A SCHOLARLY BOOK REPOSITORY
"[Taylor] describes changing definitions of art as much as he describes art itself, and he shows how the shifting forms of patronage affected the forms of art. He analyzes artists' associations . . . and he shows how museums and schools have expanded the audience for art. In short, he places artists and their work in cultural context. This treatment of the social history of art is the most original and intriguing aspect of Taylor's sketch."—Journal of American History
"This is a brilliantly subtle book. It builds with one insight after another, and suddenly the reader finds that a whole new way of looking at American art is being proposed. . . . After decades of thinking and looking and teaching, Dr. Taylor has written it all down. This work will become a classic interpretation almost overnight."—Peter Marzio, director, Corcoran Gallery of Art
"Interest in American art is unlikely to abate. . . . Mr. Taylor's short book is an invaluable guide through this activity and to its traditions."—Neil Harris, Wall Street Journal
A coming-of-age tale told from the perspective of Nigeria’s Generation X, caught amid the throes of a nascent pro-democracy movement, demoralizing corruption, and campus violence.
Ewaen is a Nigerian teenager, bored at home in Warri and eager to flee from his parents’ unhappy marriage and incessant quarreling. When Ewaen is admitted to the University of Benin, he makes new friends who, like him, are excited about their newfound independence. They hang out in parking lots, trading gibes in pidgin and English and discovering the pleasures that freedom affords them. But when university strikes begin and ruthlessly violent confraternities unleash mayhem on their campus, Ewaen and his new friends must learn to adapt—or risk becoming the confras' next unwilling recruits.
In his trademark witty, colloquial style, critically acclaimed author Eghosa Imasuen presents everyday Nigerian life against the backdrop of the pro-democracy riots of the 1980s and 1990s, the lost hopes of June 12 (Nigeria’s Democracy Day), and the terror of the Abacha years. Fine Boys is a chronicle of time, not just in Nigeria, but also for its budding post-Biafran generation.
As he clears out his parents’ house, Philipp, a photographer, comes across an object that has played a major role in his parents’ lives. Herta and Georg made a fine couple when they first met. Their son imagines the early days of their relationship and remembers how his father was forced to flee across the inner-German border to the West. When Herta and Philipp joined him a few days later, this could have signaled the start of a new era of happiness, but the seeds of their separation had already been sown. In gentle, probing prose, Gert Loschütz describes how Philipp gradually unravels the paradoxical nature of his parents’ relationship: it was love that destroyed their love. To his astonishment, Philipp discovers that Herta and Georg had been in contact all those years in a way they kept secret even from one another.
Longlisted for the 2025 Nigeria Prize for Literature
A 2024 Foreword INDIES Finalist
Set in a fictional town, at a fictional school, Linda N. Masi’s debut novel, Fine Dreams, rewrites myth and history. Framed by a ghost’s first-person narrative, the book centers on four young friends, the stars of their school’s track team. While studying for exams, they are kidnapped and taken to a terrorist encampment. Two are claimed as “wives” by their captors, one is forced to wear a suicide vest, and each is subjected to appalling violence and terror. While their stories resonate with a widely publicized 2014 abduction, these four young women could have been taken in any of the many incidents that have plagued the Nigerian people for years.
Even though they are abducted and abused by men in power and forced to survive in a dark place like Persephone, Masi’s protagonists offer new endings for Persephone’s story. In Masi’s telling, these resilient young women recover their dreams and hopes to live in daylight once again. No matter where they travel or where they stay, they gain self-determination and reclaim their dreams.
Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.
Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.
Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.
In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.
His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.
This collection of plays comes from one of Chile’s finest voices of the voiceless: Juan Radrigán. A history marked by personal and political hardship has equipped Radrigán to tell the stories of those his nation left behind. Seven years old when his father abandoned his family, he was forced to work from an early age. As an adult, he worked as a manual laborer during a very dark time for Chile: the demise of Salvador Allende and the rise of General Augusto Pinochet. In a time of torture, exile, and political “disappearances,” his plays stood as quietly powerful anti-regime statements that mourned the country’s loss. Translator Ana Elena Puga’s introduction places Radrigán’s work in its historical and cultural context and provides ample background for the six pieces.
The first work, Testimonies to the Deaths of Sabina, features a fruit seller who may lose her livelihood after she is accused of some mysterious infraction; but she doesn’t know what she has done—if she has truly done anything. The Beasts tells the story of three sisters living in the wilderness who, fearing they have been completely abandoned, devise a means of ultimate escape. Funeral Drums for Lambs and Wolves comes in three parts: Isabel Banished in Isabel, a monologue of a woman left to go mad alone; Without Apparent Motive, a monologue by a murderer who laments the spread of violence; and the dialogue The Guest, a confrontational piece that speaks directly to the spectators, implicating them in their silent, passive tolerance of Pinochet. The title play, Radrigán’s 1981 masterpiece, speaks directly to the specter of the many “disappeared” victims of the military regime.
Included are graded introductions, examples, and exercises suitable for individual study as well as formal courses. These take advantage of widely-tested lexc and xfst applications that are just becoming available for noncommercial use via the Internet.
Finland and Europe was first published in 1982. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In 1808 the Grand Duchy of Finland, part of the Swedish kingdom since the thirteenth century, was invaded and in 1809 annexed by Russia -- events which took place within the context of the Napoleonic wars but whose significance was obscure to most Finns and to the outside world as well. During the nineteenth century Finnish national identity grew and Finland began to play a role in European politics. This book traces the course of Finnish involvement in European affairs from the time when it became an autonomous Grand Duchy within the Russian Empire down to the First World War. Juhani Paasivirta's analysis is centered upon eleven international crises, including the Russian annexation of Finland, the fall of Napoleon, two revolutions in Poland, the revolutions of 1848, the Franco-Prussian War and the Paris Commune, the Russo-Turkish and Russo-Japanese wars, and the outbreak of the First World War.
Paasivirta writes from two vantage points: he records the reactions to these events in Finland, across a broad social and economic spectrum, and the attitudes towards the 'Finnish situation' in Sweden, England, France, and Germany. Finland's relationship with Russia, and her necessarily realistic regard for the security of the Russian Empire were important matters faced by Finnish leaders; Paasivirta shows how this delicate relation collapsed, making way for a course that led to Finnish independence in 1917.
Finland in the Twentieth Century was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Finland's search for a national identity is the underlying theme of this book. A small nation, geographically isolated and linguistically distinct from its neighbors, Finland has long maintained close ties with Sweden and also has had to come to terms with a powerful eastern neighbor, the Soviet Union. D.G. Kirby opens his history with a description of Finland at the turn of the century, when it was a Grand Duchy in the Russian Empire, and traces its emergence as an independent state with the collapse of the Empire in 1917. He examines the new republic's struggle for survival—and identity—after the civil war of 1918, which left a legacy of political instability through the interwar years.
Finland's complex political history is closely tied to its external relations. Kirby describes the evolution of Finnish foreign policy from the period when Finland and the Soviet Union were distrustful and then warring neighbors down to the present policy of friendship and cooperation which grew out of the treaty of 1948. The book closes with an account of Finland's international and domestic status in the Kekkonen era.
