A SCHOLARLY BOOK REPOSITORY207 have author last names that start with B have author last names that start with B
Bonapartists in the Borderlands debunks the standard account of the Vine and Olive Colony, which stresses the failure of aristocratic, luxury-loving French to tame the wilderness. Rafe Blaufarb recounts how Napoleonic exiles and French refugees from Europe and the Caribbean joined forces with Latin American insurgents, Gulf pirates, and international adventurers to seek their fortune in the Gulf borderlands. The US Congress welcomed the French and granted them a capacious tract of rich Black Belt land near Demopolis, Alabama, on the condition that they would establish a Mediterranean-style Vine and Olive colony.
Blaufard shows that it was not a lack of grit that caused the enterprise to fail. Rather, the Napoleonic officers involved in the colony sold their land shares to speculators to finance an even more perilous adventure—invading the Texas borderlands contested by Spain and the US. Their departure left the Vine and Olive colony in the hands of French refugees from the Haitian slave revolt. They soon abandoned vine cultivation and fused with the neighboring communities of Anglo-American slaveholding cotton planters and speculators.
Rafe Blaufarb examines the underlying motivations and aims that inspired this endeavor and details the nitty-gritty politics, economics, and backroom bargaining that resulted in the settlement. He employs a wide variety of local, national, and international resources: from documents held by the Alabama State Archives, Marengo County court records, and French-language newspapers published in America to material from the War Ministry Archives at Vincennes, the Diplomatic Archives at the Quai d’Orasy, and the French National Archives.
The Story of Alabama in Fourteen Foods explores well-known Alabama food traditions to reveal salient histories of the state in a new way. In this book that is part history, part travelogue, and part cookbook, Emily Blejwas pays homage to fourteen emblematic foods, dishes, and beverages, one per chapter, as a lens for exploring the diverse cultures and traditions of the state.
Throughout Alabama’s history, food traditions have been fundamental to its customs, cultures, regions, social and political movements, and events. Each featured food is deeply rooted in Alabama identity and has a story with both local and national resonance. Blejwas focuses on lesser-known food stories from around the state, illuminating the lives of a diverse populace: Poarch Creeks, Creoles of color, wild turkey hunters, civil rights activists, Alabama club women, frontier squatters, Mardi Gras revelers, sharecroppers, and Vietnamese American shrimpers, among others. A number of Alabama figures noted for their special contributions to the state’s foodways, such as George Washington Carver and Georgia Gilmore, are profiled as well. Alabama’s rich food history also unfolds through accounts of community events and a food-based economy. Highlights include Sumter County barbecue clubs, Mobile’s banana docks, Appalachian Decoration Days, cane syrup making, peanut boils, and eggnog parties.
Drawing on historical research and interviews with home cooks, chefs, and community members cooking at local gatherings and for holidays, Blejwas details the myths, legends, and truths underlying Alabama’s beloved foodways. With nearly fifty color illustrations and fifteen recipes, The Story of Alabama in Fourteen Foods will allow all Alabamians to more fully understand their shared cultural heritage.
The 11 essays in this volume, originally presented at meetings of the Ulster-American Heritage Symposium by scholars from Scotland, Ireland, Canada, and the United States, explore the nature of Scotch-Irish culture by examining values, traditions, demographics, and language. The essays also investigate the process of migration, which transmitted that culture to the New World, and the subsequent assimilation of Celtic ways into American culture.
The themes presented are wide-ranging and complex. First is the dynamic nature of Ulster society in the 17th and 18th centuries and the rapid changes occurring there, especially those affecting Presbyterianism and community cohesiveness. Also examined is the experience of migration, asking such questions as who migrated and when, what their expectations were, and how closely colonial reality matched those expectations. A third theme is the development of economic strategies and community-building both in Ulster and North America, making important contributions to the "new rural history" and explaining the success of the Scotch-Irish on the American frontier. Finally, the volume addresses ethnic identity and cultural diffusion, advancing the ongoing debate initiated by Forrest McDonald and Grady McWhiney and elaborated on by David Hackett Fischer. Ulster and North America illustrates the value of transatlantic dialog and of comparative studies for the understanding of ethnicity and migration history.
Cattle raising today is the most widely practiced form of agriculture in Alabama and ranks second only to the poultry industry in terms of revenue. Brooks Blevins not only relates the development and importance of the industry to agricultural practices but also presents it as an integral component of southern history, inextricably linked to issues of sectional politics, progressivism, race and class struggles, and rural depopulation. Most historians believe cattle were first introduced by the Spanish explorers and missionaries during the early decades of the 16th century. Native Americans quickly took up cattle raising, and the practice was reinforced with the arrival of the French and the British. By 1819--after massive immigration of Anglo-American herders, farmers, and planters--cattle played an integral role in the territory's agriculture and economy. Despite the dominance of the cotton industry during the antebellum period, cattle herding continued to grow and to become identified as an important part of the region's agriculture.
In the early decades of the 20th century, the boll weevil drove many planters out of the cotton business. These planters adopted a midwestern model of cattle raising consisting of purebred English breeds, enclosed pastures, scientific breeding and feeding practices, and intimate cooperation among cattlemen, government agents, and business interests. This model of farming gradually replaced the open range herding tradition.
Focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi
Within the last 50 years archaeologists have discovered that around the 10th century AD, native southeastern peoples began a process of cultural change far more complex than anything that had occurred previously. These late prehistoric societies—known as Mississippian—have come to be regarded as chiefdoms. The chiefdoms are of great anthropological interest because in these kinds of societies social hierarchies or rank and status were first institutionalized.
Ancient Chiefdoms of the Tombigbee focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi. Exploring the relationships involving polity size, degree of social ranking, and resource control provides insights into cycles of chiefdom development and fragmentation. Blitz concludes that the sanctified, security maintenance roles of communal food storage management and war leadership were a sufficient basis for formal chiefly authority but insufficient for economically based social stratification.
Inaugural pocket guide from our new series of illustrated guidebooks
In the 13th century, Moundville was one of the largest Native American settlements north of Mexico. Spread over 325 acres were 29 earthen mounds arranged around a great plaza, a mile-long stockade, and dozens of dwellings for thousands of people. Moundville, in size and complexity second only to the Cahokia site in Illinois, was a heavily populated town, as well as a political and religious center.
Moundville was sustained by tribute of food and labor provided by the people who lived in the nearby floodplain as well as other smaller mound centers. The immediate area appears to have been thickly populated, but by about A.D. 1350, Moundville retained only ceremonial and political functions. A decline ensued, and by the 1500s the area was abandoned. By the time the first Europeans reached the Southeast in the 1540s, the precise links between Moundville's inhabitants and what became the historic Native American tribes had become a mystery.
Illustrated with 50 color photos, maps, and figures, Moundville tells the story of the ancient people who lived there, the modern struggle to save the site from destruction, and the scientific saga of the archaeologists who brought the story to life. Moundville is the book to read before, during, or after a visit to Alabama’s prehistoric metropolis.
As objects from the mounds were unearthed, occasionally illustrated and discussed in print, attention became focused on the aesthetic qualities of the artifacts, the origins of the remains, and the possible relationship to the Creek Indians. Beginning in the 20th century, new concerns emerged as the developing science of archaeology was introduced to the region. As many of the sites became threatened or destroyed by reservoir construction, trained archaeologists initiated extensive excavations of the mounds. Although classification of artifacts and sites into a chronological progression of cultures was the main objective of this effort, a second concern, sometimes more latent than manifest, was the reconstruction of a past way of life. Archaeologists hoped to achieve a better understanding of the sociopolitical organization of the peoples who built the mounds and of how those organizations changed through time.
Contemporary archaeologists, while in agreement on many aspects of the ancient cultures, debate the causes, forms, and degrees of sociopolitical complexity in the ancient Southeast. Do the mounds mark the capitals of political territories? If so, what was the scale and scope of these ancient “provinces”? What manner of society constructed the mound settlements? What was the sociopolitical organization of these long-dead populations? How can archaeologists answer such queries with the mute and sometimes ordinary materials with which they work: pottery, stone tools, organic residues, and the strata of remnant settlements, buildings, and mounds?
Archaeopoetics explores “archaeological poetry,” ground-breaking and experimental writing by innovative poets whose work opens up broad new avenues by which contemporary readers may approach the past, illuminating the dense web of interconnections often lost in traditional historiography.
Critic Mandy Bloomfield traces the emergence of a significant historicist orientation in recent poetry, exemplified by the work of five writers: American poet Susan Howe, Korean-American artist Theresa Hak Kyung Cha, British poet Maggie O’Sullivan, and diasporic African Caribbean writers Kamau Brathwaite and M. NourbeSe Philip. Bloomfield sets the work of these five authors within a vigorous tradition, including earlier work by Ezra Pound and Walter Benjamin, and then shows how these five poets create poems that engender new encounters with pivotal episodes in history, such as the English regicide or Korea’s traumatized twentieth century.
Exploring our shared but imperfectly understood history as well as omissions and blind spots in historiography, Bloomfield outlines the tension between the irretrievability of effaced historical evidence and the hope that poetry may reconstitute such unrecoverable histories. She posits that this tension is fertile, engendering a form of aesthetically enacted epistemological enquiry.
Fascinating and seminal, Archaeopoetics pays special attention to the sensuous materiality of texts and most especially to the visual manifestations of poetry. The poems in this volume employ the visual imagery of the word itself or incorporate imagery into the poetry to propose persuasive alternatives to narrative or discursive frameworks of historical knowledge.
Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present
When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors.
In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.
This collection of provocative and timely essays addresses the ways in which religious and educational institutions have come to define one another and American culture and identity.
Education in America-public and private, from the elementary to the university level-is the subject of urgent, ongoing debates. School vouchers, home schooling, prayer in the classrooms, sex education in the schools, and evolution versus creationism are just a few of the touchstones and flashpoints that have ignited a national dialogue concerning the role of religion in U.S. educational institutions.
The ten major essays assembled here emerged from a series of conferences conducted by the Public Religion Project at the University of Chicago Divinity School, funded by a grant from The Pew Charitable Trust. Written by recognized leaders in the fields of education and religion, the essays address such issues as the role of religious studies programs in tax-supported public universities; the evolving role of the university chaplain; the impact of religious doctrine on literary scholarship and the natural sciences; the college president as a spiritual leader; the secularization of private colleges whose foundations rest in the spiritual mission of a specific church or denomination and, conversely, the obligations, if any, of colleges that have maintained distinct denominational identities toward pluralistic outreach and openness; and an examination of the home schooling movement.
