This volume provides a generic description, based on a formal analysis of narrative structures, of the Middle English noncyclic verse romances. As a group, these poems have long resisted generic definition and are traditionally considered to be a conglomerate of unrelated tales held together in a historical matrix of similar themes and characters. As single narratives, they are thought of as random collections of events loosely structured in chronological succession. Susan Wittig, however, offers evidence that the romances are carefully ordered (although not always consciously so) according to a series of formulaic patterns and that their structures serve as vehicles for certain essential cultural patterns and are important to the preservation of some community-held beliefs.

The analysis begins on a stylistic level, and the same theoretical principles applied to the linguistic formulas of the poems also serve as a model for the study of narrative structures. The author finds that there are laws that govern the creation, selection, and arrangement of narrative materials in the romance genre and that act to restrict innovation and control the narrative form.

The reasons for this strict control are to be found in the functional relationship of the genre to the culture that produced it. The deep structure of the romance is viewed as a problem-solving pattern that enables the community to mediate important contradictions within its social, economic, and mythic structures. Wittig speculates that these contradictions may lie in the social structures of kinship and marriage and that they have been restructured in the narratives in a “practical” myth: the concept of power gained through the marriage alliance, and the reconciliation of the contradictory notions of marriage for power’s sake and marriage for love’s sake.

This advanced, thorough, and completely original study will be valuable to medieval specialists, classicists, linguists, folklorists, and Biblical scholars working in oral-formulaic narrative structure.

The Devil’s Fork opens with the boy Papa exclaiming, “They was gonna hang my o’Amigo Calley Pearsall out there in front a’the Alamo down in San Antoneya come Saturday Noon and if I was gonna stop it I better Light a Shuck and Get on with it. And I mean Right Now.” And so Papa and his sweetheart Annie Oster set off to rescue Calley, thereby launching themselves into another series of hair-raising adventures.

The Devil’s Fork concludes the enthralling journey through wild and woolly Central Texas in the 1880s that began in The Devil’s Backbone and The Devil’s Sinkhole. Papa springs Calley from jail, but their troubles are far from over. Framed for murder, the two amigos have to flee for their lives. Joining their flight this time is o’Johnny, the evil Sheriff Pugh’s disabled little brother, who has uncanny abilities. Escaping danger for a while, Papa and Calley try to start a new life as horse traders, only to find themselves branded as horse thieves when o’Johnny and a mysterious white ghost horse begin rescuing abused horses from their masters. Can Papa and Calley escape the noose and save all the horses that Johnny and the White Horse liberate? Or will their own hot tempers send them down the Devil’s Fork, from which no one ever returns?

Proving himself a master storyteller once again, Bill Wittliff spins a yarn as engrossing as the stories his own Papa told him long ago, stories that inspired The Devil’s Backbone, The Devil’s Sinkhole, and The Devil’s Fork.

When last we saw the boy Papa in The Devil’s Backbone, he had finally learned the fate of his missing Momma and his vicious daddy, Old Karl. But hardly has he concluded that quest before another one is upon him. Now a white-haired man with a hangman’s noose around his neck and death in his eye—o’Pelo Blanco—is coming. And he means to hang Papa.

In The Devil’s Sinkhole, the master storyteller Bill Wittliff takes us on another enthralling journey through wild and woolly Central Texas in the 1880s. When Papa and his o’amigo Calley Pearsall confront Pelo Blanco before he can ambush Papa, the encounter sets them on a pursuit with a promise of true love at the end, if only they can stay alive long enough for Calley to win the beautiful Pela Rosa, the captive/companion of Pelo Blanco. But before they can even hope to be united with Pela and Annie Oster, Papa’s plucky sweetheart, Papa and Calley have to defeat not only Pelo Blanco but also the evil, murdering Arlon Clavic and deliver Little Missey, the mysterious Wild Woman a’the Navidad, to the safe haven of the Choat farm. With dangers and emergencies around every bend, it’s a rough ride to the Devil’s Sinkhole, where this world and the next come together, bringing Papa and Calley, Pelo Blanco and Arlon to a climax that will leave readers clamoring for the next adventure.

The last the boy Papa saw of his Momma, she was galloping away on her horse Precious in the saddle her father took from a dead Mexican officer after the Battle of San Jacinto, fleeing from his Daddy, Old Karl, a vicious, tight-fisted horse trader. Momma’s flight sets Papa on a relentless quest to find her that thrusts him and his scrappy little dog Fritz into adventures all across the wild and woolly Hill Country of Central Texas, down to Mexico, and even into the realm of the ghostly “Shimmery People.” In The Devil’s Backbone, master storyteller Bill Wittliff takes readers on an exciting journey through a rough 1880s frontier as full of colorful characters and unexpected turns of events as the great American quest novel Adventures of Huckleberry Finn.

