The major humanitarian crises of recent years are well known: the Shoah, the killing fields of Cambodia, the Rwandan genocide, the massacre in Bosnia, and the tsunami in Southeast Asia, as well as the bloody conflicts in South Sudan, Syria, and Afghanistan. Millions have been killed and many millions more have been driven from their homes; the number of refugees and internally displaced persons has reached record levels. Could these crises have been prevented? Why do they continue to happen? This book seeks to understand how humanity itself is in crisis, and what we can do about it.

Hollenbach draws on the values that have shaped major humanitarian initiatives over the past century and a half, such as the commitments of the International Committee of the Red Cross, Oxfam, Doctors Without Borders, as well as the values of diverse religious traditions, including Catholicism, to examine the scope of our responsibilities and practical solutions to these global crises. He also explores the economic and political causes of these tragedies, and uncovers key moral issues for both policy-makers and for practitioners working in humanitarian agencies and faith communities.

Humanity: Texts and Contexts is a record of the 2007 Singapore “Building Bridges” seminar, an annual dialogue between Muslim and Christian scholars cosponsored by Georgetown University and the Archbishop of Canterbury. This volume explores three central questions: What does it mean to be human? What is the significance of the diversity that is evident among human beings? And what are the challenges that humans face living within the natural world?

A distinguished group of scholars focuses on the theological responses to each of these questions, drawing on the wealth of material found in both Christian and Islamic scriptures. Part one lays out the three issues of human identity, difference, and guardianship. Part two explores scriptural texts side by side, pairing Christian and Islamic scholars who examine such themes as human dignity, human alienation, human destiny, humanity and gender, humanity and diversity, and humanity and the environment. In addition to contributions from an international cast of outstanding scholars, the book includes an afterword by Archbishop Rowan Williams.

Name any valued human trait—intelligence, wit, charm, grace, strength—and you will find an inexhaustible variety and complexity in its expression among individuals. Yet we insist that such diversity does not provide grounds for differential treatment at the most basic level. Whatever merit, blame, praise, love, or hate we receive as beings with a particular past and a particular constitution, we are always and everywhere due equal respect merely as persons.

But why? Most who attempt to answer this question appeal to the idea that all human beings possess an intrinsic dignity and worth—grounded in our capacities, for example, to reason, reflect, or love—that raises us up in the order of nature. Andrea Sangiovanni rejects this predominant view and offers a radical alternative.

To understand our commitment to basic equality, Humanity without Dignity argues that we must begin with a consideration not of equality but of inequality. Rather than search for a chimerical value-bestowing capacity possessed to an equal extent by each one of us, we ought to ask: Why and when is it wrong to treat others as inferior? Sangiovanni comes to the conclusion that our commitment to moral equality is best explained by a rejection of cruelty rather than a celebration of rational capacity. He traces the impact of this fundamental shift for our understanding of human rights and the norms of anti-discrimination that underlie it.

Human-robot collaboration (HRC) is a widely studied research topic that investigates how humans and robots can work together and achieve a common goal. Over the past few years, HRC has created exciting new applications for robots that can revolutionize manufacturing and introduce them to entirely different domains such as healthcare and agriculture. It is an interdisciplinary research area comprising robotics, artificial intelligence, design and cognitive sciences.

Surveys the representations and constructions of the human being in American art.
 
Humans are organisms, but “the human being” is a term referring to a complicated, self-contradictory, and historically evolving set of concepts and practices. Humans explores competing versions, constructs, and ideas of the human being that have figured prominently in the arts of the United States. These essays consider a range of artworks from the colonial period to the present, examining how they have reflected, shaped, and modeled ideas of the human in American culture and politics. The book addresses to what extent artworks have conferred more humanity on some human beings than others, how art has shaped ideas about the relationships between humans and other beings and things, and in what ways different artistic constructions of the human being evolved, clashed, and intermingled over the course of American history. Humans both tells the history of a concept foundational to US civilization and proposes new means for its urgently needed rethinking.
 

