This work develops the thesis that the transition from pre-modernism to postmodernism in art of the digital age represents a paradigm shift from the Hellenistic to the Hebraic roots of Western culture.
Semiotic and morphological analysis of art and visual culture demonstrate the contemporary confluence between the deep structure of Hebraic consciousness and new directions in art that arise along the interface between scientific inquiry, digital technologies, and multicultural expressions.
Complementing these two analytic methodologies, alternative methodologies of kabbalah and halakhah provide postmodern methods for extending into digital age art forms. Exemplary artworks are described in the text and illustrated with photographs.
In The Future of Art in a Postdigital Age, artist and educator Mel Alexenberg offers a vision of a postdigital future that reveals a paradigm shift from the Hellenistic to the Hebraic roots of Western culture. He ventures beyond the digital to explore postdigital perspectives rising from creative encounters among art, science, technology, and human consciousness. The interrelationships between these perspectives demonstrate the confluence between postdigital art and the dynamic, Jewish structure of consciousness. Alexenberg’s pioneering artwork––a fusion of spiritual and technological realms––exemplifies the theoretical thesis of this investigation into interactive and collaborative forms that imaginatively envisages the vast potential of art in a postdigital future.
Today, we take for granted the wisdom of renovating old factory buildings into malls or condos, of making once decaying waterfronts into vibrant public spaces, of protecting historic buildings under landmark laws, and of building public housing on a human scale rather than as high-rises. In contemporary cities, it is now common for community groups to plant gardens in empty lots and to buy abandoned apartment buildings from the city for a dollar and fix them up.
But these and other urban planning policies and practices have not always been accepted. Before they became widespread, they were the visionary ideas of the writer and urban commentator Jane Jacobs. Best known in the United States for her path-breaking efforts to preserve the character of Greenwich Village, Jacobs is the author of the classic 1961 book, The Death and Life of Great American Cities, one of the most influential works ever published in urban studies. The architectural critic Herbert Muschamp wrote in the New York Times that its publication “was one of twentieth-century architecture’s most traumatic events. Its impact is still felt in cities across the land.”
In this analysis of Jane Jacobs’s ideas and work, Alice Sparberg Alexiou tells the remarkable story of a woman who without any formal training in planning became a prominent spokesperson for sensible urban change. Besides writing the seminal book about contemporary cities, Jacobs organized successful community battles in New York against powerful interests. She resisted urban renewal in the West Village in the 1960s, helped defeat the Lower Manhattan Expressway, advocated the pleasures of street life that she called “sidewalk ballet,” and opposed the original Twin Towers plans. She was also active in the anti–Vietnam War movement, which eventually led her to move to Canada. There she continued her grass-roots activism, including helping to prevent the construction of an expressway that would have cut through several neighborhoods in Toronto.
Based on a rich array of interviews and primary source material, this book brings long-overdue attention to Jacobs’s far-reaching influence as an original thinker and effective activist.
Middle Eastern immigration to Mexico is one of the intriguing, untold stories in the history of both regions. In So Far from Allah, So Close to Mexico, Theresa Alfaro-Velcamp presents the fascinating findings of her extensive fieldwork in Mexico as well as in Lebanon and Syria, which included comprehensive data collection from more than 8,000 original immigration cards as well as studies of decades of legal publications and the collection of historiographies from descendents of Middle Eastern immigrants living in Mexico today.
Adding an important chapter to studies of the Arab diaspora, Alfaro-Velcamp's study shows that political instability in both Mexico and the Middle East kept many from fulfilling their dreams of returning to their countries of origin after realizing wealth in Mexico, in a few cases drawing on an imagined Phoenician past to create a class of economically powerful Lebanese Mexicans. She also explores the repercussions of xenophobia in Mexico, the effect of religious differences, and the impact of key events such as the Mexican Revolution.
Challenging the post-revolutionary definitions of mexicanidad and exposing new aspects of the often contradictory attitudes of Mexicans toward foreigners, So Far from Allah, So Close to Mexico should spark timely dialogues regarding race and ethnicity, and the essence of Mexican citizenship.
A landmark rhetorical theory of the formation and functioning of opinions in social media contexts
Entitled Opinions: Doxa After Digitality offers a rhetorical theory of opinions, especially as opinions operate within social media.
