Is "right-brain" thought essentially creative, and "left-brain" strictly logical? Joseph B. Hellige argues that this view is far too simplistic. Surveying extensive data in the field of cognitive science, he disentangles scientific facts from popular assumptions about the brain's two hemispheres.

In Hemispheric Asymmetry, Hellige explains that the "right brain" and "left brain" are actually components of a much larger cognitive system encompassing cortical and subcortical structures, all of which interact to produce unity of thought and action. He further explores questions of whether hemispheric asymmetry is unique to humans, and how it might have evolved. This book is a valuable overview of hemispheric asymmetry and its evolutionary precedents.

Hend is a young Saudi Arabian woman struggling to challenge her conservative society, which is represented by various soldiers, real and metaphorical, in her life. After a failed arranged marriage to an army officer, she is determined to establish herself as a writer and make her own choices in love. Her mother, a firm supporter of their society’s traditional norms, works to block her efforts. As Hend engages with her mother, stories of her past and those of other female relatives reveal the extent of the suffering previous generations of women have endured while living in such a patriarchal society. Hend also comes to understand how such traditions have adversely affected the men in her family, including one brother who flees to the West and another who finds comradeship among the members of al-Qaeda.

Badriah Albeshr represents a growing number of women writers from the Arabian Peninsula who refuse to shy away from the taboo topics of religion and sexuality, which makes Hend and the Soldiers a valuable read for those seeking insights into the complexities surrounding these issues.

Henry Adams sought, late in life, to thwart prospective biographers by writing his own biography. Published soon after his death in 1918, The Education of Henry Adams was rightly greeted as a masterpiece. Not until thirty years later, with the appearance of the first volume of Ernest Samuels’s biography, did it become apparent how much the story had been colored by Adams’s singular philosophy of history and how great was the disparity between the protagonist of the Education and Adams as he actually was. Upon its completion in 1964, Samuels’s life of Henry Adams was hailed as “one of the great biographical achievements of our time”; its laurels included a Pulitzer Prize.

Ernest Samuels has now distilled his ample narrative into a single absorbing volume. We see Adams as a lively undergraduate, in contrast to the jaded young man of the Education; as budding writer, newspaper correspondent, eager participant in political maneuverings in Washington and at the American embassy in London; as teacher at Harvard and editor of the North American Review; settled in Washington, as scholar, biographer, historian, novelist; as insatiable traveler; as friend and adviser to statesmen; as elderly cosmopolite spending half of each year abroad; and always as witty chronicler of the social scene and trenchant commentator on the events of his time. We are drawn into the personal drama of Adams’s middle years: his married life with Clover; the halcyon period in Washington in the early 1880s, catastrophically terminated by Clover’s depression and suicide; his growing passion for Elizabeth Cameron; and his flight to the South Seas. Throughout the book we follow the genesis and progress of his writings, from his muck-raking journalism in President Grant’s Washington, through the social and political criticism of his novels, his biographies, and his great History, to the classic Mont Saint Michel and Chartres, the daring theories of the Education, and his last essays.

Few biographies have so broad a canvas—sixty years of American political, social, and intellectual life, from the pre–Civil War years to the First World War. And few offer so revealing a portrait of a complex human being and an extraordinary career.

Henry Adams has been called an indispensable figure in American thought. Although he famously “took his own life” in the autobiographical Education of Henry Adams, his letters—more intimate and unbuttoned, though hardly unselfconscious—are themselves indispensable for an understanding of the man and his times.

This selection, the first based on the authoritative 6-volume Letters, represents every major private and public event in Adams’s life from 1858 to 1918 and confirms his reputation as one of the greatest letter writers of his time. Adams knew everyone who was anyone and went almost everywhere, and—true to the Adams family tradition—recorded it all. These letters to an array of correspondents from American presidents to Henry James to 5-year-old honorary nieces reveal Adams’s passion for politics and disdain for politicians, his snobbish delight in society and sincere affection for friends, his pose of dilettantism and his serious ambitions as writer and historian, his devastation at his wife’s suicide and his acquiescence in the role of Elizabeth Cameron’s “tame cat,” his wicked humor at others’ expense and his own reflexive self-depreciation.

This volume allows the reader to experience 19th-century America through the eyes of an observer on whom very little was lost, and to make the acquaintance of one of the more interesting personalities in American letters. As Ernest Samuels says in his introduction, “The letters lift the veil of old-age disenchantment that obscures the Education and exhibit Adams as perhaps the most brilliant letter writer of his time. What most engages one in the long course of his correspondence is the tireless range of his intellectual curiosity, his passionate effort to understand the politics, the science, and the human society of the world as it changed around him… It is as literature of a high order that his letters can finally be read.”