This book deals with peoples’ practices, perceptions, emotions and feelings towards aquatic animals, their ecosystems and nature on the early modern Atlantic coasts by addressing exploitation, use, fear, empathy, otherness, and indifference in the relationships established with aquatic environments and resources by Indigenous Peoples and Europeans. It focuses on large aquatic fauna, especially manatees (but also sharks, sea turtles, seals, and others) as they were hunted, consumed, venerated, conceptualised, and recorded by different societies across the early colonial Americas and West Africa. Through a cross-cultural approach drawing on concepts and analytical methods from marine environmental history, the blue humanities and animal studies, this book addresses more-than-human systems where ecologies, geographies, cosmogonies, and cultures are an entangled web of interdependencies.

Throughout history and in all places, animals have been an essential part of human culture. They have been hunted and domesticated, studied and mythologized, feared and loved. Our complicated relationships with other animals have repeatedly found expression in art, literature, religion, and science.

In 1995 the New School for Social Research sponsored a landmark conference to explore human/animal interactions. Published as a special issue of the journal Social Research (under the title In the Company of Animals), this collection is now available for the first time in a book edition.

Humans and Other Animals is about the myriad and evolving ways in which humans and animals interact, the divergent cultural constructions of humanity and animality found around the world, and individual experiences of other animals.

Samantha Hurn explores the work of anthropologists and scholars from related disciplines concerned with the growing field of anthrozoology. Case studies from a wide range of cultural contexts are discussed, and readers are invited to engage with a diverse range of human-animal interactions including blood sports (such as hunting, fishing and bull fighting), pet keeping and ‘petishism’, eco-tourism and wildlife conservation, working animals and animals as food. The idea of animal exploitation raised by the animal rights movements is considered, as well as the anthropological implications of changing attitudes towards animal personhood, and the rise of a posthumanist philosophy in the social sciences more generally.

Key debates surrounding these issues are raised and assessed and, in the process, readers are encouraged to consider their own attitudes towards other animals and, by extension, what it means to be human.

A sweeping narrative history of the Atlantic slave trade and slavery in the Americas.
 
During the era of the Atlantic slave trade, more than twelve million enslaved Africans were forcibly transported to the Americas in cramped, inhuman conditions. Many of them died on the way, and those who survived had to endure further suffering in the violent conditions that met them on shore. Covering more than three hundred years, Humans in Shackles grapples with this history by emphasizing the lived experience of enslaved people in tracing the long, complex history of slavery in the Americas.
 
Based on twenty years of research, this book not only serves as a comprehensive history; it also expands that history by providing a truly transnational account that emphasizes the central role of Brazil in the Atlantic slave trade. It is also deeply informed by African history, and it shows how African practices and traditions survived and persisted in the Americas among communities of enslaved people. Drawing on primary sources including travel accounts, pamphlets, newspaper articles, slave narratives, and visual sources including both artworks and artefacts, Araujo illuminates the social, cultural, and religious lives of enslaved people working in plantations and urban areas; building families and cultivating affective ties; congregating and recreating their cultures; and organizing rebellions.
 
Humans in Shackles puts the lived experiences of enslaved peoples at the center of the story and investigates the heavy impact these atrocities had on the current wealth disparity of the Americas and rampant anti-Black racism.

In this original study by Cesáreo Bandera, the intimate connection between the simplicity and humility of the story and its greatness is explored. Other comparisons are also made: the story of the picaresque rogue, on the one hand, and the psychological insights of the pastoral novel, on the other.

The first signed literature in the world is on cuneiform tablets written in 2350 BCE in Sumeria, and it is by a woman. Dr. Cass Dalglish translated the cuneiform of Enheduanna. She was a powerful Sumerian prince in 2350 BCE and her work, Nin-me-sar-ra, begged the god Inanna (who was the first to enter the underworld and return from the dead) for help overcoming an usurper. Adopting a jazz aesthetic, Dalglish improvises on her translations; re-examining the cuneiform through feminist lenses. Enheduanna is not just any writer, she is the first identifiable poet to sign her writing. Lyrically translated from the original cuneiform by Cass Dalglish, the relevance of Enheduanna’s Song to Inanna echoes across millennia as a testament to the timeless power of women’s literature. Giving fresh interpretations to the originals, these poems form rhythmic riffs—like jazz musical improvisations—that carry the reader back to the lands of ancient Iraq during the time when gods were women.