A true "dialogue" designed to inspire readers to rethink, argue, act, and continually converse on the subject, Religion, Education, and the American Experience will appeal to educators, college and university administrators, and boards of trustees, as well as academic libraries and scholars of education and religious studies.
Music and song are important parts of worship, and hymns have long played a central role in Protestant cultural history. This book explores the ways in which Protestants have used and continue to use hymns to clarify their identity and define their relationship with America and to Christianity. Representing seven groups—Baptists, Presbyterians, Lutherans, Mennonites, Holiness, Hispanics, and Evangelicals—the nine essays reveal how hymns have helped immigrants to establish new identities, contributed to the body of worship resources, and sustained ethnic identity.
Individual essays address the music of the Old-Fashioned Revival Hour, America’s longest running and most successful independent radio program; singing among Swedish evangelicals in America; the German hymn tradition as transformed by Mennonite immigrants; the ways hymnody reinforces themes of the Wesleyan holiness movement; the history of Mercer’s Cluster (1810), a southern hymnal that gave voice to slaves, women, and native Americans; and the Presbyterian hymnal tradition in Canada formed by Scottish immigrants.
This challenging collection of essays offers a refreshing approach to the troubling--and timely--subject of religion and public policy in America, and the ways in which issues of church and state affect our national identity.
The result of a series of conferences on religion and politics conducted by the Public Religion project at the University of Chicago, funded by a grant from the Pew Charitable Trust, this collection brings together an extraordinarily diverse set of contributors. Represented within its pages are the ideas and opinions of scholars, politicians, and religious leaders with backgrounds in law, politics, history, and divinity, among them Senator Paul Simon of Illinois. With its wide range of critical approaches and varied perspectives, this volume makes a vibrant contribution to the national dialogue on politics and religion.Chief among the essay topics are the evangelical roots of American political life; early conflicts between Enlightenment thinking and spiritual impulses in developing a national identity; the practical problems that today's politicians face in campaigning; the impact of constitutional and legal language regarding our definitions of religion; and the way in which the media's treatment of our spiriutal life frames our perceptions of it. These thought-provoking essays will inspire readers to rethink, argue, perhaps act, but most importantly, to converse about this timely and important issue.
This volume will have wide cross-disciplinary appeal. Students and scholars of history, religious studies, and political science will find great value within its pages, as will scholars of divinity and law, and members of this general public concerned with the intersection of faith and politics in American life.
By February 1862 Confederate forces in Kentucky and Tennessee were falling back in disorder. Fort Henry on the Tennessee River and Fort Donelson on the Cumberland River fell to combined land and naval forces under Brigadier General Ulysses S. Grant and Flag Officer Andrew H. Foote. These losses necessitated the abandonment of the Rebel stronghold of Columbus, Kentucky. The entire upper Mississippi Valley lay open to Federal invasion. Toward that end, a new Union army under Major General John Pope began organizing at Commerce, Missouri.
Confederate Major General John P. McCown was sent to plug the breach by fortifying Island No. 10, a one-mile-long island positioned in a bend in the Mississippi River that straddled the boundaries of Tennessee, Missouri, and Kentucky. Pope's army had to be held in check long enough for the main Confederate force, under generals Albert Sidney Johnston and P. G. T. Beauregard, to concentrate and launch a counterattack against Grant's advancing army.
The ensuing campaign at Island No. 10 created the first extensive siege of the Civil War. The ultimate capture of the garrison resulted in a new army command for Pope in Virginia. As for the Confederates, the campaign pointed to a faulty western strategy. Simply to concede the rivers and their adjoining cities to the Federal navy was politically unacceptable. Garrison after garrison was captured, however, in the attempt to defend the rivers to the last extremity. Between February 1862 and July 1863 the Confederates lost 64,400 troops, some nine divisions, in defending the rivers. This strategy was a significant contributing factor for Confederate defeat in the West.
The couple’s encounters with the strange new dynamics of race, religion, and the workplace in their new American home offer a compelling account of the struggles that faced many immigrants with deep German roots. It is also an intimate portrait of a now-vanished German Jewish culture as it played out in the lives of Bodenheimer’s parents and her grandparents from the 1920s to the late 1960s, a story of emigration, assimilation, and the private struggles that accompany those forced shifts in orientation.
The Bodenheimers’ letters and journals offer engaging perspectives into their personal lives that retrospective memories cannot match. Braiding intimate biography together with history and memoir, Edgar and Brigitte will appeal both to historians of the European Jewish diaspora and to readers interested in the struggles and resilience of people whose lives were upended by Hitler.
Boeckmann links character, literary genre, and science, revealing how major literary works both contributed to and disrupted the construction of race in turn-of-the-century America.
In A Question of Character, Cathy Boeckmann establishes a strong link between racial questions and the development of literary traditions at the end of the 19th century in America. This period saw the rise of "scientific racism," which claimed that the races were distinguished not solely by exterior appearance but also by a set of inherited character traits. As Boeckmann explains, this emphasis on character meant that race was not only a thematic concern in the literature of the period but also a generic or formal one as well.