Many urgent contemporary issues—from demagoguery to white ethno-nationalism—compel us to consider opinions seriously. Yet while clichés like “he tells it like it is” and newer imperatives such as #BlackLivesMatter seem straightforward, haptics, emoji, and “like” buttons belie unexamined collective assumptions about how opinions in the digital realm function.
Caddie Alford illuminates this function by deploying the ancient Greek term for opinions: doxa. Doxa translates to “opinion,” but the term can also signal seemingness and expectations. Doxa’s capacious meanings reveal opinions to be more than static or monolithic: With doxa, opinions become emergent, dynamic, relational, and pluralistic.
Masterfully combining rhetorical frameworks as well as scholarship on opinions and digital media entanglements, Alford puts opinions into conversation with such case studies as algorithms, infrastructure, digital illiteracy, virality, and activism. She shows how “doxa” reveals gradations of opinions, from more reputable to less reputable. She demonstrates that these gradations are multifaceted and susceptible to interventions.
Entitled Opinions sheds much of the baggage associated with opinions while opening up more fertile pathways of inquiry. In a world that says, “don’t read the comments,” this book reads the comments, taking seriously content that could be easily dismissed otherwise and alchemizing judgments into implications.
Hollywood is often characterised as a stronghold of left-liberal ideals. In Reel Power, Matthew Alford shows that it is in fact deeply complicit in serving the interests of the most regressive US corporate and political forces.
Films like Transformers, Terminator: Salvation and Black Hawk Down are constructed with Defence Department assistance as explicit cheerleaders for the US military, but Matthew Alford also emphasises how so-called 'radical' films like Three Kings, Hotel Rwanda and Avatar present watered-down alternative visions of American politics that serve a similar function.
Reel Power is the first book to examine the internal workings of contemporary Hollywood as a politicised industry as well as scores of films across all genres. No matter what the progressive impulses of some celebrities and artists, Alford shows how they are part of a system that is hard-wired to encourage American global supremacy and frequently the use of state violence.
Think of Nelson Algren, and many images come to mind—Chicago's unappreciated genius, champion of the poor and disenfranchised, lover of Simone de Beauvoir, author ofThe Man with the Golden Arm and A Walk on the Wild Side—but the author of a cookbook? Here it is: the never-before-published America Eats, a delightful, thoroughly entertaining look at who we are and what we love to eat.
The origins of America Eats are as fascinating as the book itself. In the late 1930s Nelson Algren joined such writers as Saul Bellow, Richard Wright, Margaret Alexander, and Arna Bontemps in the employ of the Illinois Writers Project, a branch of the federal Works Progress Administration. Algren's assignment: to collect information for the national "America Eats" program, a pioneering enterprise whose members hoped to produce a series of regional guides describing types of immigration, settlement, and customs as these factors related to the universal language of food. Algren completed his project, a look at the foodways of the Midwest, but by the early 1940s the fruits of "America Eats" had been filed away as the government mobilized for war.
Now at long last Algren's America Eats is published as one of the inaugural volumes in the Iowa Szathmáry Culinary Arts Series. This cookbook, part anecdotal history, part culinary commentary, is an engaging romp through the attitudes and activities surrounding food in the Midwest. An enticing and useful feature of the book is an all-new recipe section tested in the kitchens of the Culinary Arts Division of Johnson &Wales University under the watchful eye of Chef Laureate Louis Szathmáry.
Those same interviewing skills that led to Algren's successful depiction of Chicago's inner-city residents served him well as he spoke with a variety of cooks, casual and accomplished, and gathered all kinds of recipes, tried and traditional. Algren recorded it all in his inimitable style, and modern readers are richer for his efforts. From descriptions of the rituals at an Indiana family reunion ("When a slacking off in the first rush of eating is indicated by the gradual resumption of conversation, the servers start a second attack, urging everyone to have another helping of everything") to the holiday specialty on a Minnesota immigrant's table, lutefisk ("Any newcomer present will be assured, 'You won't like it, nobody likes lutefisk at first'"), America Eats offers all readers a true feast.
“Once you’ve become a part of this particular patch, you’ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.”
Ernest Hemingway once said of Nelson Algren’s writing that “you should not read it if you cannot take a punch.” The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its “nobodies nobody knows”: the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.
Upon its original publication in 1951, Algren’s Chicago: City on the Make was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall’s business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city’s breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence.