Complete with recipes, a mouthwatering look at the complicated origins and rise of the world’s favorite garbanzo bean spread and dip.
 
This is a global history of hummus bi-tahina, the delicious combination of chickpeas, tahini, lemon, and garlic that we know and love as hummus. The story begins in the medieval kitchens of the Near and Middle East and culminates with hummus’s rise in popularity in the Western world at the end of the twentieth century. This book also addresses the international controversy over ownership of the dish and illustrates the extent to which hummus has been embraced by Western food culture today. Though other Mediterranean dishes have become popular in the West, none can be compared to hummus, which can be found in any supermarket and in vast numbers of eating establishments. Hummus has become a global phenomenon and our very favorite dip.

This volume is about puppetry, an expression of popular and folk culture which is extremely widespread around the world and yet has attracted relatively little scholarly attention. Puppetry, which is intended for audiences of adults as well as children, is a form of communication and entertainment and an esthetic and artistic creation. Of the many aspects of puppetry worthy of scholarly study, this book's focus is on a central and dominant feature--humor and comedy.

Dutch cinema, when discussed, is typically treated only in terms of pre-war films or documentaries, leaving post-war fictional film largely understudied. At the same time, a "Hollandse school," a term first coined in the 1980s, has developed through deadpan, ironic films like those of director and actor Alex van Warmerdam. Using seminal theories on humour and comedy, this book explores a number of Dutch films using the notion of categories, such as low-class comedies, neurotic romances, deliberate camp, and grotesque satire. With its original approach, this study makes surprising connections between Dutch films from various decades.

Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous “Red Books,” Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate, structured, and formal landscapes of the Victorian age. This lavishly illustrated book, based on a wealth of new research, reinterprets Repton’s life, working methods, and designs, and examines why they proved so popular in a rapidly changing world.

This publication reproduces all the text pages and illustrations from the two Red Books in the collection of the Garden Library at Dumbarton Oaks; that for Brandsbury, produced in 1789 as the first Red Book, and the one for Glemham Hall, produced in 1791.

On December 26, 2004, giant tsunami waves destroyed communities around the Indian Ocean, from Indonesia to Kenya. Beyond the horrific death toll, this wall of water brought a telling reminder of the interconnectedness of the many countries on the ocean rim, and the insignificance of national boundaries. A Hundred Horizons takes us to these shores, in a brilliant reinterpretation of how culture developed and history was made at the height of the British raj.

Between 1850 and 1950, the Indian Ocean teemed with people, commodities, and ideas: pilgrims and armies, commerce and labor, the politics of Mahatma Gandhi and the poetry of Rabindranath Tagore were all linked in surprising ways. Sugata Bose finds in these intricate social and economic webs evidence of the interdependence of the peoples of the lands beyond the horizon, from the Middle East to East Africa to Southeast Asia.

In following this narrative, we discover that our usual ways of looking at history--through the lens of nationalism or globalization--are not adequate. The national ideal did not simply give way to inevitable globalization in the late twentieth century, as is often supposed; Bose reveals instead the vital importance of an intermediate historical space, where interregional geographic entities like the Indian Ocean rim foster nationalist identities and goals yet simultaneously facilitate interaction among communities.

A Hundred Horizons merges statistics and myth, history and poetry, in a remarkable reconstruction of how a region's culture, economy, politics, and imagination are woven together in time and place.

The Republic of Turkey was founded a hundred years ago on 29 October 1923. Turkey holds a unique position between Europe and the Middle East. It continues to captivate international attention, evoking hopes and fears in the hearts and minds of contemporary observers. As a critical commemoration of its centenary, this book presents a mosaic of one hundred carefully curated fragments by expert authors, shedding light on politics, economy, society, culture, gender, and arts in a hundred years of Turkey. Each fragment offers a glimpse into a specific aspect of Turkey’s development, revealing the complexities of Turkey’s historical reality. Through exhibiting a diverse range of historical sources like laws, speeches, essays, letters, newspaper articles, poems, songs, memoirs, photos, posters, maps, and diagrams, each fragment brings the voices and images of Turkey’s past and present to readers. A Hundred Years of Republican Turkey: A History in a Hundred Fragments is an invaluable resource for researchers, educators, students, and anyone interested in Turkey’s fascinating history since 1923.