Boeckmann explores the intersections between race and literary history by tracing the language of character through both scientific and literary writing. Nineteenth-century pseudo-sciences such as phrenology and physiognomy had a vocabulary for discussing racial character that overlapped conceptually with the conventions for portraying race in literature. Through close readings of novels by Thomas Dixon, Mark Twain, William Dean Howells, Charles Chesnutt, and James Weldon Johnson—each of which deals with a black character "passing" as white—Boeckmann shows how this emphasis on character relates to the shift from romantic and sentimental fiction to realism. Because each of these genres had very specific conventions regarding the representation of character, genres often dictated how races could be depicted.
This collection captures the sense—at times the ordeal—of the 1930s literary experience in America. Fourteen essayists deal with the experience of being a writer in a time of overwhelming economic depression and political ferment, and thereby illuminate the social, political, intellectual, and aesthetic problems and pressures that characterized the experience of American writers and influenced their works.
The essays, as a group, constitute a reevaluation of the American literature of the 1930s. At the same time they support and reinforce certain assumptions about the decade of the Great Depression—that it was grim, desperate, a time when dreams died and poverty became something other than genteel—they challenge other assumptions, chief among them in the notion that 1930s literature was uniform in content, drab in style, anti-formalist, and always political or sociological in nature. They leave us with an impression that there was variety in American writing of the 1930s and a convincing argument that the decade was not a retreat from the modernism of the 1920s. Rather it was a transitional period in which literary modernism was very much an issue and a force that bore imaginative fruit.
Nichol’s 61st Georgia fought in the renowned brigade commanded consecutively by generals Alexander R. Lawton, John B. Gordon, and Clement A. Evans.
Framed without any excess of sentimental hindsight, in addition to reporting on great battles and dramatic moments, Nichol’s told the story of two cousins killing each other in a quarrel about cooking duties and described maggot-infested corpses around Spotsylvania’s Bloody Angle.
Includes an annotated roster of the 61st supplies which details about Nichol’s fellow veterans, some of which is not available anywhere else.
Horace Mann Bond was an early twentieth century scholar and a college administrator who focused on higher education for African Americans. His Negro Education in Alabama won Brown University’s Susan Colver Rosenberger Book Prize in 1937 and was praised as a landmark by W. E. B. Dubois in American Historical Review and by scholars in journals such as Journal of Negro Education and the Journal of Southern History.
A seminal and wide-ranging work that encompasses not only contemporary education but a keen analysis of the African American experience of Reconstruction and the following decades, Negro Education in Alabama illuminates the social and educational conditions of its period. Observers of contemporary education can quickly perceive in Bond’s account the roots of many of today’s educational challenges.
John Letcher, governor of Virginia from 1860 through 1863, is one of the significant leaders of the Confederacy who is still virtually unknown. This study, covering Letcher’s entire life with emphasis on his governorship, attempts to fill an obvious gap in American history. For the first time, Letcher’s lengthy career is examined in detail: early development as a local Virginia politician during the Jacksonian era, maturity as an influential congressman in the rising sectionalism of the 1850s, the crucial governorship, and finally a gradual fading away in the postwar period.
Letcher’s story is only a fragment of the epic of the transformation of the United States from a weak, uncertain confederation into a powerful, confident nation. The emergence of the colossus of the New World is a spectacular and critical event in world history, full of grandeur and suffering, idealism and disillusionment. To trace the course of Letcher's life is to follow one small current in a torrential flood-but a significant one, for Letcher was not only a leader but also in many ways a typical American of his time.
A clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past
Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of “wannabe” Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in “Old South” days.
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the “lost Indian ancestor” myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.
The sequence of change for public architecture during the Mississippian period may reflect a centralization of political power through time. In the research presented here, some of the community-level assumptions attributed to the appearance of Mississippian mounds are tested against the archaeological record of the Town Creek site—the remains of a town located on the northeastern edge of the Mississippian culture area. In particular, the archaeological record of Town Creek is used to test the idea that the appearance of Mississippian platform mounds was accompanied by the centralization of political authority in the hands of a powerful chief.
A compelling argument has been made that mounds were the seats and symbols of political power within Mississippian societies. While platform mounds have been a part of Southeastern Native American communities since at least 100 B.C., around A.D. 400 leaders in some communities began to place their houses on top of earthen mounds—an act that has been interpreted as an attempt to legitimize personal authority by a community leader through the appropriation of a powerful, traditional, community-oriented symbol. Platform mounds at a number of sites were preceded by a distinctive type of building called an earthlodge—a structure with earth-embanked walls and an entrance indicated by short, parallel wall trenches. Earthlodges in the Southeast have been interpreted as places where a council of community leaders came together to make decisions based on consensus. In contrast to the more inclusive function proposed for premound earthlodges, it has been argued that access to the buildings on top of Mississippian platform mounds was limited to a much smaller subset of the community. If this was the case and if ground-level earthlodges were more accessible than mound-summit structures, then access to leaders and leadership may have decreased through time.