Wittliff grew up listening to stories and memories like these in his own family, and in this imaginative novel, they come to vivid life, creating an engrossing story of a Texas Huck Finn that brims with folk wisdom and sly humor. A rogue’s gallery of characters thwart and aid Papa’s path—Old Karl, hell-bent on bringing the boy back to servitude on his farm, and Herman, Papa’s brother who’s got Old Karl’s horse-trading instincts and greed; Calley Pearsall, an enigmatic cowboy with “other Fish to Fry” who might be an outlaw or a trustworthy “o’Amigo”; o’Jeffey, a black seer who talks to the spirits but won’t tell Papa what she has divined about his Momma; Mister Pegleg, a three-legged coyote with whom Papa forms a poignant, nearly tragic friendship; the “Mexkins” Pepe and Peto and their father Old Crecencio, whose longing for his lost family is as strong as Papa’s; and blind Bird, a magical “blue baby” who can’t see with his eyes but who helps other people see what they hold in their hearts. Papa’s adventures draw him ever nearer to a mysterious cave that haunts his dreams—an actual cave that he discovers at last in the canyons of the Devil’s Backbone—but will he find Momma before Old Karl finds him?

In 1963, West Germany was gripped by a dramatic trial of former guards who had worked at the Nazi death camp Auschwitz. It was the largest and most public trial to take place in the country and attracted international attention. Using the pretrial files and extensive trial audiotapes, Rebecca Wittmann offers a fascinating reinterpretation of Germany’s first major attempt to confront its past.

Evoking the courtroom atmosphere, Wittmann vividly recounts the testimony of survivors, former SS officers, and defendants—a cross-section of the camp population. Attorney General Fritz Bauer made an extraordinary effort to put the entire Auschwitz complex on trial, but constrained by West German murder laws, the prosecution had to resort to standards for illegal behavior that echoed the laws of the Third Reich. This provided a legitimacy to the Nazi state. Only those who exceeded direct orders were convicted of murder. This shocking ruling was reflected in the press coverage, which focused on only the most sadistic and brutal crimes, allowing the real atrocity at Auschwitz—mass murder in the gas chambers—to be relegated to the background.

The Auschwitz trial had a paradoxical result. Although the prosecution succeeded in exposing SS crimes at the camp for the first time, the public absorbed a distorted representation of the criminality of the camp system. The Auschwitz trial ensured that rather than coming to terms with their Nazi past, Germans managed to delay a true reckoning with the horror of the Holocaust.

Shadow of the Racketeer: Scandal in Organized Labor tells the story of organized crime's move into labor racketeering in the 1930s, focusing on a union corruption scandal involving payments from the largest Hollywood movie studios to the Chicago mob to ensure a pliant labor supply for their industry. The book details the work of crusading journalist Westbrook Pegler, whose scorching investigative work dramatically exposed the mob connections of top labor leaders George Scalise and William Bioff and garnered Pegler a Pulitzer Prize for reporting.

From a behind-the-scenes perspective, David Witwer describes how Pegler and his publisher, the politically powerful Roy W. Howard, shaped the news coverage of this scandal in ways that obscured the corrupt ties between employers and the mob while emphasizing the perceived menace of union leaders empowered by New Deal legislation that had legitimized organized labor. Pegler, Howard, and the rest of the mainstream press pointedly ignored evidence of the active role that business leaders took in the corruption, which badly tarnished the newly reborn labor movement.

Because he was more concerned with pursuing political gains for the conservative movement, Pegler's investigative journalism did little to reform union governance or organized crime's influence on labor unions. The union corruption scandal only undercut the labor movement. Pegler's continuing campaign against labor corruption framed the issue in ways that set the stage for postwar political defeats, culminating with the 1947 Taft-Hartley Act, which greatly limited the power of labor unions in the United States.

Demonstrating clearly and convincingly how journalism is wielded as a political weapon, Witwer studies a broad range of forces at play in the labor union scandal and its impact, including the influence of the press, organized crime, political corruption, and businessmen following their own economic imperatives.

Dating to the first half of the first millennium BCE, the Katha Aranyaka is a ritualistic and speculative text that deals with a dangerous Vedic ritual that provides its sponsor with a new body after death. In a new, never-before-published critical edition, Michael Witzel, using available manuscripts and, primarily, a color facsimile of a restored five-hundred-year-old Kashmiri birch bark manuscript preserved at Tübingen since 1895, presents this work which transitions the Vedic ritual into the philosophy of the Upanishads. The text is preceded by an extensive introduction in English dealing with Vedic ritualism and followed by a German translation as well as detailed variant readings and a verse index.