The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, “the best book about Chicago.”
Al-'Arabiyya is the annual journal of the American Association of Teachers of Arabic and serves scholars in the United States and abroad. Al-'Arabiyya includes scholarly articles and reviews that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy.
Al-'Arabiyya is the annual journal of the American Association of Teachers of Arabic and serves scholars in the United States and abroad. Al-'Arabiyya includes scholarly articles and reviews that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy.
Al-‘Arabiyya is the annual journal of the American Society for Teachers of Arabic. It includes scholarly articles that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy.
The five articles published in Volume 54 of Al-‘Arabiyya contribute to timely topics in their own respective fields within Arabic language: morphosyntax, first language acquisition, heritage speakers, language and medicine, and online technical and scientific terminology portals.
This volume also includes five reviews of books whose contents and scope range from Arabic foreign language pedagogy, Arabic sociolinguistics, Arabic translation in early modern Spain, Islamic architecture and related artistic and cultural history, and to cross-cultural encounters in pre-modern Moroccan and European travel writings.
Al-'Arabiyya is the annual journal of the American Association of Teachers of Arabic and serves scholars in the United States and abroad. Al-'Arabiyya includes scholarly articles and reviews that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy.
The University of Arkansas Press Award for Arabic Literature in Translation, 1997
In this, the first Nubian novel ever translated, Awad Shalali, a Nubian worker in modern Egypt, dreams of Dongola—the capital of medieval Nubia, now lost to the flood waters of the Aswan High Dam. In Dongola, the Nubians reached their zenith. They defeated and dominated Upper Egypt, and their archers, deadly accurate in battle, were renowned as “the bowman of the glance.
Helima, Awad’s wife, must deal with the reality of today’s Nubia, a poverty-stricken bottomland. Men like Awad now work in Cairo for good wages while the women remain at home in squalor, dominated by the Islam of their conquerors and ignorant of the glory now covered by the Nile’s water. Left to tend Awad’s sick mother and his dying country, Halima grows despondent and learns the truths behind the Upper Egyptian lyric: “Time, you are a traitor—what have you done with my love?
Through his characters’ pain and suffering, Idris Ali paints in vibrant detail, with wit and a keen sense of history’s absurdities, the story of cultures and hearts divided, of lost lands, impossible dreams, and abandoned lives.
Using Numbers in Arabic is an invaluable reference for the intermediate to advanced learner of Arabic. The proper use of numbers can often be perplexing for students of the Arabic language. While most Arabic grammars and textbooks include a chapter or discussion on the topic, that coverage is inadequate for serious students, scholars, and researchers.
This guide shows the reader, using clear explanations and examples, exactly how to use cardinal and ordinal numbers in Arabic, from one to the billions and beyond. Each entry features a brief description in English followed by examples in Arabic from actual written and recorded texts; each example is also accompanied by an English translation. All information is based on real-world practice, with helpful citations from literature and media to illustrate each principle. In a second section, the author covers useful number-related topics, such as dates, times, fractions, decimals, and percentages, as well as basic arithmetic functions. While focusing on Modern Standard Arabic, the volume also covers Classical Arabic and describes and illustrates differences between classical and modern practice. The volume’s glossary, bibliography, and index will also be useful to students.
Using Numbers in Arabic is a handy addition to the reference shelf of every serious student of the Arabic language, and it will be welcomed by native speakers with fluency in English interested in a reference on how to render numbers correctly.
In this ethnographic study, the author examines the policies and practices of family planning programs in Egypt to see how an elitist, Western-informed state attempts to create obliging citizens. The state sees voluntary compliance with the law for the common good as the cornerstone of modernity. Family planning programs are a training ground for the construction of self-disciplined individuals, and thus a rewarding area of study for the fate of social programs in developing countries.
Through a careful examination of state-endorsed family planning practices in urban and rural contexts, the author shows us the pervasive, high-pressure persuasion of women, who are encouraged to think as individual decision makers of their immediate families and their national interests. But what of the other forces at work in these women’s lives, binding them to their extended families and to their religious identities? And what of the laws that allow for polygamy and discriminate against women in marriage, inheritance, and as part of the workforce?