Throughout, Kirby provides a substantial socio-economic background to round out his political and diplomatic themes. He also brings to the English-language readers the results of modern Finish historical research. Since historians have played a key role in Finland as interpreters of the nation's recent past, his analysis of their debates helps clarify the ways in which Finland has developed as an independent state in the twentieth century.
Who are the Finland-Swedes? Defined as citizens of Finland with a Swedish mother tongue, many know these people as “Swede- Finns” or simply “Swedes.” This book, the first ever to focus on this ethnolinguistic minority living in Michigan, examines the origins of the Finland-Swedes and traces their immigration patterns, beginning with the arrival of hundreds in the United States in the 1860s. A growing population until the 1920s, when immigration restrictions were put in place, the Finland-Swedes brought with them unique economic, social, cultural, religious, and political institutions, explored here in groundbreaking detail. Drawing on archival, church, and congregational records, interviews, and correspondence, this book paints a vivid portrait of Finland-Swedish life in photographs and text, and also includes detailed maps that show the movement of this group over time. The latest title in the Discovering the Peoples of Michigan series even includes a sampling of traditional Finland-Swedish recipes.
In Finns in Michigan Gary Kaunonen probes the intricacies of immigration, labor, and ideology among the members of this intriguing and historically important ethnic group. He skillfully traces the evolution of a vibrant, diverse, dramatic, and at times deeply quarrelsome people who left an indelible mark on the state's history.
Kaunonen examines the many schisms and splits that define the course of Finnish social life in Michigan. Michigan's Finns flocked to diverse cultural organizations that span a broad ideological spectrum. This book examines an extraordinarily wide range of organizations, including religious institutions, temperance societies, working-class political and labor groups, the cooperative movement, and a nationalist association of Finns.
Finns in Michigan is a study of the contributions of Michigan's Finns in the workplace, in society, and in cultural life. Unlike previous, sometimes mythologized, histories of the Finns in Michigan, Kaunonen's rendition strives to be a more accurate representation of "the good, the bad, and the other" activities of a group he calls "possibly America's most diverse family."
From mining to logging to farming, Finns played an important role in the early development of Wisconsin. Although their immigration to the state came later than that of most other groups, their contributions proved just as significant. Finns pride themselves for their sisu, a Finnish term which, roughly translated, means fortitude or perseverance, especially in the face of adversity. They needed their strength of character to help them face the difficult task of building a new life in a new land. Many Finns arriving in Wisconsin, unable to own land at home, hoped to establish themselves as small independent farmers in the new land. They settled mainly in northern Wisconsin, due to jobs and land available there.
This book traces the history of Finnish settlement in Wisconsin, from the large concentrations of Finns in the northern region, to the smaller "Little Finlands" created in other areas of the state. Revised and expanded, this new edition contains the richly detailed story of one Finnish woman, told in her own words, of her hardships and experiences in traveling to a new country and her resourcefulness and strength in adapting to a new culture and building a new life.
A comprehensive look at the current state of research on fin and limb evolution and development, this volume addresses a wide range of subjects—including growth, structure, maintenance, function, and regeneration. Divided into sections on evolution, development, and transformations, the book begins with a historical introduction to the study of fins and limbs and goes on to consider the evolution of limbs into wings as well as adaptations associated with specialized modes of life, such as digging and burrowing. Fins into Limbs also discusses occasions when evolution appears to have been reversed—in whales, for example, whose front limbs became flippers when they reverted to the water—as well as situations in which limbs are lost, such as in snakes.
With contributions from world-renowned researchers, Fins into Limbs will be a font for further investigations in the changing field of evolutionary developmental biology.
In 2005 Michael Ignatieff left his life as a writer and professor at Harvard University to enter the combative world of politics back home in Canada. By 2008, he was leader of the country’s Liberal Party and poised—should the governing Conservatives falter—to become Canada’s next Prime Minister. It never happened. Today, after a bruising electoral defeat, Ignatieff is back where he started, writing and teaching what he learned.
What did he take away from this crash course in political success and failure? Did a life of thinking about politics prepare him for the real thing? How did he handle it when his own history as a longtime expatriate became a major political issue? Are cynics right to despair about democratic politics? Are idealists right to hope? Ignatieff blends reflection and analysis to portray today’s democratic politics as ruthless, unpredictable, unforgiving, and hyper-adversarial.
Rough as it is, Ignatieff argues, democratic politics is a crucible for compromise, and many of the apparent vices of political life, from inconsistency to the fake smile, follow from the necessity of bridging differences in a pluralist society. A compelling account of modern politics as it really is, the book is also a celebration of the political life in all its wild, exuberant variety.
Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith's racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert's portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux.
Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself.
Fire and Ink brings together, for the first time in one volume, politically engaged writing by poets, fiction writers, and essayists. Including many of our finest writers—Martín Espada, Adrienne Rich, June Jordan, Patricia Smith, Gloria Anzaldúa, Sharon Olds, Arundhati Roy, Sonia Sanchez, Carolyn Forche, Chitra Banerjee Divakaruni, Alice Walker, Linda Hogan, Gary Soto, Kim Blaeser, Minnie Bruce Pratt, Li-Young Lee, and Jimmy Santiago Baca, among others—this is an indispensable collection.
This groundbreaking anthology marks the emergence of social action writing as a distinct field within creative writing and literature. Featuring never-before-published pieces, as well as reprinted material, Fire and Ink is divided into ten sections focused on significant social issues, including identity, sexuality and gender, the environment, social justice, work, war, and peace. The pieces can often be gripping, such as “Frame,” in which Adrienne Rich confronts government and police brutality, or Chris Abani’s “Ode to Joy,” which documents great courage in the face of mortal danger.
Fire and Ink serves as a wonderful reader for a wide range of courses, from composition and rhetoric classes to courses in ethnic studies, gender studies, American studies, and even political science, by facing a past that was often accompanied by injustice and suffering. But beyond that, this collection teaches us that we all have the power to create a more equitable and just future.
With political intrigue, environmental tragedy, and such figures as Rachel Carson and E. O. Wilson, The Fire Ant Wars is a grippingly perceptive tale of changing social attitudes and scientific practices. Tracing the political and scientific eradication campaigns, Joshua Buhs's bracing study uses the saga as a means to consider twentieth-century American concepts of nature and environmental stewardship. In telling the story, Buhs explores how human concepts of nature evolve and how these ideas affect the natural and social worlds.
Spotlighting a particular issue to discuss larger questions of science, public perceptions, and public policy—from pre-environmental awareness to the activist years of the early environmental movement—The Fire Ant Wars will appeal to historians of science, environmentalists, and biologists alike.
Walter Tschinkel's passion for fire ants has been stoked by over thirty years of exploring the rhythm and drama of Solenopsis invicta's biology. Since South American fire ants arrived in Mobile, Alabama, in the 1940s, they have spread to become one of the most reviled pests in the Sunbelt.
In Fire Ants Tschinkel provides not just an encyclopedic overview of S. invicta--how they found colonies, construct and defend their nests, forage and distribute food, struggle among themselves for primacy, and even relocate entire colonies--but a lively account of how research is done, how science establishes facts, and the pleasures and problems of a scientific career.