The Rājyābhiṣeka Manual for the Coronation of King Bīrendra of Nepal contains the only extensive coronation manual available for a Hindu king. It was used in the Rājyābhiṣeka rituals of King Bīrendra in February 1975. Long regarded as highly secret, it can now be presented, after the abolition of the monarchy in its entirety in 2008. This manual was checked and signed by the royal priests and religious advisors.

The Veda in Kashmir presents a detailed history and the current state of Veda tradition in Kashmir. It traces the vicissitudes of Vedic texts and rituals and their survival during some 400 years of Muslim rule. The peculiarities of the Śākalya Ṛgveda, Kaṭha Yajurveda, and Paippalāda Atharvaveda texts are discussed in great detail. The rituals from birth to death of the Pandits, the Kashmiri Brahmins, are depicted and explained, including current interpretation. This two-volume work includes a DVD that contains additional texts, rituals, sound recordings, and films taken in 1973 and 1979.

This volume offers unexpected insights into the history of the Veda, the earliest texts of South Asia, and their underlying oral transmission. In side-by-side facsimiles, Michael Witzel and Qinyuan Wu present the two oldest known Veda manuscripts, the Vājasaneyi Saṃhitā of the White Yajurveda and its contemporaneous sister text, a Vājasaneyi Padapāṭha, recently found in western Tibet. These two manuscripts have retained an unusual style of representing the pitched accents, and their juxtaposition in this edition invites comparison between the oral Veda transmission of a thousand years ago and the recitation still maintained today. Both manuscripts are important testimonies for the history of the Vedas, their medieval transmission, and their first codification in writing. As such, they are of great interest to historians, Indologists, and scholars studying the interface of oral and written traditions.

In the past decade the relevance of emotion and affect in societal dynamics and power relations has increasingly become the focus for scientists and artists. Across disciplines they are breaking down the opposition of cognition and feeling, and emphasizing the central meaning of emotions and affective atmospheres for personal judgement, decision-making and the realm of politics. The present publication can be seen as an enhancing contribution to these discourses. It particularly focusses on artistic positions, which are brought into dialogue with philosophical, gender-theoretical or neuro- and social-scientific approaches. It addresses the ambivalent political dimensions of anxiety, hope, and empathy, as well as the relationship between emotion and habit or the power of (media-)technical affective processes. The publication is the result of the sixth annual programme of the cx centre for interdisciplinary studies of the Academy of Fine Arts Munich.

With contributions by Marie-Luise Angerer, Ben Anderson, Jace Clayton, Keren Cytter, Antonio Damasio, Cécile B. Evans, Karianne Fogelberg, Deborah Gould, Susanna Hertrich, Serhat Karakayali, Marietta Kesting, Carolyn Pedwell, and Susanne Witzgall.

A new approach to the notion of ecology emphasizing its relevance for art and design.
 
The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In this present form, ecology refers to the multilayered and multidimensional nexus of living processes and technological and media practices—that is, to the complex relations of human and nonhuman agents. Hybrid Ecologies understands ecology as an ambivalent notion, whose very broadness simultaneously opens up new fields of action and raises provocative questions, not least concerning its genealogy. This interdisciplinary volume explores the political and social effects of rethinking community in ecological terms, with a particular emphasis on what the contemporary notion of ecology might mean for artistic and design practices. The result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich, Hybrid Ecologies is a timely and thought-provoking study of one of the most important themes of our time.

In the last years a new focus on material phenomena has become increasingly oberservable in the arts and sciences. Most diverse disciplines are stressing the momentum and the agency of matter, material and things and underline their status as agents within the web of relationships of culture and nature. The book "Power of Material / Politics of Materiality“ deepens this current discourse and for the time brings materialist tendencies within the arts, design and architecture into a direct dialogue with a range of scientific approaches from a "New Materialism“ within the humanities and social sciences.

This publication is the result of the first year of program at the newly established cx centre for interdisciplinary studies at the Academy of Fine Arts Munich.

This book moves scholarly debates beyond the old question of whether or not international institutions matter in order to examine how they matter, even in a world of power politics. Power politics and international institutions are often studied as two separate domains, but this is in need of rethinking because today most states strategically use institutions to further their interests. Anders Wivel, T.V. Paul, and the international group of contributing authors update our understanding of how institutions are viewed among the major theoretical paradigms in international relations, and they seek to bridge the divides. Empirical chapters examine specific institutions in practice, including the United Nations, International Atomic Energy Agency, and the European Union. The book also points the way to future research. International Institutions and Power Politics provides insights for both international relations theory and practical matters of foreign affairs, and it will be essential reading for all international relations scholars and advanced students.