Excavations at the Town Creek archaeological site have shown that the public architecture there follows the earthlodge-to-platform mound sequence that is well known across the South Appalachian subarea of the Mississippian world. The clear changes in public architecture coupled with the extensive exposure of the site's domestic sphere make Town Creek an excellent case study for examining the relationship among changes in public architecture and leadership within a Mississippian society.
Epistolary Responses explores the transformative nature of epistolary fiction and criticism in letter form from a largely feminist perspective. While most scholarly work to date has focused on 17th- and 18th-century manifestations of this genre, Bower's study concentrates on epistolary fiction by contemporary American writers published between 1912 and 1988. The novels discussed, all featuring women letter writers, include: Lee Smith's Fair and Tender Ladies, John Barth's LETTERS, Alice Walker's The Color Purple, John Updike's S., Jean Webster's Daddy-Long-Legs, Upton Sinclair's Another Pamela, and Ana Castillo's The Mixquiahuala Letters.
Bower explores the influence letters have on the act of writing and writing as act, their encoded desire for reply, their incompleteness as units of narrative information, their play on ideas of absence and presence, their apparently personal and private nature, and their foregrounding of the writer's agency and authority, all of which make letters a most useful genre both for novelists and for scholars. Several of the book's "fiction" chapters include a letter from the author of the text (sometimes a critic) that complements and supplements Bower's analysis. The final part of the book explores how seven scholars--men and women--have applied letters to their own critical writing, finding that this formal move allows them to question issues of public and private discourse, the authority of signature, and the "feminine" location.
A comprehensive study that rescues the Westo from obscurity.
The Westo Indians, who lived in the Savannah River region during the second half of the 17th century, are mentioned in few primary documents and only infrequently in secondary literature. There are no known Westo archaeological sites; no artifacts can be linked to the group; and no more than a single word of their language is known to us today. Yet, from the extant evidence, it is believed that the Westos, who migrated from around Lake Erie by 1656, had a profound effect on the development of the colonial South.
This volume reproduces excerpts from all 19 documents that indisputably reference the Westos, although the Europeans referred to them by a variety of names. Most of the information was written by Lords Proprietors who never met the Westos, or by a handful of Carolinians who did. But the author is able to chart a highly plausible history of this Native group who, for a period, thrived on the Southern frontier.
The narrative traces their northeastern origins and how the Erie conflicts with the Five Nations Iroquois in the Beaver Wars forced them southward, where they found new economic opportunities in the lucrative slave trade. At the height of their influence, between 1659 and 1680, it is believed the Westos captured and sold several thousand Indians from Spanish Florida, often trading them for guns. Eventually, their military advantage over the Indians of the lower South was compromised by the rise of powerful confederacies of native peoples, who could acquire equivalent firearms from the Europeans. Even though the aggressive Westos declined, they had influenced profound change in the Southeast. They furthered the demise of chiefly organization, helped to shift the emphasis from agricultural to hunting economies, and influenced the dramatic decrease in the number and diversity of native polities.
The scenic beauty of the watermill is undeniable. The iconic waterwheel has inspired romantics for generations with their warmth and charm. Watermills were once ubiquitous landmarks along brooks, creeks, and rivers across North America. Today, only a scattering of the old watermills grace the countryside, but through these mills, and the turning of their wheels and the whirling of their stones, a small but spectacular part of history lives on.
Through stunningly beautiful images, Historic Watermills of North America: A Visual Preservation presents 112 watermills still standing on the North American landscape. With idealized full-color photographs, Ken Boyd nostalgically hearkens back to a time after European settlement when these structures were the very heart of the communities whose livelihoods they made possible. These mills turned the power of flowing water into mechanical energy to grind corn and wheat into meal and flour, saw timber, loom wool and cotton cloth, and more for the benefit of their operators and communities.
At one time vital to their surrounding regions, most of these surviving mills are in rural areas that have been passed over by modern development. Their designs are as individual as their makers, and their settings are as varied as the landscape. Some have been converted into homes or museums or are part of local tourist attractions. Others have been abandoned but give witness to the significance of their heydays, and others are still in use, doing the same work they have done for generations.
Boyd’s beautifully rendered photographs preserve these extant structures and represent a variety of watermills across the United States and Canada. Each mill photograph is accompanied by a description providing the name of the mill, its location, date of construction, and brief comments highlighting its most noteworthy features. Additional photographs and commentary in the afterword explore the inner workings of watermills.
Points of Honor: Short Stories of the Great War by a US Combat Marine is based on author Thomas Alexander Boyd’s personal experiences as an enlisted Marine. First published in 1925 and long out of print, this edition rescues from obscurity a vivid, kaleidoscopic vision of American soldiers, US Marines mostly, serving in a global conflict a century ago. It is a true forgotten masterpiece of World War I literature.
The stories in Points of Honor deal almost entirely with Marines in the midst of battle—or faced with the consequences of military violence. The eleven stories in this collection offer a panoramic view of war experience and its aftermath, what Boyd described as “a mass of more human happenings.” The themes are often antiheroic: dehumanization, pettiness, betrayal by loved ones at home, and the cruelty of military justice. But Boyd’s vision also accommodates courage and loyalty. Like all great works of war literature, this collection underscores the central paradox of armed conflict—its ability to bring out both the best and worst in human beings.