Between chapters detailed enough for experts but readily accessible to any educated reader, "interludes" provide vivid verbal images of the world of fire ants and the people who study them. Early chapters describe the several failed, and heavily politically influenced, eradication campaigns, and later ones the remarkable spread of S. invicta's "polygyne" form, in which nests harbor multiple queens and colonies reproduce by "budding." The reader learns much about ants, the practice of science, and humans' role in the fire ant's North American success.
Drawing on the participants in two landmark conferences held at the University of Missouri and the City University of New York, this first of two volumes finds myriad new perspectives on the Missouri Crisis. Celebrating Missouri’s bicentennial the scholarly way, with fresh research and unsparing analysis, this eloquent collection of essays from distinguished historians gives the epochal struggle over Missouri statehood its due as a major turning point in American history.
Contributors include the editors, Christa Dierksheide, David N. Gellman, Sarah L. H. Gronningsater, Robert Lee, Donald Ratcliffe, Andrew Shankman, Anne Twitty, John R. Van Atta, and David Waldstreicher.
Drawn from the of participants in two landmark conferences held at the University of Missouri and the City University of New York, those who contributed original essays to this second of two volumes—a group that includes young scholars and foremost authorities in the field—answer the Missouri “Question,” in bold fashion, challenging assumptions both old and new in the long historiography by approaching the event on its own terms, rather than as the inevitable sequel of the flawed founding of the republic or a prequel to its near destruction.
This second volume of A Fire Bell in the Past features a foreword by Daive Dunkley. Contributors include Dianne Mutti Burke, Christopher Childers, Edward P. Green, Zachary Dowdle, David J. Gary, Peter Kastor, Miriam Liebman, Matthew Mason, Kate Masur, Mike McManus, Richard Newman, and Nicholas Wood.
The structure of most virgin forests in the western United States reflects a past disturbance history that includes forest fire. James K. Agee, an expert in the emergent field of fire ecology, analyzes the ecological role of fire in the creation and maintenance of natural western forests, focusing primarily on forest stand development patterns. His discussion of the natural fire environment and the environmental effects of fire is applicable to a wide range of temperate forests.
On April 21, 1930—Easter Monday—some rags caught fire under the Ohio Penitentiary’s dry and aging wooden roof, shortly after inmates had returned to their locked cells after supper. In less than an hour, 320 men who came from all corners of Prohibition-era America and from as far away as Russia had succumbed to fire and smoke in what remains the deadliest prison disaster in United States history.
Within 24 hours, moviegoers were watching Pathé’s newsreel of the fire, and in less than a week, the first iteration of the weepy ballad “Ohio Prison Fire” was released. The deaths brought urgent national and international focus to the horrifying conditions of America’s prisons (at the time of the fire, the Ohio Penitentiary was at almost three times its capacity). Yet, amid darkening world politics and the first years of the Great Depression, the fire receded from public concern.
In Fire in the Big House, Mitchel P. Roth does justice to the lives of convicts and guards and puts the conflagration in the context of the rise of the Big House prison model, local and state political machinations, and American penal history and reform efforts. The result is the first comprehensive account of a tragedy whose circumstances—violent unrest, overcrowding, poorly trained and underpaid guards, unsanitary conditions, inadequate food—will be familiar to prison watchdogs today.
“ In this beautifully and intelligently written book, Ferguson not only reports on some of the intellectual tremors jolting the world of thinking women and men, but also considers the basic questions with penetrating analysis, yet at a very readable level. . . . An excellent book.” —Choice
Heralded for its readability and scholarship, The Fire in the Equations offers a fascinating discussion of scientific discoveries and their impact on our beliefs. The book’s title is derived from Dr. Stephen Hawking’s pondering, “What is it that breathes fire into the equations and makes a universe for them to describe?”
Originally published in the U.S. in 1995, it provides an excursion through new theories of quantum physics and cosmology, ranging from the nature of time, the big bang, the “unreasonable effectiveness” of mathematics, laws of nature, and their possible relation to God, chaos theory, black holes, Heisenberg’s uncertainty principle, particle physics, Darwin's theory of evolution, and the role of God in all these equations. It even raises such questions as “how God might answer prayers” from the point of view of physics.
While she gives no absolute answers, Kitty Ferguson takes the reader through a world of paradoxes and improbabilities, explaining how believing in a pre-determined universe and free will as a theory of human behavior is possible. She concludes that what we know about science doesn't necessarily make God inevitable, but does not rule God out either.
From Buddy Holly and the Crickets to the Flatlanders, Terry Allen, and Natalie Maines, Lubbock, Texas, has produced songwriters, musicians, and artists as prolifically as cotton, conservatives, and windstorms. While nobody questions where the conservatives come from in a city that a recent nonpartisan study ranked as America's second most conservative, many people wonder why Lubbock is such fertile ground for creative spirits who want to expand the boundaries of thought in music and art. Is it just that "there's nothing else to do," as some have suggested, or is there something in the character of Lubbock that encourages creativity as much as conservatism?
In this book, Christopher Oglesby interviews twenty-five musicians and artists with ties to Lubbock to discover what it is about this community and West Texas in general that feeds the creative spirit. Their answers are revealing. Some speak of the need to rebel against conventional attitudes that threaten to limit their horizons. Others, such as Joe Ely, praise the freedom of mind they find on the wide open plains. "There is this empty desolation that I could fill if I picked up a pen and wrote, or picked up a guitar and played," he says. Still others express skepticism about how much Lubbock as a place contributes to the success of its musicians. Jimmie Dale Gilmore says, "I think there is a large measure of this Lubbock phenomenon that is just luck, and that is the part that you cannot explain."
As a whole, the interviews create a portrait not only of Lubbock's musicians and artists, but also of the musical community that has sustained them, including venues such as the legendary Cotton Club and the original Stubb's Barbecue. This kaleidoscopic portrait of the West Texas music scene gets to the heart of what it takes to create art in an isolated, often inhospitable environment. As Oglesby says, "Necessity is the mother of creation. Lubbock needed beauty, poetry, humor, and it needed to get up and shake its communal ass a bit or go mad from loneliness and boredom; so Lubbock created the amazing likes of Jimmie Dale Gilmore, Butch Hancock, Terry Allen, and Joe Ely."
In a compelling history of the Jewish community in New York during four decades of mass immigration, Tony Michels examines the defining role of the Yiddish socialist movement in the American Jewish experience.
The movement, founded in the 1880s, was dominated by Russian-speaking intellectuals, including Abraham Cahan, Mikhail Zametkin, and Chaim Zhitlovsky. Socialist leaders quickly found Yiddish essential to convey their message to the Jewish immigrant community, and they developed a remarkable public culture through lectures and social events, workers’ education societies, Yiddish schools, and a press that found its strongest voice in the mass-circulation newspaper Forverts.
Arguing against the view that socialism and Yiddish culture arrived as Old World holdovers, Michels demonstrates that they arose in New York in response to local conditions and thrived not despite Americanization, but because of it. And the influence of the movement swirled far beyond the Lower East Side, to a transnational culture in which individuals, ideas, and institutions crossed the Atlantic. New York Jews, in the beginning, exported Yiddish socialism to Russia, not the other way around.