WINNER OF THE 2017 LEIPZIG BOOK FAIR PRIZE—When Natascha Wodin’s mother died, Natascha was only ten years old—too young to find out what her mother had experienced during World War II. All the little girl knew was that they were detritus, human debris left over from the war. Years later, Natascha set out on a quest to find out what happened to her mother during that time. Why had they lived in a camp for “displaced persons”? Where did her mother come from? What had she experienced? The one thing she knew is that her parents had to leave Mariupol in Ukraine for Germany as part of the Nazi forced labor program in 1943. Armed with this limited knowledge, Natascha resolved to piece together the puzzle of her family’s past. The result is a highly praised, beautiful piece of prose that has drawn comparisons to W. G. Sebald in its approach. Like Sebald, Natascha’s aim is to reclaim the stories of those who can no longer speak for themselves. The author is not only in search of her own family’s history, but she is also aware that she is charting unmarked territory: accounts of the plight of forced laborers and displaced persons are still a rarity within literature about World War II and its atrocities. Natascha’s personal homage to her mother’s life story is an important lyrical memorial for the thousands of Eastern Europeans who were forced to leave their homes and work in Germany during the war, and a moving reflection of the plight of displaced peoples throughout the ages. This is a darkly radiant account of one person’s fate, developing momentous emotive power—its subject serves as a proxy for the fate of millions.

N. G. Chernyshevskii (1828-1889), a pivotal figure in the protest movement that developed in Russia after the Crimean War, was esteemed by both Marx and Lenin. Alienated from Russia's traditional values, institutions, and power structure, he nevertheless rejected the economic doctrines and political goals of the more advanced nations of his day, seeing in the operation of laissez-faire economics a form of exploitation as vicious as serfdom, and in political liberalism a hypocritical attempt to divorce the concept of legal rights from the more basic issue of material security, without which freedom is meaningless.

He adopted instead an admixture of liberal and socialist theory, which could be roughly characterized as utopian socialist, but which simultaneously was part of a larger populist tradition. His radicalism attached itself to no particular political form, but was sustained by a belief that the inadequacies of society could be corrected only by its complete overhaul, which in turn could be accomplished only by the destruction of traditional autocratic power. This blend of ideas ultimately provided the basis for those radicals seeking to take advantage of Russia's economic backwardness by eliminating the phase of capitalism and proceeding directly to a socialist form of organization.

By contributing to the radical orientation of the protest movement, Chernyshevskii encouraged a polarization of views in Russian public opinion, which led to the abandonment of moderate reforms, to governmental reaction, and to his own tragic imprisonment and exile to Siberia. But through his diverse writings he had succeeded as no other writer before him in popularizing the idea of revolution.

This first thorough treatment of Chernyshevskii in English constitutes both a biography and a presentation of his views on philosophy, aesthetics and literary criticism, economics and social relations, politics and revolution.

The west is full of magnificent trees: mighty spruces, towering cedars, and stout firs. We are used to appreciating trees during their glory years, but how often do we consider what happens to a tree when it dies? We’ve all seen driftwood on the beach. But how many people have truly looked at it and appreciated its ecological role?
 
Ellen Wohl has thought about these questions, and In Dead Wood, she takes us through the afterlife of trees, describing the importance of standing and downed dead wood in forests, in rivers, along beaches, in the open ocean, and even at the deepest parts of the seafloor. Downed wood in the forest provides habitat for diverse plants and animals, and the progressive decay of the wood releases nutrients into the soil. Wood in rivers provides critical habitat for stream insects and fish and can accumulate in logjams that divert the river repeatedly across the valley floor, creating a floodplain mosaic that is rich in habitat and biodiversity. Driftwood on the beach helps to stabilize shifting sand, creating habitat for plants and invertebrates. Fish such as tuna congregate at driftwood in the open ocean. As driftwood becomes saturated and sinks to the ocean floor, collections of sunken wood provide habitat and nutrients for deep-sea organisms. Far from being an unsightly form of waste that needs to be cleaned from forests, beaches, and harbors, dead wood is a critical resource for many forms of life.
 
Dead Wood follows the afterlives of three trees: a spruce in the Colorado Rocky Mountains that remains on the floodplain after death; a redcedar in Washington that is gradually transported downstream to the Pacific; and a poplar in the Mackenzie River of Canada that is transported to the Arctic Ocean. With these three trees, Wohl encourages readers to see beyond landscapes, to appreciate the ecological processes that drive rivers and forests and other ecosystems, and demonstrates the ways that the life of an ecosystem carries on even when individual members of that system have died. Readers will discover that trees can have an exceptionally rich afterlife—one tightly interwoven with the lives of humans and ecosystems.
 

We all see the largest features of mountain ecosystems—the impressively rugged peaks, the clear blue lakes, and the extensive forests—but each of these readily visible features depends on largely invisible creatures and flows of material and energy. Something Hidden in the Ranges draws on a wide array of scientific research to reveal the complex ecology of Rocky Mountain National Park in Colorado and, by extension, of mountain ecosystems generally.