This volume is written on the same comprehensive scale as its predecessors, The Young Henry Adams and Henry Adams: The Middle Years, which the New York Times called “eminently sympathetic, inclusive, sensible and satisfying.” Ernest Samuels' narrative is mainly chronological, showing the growth and maturity of a long, full, and varied career, but the principal focus is on the internal drama of Adams' life and on the expression of his opinions and ideas.

Drawing on a wealth of unpublished material, including correspondence with such figures as John Hay, William and Henry James, Bernard Berenson, and Theodore Roosevelt, the author discerningly records significant moments in Adams' lifelong dialogue in letters with his friends and acquaintances. Particularly illuminating is the series of brilliant and romantic letters Adams wrote to Elizabeth Cameron which go far to correct the dehumanized image implicit in the Education. As before, Samuels maintains an artistic balance between pure biography and literary history and criticism; his definitive study of Adams' life and works adds a major chapter to American intellectual and social history.

"Education had ended in 1871, life was complete in 1890." With this paradoxical statement from The Education of Henry Adams, Adams apparently dismissed from the record twenty of the most interesting and active years of his career. Those two decades embraced the first great productive season of his literary genius and the most significant years of his emotional life. Opening on the highest note of expectation and closing with his desperate flight to the South Seas in 1890, a divided and lonely figure, that season of fulfillment and inner growth is the subject of this book.

The relationship between Adams' life and writings grew steadily richer as his literary artistry matured, and with that process as his main concern, Mr. Samuels has written a book equally rewarding as a biography and as a critical study. Perhaps the greatest achievement biographically is a definitive and absorbing account of the true relationship between Henry Adams and his wife and an introduction to the grand passion for Elizabeth Cameron which was to affect the rest of his life. The whole intense inner drama of his feelings is really opened up for the first time, as often as possible in his own words, to the tragedy of his wife's suicide, the embittered years of work concluding the great History, and, finally, the escape to the South Seas in an effort to overcome the intolerable intensity of his love for Mrs. Cameron.

Through detailed analyses of Adams' writings, Mr. Samuels shows how all this drama had its counterpoint in his literary activities and eventually became transformed into works of literary art. Equally interesting is the way in which the ideas for his biographical and historical writing emerged from the wide sources of his reading, were tested in the remarkable give and take of hiscircle, and finally adapted to the themes of his writing.

This is the most exhaustive biographical and critical study of Adams' middle years ever made, and probably answers, so far as it is humanly possible, every unanswered question about Adams' life and the writing of his books. From the wealth of family papers deposited with the Massachusetts Historical Society and numerous other sources, Mr. Samuels has unveiled an increasingly complex personality - a brilliant mind in the grip of many prejudices and contradictions, yet one so terrifyingly honest that it more than ever defies explanation in any ordinary terms.

The mass of fresh materials used includes letters from correspondents around the world and admits us to the other side of the enormous dialogue which Adams carried on with the members of his circle. Certain finds have revealed some invaluable sidelights including a striking fragment of Adams' diary for 1888-1889; a sheaf of his sonnets to Elizabeth Cameron, and the unpublished remainder of his letters to his wife. Much untouched material has also come to light in newspapers, magazines, public archives, court records, memoirs, and biographies.

This is the second of three volumes of Mr. Samuels' definitive study of Henry Adams. The other two are The Young Henry Adams and Henry Adams: The Major Phase.

From a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life's work of Henry Bumstead, one of Hollywood's most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven.

This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead's career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead's design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, and James Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead's designs translated to film. This portrait of Bumstead's career underscores an art director's crucial role in shaping the look of a film and also tracks the changes in production design from the studio era through location shooting to today's use of high-tech special effects.

Henry Friendly is frequently grouped with Oliver Wendell Holmes, Louis Brandeis, Benjamin Cardozo, and Learned Hand as the best American jurists of the twentieth century. In this first, comprehensive biography of Friendly, David M. Dorsen opens a unique window onto how a judge of this caliber thinks and decides cases, and how Friendly lived his life.

During his time on the Court of Appeals for the Second Circuit (1959–1986), Judge Friendly was revered as a conservative who exemplified the tradition of judicial restraint. But he demonstrated remarkable creativity in circumventing precedent and formulating new rules in multiple areas of the law. Henry Friendly, Greatest Judge of His Era describes the inner workings of Friendly’s chambers and his craftsmanship in writing opinions. His articles on habeas corpus, the Fourth Amendment, self-incrimination, and the reach of the state are still cited by the Supreme Court.