The Yiddish socialist movement shaped Jewish communities across the United States well into the twentieth century and left an important political legacy that extends to the rise of neoconservatism. A story of hopeful successes and bitter disappointments, A Fire in Their Hearts brings to vivid life this formative period for American Jews and the American left.
As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other.
Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.
Sacred chants are Ada Franklin’s power and her medicine. By saying them, she can remove warts, stanch bleeding, and draw the fire from burns. At age twenty, her reputation as a faith healer defines her in her rural Pennsylvania community. But on the day in 1953 that her family’s barn is consumed by flame, her identity as a healer is upended. The heat, the roar of the blaze, and the bellows of the trapped cows change Ada. For the first time, she fears death and—for the first time—she doubts God. With her belief goes her power to heal. Then Ada meets an agnostic named Will Burk and his pet raven, Cicero.
Fire Is Your Water is acclaimed memoirist Jim Minick’s first novel. Built on magical realism and social observation in equal measure, it never gives way to sentimentality and provides an insider’s glimpse into the culture of Appalachia. A jealous raven, a Greek chorus of one, punctuates the story with its judgments on the characters and their actions, until a tragic accident brings Ada and Will together in a deeper connection.
Drawing on correspondence both between and within the Forest Service and the major timber industry associations, newspaper articles, articles from industry outlets, and policy documents from the late 1800s through the present, Hudson shows how the US forest industry, under the constraint of profitability, pushed the USFS away from private industry regulation and toward fire exclusion, eventually changing national forest policy into little more than fire policy.
More recently, the USFS has attempted to move beyond the policy of complete fire suppression. Interviews with public land managers in the Pacific Northwest shed light on the sources of the agency's struggles as it attempts to change the way we understand and relate to fire in the West.
Fire Management in the American West will be of great interest to environmentalists, sociologists, fire managers, scientists, and academics and students in environmental history and forestry.
For nearly two centuries, the creation myth for the United States imagined European settlers arriving on the shores of a vast, uncharted wilderness. Over the last two decades, however, a contrary vision has emerged, one which sees the country's roots not in a state of "pristine" nature but rather in a "human-modified landscape" over which native peoples exerted vast control.
Fire, Native Peoples, and the Natural Landscape seeks a middle ground between those conflicting paradigms, offering a critical, research-based assessment of the role of Native Americans in modifying the landscapes of pre-European America. Contributors focus on the western United States and look at the question of fire regimes, the single human impact which could have altered the environment at a broad, landscape scale, and which could have been important in almost any part of the West. Each of the seven chapters is written by a different author about a different subregion of the West, evaluating the question of whether the fire regimes extant at the time of European contact were the product of natural factors or whether ignitions by Native Americans fundamentally changed those regimes.
An introductory essay offers context for the regional chapters, and a concluding section compares results from the various regions and highlights patterns both common to the West as a whole and distinctive for various parts of the western states. The final section also relates the findings to policy questions concerning the management of natural areas, particularly on federal lands, and of the "naturalness" of the pre-European western landscape.
In these chapters, Turner carries out one of the richest and most sustained analysis of a single myth ever conducted. Turner places the “Fire of the Jaguar” myth in the full context of Kayapo society and culture and shows how it became both an origin tale and model for the work of socialization, which is the primary form of productive labor in Kayapo society. A posthumous tribute to Turner’s theoretical erudition, ethnographic rigor, and respect for Amazonian indigenous lifeworlds, this book brings this fascinating Kayapo myth alive for new generations of anthropologists. Accompanied with some of Turner’s related pieces on Kayapo cosmology, this book is at once a richly literary work and an illuminating meditation on the process of creativity itself.
Harold Washington’s historic and improbable victory over the vaunted Chicago political machine shook up American politics. The election of the enigmatic yet engaging Washington led to his serving five tumultuous years as the city’s first black mayor. He fashioned an uneasy but potent multiracial coalition that today still stands as a model for political change.
In this revised edition of Fire on the Prairie, acclaimed reporter Gary Rivlin chronicles Washington’s legacy—a tale rich in character and intrigue. He reveals the cronyism of Daley’s government and Washington’s rivalry with Jesse Jackson. Rivlin also shows how Washington’s success inspired a young community organizer named Barack Obama to turn to the electoral arena as a vehicle for change. While the story of a single city, , this political biography is anything but parochial.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
It occurred to me why I was able to forgive the Italians, but never the Germans. Was it because the Italians never slept on mattresses stuffed with the hair of Luster Leibling or Weltfeind Flusser?
In this pair of short novels, Arnošt Lustig continues his lifelong project of creating a universe-at once concrete and dreamlike-to examine the horrors of the Holocaust and the impossible burden of living as a survivor.
The Abyss is the fragmented memories of David Wiesenthal, aged twenty, tortured by what he has witnessed and by the knowledge that luck-not skill, not courage, certainly not goodness-separated the survivors from the doomed. He seeks solace remembering the women he's loved or desired, even the one who represents his death.
In Porgess, the narrator recounts the life of the title character, "the most handsome boy in Jewish Prague" who was paralyzed on the last day of World War II. The two discuss their mutual fascinations-women, jazz, the significance of numbers-in sometimes bitter, sometimes sardonic voices, but always with the specters of the dead and the guilt of survival close at hand.
A story of love, vengeance, and renewal, Fire Point depicts the young couple’s attempt to rebuild their lives. But when Hannah’s former boyfriend Sean Colby returns home after a mysterious early discharge from the army, he cannot accept the fact that she has a new lover and commits a series of increasingly violent acts against Hannah, Martin, and the house that has come to represent their future.
In John B. Wright’s debut environmental mystery, Matt Solberg is charged with discovering who is lighting fires in the forests that surround Missoula, Montana. A geographer with a deep personal need to bring people out of danger, Matt leads a search and rescue team whose job is to head directly into the mouth of hell, hiking into blazing backcountry to find missing residents. Matt and his team not only rely on their hard-won knowledge of Montana’s wild landscape, but also on Matt’s mentor, Dr. Bill Knight, a fire ecologist who understands the burning beast better than anyone.
When a suspicious fire destroys the mansion of a movie star, Matt must hike in to find his missing daughter and save her from the chaos. Then fires begin to explode everywhere as climate change drives temperatures over 100 degrees and rain refuses to fall, threatening thousands of homes. Who is setting these fires? Is it the Montana Tree Monkeys, an eco-radical group determined to scare off the newcomers? Or is it a retired smokejumper with an axe to grind about the encroaching mansions? Could it be Paladin, a shadowy figure leaving strange clues around the state? It’s Matt’s mission to find answers to these questions during a summer of heat, smoke, and unimaginable loss. Weaving together gripping drama and intriguing fire science, Fire Scars reveals the physical and psychological wounds we all carry—and the power we have to overcome.
Today pentecostalism claims nearly 500 million followers worldwide. An early stronghold was the American South, where believers spoke in unknown tongues, worshipped in free-form churches, and broke down social barriers that had long divided traditional Protestants. Thriving denominations made their headquarters in the region and gathered white and black converts from the Texas plains to the Carolina low country.