Geologist Ellen Wohl has spent three decades investigating the streams and forests near her home in Colorado. In writing that is free from jargon and easy to understand, she tells the intricate story of how streams provide energy to adjacent forests, how lake sediments record the history of wind-blown pollutants, and how hidden networks of fungi keeps forests healthy. She guides readers through forests at both lower and higher elevations, revealing how trees rely on microbes in the soil, in the forest canopy, and even within individual pine needles to obtain the food they need. Other chapters focus on subalpine lakes, mountain streams, beaver meadows, and alpine tundra.

While scientists, students, and scholars will benefit from Wohl’s intimate knowledge of mountain ecosystems, Something Hidden in the Ranges is written for anyone interested in natural or environmental history. It will change the way readers perceive and think about natural landscapes.

 

 In Wide Rivers Crossed, Ellen Wohl tells the stories of two rivers—the South Platte on the western plains and the Illinois on the eastern—to represent the environmental history and historical transformation of major rivers across the American prairie. Wohl begins with the rivers’ natural histories, including their geologic history, physical characteristics, ecological communities, and earliest human impacts, and follows a downstream and historical progression from the use of the rivers’ resources by European immigrants through increasing population density of the twentieth century to the present day.

What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone. Sociologist Hannah Wohl draws on more than one hundred interviews and two years of ethnographic research in the New York contemporary art market to develop a rich sociological perspective of creativity. From inside the studio, we see how artists experiment with new ideas and decide which works to abandon, destroy, put into storage, or exhibit. Wohl then transports readers into the art world, where we discover how artists’ understandings of their work are shaped through interactions in studio visits, galleries, international art fairs, and collectors’ homes.
 
Bound by Creativity reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions. Ultimately, we come to appreciate how judgment is integral to the creative process, both resulting in the creation of original works while also limiting an artist’s ability to break new ground. Exploring creativity through the lens of judgment sheds new light on the production of cultural objects, markets, and prestige. 

When an obscure primary election met the culture wars

In 1990, a suburban Chicago race for the Republican Party nomination for state representative unexpectedly became a national proxy battle over abortion in the United States. But the hard-fought primary also illustrated the overlooked importance of down-ballot contests in America’s culture wars. Patrick Wohl offers the dramatic account of a rollercoaster campaign that, after attracting political celebrities and a media circus, came down to thirty-one votes, a coin toss to determine the winner, and a recount fight that set a precedent for how to count dimpled chads. As the story unfolds, Wohl provides a rare nuts-and-bolts look at an election for state office from its first days through the Illinois Supreme Court decision that decided the winner--and set the stage for a decisive 1992 rematch.

A compelling political page-turner, Down Ballot takes readers behind the scenes of a legendary Illinois election.

The generation of 1914 holds a special place in memory, affection, and myth. In this irresistible and moving book, Robert Wohl rescues it from the shadows of legend and brings it fully into the realm of understanding. He tells the story of the young men--the middle class elite of five European countries, France, Germany, England, Spain, and Italy, to recreate the generational consciousness that united them as well as the unique national experience that made them different.

These were men born at the end of the nineteenth century when the world of reason was disintegrating into a world of irrationality. They were destined to rule but their lives were interrupted by the greatest of wars, leaving them searching for identity and historical continuity. Wohl recaptures this search through novels, poems, autobiographies, memoirs, sociological treatises, philosophical essays, university lectures, political speeches, conversations when recorded, letters, personal notebooks, and newspaper articles. His book is a brilliant study of European mentalities, both collective and individual.

Probing behind ideas to find the experience that inspired them, Wohl illuminates in unexpected ways the origins of World War I and its impact on its participants. His exploration of the consciousness of generational unity and the power of the generational bond enables him to place in a novel context the spread of pessimism and despair, the waning of liberal and humanitarian values, the rise of Communist and Fascist movements, and the sudden eruption of violence in Europe's progressive countries between the two world wars.

Exchanges of women between men occur regularly in Greek tragedy—and almost always with catastrophic results. Instead of cementing bonds between men, such exchanges rend them. They allow women, who should be silent objects, to become monstrous subjects, while men often end up as lifeless corpses. But why do the tragedies always represent the transferal of women as disastrous?

Victoria Wohl offers an illuminating analysis of the exchange of women in Sophocles' Trachiniae, Aeschylus' Agamemnon, and Euripides' Alcestis. She shows how the attempts of women in these plays to become active subjects rather than passive objects of exchange inevitably fail. While these failures seem to validate male hegemony, the women's actions, however futile, blur the distinction between male subject and female object, calling into question the very nature of the tragic self. What the tragedies thus present, Wohl asserts, is not only an affirmation of Athens' reigning ideologies (including its gender hierarchy) but also the possibility of resistance to them and the imagination of alternatives.

