through a parallel study of two major scientific figures: James Clerk Maxwell, a devout Christian physicist, and Thomas Henry Huxley, the iconoclast biologist who coined the word agnostic. Both were deeply engaged in the methodological, institutional, and political issues that were crucial to the theistic-naturalistic transformation. What Stanley’s analysis of these figures reveals is that the scientific naturalists executed a number of strategies over a generation to gain control of the institutions of scientific education and to reimagine the history of their discipline. Rather than a sudden revolution, the similarity between theistic and naturalistic science allowed for a relatively smooth transition in practice from the old guard to the new.
A classic of Japanese speculative fiction that blurs the line between consumption and creation when a cyborg assumes the form and spirit of a murdered child
Until he escaped, he had been called “Sample B #3,” but he had never liked this name. That would surprise them—that he could feel one way or another about it. He was designed to reshape himself based on whatever life forms he ingested; he was not made to think, and certainly not to assume the shape of a repair technician whose cells he had sampled and then simply walk out of the secure compound.
Artificial Intelligence is all too real in this classic of Japanese science fiction by Mariko Ōhara. Jonah, a child murdered by her mother, has become the spirit of an AI-controlled house where the rogue cyborg once known as Sample B #3 takes refuge and, making a meal of the dead girl buried under the house, takes Jonah’s form. On faraway Planet Caritas, an outpost of human civilization, the female AI system that governs society has become insane. Meanwhile, the threat of the Adiaptron Empire, the machine race that #3 was built to fight, remains.
With the familiar strangeness of a fairy tale, Ōhara’s novel traverses the mysterious distance between body and mind, between the mechanics of life and the ghost in the machine, between the infinitesimal and infinity. The child as mother, the mother as monster, the monster as hero: this shape-shifting story of nourishment, nurture, and parturition is a rare feminist work of speculative fiction and received the prestigious Seiun (Nebula) Award in 1991. Hybrid Child is the first English translation of a major work of science fiction by a female Japanese author.
Hsueh traces the historical development and theoretical implications of proprietary constitutionalism by examining the founding of the colonies of Maryland, Carolina, and Pennsylvania. She provides close readings of colonial proclamations, executive orders, and assembly statutes, as well as the charter granting Cecilius Calvert the colony of Maryland in 1632; the Fundamental Constitutions of Carolina, adopted in 1669; and the treaties brokered by William Penn and various Lenni Lenape and Susquehannock tribes during the 1680s and 1690s. These founding documents were shaped by ambition, contingency, and limited resources; they reflected an ambiguous and unwieldy colonialism rather than a purposeful, uniform march to modernity. Hsueh concludes by reflecting on hybridity as a rubric for analyzing the historical origins of colonialism and reconsidering contemporary indigenous claims in former settler colonies such as Australia, New Zealand, and the United States.
The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In this present form, ecology refers to the multilayered and multidimensional nexus of living processes and technological and media practices—that is, to the complex relations of human and nonhuman agents. Hybrid Ecologies understands ecology as an ambivalent notion, whose very broadness simultaneously opens up new fields of action and raises provocative questions, not least concerning its genealogy. This interdisciplinary volume explores the political and social effects of rethinking community in ecological terms, with a particular emphasis on what the contemporary notion of ecology might mean for artistic and design practices. The result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich, Hybrid Ecologies is a timely and thought-provoking study of one of the most important themes of our time.
Since 2006, the United Nations and Cambodian Government have participated in the Extraordinary Chambers in the Courts of Cambodia, a hybrid tribunal created to try key Khmer Rouge officials for crimes of the Pol Pot era. In Hybrid Justice, John D. Ciorciari and Anne Heindel examine the contentious politics behind the tribunal’s creation, its flawed legal and institutional design, and the frequent politicized impasses that have undermined its ability to deliver credible and efficient justice and leave a positive legacy. They also draw lessons and principles for future hybrid and international courts and proceedings.
In The Hybrid Muse, Jahan Ramazani argues that postcolonial poets have also dramatically expanded the atlas of literature in English, infusing modern and contemporary poetry with indigenous metaphors and creoles. A rich and vibrant poetry, he contends, has issued from the hybridization of the English muse with the long resident muses of Africa, India, and the Caribbean. Starting with the complex case of Ireland, Ramazani closely analyzes the work of leading postcolonial poets and explores key questions about the relationship between poetry and postcolonialism. As inheritors of both imperial and native cultures, poets such as W. B. Yeats, Derek Walcott, Louise Bennett, A. K. Ramanujan, and Okot p'Bitek invent compelling new forms to articulate the tensions and ambiguities of their cultural in-betweeness. They forge hybrid figures, vocabularies, and genres that embody the postcolonial condition.