Dorsen draws on extensive research, employing private memoranda between the judges and interviews with all fifty-one of Friendly’s law clerks—a veritable Who’s Who that includes Chief Justice John R. Roberts, Jr., six other federal judges, and seventeen professors at Harvard, Yale, Stanford, and elsewhere. In his Foreword, Judge Richard Posner writes: “David Dorsen has produced the most illuminating, the most useful, judicial biography that I have ever read . . . We learn more about the American judiciary at its best than we can learn from any other . . . Some of what I’ve learned has already induced me to make certain changes in my judicial practice.”

When championing the commercial buildings and homes that made the Windy City famous, one can’t help but mention the brilliant names of their architects—Daniel Burnham, Louis Sullivan, and Frank Lloyd Wright, among others. But few people are aware of Henry Ives Cobb (1859–1931), the man responsible for an extraordinarily rich chapter in the city’s turn-of-the-century building boom, and fewer still realize Cobb’s lasting importance as a designer of the private and public institutions that continue to enrich Chicago’s exceptional architectural heritage.

Henry Ives Cobb’s Chicago is the first book about this distinguished architect and the magnificent buildings he created, including the Newberry Library, the Chicago Historical Society, the Chicago Athletic Association, the Fisheries Building for the 1893 World’s Fair, and the Chicago Federal Building. Cobb filled a huge institutional void with his inventive Romanesque and Gothic buildings—something that the other architect-giants, occupied largely with residential and commercial work, did not do. Edward W. Wolner argues that these constructions and the enterprises they housed—including the first buildings and master plan for the University of Chicago—signaled that the city had come of age, that its leaders were finally pursuing the highest ambitions in the realms of culture and intellect.

Assembling a cast of colorful characters from a free-wheeling age gone by, and including over 140 images of Cobb’s most creative buildings, Henry Ives Cobb’s Chicago is a rare achievement: a dynamic portrait of an architect whose institutional designs decisively changed the city’s identity during its most critical phase of development.

In the 1940s Henry J. Kaiser was a household name, as familiar then as Warren Buffett and Donald Trump are now. Like a Horatio Alger hero, Kaiser rose from lower-middle-class origins to become an enormously wealthy entrepreneur, building roads, bridges, dams, and housing. He established giant businesses in cement, aluminum, chemicals, steel, health care, and tourism. During World War II, his companies built cargo planes and Liberty ships. After the war, he manufactured the Kaiser-Frazer automobile. Along the way, he also became a major force in the development of the western United States, including Hawaii.

Henry J. Kaiser: Builder in the Modern American West is the first biography of this remarkable man. Drawing on a wealth of archival material never before utilized, Mark Foster paints an evenhanded portrait of a man of driving ambition and integrity, perhaps the ultimate "can-do" capitalist. He covers Kaiser's entire life (1882–1967), emphasizing many business ventures. He demonstrates that Kaiser was the prototypical "frontier" entrepreneur who often used government and union support to tame the "wilderness."

Though today the Kaiser industries are no longer under family management, the Kaiser legacy remains great. Kaiser played a major role in building the Hoover, Bonneville, Grand Coulee, and Shasta dams. The Kaiser-Permanente Medical Care Program still provides comprehensive health care for millions of subscribers. Kaiser-planned communities remain in Los Angeles; San Francisco; Portland, Oregon; and Boulder City, Nevada. Kaiser Engineers was actively engaged in hundreds of huge construction jobs across the nation and around the world.

U.S. and business historians, scholars of the modern West, and general readers will all find much to absorb them in this well-written biography.

"He was a supreme artist in the intimacies and connections that bind people together or tear them apart," says Leon Edel in his introduction to this collection of Henry James's best letters. Edel has chosen, from the four-volume epistolarium already published, those letters which especially illuminate James's writing, his life, his thoughts and fancies, his literary theories, and his most meaningful friendships. In addition, there are two dozen letters that have never before been printed.

In its unity, its elegance, and its reflection of almost a century of Anglo-American life and letters, this correspondence can well be said to belong to literature as well as to biography. Besides epistles to James's friends and family--including his celebrated brother, William--there are letters to notables such as Flaubert and Daudet in France; Stevenson, Gosse, Wells, and Conrad in England; and Americans from William Dean Howells to Edith Wharton. The latter correspondence, in particular, enlarges our understanding of James's complex involvements with Wharton and her circle; among the previously unpublished letters are several to Wharton's rakish lover, Morton Fullerton.