Sometimes called “black gold,” Iowa’s deep, rich soils are a treasure that formed over thousands of years under the very best of the world’s grasslands—the tallgrass prairie. The soils are diverse and complex and hold within them a record not only of Iowa’s prehistoric past, but also of the changes that took place after settlers utterly transformed the land, as well as the ongoing adjustments taking place today due to climate change. In language that is scientifically sound but accessible to the layperson, Kathleen Woida explains how soils formed and have changed over centuries and millennia in the land between two rivers.

Its soils are what make Iowa a premier agricultural state, both in terms of acres planted and bushels harvested. But in the last hundred years, large-scale intensive agriculture and urban development have severely degraded most of our soils. However, as Woida documents, some innovative Iowans are beginning to repair and regenerate their soils by treating them as the living ecosystem and vast carbon store that they are. To paraphrase Aldo Leopold, these new pioneers are beginning to see their soils as part of a community to which they and their descendants belong, rather than commodities belonging to them.

What kind of tree is that? Whether you’re hiking in the woods or simply sitting in your backyard, from Maine to New York you’ll never be without an answer to that question, thanks to this handy companion to the trees of the Northeast. Featuring detailed information and illustrations covering each phase of a tree’s lifecycle, this indispensable guidebook explains how to identify trees by their bark alone—no more need to wait for leaf season. Chapters on the structure and ecology of tree bark, descriptions of bark appearance, an easy-to-use identification key, and supplemental information on non-bark characteristics—all enhanced by more than 450 photographs, illustrations, and maps—will show you how to distinguish the textures, shapes, and colors of bark to recognize various tree species, and also understand why these traits evolved. 

Whether you’re a professional naturalist or a parent leading a family hike, this new edition of Bark: A Field Guide to Trees of the Northeast is your essential guide to the region’s 67 native and naturalized tree species.

The Catholic University of America Press is honored to publish the English Critical Edition of the Works of Karol Wojtyła/John Paul II. Under the auspices of an international editorial board, the English Critical Edition will comprise more than 20 volumes, covering all of John Paul’s writings and correspondence in the years before and during his papacy. This collection is essential for several reasons. For one thing, gaining access to the saint’s writings has posed a significant challenge. Except for official papal addresses and documents preserved and disseminated by the Vatican, St. John Paul’s works have been scattered and limited. Many documents need a new translation. Finally, English-language audiences have faced the challenge, even in the case of published texts of dealing with several languages, various translations, and textual idiosyncrasies. The second volume of the series presents Wojtyła’s lectures at the Catholic University of Lublin and his works on Max Scheler. This volume consists of three parts: Karol Wojtyła’s lectures at the Lublin University from 1954 to 1957 (during three academic years); Wojtyła’s articles related to the ethical issues discussed in the Lublin lectures, and his habilitation thesis on Max Scheler from 1953 with other essays related more closely to Scheler’s thought. As was the case with Volume 1, Volume 2 also relies on the original manuscripts and typescripts of Wojtyła’s works. These original texts were compared with the Polish published editions, and the significant differences between them were marked in the scholarly apparatus. Some of the essays in this volume were never published in English, others were never published before.

The Catholic University of America Press is honored to announce the publication of the first volume of the critical English edition of The Collected Works of Karol Wojtyła/John Paul II. In conjunction with an international editorial board, the English Critical Edition will comprise 20 volumes, covering all of his writings and correspondence both in the years before and during his papacy. What makes this collection so important is that access to his writings have been a significant challenge. Except for official papal addresses and documents preserved and disseminated by the Vatican, his works have been scattered and limited, or in need of a new translation. Finally, English-language audiences have faced the challenge, even in the case of published texts, of working across multiple languages and translations and of dealing with textual idiosyncrasies. The inaugural volume of this collection is Person and Act, together with related essays, which is in many respects constitutes Karol Wojtyła’s most profound and well-known philosophical work. Originally published in 1969 as Osoba I czyn, this work of metaphysics and philosophy is widely influential even though it is highly challenging intellectually and has heretofore posed difficulties for translators.

Juvenile courts were established in the early twentieth century with the ideal of saving young offenders from “delinquency.” Many kids, however, never made it to juvenile court. Their cases were decided by a different agency—the police.