Engaging an array of critical topics, from the aesthetics of irony and metaphor to the politics of nationalism and anthropology, Ramazani reconceptualizes issues central to our understanding of both postcolonial literatures and twentieth-century poetry. The first book of its kind, The Hybrid Muse will help internationalize the study of poetry, and in turn, strengthen the place of poetry in postcolonial studies.
Disheartened by the shrink-wrapped, Styrofoam-packed state of contemporary supermarket fruits and vegetables, many shoppers hark back to a more innocent time, to visions of succulent red tomatoes plucked straight from the vine, gleaming orange carrots pulled from loamy brown soil, swirling heads of green lettuce basking in the sun.
With Hybrid, Noel Kingsbury reveals that even those imaginary perfect foods are themselves far from anything that could properly be called natural; rather, they represent the end of a millennia-long history of selective breeding and hybridization. Starting his story at the birth of agriculture, Kingsbury traces the history of human attempts to make plants more reliable, productive, and nutritious—a story that owes as much to accident and error as to innovation and experiment. Drawing on historical and scientific accounts, as well as a rich trove of anecdotes, Kingsbury shows how scientists, amateur breeders, and countless anonymous farmers and gardeners slowly caused the evolutionary pressures of nature to be supplanted by those of human needs—and thus led us from sparse wild grasses to succulent corn cobs, and from mealy, white wild carrots to the juicy vegetables we enjoy today. At the same time, Kingsbury reminds us that contemporary controversies over the Green Revolution and genetically modified crops are not new; plant breeding has always had a political dimension.
A powerful reminder of the complicated and ever-evolving relationship between humans and the natural world, Hybrid will give readers a thoughtful new perspective on—and a renewed appreciation of—the cereal crops, vegetables, fruits, and flowers that are central to our way of life.
“His pursuit of learning gave force and unity to everything he did…in his books, as in his learning, he showed that scholarship could have an austere splendor of its own.”—Herschel Baker in his biographical sketch
Hyder Rollins’s publications, ranging from the Elizabethans to Keats, admirably exemplified his dedication to scholarship. This bibliography constitutes, in terms of quantity alone, a record of formidable achievement, and the ordering of this wealth of publication gives scholars the means of easy reference to a sequence of impeccable research.
Sponsored by the Department of English, Harvard University, this tribute to Hyder Rollins also includes a list of the more than one hundred doctoral dissertations directed by him over the course of three decades.
Hydraulic Societies explores the linked themes of water, power, state-building, and hydraulic control. Bringing together a range of ecological, geographical, chronological, and methodological perspectives, the essays in this book address the how humans have long harnessed water and sought to contain its destructive power for political, economic and social ends. Water defines every aspect of life and remains at the center of human activity: in irrigation and agriculture; waste and sanitation; drinking and disease; floods and droughts; religious beliefs and practices; fishing and aquaculture; travel and discovery; scientific study; water pollution and conservation; multi-purpose dam building; boundaries and borders; politics and economic life; and wars and diplomacy.
From the earliest large irrigation works thousands of years ago, control over water has involved control over people, as the essays in this volume reflect. The intersections of water and political, economic, and social power historically span international as well as domestic politics and operate at scales ranging from the local to the global. The authors consider the role of water in national development schemes, water distribution as a tool of political power, international disputes over waterways and water supplies, and the place of water in armed conflicts. They explore the ways in which political power and social hierarchies have themselves been defined and redefined by water and its control, how state leaders legitimized their rule both culturally and economically through the control of water, and how water management schemes were a means to impose and refine colonial power.
Contributors. Hester Blum, Brandi Bushman, Jeremy Chow, Margaret Cohen, Elizabeth DeLoughrey, Harris Feinsod, Isabel Hofmeyr, Charne Lavery, Nicole Rizzuto, Meg Samuelson, Allison Shelton, Teresa Shewry, Maxwell Uphaus
Seduced by simplicity, physicists find themselves endlessly fascinated by hydrogen, the simplest of atoms. Hydrogen has shocked, it has surprised, it has embarrassed, it has humbled--and again and again it has guided physicists to the edge of new vistas where the promise of basic understanding and momentous insights beckoned. The allure of hydrogen, crucial to life and critical to scientific discovery, is at the center of this book, which tells a story that begins with the big bang and continues to unfold today.