These forces operate against the received wisdom of the state. Is the Muslim community thought to end at the borders of Egypt? What about local constructions of masculinity when the state appeals to wives to decide for themselves? How does widespread labor migration to foreign countries affect attitudes toward family planning? How is female contraception viewed by the Islamic Brotherhood and other modern Muslim groups?
This book questions much that we have taken for granted and gives us grounds for reexamining our assumptions about family planning and the individual and state in developing countries such as Egypt.
Recent outbursts sparked by a viral video and controversial cartoons powerfully illustrate the passions and sensitivities that continue to surround the depiction of the seventh-century founder of Islam. The Lives of Muhammad delves into the many ways the Prophet’s life story has been told from the earliest days of Islam to the present, by both Muslims and non-Muslims. Emphasizing the major transformations since the nineteenth century, Kecia Ali shows that far from being mutually opposed, these various perspectives have become increasingly interdependent.
Since the nineteenth century, two separate streams of writing, one hagiographic and the other polemical, have merged into a single, contentious story about the life of Muhammad. Protestant missionaries, European Orientalists, Indian and Egyptian modernists, and American voices across the spectrum, including preachers, scholars, Islamophobes, journalists, academics, and new-age gurus, debated Muhammad’s character and the facts of his life. In the process, texts written symbolically came to be read literally. Muhammad’s accomplishments as a religious and political leader, his military encounters with Meccans and Medinan Jews, and—a subject of perennial interest—his relationships with women, including his young wife Aisha, are among the key subjects writers engaged, repurposing early materials for new circumstances.
Many of the ideas about Muhammad that Muslims embrace today—Muhammad the social reformer, Muhammad the consummate leader, Muhammad the ideal husband—arose in tandem and in tension with Western depictions. These were in turn shaped by new ideas about religion, sexuality, and human accomplishments.
What did it mean to be a wife, woman, or slave in a society in which a land-owning woman was forbidden to lay with her male slave but the same slave might be allowed to take concubines? Jurists of the nascent Maliki, Hanafi, and Shafi‘i legal schools frequently compared marriage to purchase and divorce to manumission. Juggling scripture, precedent, and custom on one hand, and the requirements of logical consistency on the other, legal scholars engaged in vigorous debate. The emerging consensus demonstrated a self-perpetuating analogy between a husband’s status as master and a wife’s as slave, even as jurists insisted on the dignity of free women and, increasingly, the masculine rights of enslaved husbands.
Marriage and Slavery in Early Islam presents the first systematic analysis of how these jurists conceptualized marriage—its rights and obligations—using the same rhetoric of ownership used to describe slavery. Kecia Ali explores parallels between marriage and concubinage that legitimized sex and legitimated offspring using eighth- through tenth-century legal texts. As the jurists discussed claims spouses could make on each other—including dower, sex, obedience, and companionship–they returned repeatedly to issues of legal status: wife and concubine, slave and free, male and female.
Complementing the growing body of scholarship on Islamic marital and family law, Ali boldly contributes to the ongoing debates over feminism, sexuality, and reform in Islam.
"Orange Alert is a poetic and yogic salvo across the bows of our defensive imperial posturing. Kazim Ali's essays leap deftly from homages to avant-garde artists (Yoko Ono, Agnes Martin, John Cage) to awestruck meditations on ancient architecture, from analyses of poets (Jane Cooper, Agha Shahid Ali, Mahmoud Darwish, Lucille Clifton) to twitter aphorisms. Orange Alert is a revelation, a salve, an invitation to breathe again."
---Philip Metres, Associate Professor, Department of English, John Carroll University
"With their delicacy of attention and bold range of subjects, Kazim Ali's essays hold many quiet surprises. In each art he searches for insight and craft---the virtues of his own patient writing."
---Susan Stewart, Chancellor, Academy of American Poets; and Professor, Princeton University
"Kazim Ali's essays, like his poems, are alive with curiosity and humanity. . . . Orange Alert makes a compelling case for the necessity of poetry on a planet wracked by war and devastation."
---Timothy Yu, Associate Professor, English and Asian American Studies, University of Wisconsin-Madison
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Whether he is discussing the way cell phones have altered physical intimacy and introduced new verb forms, or the way Emily Dickinson's mysteries are more clearly revealed in French translation, Kazim Ali is at once clear and complex, rigorous and charming, accessible and demanding.