This reissue of Points of Honor is edited, annotated, and introduced by Steven Trout. Trout provides an overview of Thomas Boyd’s war experience and writing career and situates the stories within the broader context of World War I American literature.
Points of Honor received strong reviews at the time of its initial publication and remains an overwhelming reading experience today. While each of the stories is a freestanding work of art, when read together they carry the force of a novel.
Issues of ecology--both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues--have long been of interest to literary critics, and have given rise over the last two decades to the now firmly established field of ecocriticism. The essays in this volume, written by art historians and literary critics, seek to bring the study of American art into the expanding discourse of ecocriticism.
A Keener Perception offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. Rather than merely resurrect past instances of ecologically attuned art, this volume features essays that resituate many canonical figures, such as Thomas Eakins, Aaron Douglas, and Thomas Cole, in an ecocritical light by which they have yet to be viewed. Studying such artists and artworks through an ecocritical lens not only provides a better understanding of these works and the American landscape, but also brings a new interpretive paradigm to the field of art history--a field that many of these critics believe would do well to embrace environmental concerns as a vital area of research.
In highlighting the work of scholars who bring ecological agendas to their study of American art, as well as providing models for literary scholars who might like to better incorporate the visual arts into their own scholarship and teaching, A Keener Perception is truly a landmark collection--timely, consequential, and controversial.
In the summer of 1862, the U.S. Army court martialed Colonel John B. Turchin, a Russian-born Union officer, for "outrages" committed by his troops in Athens, Alabama
In the summer of 1862, the U.S. Army court martialed Colonel John B. Turchin, a Russian-born Union officer, for offenses committed by his troops in Athens, Alabama, including looting, safe cracking, the vandalization of homes, and the rape of young black women. The pillage of Athens violated a government policy of conciliation; it was hoped that if Southern civilians were treated gently as citizens of the United States, they would soon return their allegiance to the federal government.
By examining the volunteers who made up Turchin’s force, the colonel's trial, his subsequent promotion, the policy debate surrounding the incident and the public reaction to the outcome, the authors further illuminate one of the most provocative questions in Civil War studies: how did the policy set forth by President Lincoln evolve from one of conciliation to one far more modern in nature, placing the burden of war on the civilian population of the South?
With stem cell research, Dolly the cloned sheep, in vitro fertilization, age retardation, and pharmaceutical mind enhancement, humankind is now faced with decisions that it has never before had to consider. The thoughtfulness, or lack of it, that we bring to those decisions will largely determine the future character of the living world.
Many of the ethical issues raised by new technologies have not been widely examined, discussed, or indeed settled. For example, robotics technology challenges the notion of personhood. Should a robot, capable of making what humans would call ethical decisions, be held responsible for those decisions and the resultant actions? Should society reward and punish robots in the same way that it does humans? Likewise, issues of safety, environmental concerns, and distributive justice arise with the increasing acceptance of genetically modified organisms (GMOs) in food production nanotechnology in engineering and medicine, and human gene therapy and enhancement. The problem of dual-use—when a technology can be used both to benefit and to harm—exists with virtually all new technologies but is central in the context of emerging 21st century technologies ranging from artificial intelligence and robotics to human gene-editing and brain-computer interfacing.
In Re-Creating Nature: Science, Technology, and Human Values in the Twenty-First Century, James T. Bradley addresses emerging biotechnologies with prodigious potential to benefit humankind but that are also fraught with ethical consequences. Some actually possess the power to directly alter the evolution of life on earth including human. Specifically, these topics include stem cells, synthetic biology, GMOs in agriculture, nanotechnology, bioterrorism, CRISPR gene-editing technology, three-parent babies, robotics and roboethics, artificial intelligence, and human brain research and neurotechnologies.
Offering clear explanations of these various technologies, a pragmatic presentation of the conundrums involved, and questions that illuminate hypothetical situations, Bradley guides discussions of these and other thorny issues resulting from the development of new biotechnologies. He also highlights the responsibilities of scientists to conduct research in an ethical manner and the responsibilities of nonscientists to become “science literate” in the twenty-first century.
Aesthetic experience is one of the fundamental ways that we develop a relationship to our natural surroundings. Emily Brady provides a comprehensive study of this type of experience and the central philosophical issues related to it, developing her own original theory of aesthetic appreciation of nature. She provides useful background to the current debate and an up-to-date critical appraisal of contemporary theories.
The context of the contemporary debate is laid out through a discussion of aesthetic experience and aesthetic qualities; early theories of aesthetic appreciation of nature, including the beautiful, the sublime, and the picturesque; and differences between artistic and environmental appreciation and interpretation. Brady situates her own approach in relation to a set of noncognitive accounts of appreciation. Her "integrated aesthetic" brings together various features of appreciation, including the senses, emotion, and imagination, with a reappraisal of the concept of disinterestedness. These ideas are further developed within the more practical domains of aesthetic judgment and education of the environment and through an examination of the role of aesthetic value in environmental conservation.