This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. A companion to the author's An Introductory Bibliography to the Study of Hungarian Literature, this volume contains over 4500 numbered entries which report on the first and later editions of the works of 162 authors. Mr. Tezla has included the major figures from each literary period and has based his selection of authors on the importance of their original writings to the development of this national literature. Significant authors who established substantial careers in Hungary and continued to write after their emigration are also represented in this comprehensive volume, as are a number of figures of secondary literary import.

Mr. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides as well observations on the writings of the author and his place in Hungarian literature and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.

As a means of helping the reader obtain titles through inter-library loan or through photographic processes, Mr. Tezla also includes location symbols for numbered items known to be available in selected libraries in the United States and Europe. Five appendixes, a glossary, and indexes provide additional bibliographic tools for both the beginning student and the advanced scholar researching Hungarian literature. The work is invaluable also as a buying guide for libraries seeking to develop a Hungarian collection.

What does it mean for someone or something to be Hungarian? People in Hungary grappled with this far-reaching question in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at films with an eye to that question, too. Did the Hungary seen on screen represent the Hungary they knew from everyday life? And-crucially-did the major role played by Jewish Hungarians in the film industry make the sector and its creations somehow Jewish rather than Hungarian? Jews, it was soon decided, could not really be Hungarian, and acts of Parliament soon barred them from taking major roles in cinema production. This book tells the troubled story of that period in Hungarian cinematic history, taking it up through World War II.

Hunger is as old as history itself. Indeed, it appears to be a timeless and inescapable biological condition. And yet perceptions of hunger and of the hungry have changed over time and differed from place to place. Hunger has a history, which can now be told.

At the beginning of the nineteenth century, hunger was viewed as an unavoidable natural phenomenon or as the fault of its lazy and morally flawed victims. By the middle of the twentieth century, a new understanding of hunger had taken root. Across the British Empire and beyond, humanitarian groups, political activists, social reformers, and nutritional scientists established that the hungry were innocent victims of political and economic forces outside their control. Hunger was now seen as a global social problem requiring government intervention in the form of welfare to aid the hungry at home and abroad. James Vernon captures this momentous shift as it occurred in imperial Britain over the past two centuries.

Rigorously researched, Hunger: A Modern History draws together social, cultural, and political history in a novel way, to show us how we came to have a moral, political, and social responsibility toward the hungry. Vernon forcefully reminds us how many perished from hunger in the empire and reveals how their history was intricately connected with the precarious achievements of the welfare state in Britain, as well as with the development of international institutions, such as the United Nations, committed to the conquest of world hunger. All those moved by the plight of the hungry will want to read this compelling book.

The phenomenon of voluntary self-starvation—whether by political hunger strikers or lone anorexics—is a puzzle of engrossing power, suggesting a message more resonant and radical than any uttered aloud. In this fascinating phenomenology, Maud Ellmann teases out this message, its genesis, expression, and significance. How, she asks, has the act of eating become the metaphor for compliance, starvation the language of protest? How does the rejection of food become the rejection of intolerable social constraints—or of actual imprisonment? What is achieved at the culmination of such a protest—at the moment of death? Ellmann brilliantly unravels the answers; they lie, she shows, in the inverse relationship between bodily hunger and verbal expression, especially the written word.

Ellmann explores Yeats's idea of hunger as the food of poetry, Dickinson's belief that by abjuring food one could subsist as a god, and the dramatic messages of our century of starvers from Mahatma Ghandi to Jane Fonda. Central to her discussion is a striking comparison between the Irish Hunger Strike of 1981 and the plot of Richardson's Clarissa, in which a young woman starves to death in penance for—or, perhaps, revenge against—her rape. Both cases exhibit an extreme abundance of written words in the face of diminishing flesh.

The Hunger Artists plumbs this vampirical feeding of words on flesh, revealing strange and undeniable affinities between the labor of starvation and the birth of letters, diaries, poems, books. Ellmann works in the spirit of Kafka, who, emaciating his prose, slimmed the weighty nineteenth-century novel into compelling short tales; her prose is crisp, her message clear. She takes the bodily metaphors to their literal conclusion, to the death beds of Clarissa Harlowe and Bobby Sands, and thereby allows those bodies and those metaphors to speak to us anew.