Cops and Kids analyzes how police regulated juvenile behavior in turn-of-the-century America. Focusing on Los Angeles, Chicago, and Detroit, it examines how police saw their mission, how they dealt with public demands, and how they coped daily with kids. Whereas most scholarship in the field of delinquency has focused on progressive-era reformers who created a separate juvenile justice system, David B. Wolcott’s study looks instead at the complicated, sometimes coercive, relationship between police officers and young offenders. Indeed, Wolcott argues, police officers used their authority in a variety of ways to influence boys’ and girls’ behavior. Prior to the creation of juvenile courts, police officers often disciplined kids by warning and releasing them, keeping them out of courts. Establishing separate juvenile courts, however, encouraged the police to cast a wider net, pulling more young offenders into the new system. While some departments embraced “child-friendly” approaches to policing, others clung to rough-and-tumble methods. By the 1920s and 1930s, many police departments developed new strategies that combined progressive initiatives with tougher law enforcement targeted specifically at growing minority populations.

Cops and Kids illuminates conflicts between reformers and police over the practice of juvenile justice and sheds new light on the origins of lasting tensions between America’s police and urban communities.
 

Living in the Future reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement.
 
Utopian thinking is often dismissed as unrealistic, overly idealized, and flat-out impractical—in short, wholly divorced from the urgent conditions of daily life. This is perhaps especially true when the utopian ideal in question is reforming and repairing the United States’ bitter history of racial injustice. But as Victoria W. Wolcott provocatively argues, utopianism is actually the foundation of a rich and visionary worldview, one that specifically inspired the major figures of the Civil Rights Movement in ways that haven’t yet been fully understood or appreciated.

Wolcott makes clear that the idealism and pragmatism of the Civil Rights Movement were grounded in nothing less than an intensely utopian yearning. Key figures of the time, from Martin Luther King Jr. and Pauli Murray to Father Divine and Howard Thurman, all shared a belief in a radical pacificism that was both specifically utopian and deeply engaged in changing the current conditions of the existing world. Living in the Future recasts the various strains of mid-twentieth-century civil rights activism in a utopian light, revealing the power of dreaming in a profound and concrete fashion, one that can be emulated in other times that are desperate for change, like today.
 

This is an auto-narrated audiobook edition of this book.

Living in the Future reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement.
 
Utopian thinking is often dismissed as unrealistic, overly idealized, and flat-out impractical—in short, wholly divorced from the urgent conditions of daily life. This is perhaps especially true when the utopian ideal in question is reforming and repairing the United States’ bitter history of racial injustice. But as Victoria W. Wolcott provocatively argues, utopianism is actually the foundation of a rich and visionary worldview, one that specifically inspired the major figures of the Civil Rights Movement in ways that haven’t yet been fully understood or appreciated.

Wolcott makes clear that the idealism and pragmatism of the Civil Rights Movement were grounded in nothing less than an intensely utopian yearning. Key figures of the time, from Martin Luther King Jr. and Pauli Murray to Father Divine and Howard Thurman, all shared a belief in a radical pacificism that was both specifically utopian and deeply engaged in changing the current conditions of the existing world. Living in the Future recasts the various strains of mid-twentieth-century civil rights activism in a utopian light, revealing the power of dreaming in a profound and concrete fashion, one that can be emulated in other times that are desperate for change, like today.

Drawing on rich ethnographic data as well as archaeological evidence, The Boundaries of Ancient Trade challenges long-standing conceptions of highly centralized sociopolitical and economic organization and trade along the Afar salt trail—one of the last economically significant caravan-based
trade routes in the world.
 
For thousands of years, farmers in the Tigray, Amhara, and Afar regions of Ethiopia and Eritrea have run caravans of nearly 250,000 people and pack animals annually along an eighty-mile route through both cold, high-altitude farmlands and some of the hottest volcanic desert terrain on earth. In her fieldwork, archaeologist Helina Solomon Woldekiros followed the route with her own donkey and camel caravan, observing and interviewing over 150 Arho (caravaners), salt miners, salt cutters, warehouse owners, brokers, shop owners, and salt village residents to model the political economy of the ancient Aksumite state. The first integrated ethnoarchaeological and archaeological research on this legendary route, this volume provides evidence that informal economies and local participation have played a critical role in regional trade and, ultimately, in maintaining the considerable power of the Aksumite state. Woldekiros also contributes new insights into the logistics of pack animal–based trade and variability in the central and regional organization of global ancient trade.
 
Using a culturally informed framework for understanding the organization of the ancient salt route and its role in linking the Aksumite state to rural highland agricultural and lowland mobile pastoralist populations, The Boundaries of Ancient Trade makes a key contribution to theoretical discussions of hierarchy and more diffuse power structures in ancient states. This work generates new interest in the region as an area of global relevance in archaeological and anthropological debates on landscape, social interaction, and practice theories.
 

Can social theories forge new paths into an uncertain future?