Pentecostalism was, in fact, a religious import. It came to the South following the post-Civil War holiness revival, a northern-born crusade that emphasized sinlessness and religious empowerment. Adherents formed new churches in the Jim Crow South and held unconventional beliefs about authority, power, race, and gender. Such views set them at odds with other Christians in the region. By 1900 nearly all southern holiness folk abandoned mainline churches and adopted a pessimistic, apocalyptic theology. Signs of the last days, they thought, were all around them.
The faith first took root among anonymous religious zealots. It later claimed southern celebrities and innovators like televangelists Oral Roberts, Jimmy Swaggart, T. D. Jakes, and John Hagee; rock-and-roll icons Elvis Presley, Jerry Lee Lewis, and Little Richard; and, more recently, conservative political leaders such as John Ashcroft.
With the growth of southern pentecostal denominations and the rise of new, affluent congregants, the movement moved cautiously into the evangelical mainstream. By the 1980s the once-apolitical faith looked entirely different. Many still watched and waited for spectacular signs of the end. Yet a growing number did so as active political conservatives.
"My mother dreams in Arabic, I dream in Hebrew," says Ronny Someck. Born in 1951, he was uprooted from his native Iraq when he was four. Transplanted to Israel, Someck spent his childhood in a transit camp for new immigrants. There he was surrounded by music, the great singers Umm Kulthum, Farid al Atrash, and Fairuz shouldering up against Elvis Presley and Billie Holiday. No wonder he is so beloved in Israel. In what other poet do we find Tarzan, Marilyn Monroe, and cowboys battling with Rabbi Yehuda Halevi for the hearts and souls of Israelis?
Someck’s poems are rich in slang and distinguished by staccato rhythms, quick cuts, close-ups, and disturbing segues. As in film noir, the sensations are of speed, danger, uncertainty. His distinct Sephardi voice invokes the odors of falafel and schwarma, the army with its supporting cast of recruits and commandos, the bustle of southern Tel Aviv with its small garages, shops, cheap restaurants, its gangs and its Arab workers. He is also the troubadour of the lovelorn, with poems that are hot, erotic, comic, tragic, agape at the wonders of a tear and a tattoo and a snapshot and a bra and a scarecrow.
Prominent merchant revolutionaries from Coleman Street led England’s imperial expansion by investing deeply in the slave trade and projects of colonial conquest. Opposing them were other Coleman Street puritans, who having crossed and re-crossed the ocean as colonists and revolutionaries, circulated new ideas about the liberty of body and soul that they defined against England’s emergent, political economy of empire. These transatlantic radicals promoted social justice as the cornerstone of a republican liberty opposed to both political tyranny and economic slavery—and their efforts, Donoghue argues, provided the ideological foundations for the abolitionist movement that swept the Atlantic more than a century later.
When Fred Shuttlesworth suffered only a bump on the head in the 1956 bombing of his home, members of his church called it a miracle. Shuttlesworth took it as a sign that God would protect him on the mission that had made him a target that night. Standing in front of his demolished home, Shuttlesworth vigorously renewed his commitment to integrate Birmingham's buses, lunch counters, police force, and parks. The incident transformed him, in the eyes of Birmingham's blacks, from an up-and-coming young minister to a virtual folk hero and, in the view of white Birmingham, from obscurity to rabble-rouser extraordinaire.
From his 1956 founding of the Alabama Christian Movement for Human Rights through the historic demonstrations of 1963, driven by a sense of divine mission, Shuttlesworth pressured Jim Crow restrictions in Birmingham with radically confrontational acts of courage. His intensive campaign pitted him against the staunchly segregationist police commissioner Eugene "Bull" Connor and ultimately brought him to the side of Martin Luther King Jr. and to the inner chambers of the Kennedy White House.
First published in 1999, Andrew Manis's award-winning biography of "one of the nation's most courageous freedom fighters" demonstrates compellingly that Shuttleworth's brand of fiery, outspoken confrontation derived from his prophetic understanding of the pastoral role. Civil rights activism was tantamount to salvation in his understanding of the role of Christian minister.
In the popular imagination, the story of Prohibition in America is a story of men and male violence, one full of federal agents fighting gangsters over the sale of moonshine. In contrast, Firebrands is the story of four Jazz Age dynamos—all women –who were forces behind the passage, the enforcement, the defiance, and, ultimately, the repeal of the Eighteenth Amendment. They battled each other directly, and they learned to marshal clout with cowed and hypocritical legislators, almost all of them men. Their clash over Prohibition stands as the first significant exercise of women’s political power since women gained the right to vote, and their influence on the American political scene wouldn’t be equaled for decades.
In Gioia Diliberto’s fresh and timely take on this period of history, we meet Ella Boole, the stern and ambitious leader of the Woman’s Christian Temperance Union, who campaigned fiercely to introduce Prohibition and fought desperately to keep it alive. We also meet Mabel Walker Willebrandt, the most powerful woman in America at the time, who served as the top federal prosecutor charged with enforcing Prohibition. Diliberto tells the story, too, of silent film star Texas Guinan, who ran New York speakeasies backed by the mob and showed that Prohibition was not only absurd but unenforceable. And, she follows Pauline Morton Sabin, a glamorous Manhattan aristocrat who belatedly recognized the cascading evil in Prohibition and mobilized the movement to kill it.
These women led their opposing forces of “Wets” and “Drys” across a teeming landscape of bootleggers, gangsters, federal agents, temperance fanatics, and cowardly politicians, many of them secret drunks. Building on the momentum of suffrage, they forged a path for the activists who followed during the great civil rights battles of the mid-twentieth century. Yet, they have been largely lost to history. In Firebrands, Diliberto finally gives these dynamic figures their due, creating a varied and dramatic portrait of women wielding power, in politics, society, and popular culture.
An action-packed crime novel starring Parker, the heister starring in the forthcoming Shane Black film Play Dirty!
Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win.
The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, Stephen King, George Pelecanos, Colson Whitehead, Lucy Sante, John Banville, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.
Between Parker’s 1961 debut and his return in the late 1990s, the whole world of crime changed. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital—the days of cash-stuffed payroll trucks were long gone.
But cash isn’t everything: Firebreak takes Parker to a palatial Montana “hunting lodge” where a dot-com millionaire hides a gallery of stolen old masters—which will fetch Parker a pretty penny if his team can just get it past the mansion’s tight security. The forests of Montana are an inhospitable place for a heister when well-laid plans fall apart, but no matter how untamed the wilderness, Parker’s guaranteed to be the most dangerous predator around.
"Stacey's state of mind is revealed in a swift-flowing stream of dialogue, reaction, reproach, and nostalgia. . . . [Laurence] is the best fiction writer in the Dominion and one of the best in the hemisphere."—Atlantic
Firefighter and Paramedic Burnout was the first comprehensive book dealing with the recognition and treatment of burnout among firefighter and paramedic personnel. Today, this standard still serves to provide readers with a system of identification of early warning signs of excessive stress, its personal and social consequences, and interventions that have been proven to assist firefighters and their family members to return to a state of health and productivity.
Firefly paints a searing portrait of the city of Beirut at the outbreak of the Lebanese Civil War in the early 1970s, as seen through the eyes of its simple, yet perplexing, protagonist, Nizam al-Alami. On Nizam’s national ID card, no religion is listed. Muslim by birth, he is Christian by baptism. As a young boy, he found his way into an orchard while playing, and its owners, Touma and Rakheema, instantly fell for him and agreed to raise him as their own, as a Christian, without much resistance from his Muslim parents.