In this biography of hydrogen, John Rigden shows how this singular atom, the most abundant in the universe, has helped unify our understanding of the material world from the smallest scale, the elementary particles, to the largest, the universe itself. It is a tale of startling discoveries and dazzling practical benefits spanning more than one hundred years--from the first attempt to identify the basic building block of atoms in the mid-nineteenth century to the discovery of the Bose-Einstein condensate only a few years ago. With Rigden as an expert and engaging guide, we see how hydrogen captured the imagination of many great scientists--such as Heisenberg, Pauli, Schrödinger, Dirac, and Rabi--and how their theories and experiments with this simple atom led to such complex technical innovations as magnetic resonance imaging, the maser clock, and global positioning systems. Along the way, we witness the transformation of science from an endeavor of inspired individuals to a monumental enterprise often requiring the cooperation of hundreds of scientists around the world.
Still, any biography of hydrogen has to end with a question: What new surprises await us?
Each of Steinberg's stories builds as if telegraphed. Each sentence glissades into the next as though in perpetual motion, as characters, crippled by loss, rummage through their recollections looking for buffers to an indistinct future.
With Hyecho’s Journey, eminent scholar of Buddhism Donald S. Lopez Jr. re-creates Hyecho’s trek. Using the surviving fragments of Hyecho’s travel memoir, along with numerous other textual and visual sources, Lopez imagines the thriving Buddhist world the monk explored. Along the way, Lopez introduces key elements of Buddhism, including its basic doctrines, monastic institutions, works of art, and the many stories that have inspired Buddhist pilgrimage. Through the eyes of one remarkable Korean monk, we discover a vibrant tradition flourishing across a vast stretch of Asia. Hyecho’s Journey is simultaneously a rediscovery of a forgotten pilgrim, an accessible primer on Buddhist history and doctrine, and a gripping, beautifully illustrated account of travel in a world long lost.
Hyenas are almost universally regarded as nasty, scheming charlatans that skulk in the back alleyways of the animal kingdom. They have been scorned for centuries as little more than scavenging carrion-eaters, vandals, and thieves. Here to restore the Hyena’s reputation is Mikita Brottman, who offers an alternate view of these mistreated and misunderstood creatures and proves that they are complex, intelligent, and highly sociable animals.
Antiquity’s most prolific and influential medical writer and practitioner.
Galen of Pergamum (129–?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, medical historian, theoretician, and practitioner who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society.
His treatise Hygiene, also known as “On the Preservation of Health” (De sanitate tuenda), was written during one of Galen’s most prolific periods (170–180) and ranks among his most important and influential works, providing a comprehensive account of the practice of preventive medicine that still has relevance today. Also included in this two-volume edition are two shorter treatises on the relationship between health and wellness. Thrasybulus explores the theoretical question of whether hygiene is part of medicine or gymnastics, and in so doing delineates the interrelated roles of doctors and physical therapists. On Exercise with a Small Ball strenuously advocates that activity’s superiority to all other forms of exercise.
Antiquity’s most prolific and influential medical writer and practitioner.
Galen of Pergamum (129–?199/216), physician to the court of the emperor Marcus Aurelius, was a philosopher, scientist, medical historian, theoretician, and practitioner who wrote forcefully and prolifically on an astonishing range of subjects and whose impact on later eras rivaled that of Aristotle. Galen synthesized the entirety of Greek medicine as a basis for his own doctrines and practice, which comprehensively embraced theory, practical knowledge, experiment, logic, and a deep understanding of human life and society.
His treatise Hygiene, also known as “On the Preservation of Health” (De sanitate tuenda), was written during one of Galen’s most prolific periods (170–180) and ranks among his most important and influential works, providing a comprehensive account of the practice of preventive medicine that still has relevance today. Also included in this two-volume edition are two shorter treatises on the relationship between health and wellness. Thrasybulus explores the theoretical question of whether hygiene is part of medicine or gymnastics, and in so doing delineates the interrelated roles of doctors and physical therapists. On Exercise with a Small Ball strenuously advocates that activity’s superiority to all other forms of exercise.
Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.
This newest volume in The Works of Giuseppe Verdi series comprises his only two surviving secular choral works: Inno popolare, or Hymn of the People, for unaccompanied male chorus, and Inno delle nazioni, or Hymn of the Nations, for tenor solo, chorus, and orchestra.
Verdi wrote the brief Inno popolare in 1848 at the behest of the Italian philosopher and patriot Giuseppe Mazzini, intending that it become an anthem for Italy at a time when the country had just driven away its Austrian overlords. He wrote no more independent patriotic pieces until he was asked in 1861 to represent his country with a patriotic composition at a musical jubilee during London’s International Exhibition of 1862. The resulting piece was Inno delle nazioni, the critical edition of which is based on Verdi’s autograph score, preserved at the British Library. Other important sources include the composer's musical sketches, recently discovered in the Verdi family villa, and the performing parts Toscanini used for a BBC broadcast in 1943.