“A searing memoir about growing up behind the Iron Curtain, motherhood, addiction, and finding sustenance in the natural world.” —Kirkus

In The Hunger Book, Agata Izabela Brewer evokes her Polish childhood under Communism, where the warmth of her grandparents’ love and the scent of mushrooms drying in a tiny apartment are as potent as the deprivations and traumas of life with a terrifyingly unstable, alcoholic single mother. Brewer indelibly renders stories of foraging for food, homemade potato vodka (one of the Eastern Bloc’s more viable currencies), blood sausage, sparrows plucked and fried with linseed oil, and the respite of a country garden plot, all amid Stalinist-era apartment buildings, food shortages, martial law, and nuclear disaster in nearby Ukraine.

Brewer reflects on all of this from her immigrant’s vantage point, as she wryly tries to convince her children to enjoy the mushrooms she gathers from a roadside and grieves when they choose to go by Americanized versions of their Polish names. Hunting mushrooms, like her childhood, carried both reward and mortal peril. The Hunger Book, which includes recipes, is an unforgettable meditation on motherhood and addiction, resilience and love.

The years 2002–2003 marked the seventieth anniversary of the man-made famine inflicted on Ukraine and surrounding areas by Stalin’s Soviet leadership. The Harvard Ukrainian Research Institute commemorated the anniversary with a symposium in October 2003 titled “The Ukrainian Terror-Famine of 1932–1933: Revisiting the Issues and the Scholarship Twenty Years after the HURI Famine Project.” This volume contains some of the papers presented at the symposium (previously published in Harvard Ukrainian Studies volume 25, no. 3/4), including Sergei Maksudov’s large-scale demographic study drawing on available documents of the era; Niccolo Pianciola’s description of the denomadization famine in Kazakhstan from 1931 to 1933; and Gijs Kessler’s study of events in the Urals region from the same period. Also included in this volume are Andrea Graziosi’s remarks on the present state of Famine scholarship and how it addresses the question of genocide, Hennadii Boriak’s assessment of the current state of source material, and an essay by George Grabowicz on the legacy of the Famine in Ukraine today.