In Orange Alert, Ali discusses poets including Agha Shahid Ali, Jane Cooper, Bhanu Kapil, Semezdin Mehmedinovic, and Samuel Beckett. He considers painters Agnes Martin and Piet Mondrian, musicians Alice Coltrane and Yoko Ono, and philosophers Slavoj Žižek and Jean Baudrillard. Ali links the poetic endeavor to such diverse texts as Moby-Dick, Battlestar Galactica, and Marilyn Buck's prison journals.
Ali discusses contemporary poetry in relation to other art forms and to contemporary television; film; and electronic media, including the Internet, YouTube, and Facebook.
He shines a light on the intersections between cultures in these essays on the craft of poetry, offering a hand to poets either geographically or metaphorically outside the mainstream of Western culture.
Kazim Ali is the author of two books of poetry, The Far Mosque and The Fortieth Day; two novels, Quinn's Passage and The Disappearance of Seth; and a memoir, Bright Felon: Autobiographyand Cities. He is Assistant Professor of Creative Writing at Oberlin College. He has been a regular columnist for American Poetry Review.
Over the course of more than four decades, contemporary American poet Jean Valentine has written eleven books of stunning, spirit-inflected poetry. This collection of essays, assembled over several years by Kazim Ali and John Hoppenthaler, brings together twenty-six pieces on all stages of Valentine's career by a range of poets, scholars, and admirers.
Valentine's poetry has long been valued for its dreamlike qualities, its touches of the personal and the political, and its mesmerizing phrasing. Valentine is a National Book Award winner and was named the State Poet of New York in 2008. She has taught a number of popular workshops and has been awarded a Bunting Institute Fellowship, a Guggenheim Foundation Fellowship, and the Shelley Memorial Prize.
REVISED AND EXPANDED EDITION
Reveals the multiple independent political tactics and strategies that African Americans have used to expand democracy and uphold civil and political rights since the founding of the nation.
This new edition of Ali’s groundbreaking narrative includes an epilogue by independent political analyst and leader Jacqueline Salit. New material addresses the historic presidencies of both Barack Obama and Donald Trump, as well as the rising tide of independent and anti-party sentiments.
Utah Series in Middle East Studies
In this notable work, Souad T. Ali examines the seminal writings of Egyptian reformist scholar Ali'Abd al-Raziq, often regarded as the intellectual father of Islamic secularism, and his controversial argument that the caliphate should be considered a human innovation, rather than a religious imperative. 'Abd al Raziq contended that Islam is "a religion, not a state; a message, not a government," a major departure from the traditional view that religious and political spheres are intertwined and inseparable in Islam.
Opponents denounced 'Abd al-Raziq's ideas as a foreign corruption imported from the West. Ali's careful, objective, and scholarly examination of 'Abd al-Raziq's work, however, reveals that his arguments are not based in Western thought. Rather, they sit firmly within the dictates of Islam's sacred texts, particularly the Quran and Hadith, and also enjoy considerable support from the historical record.
This analysis critically challenges prevalent misinterpretations of Islam that have endured for centuries. Ali recognizes the varied models and discourses that have arisen throughout different epochs, especially so the role that Western intervention has played in placing the question of Islam's modernity at the forefront of intellectual debate. Throughout, the study emphasizes the atmosphere of openness and tolerance that is a requisite for free, intelligent debate.
Engaging Modernity is Ousseina Alidou’s rich and compelling portrait of Muslim women in Niger as they confront the challenges and opportunities of the twentieth century. Contrary to Western stereotypes of passive subordination, these women are taking control of their own lives and resisting domination from indigenous traditions, westernization, and Islam alike.
Based on thorough scholarly research and extensive fieldwork—including a wealth of interviews—Alidou’s work offers insights into the meaning of modernity for Muslim women in Niger. Mixing biography with sociological data, social theory and linguistic analysis, this is a multilayered vision of political Islam, education, popular culture, and war and its aftermath. A gripping look at one of the Muslim world’s most powerful untold stories.
Runner-up for the Aidoo-Snyder Book Prize, Women’s Caucus of the African Studies Association
Receipient, 2013 Guggenheim Fellowship
Dante’s Vita Nova (circa 1292–1295) depicts the joys and sorrows, the discoveries and conflicts of Dante’s early love for Beatrice—who would achieve later and even greater fame in Commedia—starting with his first sighting of her and culminating in his prevision of Beatrice among the beatified in heaven. Award-winning translator and poet Andrew Frisardi channels the vigor and nuance of Dante’s first masterpiece for a modern audience.