This masterly selection allows us to observe the precocious adolescent, the twenty-six-year-old setting out for Europe, the perceptive traveler in Switzerland and Italy, and the man-about-London consorting with Leslie Stephen and William Morris, meeting Darwin and Rossetti, hearing Ruskin lecture, visiting George Eliot. The letters describe periods of stress as well as happiness, failure as well as success, loneliness as well as sociability. They portray in considerable psychological depth James's handling of his problems (particularly with his family), and they allow us to see him adjust his mask for each correspondent.

What made Henry Kissinger the kind of diplomat he was? What experiences and influences shaped his worldview and provided the framework for his approach to international relations? Jeremi Suri offers a thought-provoking, interpretive study of one of the most influential and controversial political figures of the twentieth century.

Drawing on research in more than six countries in addition to extensive interviews with Kissinger and others, Suri analyzes the sources of Kissinger's ideas and power and explains why he pursued the policies he did. Kissinger's German-Jewish background, fears of democratic weakness, belief in the primacy of the relationship between the United States and Europe, and faith in the indispensable role America plays in the world shaped his career and his foreign policy. Suri shows how Kissinger's early years in Weimar and Nazi Germany, his experiences in the U.S. Army and at Harvard University, and his relationships with powerful patrons--including Nelson Rockefeller and Richard Nixon--shed new light on the policymaker.

Kissinger's career was a product of the global changes that made the American Century. He remains influential because his ideas are rooted so deeply in dominant assumptions about the world. In treating Kissinger fairly and critically as a historical figure, without polemical judgments, Suri provides critical context for this important figure. He illuminates the legacies of Kissinger's policies for the United States in the twenty-first century.

Born in the Australian bush, Stella Miles Franklin became an international publishing sensation in 1901, at the age of 21, with My Brilliant Career, whose portrayal of an ambitious and independent woman defying social expectations still captivates readers. In a magisterial biography, Jill Roe details Miles’ extraordinary life.

Early success launched Miles into influential literary and socialist circles in Sydney and Melbourne, where she met Banjo Paterson (composer of “Waltzing Matilda” and author of The Man from Snowy River) and suffragist Vida Goldstein (who introduced her to Christian Science). Researching the lives of working women, Miles disguised herself as a domestic for a year. She then lit out for adventure abroad, landing in San Francisco just after the Great Earthquake. At Jane Addams’ Hull House in Chicago, she joined the women’s labor movement, working for the National Women’s Trade Union League and writing for its magazine.

Moving to Britain in 1915, Miles joined the war cause and served in Macedonia as a hospital orderly and then worked in London for various feminist and progressive causes, including the National Housing Council. Always she wrote, becoming a prolific author of plays as well as novels and archetypal bush stories. Returning to Australia in the 1930s, she supported women’s causes and promoted Australian writers, leaving her estate to endow the nation’s premier literary award.

The culmination of decades of research in thousands of papers left by Miles, Her Brilliant Career stands as the definitive life of this remarkable writer and feminist.

For the ancient Maya, food was both sustenance and a tool for building a complex society. This collection, the first to focus exclusively on the social uses of food in Classic Maya culture, deploys a variety of theoretical approaches to examine the meaning of food beyond diet—ritual offerings and restrictions, medicinal preparations, and the role of nostalgia around food, among other topics. For instance, how did Maya feasts build community while also reinforcing social hierarchy? What psychoactive substances were the elite Maya drinking in their caves, and why? Which dogs were good for eating, and which breeds became companions? Why did even some non-elite Maya enjoy cacao, but rarely meat? Why was meat more available for urban Maya than for those closer to hunting grounds on the fringes of cities? How did the molcajete become a vital tool and symbol in Maya gastronomy?

These chapters, written by some of the leading scholars in the field, showcase a variety of approaches and present new evidence from faunal remains, hieroglyphic texts, chemical analyses, and art. Thoughtful and revealing, Her Cup for Sweet Cacao unlocks a more comprehensive understanding of how food was instrumental to the development of ancient Maya culture.

This book is a study of the historical record of Muslim women’s property rights and equity. Based on Islamic court documents of fifteenth-century Granada—documents that show a high degree of women’s involvement—the book examines women’s legal entitlements to acquire property as well as the social and economic significance of these rights to Granada’s female population and, by extension, to women in other Islamic societies.