Arnold Berleant of Long Island University, a pioneer in this area of research, has declared Brady’s work, “admirably comprehensive coverage of the subject.” Julie C. Van Camp of California State University, Long Beach, has said, “The bibliography is priceless. . . . The discussions of such philosophers as Kant and Dewey seem plausible and understandable to an audience of students and the educated public.” This book will be valuable to readers interested in such wide-ranging subjects as philosophy, aesthetics, ethics, ecology, conservation, environmental policy-making, geography, and landscape architecture.
Over the past twenty years, writer Rick Bragg has earned legions of fans with his award-winning newspaper stories and with his critically aclaimed memoir All Over but the Shoutin'. His unique storytelling talent and his sympathy for the day-to-day struggles of everyday people set him apart from journalists who focus on political intrigue and the foibles of the rich and famous.
This collection showcases Bragg's talent for turning seemingly ordinary situations into extraordinary stories by bringing together more than sixty of his most recent feature articles, most of them written for the New York Times. Bragg explores such questions as: What happens to someone released from prison for a crime he didn't commit? Who takes care of the graves of poor people? What keeps an elderly woman from selling her land for a tidy profit? Bragg's curiosity often leads him to society's margins, where he wins the confidence of those who have good reason to mistrust others.
Bragg has reported on some of the most newsworthy tragedies in the nation, and his unfolding coverage of events such as the Oklahoma City bombing and the Susan Smith child murders is included here. Once again, though, his special ability to connect with people allows him accesss and perspectives that many other reporters do not achieve.
Whether he's profiling the sheriff who broke the Smith case or relating the efforts of Alabama churchgoers to understand a Sunday morning tornado strike, Bragg writes with genuine compassion and sentiment but without being sensationalist. He looks where others don’t and gets behind the headlines to the people standing there stunned and often, until he finds them, voiceless. When asked how he came up with his remarkable stories, Bragg has his answer down pat: “Somebody told me.”
Owing to Yucatan’s relative isolation, many assume that the history and economy of the peninsula have evolved in a distinctive way, apart from the central government in Mexico City and insulated from world social and economic factors. The essays in this volume suggest that this has not been the case: the process of development in Yucatan has been linked firmly to national and global forces of change over the past two centuries. The essays are by U.S., Mexican, Canadian, and Belizean social scientists representing both well-established and younger scholars. The result is a perspective on Yucatan’s historical development that is at once international, interdisciplinary, and intergenerational.
"Three Capitals is an in-depth study of Alabama's first three seats of government--St. Stephens, Huntsville, and Cahawba.... The University of Alabama Press has reprinted the book in a handsome new edition with a pertinent introduction by Malcolm C. McMillan. Brantley's study is a tribute to the accomplishments of an amateur historian and contains a wealth of useful information."
--Bulletin of the History of the Early American Republic
New attention to material culture and documentary and archaeological records fills in details, adds new information, and helps disabuse the reader of outdated interpretations.
Susan M. Abram / Kathryn E. Holland Braund/Robert P. Collins / Gregory Evans Dowd /
William Bartram, author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the Extensive Territories of the Muscogulees, or Creek Confederacy, and the Country of the Chactaws, was colonial America’s first native born naturalist and artist, and the first author in the modern genre of writers who portrayed nature through personal experience as well as scientific observation. His book, first published in 1791, was based on his journeys through southern Indian nations and Britain’s southern colonies in the years just prior to the American Revolution and provides descriptions of the natural and cultural environments of what would soon become the American South. Scholars and general readers alike have long appreciated Bartram’s lush, vivid prose, his clarity of observation and evident wonder at the landscapes he traversed, and his engagement with the native nations whose lands he traveled through.
The Attention of a Traveller: Essays on William Bartram’s “Travels” and Legacy offers an interdisciplinary assessment of Bartram’s influence and evolving legacy, opening new avenues of research concerning the flora, fauna, and people connected to Bartram and his writings. Featuring 13 essays divided into five sections, contributors to the volume weave together scholarly perspectives from geology, art history, literary criticism, geography, and philosophy, alongside the more traditional Bartram-affiliated disciplines of biology and history. The collection concludes with a comprehensive treatment of the book as a material historical artifact.
A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south
William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
Forged through the territory of the Creek Nation by the United States federal government, the Federal Road was developed as a communication artery linking the east coast of the United States with Louisiana. Its creation amplified already tense relationships between the government, settlers, and the Creek Nation, culminating in the devastating Creek War of 1813–1814, and thereafter it became the primary avenue of immigration for thousands of Alabama settlers.
Central to understanding Alabama’s territorial and early statehood years, the Federal Road was both a physical and symbolic thoroughfare that cut a swath of shattering change through the land and cultures it traversed. The road revolutionized Alabama’s expansion, altering the course of its development by playing a significant role in sparking a cataclysmic war, facilitating unprecedented American immigration, and enabling an associated radical transformation of the land itself.
The first half of The Old Federal Road in Alabama: An Illustrated Guide offers a narrative history that includes brief accounts of the construction of the road, the experiences of historic travelers, and descriptions of major changes to the road over time. The authors vividly reconstruct the course of the road in detail and make use of a wealth of well-chosen illustrations. Along the way they give attention to the very terrain it traversed, bringing to life what traveling the road must have been like and illuminating its story in a way few others have ever attempted.