The “little book,” as Dante calls it, consists of thirty-one lyric poems—mostly sonnets—embedded in a prose narrative, which both recounts an apparently autobiographical set of events also evoked in the poems and offers analysis of the poems’ construction in the medieval critical tradition of divisio textus, or division of the text. Dante selected poetry he had written before age twenty-eight or so and wrote the prose to shape it into a story. The poems anthologize Dante’s growth as a poet, from the influence of his earliest mentors to the stylistic and thematic breakthroughs of his poetic coming-of-age.
The interplay of poetry and prose in Vita Nova, along with the further distinction in the latter between autobiography and critical divisioni, presents a particular challenge for any translator. Frisardi faithfully voices the complex meter and rhyme schemes of the poetry while capturing the tone of each of the prose styles. His introduction and in-depth annotations provide additional context for the twenty-first-century reader.
At the midpoint of his life, during Holy Week in 1300, Dante awakes to himself in the middle of a forest so dark that the sun’s light cannot penetrate its gloom. of the wildness and brutality of the woods, Dante cries out for help, and thus begins one of Western literature’s greatest epic journeys.
The Divine Comedy follows Dante the pilgrim—guided by the great Roman poet Virgil, then by the love of his life, Beatrice—as he travels downward through Hell, then upward through Purgatory in order to reach Paradise and witness the love that moves the sun and the stars. Raffel’s translation vividly captures the divine contrapasso, the ultimate case of the punishment the crime, in the Inferno, while fathoming the complexity of the Purgatorio and the ecstasy of the Paradiso.
One of the world’s greatest works of literature, Dante’s Commedia revolutionized poetry and the Italian language. This epic poem was the to be written in the vernacular of the Italian people rather than in Latin. In it, Dante weaves the best of classical literature from Virgil, Statius, Aristotle, and Ovid with staples from the Christian tradition (including the Scriptures, Augustine, and Aquinas), into a colorful medieval tapestry that depicts at once the vividly checkered history of church and empire.
Winner of the United Association for Labor Education Book Award 2021, this is essential reading for everyone who wants to understand the role of Amazon in our economy and society. With Amazon, supply-chain, and unionization in the news, it is both timely and incredibly informative.
Amazon is the most powerful corporation on the planet and its CEO, Jeff Bezos, has become one of the richest individuals in history, and one of the few people to profit from a global pandemic. Its dominance has reshaped the global economy itself: we live in the age of “Amazon Capitalism.”
“One-click” instant consumerism and its immense variety of products has made Amazon a worldwide household name, with over 60% of US households subscribing to Amazon Prime. In turn, these subscribers are surveilled by the corporation. Amazon is also one of the world's largest logistics companies, resulting in weakened unions and lowered labor standards.
The company has also become the largest provider of cloud-computing services and home surveillance systems, not to mention the ubiquitous Alexa.
With cutting-edge analyses, this book looks at the many dark facets of the corporation, including automation, surveillance, tech work, workers' struggles, algorithmic challenges, the disruption of local democracy and much more. The Cost of Free Shipping shows how Amazon represents a fundamental shift in global capitalism that we should name, interrogate, and be primed to resist.
Considering such factors as artistic intention, institutional deployment, critical interpretation, and popular reception, Alinder provides calibrated readings of the photographs from this period. She uncovers the tension between Dorothea Lange's moving and critical images of the camps and the War Relocation Authority's blindly positive captions. She also analyzes Ansel Adams's attempt to combat negative war propaganda through humanizing photographs of Japanese Americans and locates the limits of such a counternarrative in the midst of a national mobilization against Japan.
Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children.
Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.
Modern Iraqi Arabic with MP3 Files is an introductory textbook—suitable for classroom or self-study—for those with no previous knowledge of Arabic or those who know Arabic but want to learn the Iraqi dialect. A detailed discussion of the consonants, vowels, and other characteristics of Iraqi phonetics—including pronunciation exercises on the CD—serves the needs of travelers, businesspeople, diplomats, archaeologists, and scholars who want to learn to speak the language quickly and efficiently.