Callimachus of Cyrene, 3rd century BCE, became after 284 a teacher of grammar and poetry at Alexandria. He was made a librarian in the new library there and prepared a catalogue of its books. He died about the year 240. Of his large published output, only 6 hymns, 63 epigrams, and fragments survive (the fragments are in Loeb no. 421). The hymns are very learned and artificial in style; the epigrams are good (they are also in the Loeb Greek Anthology volumes).
Lycophron of Chalcis in Euboea was a contemporary of Callimachus in Alexandria where he became supervisor of the comedies included in the new library. He wrote a treatise on these and composed tragedies and other poetry. We possess Alexandra or Cassandra wherein Cassandra foretells the fortune of Troy and the besieging Greeks. This poem is a curiosity—a showpiece of knowledge of obscure stories, names, and words.
Aratus of Soli in Cilicia, ca. 315–245 BCE, was a didactic poet at the court of Antigonus Gonatas of Macedonia, where he wrote his famous astronomical poem Phaenomena (Appearances). He was for a time in the court of Antiochus I of Syria but returned to Macedonia. Phaenomena was highly regarded in antiquity; it was translated into Latin by Cicero, Germanicus Caesar, and Avienus.
Hypatia—brilliant mathematician, eloquent Neoplatonist, and a woman renowned for her beauty—was brutally murdered by a mob of Christians in Alexandria in 415. She has been a legend ever since. In this engrossing book, Maria Dzielska searches behind the legend to bring us the real story of Hypatia's life and death, and new insight into her colorful world.
Historians and poets, Victorian novelists and contemporary feminists have seen Hypatia as a symbol—of the waning of classical culture and freedom of inquiry, of the rise of fanatical Christianity, or of sexual freedom. Dzielska shows us why versions of Hypatia's legend have served her champions' purposes, and how they have distorted the true story. She takes us back to the Alexandria of Hypatia's day, with its Library and Museion, pagan cults and the pontificate of Saint Cyril, thriving Jewish community and vibrant Greek culture, and circles of philosophers, mathematicians, astronomers, and militant Christians. Drawing on the letters of Hypatia's most prominent pupil, Synesius of Cyrene, Dzielska constructs a compelling picture of the young philosopher's disciples and her teaching. Finally she plumbs her sources for the facts surrounding Hypatia's cruel death, clarifying what the murder tells us about the tensions of this tumultuous era.
Not so fast, says Joseph Romm. In The Hype about Hydrogen, he explains why hydrogen isn't the quick technological fix it's cracked up to be, and why cheering for fuel cells to sweep the market is not a viable strategy for combating climate change. Buildings and factories powered by fuel cells may indeed become common after 2010, Joseph Romm argues, but when it comes to transportation, the biggest source of greenhouse-gas emissions, hydrogen is unlikely to have a significant impact before 2050.
The Hype about Hydrogen offers a hype-free explanation of hydrogen and fuel cell technologies, takes a hard look at the practical difficulties of transitioning to a hydrogen economy, and reveals why, given increasingly strong evidence of the gravity of climate change, neither government policy nor business investment should be based on the belief that hydrogen cars will have meaningful commercial success in the near or medium term. Romm, who helped run the federal government's program on hydrogen and fuel cells during the Clinton administration, provides a provocative primer on the politics, business, and technology of hydrogen and climate protection.
Selected by Arthur Sze
Hyperboreal originates from diasporas. It attempts to make sense of change and to prepare for cultural, climate, and political turns that are sure to continue. The poems originate from the hope that our lives may be enriched by the expression of and reflection on the cultural strengths inherent to indigenous culture. It concerns King Island, the ancestral home of the author's family until the federal government's Bureau of Indian Affairs forcibly and permanently relocated its residents. The poems work towards the assembly of an identity, both collective and singular, that is capable of looking forward from the recollection and impact of an entire community's relocation to distant and arbitrary urban centers. Through language, Hyperboreal grants forum to issues of displacement, lack of access to traditional lands and resources and loss of family that King Island people—and all Inuit—are contending with.
The prefix “hyper” refers to multiplicity and abundance. More than a physical space, a hypercity is a real city overlaid with information networks that document the past, catalyze the present, and project future possibilities. Hypercities are always under construction.