When he is grown, Nizam makes his way to Beirut to study law. Unable to bear the confines of the classroom, he abandons college to explore the city as he pleases. His apartment soon becomes a meeting place for his communist comrades, and he falls in love with Janan, the tormented artist whose dark paintings prophesy the city’s bloody future. When Beirut explodes, and the city is divided into a Christian East and a Muslim West, Nizam’s apartment turns into a hideout for armed militiamen, and Burj Square is emptied of everything except the Martyrs’ Statue that bears witness to the city’s most difficult moments. Nizam, too, bears witness, as he sees the corpses of the civil war’s victims pile up.
Jabbour Douaihy takes us through Nizam’s adventures and struggles as he faces stigmatization, homelessness, and violence in a society that considers him an outsider. Like the light-producing, charismatic fireflies that captured his imagination and eluded him as a child, Nizam is the glimmer of hope epitomized by those who reject binary identities in favor of the in-between. But how long, Douaihy asks, can this glimmer of hope truly last?
"The unwritten novel among the fantasies and aphorisms of Fires is a classic tale."—Stephen Koch, New York Times Book Review
Of all the horrors of the last century—perhaps the bloodiest century of the past millennium—ethnic cleansing ranks among the worst. The term burst forth in public discourse in the spring of 1992 as a way to describe Serbian attacks on the Muslims of Bosnia-Herzegovina, but as this landmark book attests, ethnic cleansing is neither new nor likely to cease in our time.
Norman Naimark, distinguished historian of Europe and Russia, provides an insightful history of ethnic cleansing and its relationship to genocide and population transfer. Focusing on five specific cases, he exposes the myths about ethnic cleansing, in particular the commonly held belief that the practice stems from ancient hatreds. Naimark shows that this face of genocide had its roots in the European nationalism of the late nineteenth century but found its most virulent expression in the twentieth century as modern states and societies began to organize themselves by ethnic criteria. The most obvious example, and one of Naimark’s cases, is the Nazi attack on the Jews that culminated in the Holocaust. Naimark also discusses the Armenian genocide of 1915 and the expulsion of Greeks from Anatolia during the Greco–Turkish War of 1921–22; the Soviet forced deportation of the Chechens-Ingush and the Crimean Tatars in 1944; the Polish and Czechoslovak expulsion of the Germans in 1944–47; and Bosnia and Kosovo.
In this harrowing history, Naimark reveals how over and over, as racism and religious hatreds picked up an ethnic name tag, war provided a cover for violence and mayhem, an evil tapestry behind which nations acted with impunity.
Few people embraced the manifesto and its radical message. Nonetheless, as Eric J. Morser illustrates in this eloquently written and deeply researched book, the address matters because it reveals how commercial, cultural, political, and social changes were remaking the lives of the men who drafted and shared it in the 1830s. Using an imaginative range of sources, Morser artfully reconstructs their moving personal tales and locates them in a grander historical context. By doing so, he demonstrates that even seemingly small stories from antebellum America can help us understand the rich complexities of the era.
The Fires of Patriotism explores Alaska’s wartime experience, bringing to light new stories and new characters from a decade that shook the world. This multifaceted book explores the era through engaging stories and rare photos, offering a fresh perspective on World War I from a marginal land that forged its place in the greater unity of the country.
Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day.
Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was—more like Calcutta or the Costa del Sol?—and what it can tell us about “ordinary” life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica.
Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd’s memorable rock concert to Primo Levi’s elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.
"Comprehensive and compelling." —Booklist
"A powerful message." —Kirkus
"Should be required reading." —Library Journal
For two months in the spring of 2016, the world watched as wildfire ravaged the Canadian town of Fort McMurray. Firefighters named the fire “the Beast.” It acted like a mythical animal, alive with destructive energy, and they hoped never to see anything like it again. Yet it’s not a stretch to imagine we will all soon live in a world in which fires like the Beast are commonplace. A glance at international headlines shows a remarkable increase in higher temperatures, stronger winds, and drier lands– a trifecta for igniting wildfires like we’ve rarely seen before.
This change is particularly noticeable in the northern forests of the United States and Canada. These forests require fire to maintain healthy ecosystems, but as the human population grows, and as changes in climate, animal and insect species, and disease cause further destabilization, wildfires have turned into a potentially uncontrollable threat to human lives and livelihoods.
Our understanding of the role fire plays in healthy forests has come a long way in the past century. Despite this, we are not prepared to deal with an escalation of fire during periods of intense drought and shorter winters, earlier springs, potentially more lightning strikes and hotter summers. There is too much fuel on the ground, too many people and assets to protect, and no plan in place to deal with these challenges.
In Firestorm, journalist Edward Struzik visits scorched earth from Alaska to Maine, and introduces the scientists, firefighters, and resource managers making the case for a radically different approach to managing wildfire in the 21st century. Wildfires can no longer be treated as avoidable events because the risk and dangers are becoming too great and costly. Struzik weaves a heart-pumping narrative of science, economics, politics, and human determination and points to the ways that we, and the wilder inhabitants of the forests around our cities and towns, might yet flourish in an age of growing megafires.
Fireworks are synonymous with celebration in the twenty-first century. But pyrotechnics—in the form of rockets, crackers, wheels, and bombs—have exploded in sparks and noise to delight audiences in Europe ever since the Renaissance. Here, Simon Werrett shows that, far from being only a means of entertainment, fireworks helped foster advances in natural philosophy, chemistry, mathematics, and many other branches of the sciences.
Fireworks brings to vibrant life the many artful practices of pyrotechnicians, as well as the elegant compositions of the architects, poets, painters, and musicians they inspired. At the same time, it uncovers the dynamic relationships that developed between the many artists and scientists who produced pyrotechnics. In so doing, the book demonstrates the critical role that pyrotechnics played in the development of physics, astronomy, chemistry and physiology, meteorology, and electrical science. Richly illustrated and drawing on a wide range of new sources, Fireworks takes readers back to a world where pyrotechnics were both divine and magical and reveals for the first time their vital contribution to the modernization of European ideas.
A Nobel Prize winner's most important, groundbreaking work, collected in one volume
The Firm, the Market, and the Law gathers the most important and lasting works by Nobel Prize-winning economist Ronald Coase. Awarded the Nobel Prize in 1991 for his groundbreaking work on the significance of transaction costs and property rights, Coase continually urged his fellow economists to examine the real-world foundations on which their theories rest. This volume collects some of his classic articles probing those very foundations. "The Nature of the Firm" (1937) introduced the then-revolutionary concept of transaction costs into economic theory. "The Problem of Social Cost" (1960) further developed this concept, emphasizing the effect of the law on the working of the economic system. The remaining papers and new introductory essay clarify and extend Coarse's arguments and address his critics.