The future has become increasingly difficult to imagine. We might be able to predict a few events, but imagining how looming disasters will coincide is simultaneously necessary and impossible. Drawing on speculative fiction and social theory, Theory for the World to Come is the beginning of a conversation about theories that move beyond nihilistic conceptions of the capitalism-caused Anthropocene and toward generative bodies of thought that provoke creative ways of thinking about the world ahead. Matthew J. Wolf-Meyer draws on such authors as Kim Stanley Robinson and Octavia Butler, and engages with afrofuturism, indigenous speculative fiction, and films from the 1970s and ’80s to help think differently about the future and its possibilities.

Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

For half a century the Franciscan friar Bernardino de Sahagún (1499–1590), often described as the first anthropologist of the New World, worked with his indigenous colleagues at the Collegio Imperial at Tlatelolco (now Mexico City) on an encyclopedic compendium of the beliefs, rituals, language, arts, and economy of the vanishing culture of the Aztecs. Colors Between Two Worlds examines the most richly illustrated manuscript of this great ethnographic work, the Florentine Codex, which is in the collection of the Biblioteca Medicea Laurenziana in Florence, through the issue of color.

The Codex reveals how the colors the Aztecs used in their artistic production and in everyday life, as well as the names they gave each color, illuminate their understanding of the world around them, from the weather to the curing of disease. The pigments and dyes that indigenous artists used to illustrate the Codex reflect a larger dialogue between native and European cultures, which the Florentine Codex records more fully than any surviving document from colonial New Spain.

The Vatican’s dealings with the Weimar Republic and the Third Reich have long been swathed in myth and speculation. After almost seventy years, the crucial records for the years leading up to 1939 were finally opened to the public, revealing the bitter conflicts that raged behind the walls of the Holy See. Anti-Semites and philo-Semites, adroit diplomats and dogmatic fundamentalists, influential bishops and powerful cardinals argued passionately over the best way to contend with the intellectual and political currents of the modern age: liberalism, communism, fascism, and National Socialism. Hubert Wolf explains why a philo-Semitic association was dissolved even as anti-Semitism was condemned, how the Vatican concluded a concordat with the Third Reich in 1933, why Hitler’s Mein Kampf was never proscribed by the Church, and what factors surrounded the Pope’s silence on the persecution of the Jews.

In rich detail, Wolf presents astonishing findings from the recently opened Vatican archives—discoveries that clarify the relations between National Socialism and the Vatican. He illuminates the thinking of the popes, cardinals, and bishops who saw themselves in a historic struggle against evil. Never have the inner workings of the Vatican—its most important decisions and actions—been portrayed so fully and vividly.

How did breastfeeding—once accepted as the essence of motherhood and essential to the well-being of infants—come to be viewed with distaste and mistrust? Why did mothers come to choose artificial food over human milk, despite the health risks? In this history of infant feeding, Jacqueline H. Wolf focuses on turn-of-the-century Chicago as a microcosm of the urbanizing United States. She explores how economic pressures, class conflict, and changing views of medicine, marriage, efficiency, self-control, and nature prompted increasing numbers of women and, eventually, doctors to doubt the efficacy and propriety of breastfeeding. Examining the interactions among women, dairies, and health care providers, Wolf uncovers the origins of contemporary attitudes toward and myths about breastfeeding.

There are two Icelands. One is the island in the North Sea, occupied since before the arrival of the Vikings. The other is "Western Iceland," the communities throughout North America, settled by Icelandic immigrants in the 19th and 20th centuries, and still maintaining strong ties to their mother country. While the prominent role of women in the development of Western Iceland has long been acknowledged, there is little recognition of their contribution to its literary life.This collection of short stories and poems spans 75 years of writings. It includes translated work by little-known authors such as Undina - "a modest poet," as well as works in English by prominent writers such as Laura Goodman Salverson, twice a winner of the Governor-General's Award. From the hopefulness of the early immigration in the 1870s to the conflict of assimilation in the 1950s, the pieces reflect a range of experiences common to immigrant women from many cultures.Writings by Western Icelandic Women includes many works translated for the first time from their original Icelandic, and rescues from obscurity the voices and experiences of women as they struggled in a new country. It offers insight into the many obstacles, both personal and professional, that faced these pioneering writers. An introduction by Kirsten Wolf provides a literary and historical context, and is complemented by photographs and brief author biographies.

This selection of Western Icelandic writings, the first of its kind in English, represents a wide collection of first and second generation Icelandic-Canadian authors.The stories, first published between 1895 and 1930, are set mainly in North America (especially Manitoba). They reflect a weath of literary activity, from the numerous Western Icelandic newspapers and journals, to the reading circles and cultural and literary societies that supported them. The stories show a wide range of experiences and influences, including Old Norse Icelandic literature and romantic nationalism, but they also reveal the emergence of a literature that bears a unique cultural imprint.Western Icelandic Short Stories includes some of the best wirting from the period--- narrative, descriptive, comical, satirical, and serious. The stories may be read as much for enjoyment as for what they reveal about the Western Icelandic literary tradition.