The first of its kind, A Hunger So Wide and So Deep challenges the popular notion that eating problems occur only among white, well-to-do, heterosexual women. Based on in-depth life history interviews with African-American, Latina, and lesbian women, Becky Thompson's book chronicles the effects of racism, poverty, sexism, acculturation, and sexual abuse on women's bodies and eating patterns. By demonstrating how these girls and women use eating to "make a way outa no way," A Hunger So Wide and So Deep dispels popular stereotypes of anorexia and bulimia as symptoms of vanity and stresses the risks of mislabeling what is often a way of coping with society's own disorders. With its multicultural focus, this book not only brings women of color and lesbians into our picture of eating problems, but also clears up many demeaning and sexist ideas about these problems among white women. By featuring the creative ways in which women have changed their unwanted eating patterns and regained trust in their bodies and appetites, the author offers a message of hope and empowerment that applies across race, class, and sexual preference. "Becky W. Thompson has provided a rigorous and impassioned study of eating problems, casting a special light on the experiences of women of color. Linking unhealthy eating patterns to the oppression women suffer in a society both sexist and racist, Thompson breaks new ground and offers hope for the multitudes of women who have swallowed their pain." Evelyn C. White, editor, The Black Women's Health Book "Thompson is making an important contribution to the field of eating disorders. The diversity of these women's experiences makes it particularly crucial that we hear their perspectives. Thompson's work should help us to reevaluate our assumptions about race, ethnicity, sexism, and violence in the etiology and maintenance of eating problems." Eating Disorders: The Journal of Treatment and Prevention "Compelling stories appear in her book." San Jose Mercury News "Eating disorders have been a disastrous and dangerous problem for women for decades. A Hunger So Wide and So Deep sheds light on the seldom-noted fact that eating disorders do not discriminate. A Hunger So Wide and So Deep should be read by all women with eating disorders, parents who want to raise healthy children, and friends, lovers, spouses, and siblings of the women who struggle with eating disorders." Hispania News "In a Hunger So Wide and So Deep, psychologist Becky Thompson refutes this media image of the victims of eating disorders and builds a foundation for an entirely different perception of what causes these diseases. Her results are both surprising and alarming. Thompson argues-quite convincingly-that eating disorders happen most frequently in women of color, lesbians, and women under severe economic distress. Hunger is stuffed full of footnotes and references to statistics, studies, psychological profiles and other data to bolster her well-reasoned argument that eating disorders are most often caused by a post-traumatic stress disorder (PTSD) response to racism, sexism, homophobia and other abuses suffered by women. Thompson's theories are complicated but never murky and are presented in a clearly delineated manner that never deteriorates into academese. Hunger refutes an enormous number of popularly held theories about eating disorders. Thompson's research belies the notion that it is teens and college students who are most at risk for these diseases; according to Thompson's studies, women in their 30s are the most frequent victims of eating disorders. And her most potent find, that non-white, non-heterosexual women are also frequent victims means a total redefinition of what these illnesses are about. Thompson urges a second look at our national obsession with weight and proffers theories and practices that could save the lives of women of all colors and sexual orientations." Lambda Book Report "A Hunger So Wide and So Deep is a wonderful book: gripping, creative and profoundly humane. In lucid prose Becky Thompson offers an original explanation for women's eating problems. She argues that many women turn to food-bingeing, dieting, purging, or starving- as a sensible means of coping with physical and psychic 'atrocities' deriving from 'racism, sexism, homophobia, classism, the stress of acculturation, and emotional, physical, and sexual abuse.' Thompson breaks new ground by examining the experiences of lesbians, women of color and working-class women. Her inclusive approach produces a serious challenge to the stereotype that eating problems stem primarily from a concern with thinness." Women's Review of Books "In addition to an excellent analysis of the issues, we get a real sense of each of the women she interviewed. Although well documented and an asset to other researchers, the book is also accessibly written and an important read for anyone who wants to understand more about eating problems and women's bodies." Body Image Task Force Newsletter "Becky Thompson criticizes current feminist theory on women and eating disorders for utilizing gender almost exclusively as the category of analysis, ignoring race, class, and sexuality. She demonstrates that women of color and women of many classes and sexual orientations can be included in feminist analyses in a more meaningful way than simply saying 'these groups are affected, too'." Feminist Collections "Thompson's A Hunger So Wide and So Deep provides a bridge between the micro- and macroanalyses of eating disorders. Thompson's is the only study to my knowledge that deals systematically with race and sexualities, and it is this diversity of interviewees as well as Thompson's careful listening that shapes her analysis. More than even the feminist therapists, Thompson allows her interviewees to tell their stories. Most significant, Thompson derives her theory of disturbed eating from the stories the women told, while not reducing the behavior to personal problems." NWSA Journal "This book offers a message of hope and empowerment across race, class and sexual orientation. This book represents the postmodern challenge to us all: to question the dominant stories and pay attention to each individual's knowledge about her own life. It has been refreshing to read this book and, using these descriptions with others I see, to bring help and vision from one woman to another." Journal of Feminist Family Therapy Becky W. Thompson is an assistant professor of sociology at the Center for Research on Women at the University of Memphis and coeditor (with Sangeeta Tyagi) of Beyond a Dream Deferred: Multicultural Education and the Politics of Excellence. She is the author of A Promise and a Way of Life: White Antiracist Activism and Mothering without a Compass: White Mother's Love, Black Son's Courage.

Millions of immigrants were drawn to American shores, not by the mythic streets paved with gold, but rather by its tables heaped with food. How they experienced the realities of America’s abundant food—its meat and white bread, its butter and cheese, fruits and vegetables, coffee and beer—reflected their earlier deprivations and shaped their ethnic practices in the new land.

Hungering for America tells the stories of three distinctive groups and their unique culinary dramas. Italian immigrants transformed the food of their upper classes and of sacred days into a generic “Italian” food that inspired community pride and cohesion. Irish immigrants, in contrast, loath to mimic the foodways of the Protestant British elite, diminished food as a marker of ethnicity. And East European Jews, who venerated food as the vital center around which family and religious practice gathered, found that dietary restrictions jarred with America’s boundless choices.