Few other economists have been read and cited as often as R.H. Coase has been, even though, as he admits, "most economists have a different way of looking at economic problems and do not share my conception of the nature of our subject." Coase's particular interest has been that part of economic theory that deals with firms, industries, and markets—what is known as price theory or microeconomics. He has always urged his fellow economists to examine the foundations on which their theory exists, and this volume collects some of his classic articles probing those very foundations. "The Nature of the Firm" (1937) introduced the then-revolutionary concept of transaction costs into economic theory. "The Problem of Social Cost" (1960) further developed this concept, emphasizing the effect of the law on the working of the economic system. The remaining papers and new introductory essay clarify and extend Coarse's arguments and address his critics.
"These essays bear rereading. Coase's careful attention to actual institutions not only offers deep insight into economics but also provides the best argument for Coase's methodological position. The clarity of the exposition and the elegance of the style also make them a pleasure to read and a model worthy of emulation."—Lewis A. Kornhauser, Journal of Economic Literature
Ronald H. Coase was awarded the Nobel Prize in Economic Science in 1991.
Conservative opponents of LGBT equality in the United States often couch their opposition in claims of free speech, free association, and religious liberty. It is no surprise, then, that many LGBT supporters equate First Amendment arguments with resistance to their cause. The First Amendment and LGBT Equality tells another story, about the First Amendment’s crucial yet largely forgotten role in the first few decades of the gay rights movement.
Between the 1950s and 1980s, when many courts were still openly hostile to sexual minorities, they nonetheless recognized the freedom of gay and lesbian people to express themselves and associate with one another. Successful First Amendment cases protected LGBT publications and organizations, protests and parades, and individuals’ right to come out. The amendment was wielded by the other side only after it had laid the groundwork for major LGBT equality victories.
Carlos A. Ball illuminates the full trajectory of this legal and cultural history. He argues that, in accommodating those who dissent from LGBT equality on grounds of conscience, it is neither necessary nor appropriate to depart from the established ways in which American antidiscrimination law has, for decades, accommodated equality dissenters. But he also argues that as progressives fight the First Amendment claims of religious conservatives and other LGBT opponents today, they should take care not to erode the very safeguards of liberty that allowed LGBT rights to exist in the first place.
In determining the news that’s fit to print, U.S. courts have traditionally declined to second-guess professional journalists. But in an age when news, entertainment, and new media outlets are constantly pushing the envelope of acceptable content, the consensus over press freedoms is eroding. The First Amendment Bubble examines how unbridled media are endangering the constitutional privileges journalists gained in the past century.
For decades, judges have generally affirmed that individual privacy takes a back seat to the public’s right to know. But the growth of the Internet and the resulting market pressures on traditional journalism have made it ever harder to distinguish public from private, news from titillation, journalists from provocateurs. Is a television program that outs criminals or a website that posts salacious videos entitled to First Amendment protections based on newsworthiness? U.S. courts are increasingly inclined to answer no, demonstrating new resolve in protecting individuals from invasive media scrutiny and enforcing their own sense of the proper boundaries of news.
This judicial backlash now extends beyond ethically dubious purveyors of infotainment, to mainstream journalists, who are seeing their ability to investigate crime and corruption curtailed. Yet many—heedless of judicial demands for accountability—continue to push for ever broader constitutional privileges. In so doing, Amy Gajda warns, they may be creating a First Amendment bubble that will rupture in the courts, with disastrous consequences for conventional news.
Ralph Waldo Emerson celebrated the individualism, rebelliousness, anti-authoritarianism, and the spirit of nonconformity within all of us. In The First Amendment, Democracy, and Romance, Steven Shiffrin argues that romantics like Emerson have more to teach us about freedom of speech and democracy than does Justice Oliver Wendell Holmes: if the first amendment is to have a single organizing symbol, let it be the image of the dissenter. A major purpose of the first amendment, says Shiffrin, is to protect those who would break out of orthodox forms.
Although the Emersonian ideal of freedom of speech has deep roots in the nation's culture, it has been subtly denigrated in recent first-amendment theory and seriously abused in practice. Yet Shiffrin believes that the first amendment can provide a sensible accommodation among a host of conflicting values in a changing world, and can also stand as a national symbol—in short, it can allow for both social construction and romance.
Blending insights from literature, philosophy, political science, history, rhetoric, and law, Shiffrin maintains that the romantic tradition sheds light not only on a range of free-speech issues, such as libel, flag burning, and the commercialization of the mass media, but also on subjects of broader theoretical controversy, including liberalism, pragmatism, and the republican revival. In addition to its original approach to the law, this book brings new observations and fresh insights to its discussions of the role of the first amendment in American culture. It will interest a general audience as well as lawyers, journalists, and scholars in a variety of academic fields.
Addressing a host of hot-button issues, from the barring of Christian student groups and military recruiters from law schools and universities to churches’ immunity from civil rights legislation in hiring and firing ministers, Paul Horwitz proposes a radical reformation of First Amendment law. Arguing that rigidly doctrinal approaches can’t account for messy, real-world situations, he suggests that the courts loosen their reins and let those institutions with a stake in First Amendment freedoms do more of the work of enforcing them.
Universities, the press, libraries, churches, and various other institutions and associations are a fundamental part of the infrastructure of public discourse. Rather than subject them to ill-fitting, top-down rules and legal categories, courts should make them partners in shaping public discourse and First Amendment law, giving these institutions substantial autonomy to regulate their own affairs. Self-regulation and public criticism should be the key restraints on these institutions, not judicial fiat. Horwitz suggests that this approach would help the law enhance the contribution of our “First Amendment institutions” to social and political life. It would also move us toward a conception of the state as a participating member of our social framework, rather than a reigning and often overbearing sovereign.
First Amendment Institutions offers a new vantage point from which to evaluate ongoing debates over topics ranging from campaign finance reform to campus hate speech and affirmative action in higher education. This book promises to promote—and provoke—important new discussions about the shape and future of the First Amendment.
Hugh M. Hefner’s legacy of enduring free speech and free press values is embodied in the Hugh M. Hefner First Amendment Awards, established in 1979, which honor leading First Amendment scholars and advocates. Hefner also had a lifelong interest in film censorship issues and supported teaching about them at the University of Southern California for 20 years. His deep commitment to these values was confirmed when the author was granted unrestricted access to over 3,000 personal scrapbooks, which Hefner had kept in order to track free speech and press issues during his lifetime.
The format of the book is an homage to the in-depth conversational interviews Hefner pioneered as the editor and publisher of Playboy magazine. Stuart Brotman conducted in-person conversations with eight persons who in their lifetimes have come to represent a “greatest generation” of free speech and free press scholars and advocates. Notably, these conversations include:
Geoffrey R. Stone
Floyd Abrams
Nadine Strossen
Burt Neuborne
David D. Cole
Lucy A. Dalglish
Bob Corn-Revere
Rick Jewell
This collection of fourteen essays written by young communication scholars at the University of Arkansas presents unique insights into how First Amendment issues have played out in the state. Rather than exploring the particular legal issues and the constitutional principles enunciated by the courts, First Amendment Studies tells the stories of actual people expressing challenged or unpopular points of view and reveals the ways that constitutional controversies arise from the actions of local officials and individual citizens.
Drawing on public documents as well as extensive interviews with participants, these essays demonstrate the dynamics of democratic dissent—on college campuses, in public schools, in churches, on the streets, in the forests and on the farms, and in legislative chambers and courtrooms.