Using the dialect of middle-class Baghdad, twenty lessons are arranged in a story-like format and are based on everyday travel situations. From arriving at the airport to getting to the hotel, students will learn proper greetings and introductions; how to ask for directions, take a taxi, and tell time; and prepare for daily activities like visiting the bank, museum, post office, and restaurants. The book contains basic dialogue, grammar, vocabulary, drills, and an extensive glossary. A section of idiomatic phrases, accompanied by their cultural, religious, or proverbial explanations, offers insight into current Iraqi culture.
NEW TO THIS EDITION: • Arabic script has been added so the reader has a choice of following the Arabic writing or the transcription in the Roman alphabet. • Four entirely new lessons cover medical care, media (radio, television, and journalism), telephone conversations, and cultural and folkloric tales. • All audio materials from the first edition—plus new audio materials for the new lessons—are included as MP3 files on a CD bound into the book.
A surge of African American enrolment and student activism brought Black Studies to many US campuses in the 1960s. Sixty years later, Black Studies programs are taught at more than 1,300 universities worldwide. This book is the first history of how that happened.
Black Studies founder and movement veteran Abdul Alkalimat offers a comprehensive history of the discipline that will become a key reference for generations to come. Structured in three broadly chronological sections - Black Studies as intellectual history; as social movement; and as academic profession - the book demonstrates how Black people themselves established the field long before its institutionalization in university programs.
At its heart, Black Studies is profoundly political. Black Power, the New Communist Movement, the Black women’s and students’ movements – each step in the journey for Black liberation influenced and was influenced by this revolutionary discipline.
Organized alphabetically as a reference guide, this volume provides a biographical sketch of each architect's life, education, and professional career, and a list of known works and sources for further research. Many of these remarkable women have never before appeared in any other history, making The First American Women Architects a unique and invaluable reference for students and scholars interested in women's history and architecture. As an instructive record of the legacy of women in architectural history, this book will also serve as a stimulating indicator of the broadening potential for women and other minorities within the field of architecture.
The twentieth century was the most destructive in human history, but from its vast landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. This movement was motivated by hopeful idealism as much as by a pragmatic belief in bureaucracy. An evolving group—including architects, intellectuals, art historians, archaeologists, curators, and lawyers—grew out of the new diplomacy of the League of Nations. During and after World War II, it became affiliated with the Allied Military Government, and was eventually absorbed by the UN as UNESCO. By the 1970s, this organization had begun granting World Heritage status to a global register of significant sites—from buildings to bridges, shrines to city centers, ruins to colossi.
Examining key episodes in the history of this preservation effort—including projects for the Parthenon, for the Cathedral of St-Lô, the temples of Abu Simbel, and the Bamyian Buddahs —Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture. More than the story of an emergent canon, Designs of Destruction emphasizes how the technical project of ensuring various buildings’ longevity jolted preservation into establishing a transnational set of codes, values, practices. Yet as entire nations’ monumental geographies became part of survival plans, Allais also shows, this paradoxically helped integrate technologies of destruction—from bombs to bulldozers—into cultural governance. Thus Designs of Destruction not only offers a fascinating narrative of cultural diplomacy, based on extensive archival findings; it also contributes an important new chapter in the intellectual history of modernity by showing the manifold ways architectural form is charged with concretizing abstract ideas and ideals, even in its destruction.
The essential work from the Nobel Prize-winning virtuoso of twentieth-century economics, translated to English for the first time.
Few scholars advanced the frontier of economic modeling more than French economist Maurice Allais. Allais’s contributions—beyond his famous Allais’s Paradox—earned him the Nobel Prize and drew comparisons to the works of Paul Samuelson and even some modern mathematical behavioral economists.
Allais’s accomplishments, however, went largely unread by non-Francophone readers due to the challenge of their translation for publishers. The effects of this gap are immeasurable. As Paul Samuelson wrote, “Had Allais's earliest writings been in English, a whole generation of economic theory would have taken a different course.”
Economy and Interest is the milestone translation of Allais's most influential work, one whose staggering findings predate their accepted formulations by other famed economists decades later. In its sweep and technical virtuosity, Economy and Interest is certain to delight and challenge new generations of English-language readers.
***Winner of an English PEN Award 2021***
During the 1948 war more than 750,000 Palestinian Arabs fled or were violently expelled from their homes by Zionist militias. The legacy of the Nakba - which translates to ‘disaster’ or ‘catastrophe’ - lays bare the violence of the ongoing Palestinian plight.