These tales, of immigrants in their old worlds and in the new, demonstrate the role of hunger in driving migration and the significance of food in cementing ethnic identity and community. Hasia Diner confirms the well-worn adage, “Tell me what you eat and I will tell you what you are.”

Hunger is universal among animals. It has been more thoroughly studied in the black blowfly than virtually any other creature except, possibly, man and the white rat. This book is an exploration of what we mean when we say that an animal is "hungry"; it analyzes the ethological concepts of motivation and drive as tested in extensive and elegant experiments on blowflies. The fly, then, is incidental; concepts and experimental techniques for evaluating them are the main subject.

With a clarity and wit rarely found in scientific prose, the author tells the story of all the research that has been carried out with the blowfly. In so doing, he traces the development of ideas and methods employed in experimental physiology. He illustrates an approach to the study of animal behavior that is based upon analysis of underlying mechanisms.

And yet, there is much to learn about flies from this book. It is the most complete book on blowfly physiology, exclusive of endocrinology; thus entomologists will find it indispensable. Sensory physiologists will discover that it details all the classic and contemporary work on the chemical senses of insects. Behavioral biologists will want it as an analytical case history of feeding behavior. Physiological psychologists will encounter a discussion of familiar problems—solved by quite a different evolutionary approach than the rat's. And the general reader interested in animals will find a readable and entertaining view of one of the most challenging branches of biology. With this book, the blowfly joins the herring gull as one of the most accessible and understandable—and even likeable—of animal species.

Despite American education’s recent mania for standardized tests, testing misses what really matters about learning: the desire to learn in the first place. Curiosity is vital, but it remains a surprisingly understudied characteristic. The Hungry Mind is a deeply researched, highly readable exploration of what curiosity is, how it can be measured, how it develops in childhood, and how it can be fostered in school.

“Engel draws on the latest social science research and incidents from her own life to understand why curiosity is nearly universal in babies, pervasive in early childhood, and less evident in school…Engel’s most important finding is that most classroom environments discourage curiosity…In an era that prizes quantifiable results, a pedagogy that privileges curiosity is not likely to be a priority.”
—Glenn C. Altschuler, Psychology Today

“Susan Engel’s The Hungry Mind, a book which engages in depth with how our interest and desire to explore the world evolves, makes a valuable contribution not only to the body of academic literature on the developmental and educational psychology of children, but also to our knowledge on why and how we learn.”
—Inez von Weitershausen, LSE Review of Books

“A literary page-turner. . . . Part Cormac McCarthy, part Tom Drury and Raymond Chandler, Kapcala has created a voice all his own.” —Brian Castleberry

One October night in the depressed steel town of Lodi, Ohio, two police officers respond to a call about trespassers in the derelict Lodi Steel machine shop. A chase through the crumbling cathedral of steel columns launches a chain of events that will test the officers’ partnership and leave a boy to fend for himself in a decaying Rust Belt neighborhood choked by joblessness, boredom, and addiction.

On the opposite end of town, a young woman steps out of a rust-bucket Grand Marquis into an all-night diner. Instead of luggage, she carries mementos: an ankh tattoo she inked herself and a wallet-sized photograph of a boy who disappeared. She doesn’t realize her ex-boyfriend has hired two brothers to track her down and bring her back, by any means necessary.

The complex female leads of Hungry Town, with its sharp dialogue and poetic sensibility, turn classic noir and cop drama tropes on their heads. These morally complicated characters weave in and out of each other’s lives, sometimes violently, sometimes with surprising compassion.

Food was a critical front in the Cold War battle for Asia. “Where Communism goes, hunger follows” was the slogan of American nation builders who fanned out into the countryside to divert rivers, remodel villages, and introduce tractors, chemicals, and genes to multiply the crops consumed by millions. This “green revolution” has been credited with averting Malthusian famines, saving billions of lives, and jump-starting Asia’s economic revival. Bono and Bill Gates hail it as a model for revitalizing Africa’s economy. But this tale of science triumphant conceals a half century of political struggle from the Afghan highlands to the rice paddies of the Mekong Delta, a campaign to transform rural societies by changing the way people eat and grow food.