Todd Presner, David Shepard, and Yoh Kawano put digital humanities theory into practice to chart the proliferating cultural records of places around the world. A digital platform transmogrified into a book, it explains the ambitious online project of the same name that maps the historical layers of city spaces in an interactive, hypermedia environment. The authors examine the media archaeology of Google Earth and the cultural–historical meaning of map projections, and explore recent events—the “Arab Spring” and the Fukushima nuclear power plant disaster—through social media mapping that incorporates data visualizations, photographic documents, and Twitter streams. A collaboratively authored and designed work, HyperCities includes a “ghost map” of downtown Los Angeles, polyvocal memory maps of LA’s historic Filipinotown, avatar-based explorations of ancient Rome, and hour-by-hour mappings of the Tehran election protests of 2009.
Not a book about maps in the literal sense, HyperCities describes thick mapping: the humanist project of participating and listening that transforms mapping into an ethical undertaking. Ultimately, the digital humanities do not consist merely of computer-based methods for analyzing information. They are a means of integrating scholarship with the world of lived experience, making sense of the past in the layered spaces of the present for the sake of the open future.
This collection of poetry explores the disruptive state of psychosis, with all its insights and follies, and the challenges of living life after a departure from the self. These poems reach for an understanding of the ecstasy and tragedy of madness through both lyric and prose forms that mimic the sublime state of mania through their engagement with language. Ordinary life becomes strange in these poems, which are playful and humorous at times and dark at others, as they seek resolution to the question of what happens when the mind overthrows the body.
"Links" are among the most basic---and most unexamined---features of online life. Bringing together a prominent array of thinkers from industry and the academy, The Hyperlinked Society addresses a provocative series of questions about the ways in which hyperlinks organize behavior online. How do media producers' considerations of links change the way they approach their work, and how do these considerations in turn affect the ways that audiences consume news and entertainment? What role do economic and political considerations play in information producers' creation of links? How do links shape the size and scope of the public sphere in the digital age? Are hyperlinks "bridging" mechanisms that encourage people to see beyond their personal beliefs to a broader and more diverse world? Or do they simply reinforce existing bonds by encouraging people to ignore social and political perspectives that conflict with their existing interests and beliefs?
This pathbreaking collection of essays will be valuable to anyone interested in the now taken for granted connections that structure communication, commerce, and civic discourse in the world of digital media.
"This collection provides a broad and deep examination of the social, political, and economic implications of the evolving, web-based media environment. The Hyperlinked Society will be a very useful contribution to the scholarly debate about the role of the internet in modern society, and especially about the interaction between the internet and other media systems in modern society."
---Charles Steinfield, Professor and Chairperson, Department of Telecommunication, Information Studies, and Media, Michigan State University
Joseph Turow is Robert Lewis Shayon Professor at the Annenberg School for Communication, University of Pennsylvania. He was named a Distinguished Scholar by the National Communication Association and a Fellow of the International Communication Association in 2010. He has authored eight books, edited five, and written more than 100 articles on mass media industries. His books include Niche Envy: Marketing Discrimination in the Digital Age and Breaking up America: Advertisers and the New Media World.
Lokman Tsui is a doctoral candidate at the Annenberg School for Communication, University of Pennsylvania. His research interests center on new media and global communication.
Cover image: This graph from Lada Adamic's chapter depicts the link structure of political blogs in the United States. The shapes reflect the blogs, and the colors of the shapes reflect political orientation---red for conservative blogs, blue for liberal ones. The size of each blog reflects the number of blogs that link to it.
digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Fifteen years in the making, Hyperpolitics is an interactive dictionary offering a wholly original approach for understanding and working with the most central concepts in political science. Designed and authored by two of the discipline’s most distinguished scholars, its purpose is to provide its readers with fresh critical insights about what informs these political concepts, as well as a method by which readers—and especially students—can unpack and reconstruct them on their own.
International in scope, Hyperpolitics draws upon a global vocabulary in order to turn complex ideas into an innovative teaching aid. Its companion open access website (www.hyperpolitics.net) has already been widely acknowledged in the fields of education and political science and will continue to serve as a formidable hub for the book’s audience. Much more than a dictionary and enhanced by dynamic graphics, Hyperpolitics introduces an ingenious means of understanding complicated concepts that will be an invaluable tool for scholars and students alike.
Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical Miss Saigon by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong, Nancy Kwan, and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women’s performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism, The Good Woman of Bangkok and 101 Asian Debutantes. In her examination of films and videos made by Asian/American feminists, Shimizu describes how female characters in their works reject normative definitions of race, gender, and sexuality, thereby expanding our definitions of racialized sexualities in representation.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press