Voices of the Nakba collects the stories of first-generation Palestinian refugees in Lebanon, documenting a watershed moment in the history of the modern Middle East through the voices of the people who lived through it.
The interviews, with commentary from leading scholars of Palestine and the Middle East, offer a vivid journey into the history, politics and culture of Palestine, defining Palestinian popular memory on its own terms in all its plurality and complexity.
This book explores an aspect of organizational life that is at times difficult to acknowledge and often painful to recall. Stories invite reflection and the development of greater understanding of organizational dynamics. This fresh scholarship provides a theoretical framework for discussion. Throughout this book, Allcorn and Stein utilize a psychoanalytically informed perspective to help readers understand why a leader, colleague or friend behaves in ways that are destructive of others and the organization and provides a basis for organizations to survive and thrive in a dysfunctional workplace.
The personal history of journalist Henri Alleg is tied inextricably to the history of the French-Algerian Conflict. Best known for his book The Question, a first-hand account of his torture by French troops during the Algerian war for independence, Alleg is famous both for having brought the issue of French torture to the public eye and for his passionate work as a writer, a newspaperman, and a communist activist.
Filled with varied and eye-opening perspectives, Latin American Migrations to the U.S. Heartland reveals how identities, economies, and geographies are changing as Latin Americans adjust to their new homes, jobs, and communities.
Contributors: Linda Allegro, Tisa M. Anders, Scott Carter, Caitlin Didier, Miranda Cady Hallett, Edmund Hamann, Albert Iaroi, Errol D. Jones, Jane Juffer, László J. Kulcsár, Janelle Reeves, Jennifer F. Reynolds, Sandi Smith-Nonini, and Andrew Grant Wood.
An in-depth look at the diverging paths of Vietnamese American communities, or “Little Saigons,” in America’s built environment.
In the final days before the fall of Saigon in 1975, 125,000 Vietnamese who were evacuated or who made their own way out of the country resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as Little Saigons, these built landscapes offer space for everyday activities as well as the staging of cultural heritage and political events.
Building Little Saigon examines nearly fifty years of city building by Vietnamese Americans—who number over 2.2 million today. Author Erica Allen-Kim highlights architecture and planning ideas adapted by the Vietnamese communities who, in turn, have influenced planning policies and mainstream practices. Allen-Kim traveled to ten Little Saigons in the United States to visit archives, buildings, and public art and to converse with developers, community planners, artists, business owners, and Vietnam veterans. By examining everyday buildings—who made them and what they mean for those who know them—Building Little Saigon shows us the complexities of migration unfolding across lifetimes and generations.
European historians have noted the prominent role of the maternal ethic -- the idea that woman's role as mother extends into society as a whole -- in the theory and practice of German feminism from 1840 to 1914. This body of ideas, however, has seldom been taken seriously. German feminism has been interpreted as a political strategy, not as an intellectual tradition. Historians have portrayed German feminists as conservative, in contrast to their liberal counterparts in other countries who were more likely to campaign for equal rights. Ann Allen revises these views by analyzing German feminism as an attempt to create a symbolic framework for understanding the world rather than simply to attain practical results. She examines the relationship between the experiences of individual female activists and the evolving intellectual traditions of German culture and of international feminism.
Women thought their maternal role led to empowerment and ethical authority. The role gave them the legitimacy to give speeches, to organize reform movements, and to build feminist institutions. They campaigned for infant welfare and the expansion of state responsibility for the welfare of mothers and children. German feminists responded to central public issues, including revolution, national unification, and urbanization. They worked to transform both public and private worlds by extending their ethical values, developed in the family, to political and social issues.
To make her argument, Allen examines the lives and work of the women who were important to the history of German feminism. They centered their careers on issues relating to motherhood and childcare. Allen relates their stories to a broader theme: the relationship of women's experience, under specific historical conditions, to the development of feminist ideology and practice.
Allen assesses the historical significance of German feminism in the context of German history and of similar feminist movements in other countries, particularly the U.S. Allen calls for the ideas of German feminists to be judged with reference to the specific, local conditions under which they developed, rather than to essentialist notions of feminism. Some historians have identified equal rights ideologies as progressive and maternalist ones as conservative. But the women themselves did not perceive the antithesis between these two forms of ideology.
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