The ambition to lead Asia into an age of plenty grew alongside development theories that targeted hunger as a root cause of war. Scientific agriculture was an instrument for molding peasants into citizens with modern attitudes, loyalties, and reproductive habits. But food policies were as contested then as they are today. While Kennedy and Johnson envisioned Kansas-style agribusiness guarded by strategic hamlets, Indira Gandhi, Marcos, and Suharto inscribed their own visions of progress onto the land.

Out of this campaign, the costliest and most sustained effort for development ever undertaken, emerged the struggles for resources and identity that define the region today. As Obama revives the lost arts of Keynesianism and counter-insurgency, the history of these colossal projects reveals bitter and important lessons for today’s missions to feed a hungry world.

Hunt for Nazis is the first comprehensive account of the post-1945 efforts to bring Nazi war criminals who had escaped to South America to justice. The author shows that the Nazi hunt -- which resulted in spectacular cases like the kidnapping of Adolf Eichmann -- should not only be understood as part of the afterlife of the Third Reich, but that it also became an integral aspect of dealing with repression at the hands of authoritarian regimes in South America. Dissidents and human rights activists assumed that the escaped Nazi perpetrators and collaborators continued to be involved in violent crimes in the service of these new dictatorships.

Beginning over 10,000 years ago and continuing until the arrival of the Spanish in the 1500s, hunter and gatherer societies occupied the Edwards Plateau of central Texas. Archaeological studies over the past eighty years have reconstructed their subsistence, technology, and settlement patterns, but until now little information has been available on their burial practices, due to the scarcity of known burial sites. This detailed archaeological report describes the human skeletal remains, burial furnishings, and fauna recovered from Bering Sinkhole in Kerr County, the first carefully excavated hunter-gatherer burial site in central Texas.

The remains in Bering Sinkhole were deposited from 7,500 to 2,000 years ago. Leland Bement's analysis reveals a growing elaboration in burial rituals during the period and also uncovers important data on the diet and health of the hunter-gatherers. He discusses climate change based on faunal remains and compares burial goods such as bone, antler, freshwater shell, marine shell, turtle, and stone artifacts with those found at other Texas mortuary sites and with deposits at hunter-gatherer habitation sites in Central Texas.

In the late 1950s, Chauncey C. Nash started collecting Inuit carvings just as the art of printmaking was being introduced in Kinngait (Cape Dorset), an Inuit community on Baffin Island in the Canadian territory of Nunavut. Nash donated some 300 prints and sculptures to Harvard’s Peabody Museum—one of the oldest collections of early modern Inuit art. The Peabody collection includes not only early Inuit sculpture but also many of the earliest prints on paper made by the women and men who helped propel Inuit art onto the world stage.

Author Maija M. Lutz draws from ethnology, archaeology, art history, and cultural studies to tell the story of a little-known collection that represents one of the most vibrant and experimental periods in the development of contemporary Inuit art. Lavishly illustrated, Hunters, Carvers, and Collectors presents numerous never-before-published gems, including carvings by the artists John Kavik, Johnniebo Ashevak, and Peter Qumalu POV Assappa. This latest contribution to the award-winning Peabody Museum Collections Series fills an important gap in the literature of Native American art.

University of Utah Anthropological Papers No. 134

This volume examines an almost purely lithic record known in the Puget Sound region as the Olcott Complex. Only loosely described off and on since the early 1960s by a series of researchers, none of whom used the same analytical approach, the Olcott record has never been systematically analyzed until now. As a result, this book fills in enormous gaps in our knowledge regarding the age, mode of subsistence, and adaptive strategy of the Olcott Complex. Chatters and colleagues describe the intensive excavation of three Olcott sites that were threatened by highway construction. The book concludes by pulling those findings together to place the Olcott Complex into its proper place in regional prehistory. An exemplary model of how to conduct archaeological research, the volume demonstrates how important research issues can be addressed in a cultural resource management context.

Extensive appendices available online.

In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion. 

Hunting the Ethical State reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.