Each essay was selected for the Richard S. Arnold Prize in First Amendment Studies, an endowed fund established in 1999 to encourage University of Arkansas graduate students in communication and the liberal arts to explore and examine questions about freedom of speech and freedom of religion.
Organized alphabetically as a reference guide, this volume provides a biographical sketch of each architect's life, education, and professional career, and a list of known works and sources for further research. Many of these remarkable women have never before appeared in any other history, making The First American Women Architects a unique and invaluable reference for students and scholars interested in women's history and architecture. As an instructive record of the legacy of women in architectural history, this book will also serve as a stimulating indicator of the broadening potential for women and other minorities within the field of architecture.
The First and Second Sikh Wars of the 1840s were the final battles that secured British domination of the Indian subcontinent for the next century. Noted for both their brutality and sophistication in tactics—with large-scale cavalry clashes, sieges, and artillery and infantry engagements—the wars against the Sikh principalities not only handed control of India to Great Britain, but the defeated Sikh armies ended up becoming some of the most loyal and ablest soldiers of the British Empire. The lessons from these wars also influenced changes in British military policy and strategies, particularly against indigenous peoples. In 1911, the British Army command asked its historical branch in India to prepare a military history of the Sikh Wars. The result, The First and Second Sikh Wars, is a publication rich in detail and analysis and a treasure trove of background information about the British Army in India, Sikh culture at the time, and the battles of Ferozeshah, Aliwal, Chillianwala, and Gujrat. Despite the importance of these wars in the history of both the nineteenth century and the modern era, there are no similar complete narrative accounts of these conflicts available that rely on official records of the period. This facsimile is enhanced by historian Jon Coulston's new introduction and suggestions for further reading.
“Essential reading.” —Erika Lee, author of The Making of Asian America
“A broadly thought-provoking book.” —Asian Review of Books
“Fascinating…[this book] indicates new avenues of research…[and] stands as a bellwether for shifting trajectories of analysis that invite micro-historical follow-up.” —H-Net Reviews
“[This book] offers an invaluable perspective… [it] not only intellectually satisfies the reader with a necessary and innovative view . . . but also makes us want to learn more about this essential and still insufficiently explored topic...will become a fundamental pillar within the discipline.” —Colonial Latin American Review
Between 1565 and 1815, the so-called Manila galleons monopolized trade between Spain’s Asian and American colonies. Sailing from the Philippines to Mexico and back, these Spanish ships also facilitated the earliest migrations and displacements of Asian peoples to the Americas. Hailing from Gujarat, Nagasaki, and many places in between, both free and enslaved Asians made the treacherous transpacific journey each year.
Diego Javier Luis chronicles this first sustained wave of Asian mobility to the Americas, shedding new light on the daily lives of those who disembarked at Acapulco. There, diverse ethnolinguistic populations officially became “chinos,” racialized as members of a single caste under colonial control. Luis shows how Asians resisted legal strictures, forging new connections across ethnic groups and continually adapting to adverse conditions.
Detailing an important era in the construction of race, The First Asians in the Americas vividly unfolds what it meant to be “chino” in the early modern Spanish empire and reveals the significance of colonial Latin America to Asian diasporic history.
Decades after the U.S. Supreme Court and certain governmental actions struck down racial segregation in the larger society, American prison administrators still boldly adhered to discriminatory practices. Not until 1975 did legislation prohibit racial segregation and discrimination in Texas prisons. However, vestiges of this practice endured behind prison walls. Charting the transformation from segregation to desegregation in Texas prisons—which resulted in Texas prisons becoming one of the most desegregated places in America—First Available Cell chronicles the pivotal steps in the process, including prison director George J. Beto's 1965 decision to allow inmates of different races to co-exist in the same prison setting, defying Southern norms.
The authors also clarify the significant impetus for change that emerged in 1972, when a Texas inmate filed a lawsuit alleging racial segregation and discrimination in the Texas Department of Corrections. Perhaps surprisingly, a multiracial group of prisoners sided with the TDC, fearing that desegregated housing would unleash racial violence. Members of the security staff also feared and predicted severe racial violence. Nearly two decades after the 1972 lawsuit, one vestige of segregation remained in place: the double cell. Revealing the aftermath of racial desegregation within that 9 x 5 foot space, First Available Cell tells the story of one of the greatest social experiments with racial desegregation in American history.
On April 5, 1917, Three Plays for a Negro Theater by Ridgely Torrence opened at the Garden Theatre in New York City. This performance was a monumental event in American stage history. Not only was this the first dramatic production to portray African American life beyond the cliché, it was also the first production on Broadway to feature an all-black cast. The morning after the three plays were performed, newspapers were filled with praise for the cast, crew, and playwright. Audience member W. E. B. Du Bois declared the show "epoch making." Despite such early critical acclaim, Three Plays for a Negro Theater closed before the end of the month and received little attention thereafter.
Why was a nation, so fascinated with firsts, able to forget these black actors and this production so quickly? It is this question that Susan Curtis addresses in The First Black Actors on the Great White Way.
Set against the backdrop of transforming theater conventions in the early 1900s and the war in 1917, this important study relates the stories of the actors, stage artists, critics, and many others—black and white—involved in this groundbreaking production. Curtis explores in great depth both the progress in race relations that led to this production and the multifaceted reasons for its quick demise.
Three Plays for a Negro Theater opened on the eve of the United States' entrance into World War I. Curtis attributes the early closure of the three plays to this coincidence, but she does not settle for so simple an explanation. Rather, she investigates the heightened national self-consciousness that followed the United States' entry into the war. America was ready to "make the world safe for democracy," but it was not fully ready to accept democracy and equality in its own culture.
The First Black Actors on the Great White Way is not simply a study of African American theater and its entrance into American culture. By focusing on a single event at a critical moment in history, Curtis offers a unique glimpse into race relations in early-twentieth-century American society. The experience of these pioneering artists reveals an unexplored aspect of the painfully slow evolution of racial equality.
A remarkable story about people who waged an extraordinary campaign against racism, The First Black Actors on the Great White Way will be of special interest to scholars of American studies, race relations, and cultural history, as well as the general reader.
Early 19th-century Alabama was a society still in the making. Now Philip Beidler tells how the first books written and published in the state influenced the formation of Alabama's literary and political culture. As Beidler shows, virtually overnight early Alabama found itself in possession of the social, political, and economic conditions required to jump start a traditional literary culture in the old Anglo-European model: property-based class relationships, large concentrations of personal wealth, and professional and merchant classes of similar social, political, educational, and literary views.
In The First British Trade Expedition to China, Nicholas D. Jackson explores the pioneering British trade expedition to China launched in the late Ming period by Charles I and the Courteen Association. Utilizing the vivid perspective of its commander Captain John Weddell, this study concentrates on the fleet’s adventures in south China between Portuguese Macao and the provincial capital, Guangzhou. Tracing the obscure origins of Sino-British diplomatic and commercial relations back to the late Ming era, Jackson examines the first episodes of Sino-British interaction, exchange, and collision in the seventeenth century. His analysis constitutes a groundbreaking study of early modern British initiatives and enterprises in the coastal areas of south China.
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