The microhistory of women’s property rights is placed in a comparative historical, social, and economic context and is examined using a theoretical framework that suggests how this book’s conclusions might coexist with the Islamic feminist discourse on the law as a patriarchal system, serving to highlight both the uniqueness and the limitations of the Islamic case. The specifics presented in the case studies reveal the broader structures, constructs, rules, conditions, factors, and paradigms that shaped women’s property rights under Islamic law. They show that women’s property rights were more than just part of a legal system; they were the product of a legal philosophy and a pervasive paradigm that made property ownership a normal construct of the Muslim woman’s legal persona and a norm of her existence.

Her Oxford looks at the people and the political and social forces that produced this dramatic transformation. Drawing on a vast array of biographies, histories, obituaries, and archives, Batson traces not only the institutional struggles over privileges and disciplinary rules for women, but also the rich texture of everyday life-women's amateur theatricals, debating societies, sports, and college escapades (Dorothy Sayers is the subject of quite a few). She tells the stories of women's active roles in two war efforts and in the suffrage movement.

An unusual feature of the book is the set of 120 biographical profiles of women who attended Oxford between 1879 and 1960. They constitute a Who's Who of women scientists, anthropologists, psychotherapists, educators, novelists, and social reformers in the English-speaking world.

In the late 1800s, archaeologists began discovering engraved stone plaques in Neolithic (3500-2500 BC) graves in southern Portugal and Spain. About the size of one's palm, usually made of slate, and incised with geometric or, more rarely, zoomorphic and anthropomorphic designs, these plaques have mystified generations of researchers. What do their symbols signify? How were the plaques produced? Were they worn during an individual's lifetime, or only made at the time of their death? Why, indeed, were the plaques made at all?

Employing an eclectic range of theoretical and methodological lenses, Katina Lillios surveys all that is currently known about the Iberian engraved stone plaques and advances her own carefully considered hypotheses about their manufacture and meanings. After analyzing data on the plaques' workmanship and distribution, she builds a convincing case that the majority of the Iberian plaques were genealogical records of the dead that served as durable markers of regional and local group identities. Such records, she argues, would have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian Late Neolithic.

When capitalism is clearly catastrophically out of control and its excesses cannot be sustained socially or ecologically, the ideas of Herbert Marcuse become as relevant as they were in the 1960s. This is the first English introduction to Marcuse to be published for decades, and deals specifically with his aesthetic theories and their relation to a critical theory of society.

Although Marcuse is best known as a critic of consumer society, epitomised in the classic One-Dimensional Man, Malcolm Miles provides an insight into how Marcuse's aesthetic theories evolved within his broader attitudes, from his anxiety at the rise of fascism in the 1930s through heady optimism of the 1960s, to acceptance in the 1970s that radical art becomes an invaluable progressive force when political change has become deadlocked.

Marcuse's aesthetics of liberation, in which art assumes a primary role in interrupting the operation of capitalism, made him a key figure for the student movement in the 1960s. As diverse forms of resistance rise once more, a new generation of students, scholars and activists will find Marcuse’s radical theory essential to their struggle.

Salsa and guacamole wouldn’t be the same without cilantro, and you can’t make pizza without oregano or a mojito without mint. You can use peppermint to settle an upset stomach, ease arthritis pain with stinging nettle, and heal burns and wounds with aloe vera. And then there is cannabis—perhaps the most notorious and divisive herb of all. Despite the fact that herbs are often little more than weeds, cultures around the globe have found hundreds of uses for them, employing them in everything from ancient medicines to savory dishes. While much has been written on cooking and healing with herbs, little has been told about the history of the plants themselves and the incredible journeys they have made.

Winner of the 2023 New England Society Book Award in the Historical Nonfiction category
Winner of an Award of Excellence, American Association for State and Local History (AASLH)
In 1822, settlers pushed north from Massachusetts and other parts of New England into Monson, Maine. On land taken from the Penobscot people, they established prosperous farms and businesses. Focusing on the microhistory of this village, Andrew Witmer reveals the sometimes surprising ways that this small New England town engaged with the wider world across the nineteenth and twentieth centuries. Townspeople fought and died in distant wars, transformed the economy and landscape with quarries and mills, and used railroads, highways, print, and new technologies to forge connections with the rest of the nation.

Here and Everywhere Else starts with Monson’s incorporation in the early nineteenth century, when central Maine was considered the northern frontier and over 90 percent of Americans still lived in rural areas; it ends with present-day attempts to revive this declining Maine town into an artists’ colony. Engagingly written, with colorful portraits of local characters and landmarks, this study illustrates how the residents of this remote place have remade their town by integrating (and resisting) external influences.