The second half of the volume is divided into three parts—Eastern, Central, and Southern—and serves as a modern traveler’s guide to the Federal Road. This section includes driving tours and maps, highlighting historical sites and surviving portions of the old road and how to visit them.
A superb work in the social history of American industry
A Gettysburg College "Top 200 Civil War Books" selection
Mayflower Award Winner for 1970
Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.
From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.
Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.
Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.
Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa?
American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events.
But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
The current moment presents a compelling opportunity to revisit, revise, and reengage. Certainly, in the twenty-one volumes since volume 9, the political landscape both nationally and internationally has shifted dramatically. The past two years specifically have seen an increase in the already prevalent presence of the political in our daily discourse. The COVID-19 global pandemic and ongoing racial reckonings have further unmoored many systems and structures, requiring action and change. Rather than a moment of pause or passivity, pandemic times have seen an increase in political activity and political discourse on the local, national, and global levels. Within the theatre and performance communities, these calls to action have resulted in movements like #weseeyouWAT and other calls to break down old systems and create new ones, to privilege access for those of the global majority, and to explicitly demand advocacy and activism. Organizations like the Southeastern Theatre Conference (SETC) itself crafted new ethos statements and engaged in the necessary work of boldly foregrounding equity, diversity, inclusion, and accessibility at the center of all its efforts.
The editors and contributors to this volume respond to the immediacy of this moment and the clarion call for change. From Shakespeare to new productions like Alabama Love Stories, presented at Auburn University, contributors grapple with a range of examples, contemporary and historical, and argue with renewed urgency for the importance of intentionally interrogating the interplay of performance and politics. The essays in this volume demonstrate that theatre and performance cannot rise to this moment or even begin to address it without doing that substantial work to clean its own house and create accessible new spaces.
Contributors
Chase Bringardner / Tessa Carr / Lily Climenhaga / Abena Foreman-Trice / Emma Givens / TK Manwill / Boomie Pederson / Royal Shirée / Teresa Simone / Tony Tambasco / Jonathon W. Taylor / Justice von Maur / Patricia Ybarra
The essays in the thirty-first volume of Theatre Symposium traverse disciplinary boundaries to explore what constitutes the “popular” in theater and performance in an increasingly frenetic and mediated landscape. Amid the current resurgence of populist discourse and the enduring impact of popular culture, this volume explores what is considered popular, how that determination gets made, and who makes it. The answers to these questions shape the structures and systems of performance in an interaction that is reciprocal, intricate, and multifaceted. Productions often succeed or fail based on their ability to align with what is popular—sometimes productively, sometimes clumsily, sometimes brazenly, and sometimes tragically.
In our current moment, what constitutes the popular profoundly affects the real world politically, economically, and socially. Controversies about the electoral college system hinge on the primacy of the “popular” vote. Streaming services daily update lists of their most popular content and base future decisions on opaque measures of popularity. Social media platforms broadcast popular content across the globe, triggering new products, social activism, and political revolutions.
The contributors to this volume engage with a range of contemporary and historical examples and argue with clarity and acuity the interplay of performance and the popular. Theatre and performance deeply engage with the popular at every level—from audience response to box office revenue. The variety of methodologies and sites of inquiry showcased in this volume demonstrates the breadth and depth of the popular and the importance of such work to understanding our present moment onstage and off.
CONTRIBUTORS
Mysia Anderson / Chase Bringardner / Elizabeth M. Cizmar / Chelsea Curto / Janet M. Davis / Tom Fish / Kyla Kazuschyk / Sarah McCarroll / Eleanor Owicki / Sunny Stalter-Pace / Chelsea Taylor / Chris Woodworth
“Now” Is the Time to Collect tells the fascinating story of the Chicago Field Museum of Natural History’s zoological expedition to Africa in 1896, the source of many of the museum’s foundational collections and an astounding episode in nineteenth-century science. After the well-publicized extinction of the dodo and Carolina parakeet and the collapse of the American bison population, late nineteenth-century naturalists expected many more vulnerable species to die out with spread of Western-style industrialization. This triggered a race to collect rare species of animals expected soon to be lost forever.
Established in 1893, Chicago’s ambitious Field Museum aimed to become a global center of study. Zoologist Daniel Giraud Elliot persuaded museum patrons to fund an immediate expedition to British Somaliland (contemporary Somalia). There, his team hunted and killed hundreds of animals for the growing collection. On the trip was groundbreaking taxonomist Carl Akeley. Back in Chicago, Akeley created captivating lifelike dioramas of rare animal groups that enhanced the museum’s fame and remain popular to this day.
Enriched with illuminated passages from Elliot’s journal, only recently rediscovered, “Now” Is the Time to Collect is the first book of its kind by an American museum and a case study in what author Paul D. Brinkman calls “salvage zoology”—the practice of aggressively collecting rare animal specimens for preservation just prior to the birth of the modern conservation movement. It is a riveting account of the expedition, the travelers’ experiences in Somalia during its colonial period, and the astonishing origins of one of Chicago’s classic museum experiences.
This ground-breaking rhetorical analysis examines a 1987 Massachusetts law affecting infertility treatment and the cultural context that makes such a law possible
Elizabeth C. Britt uses a Massachusetts statute requiring insurance coverage for infertility as a lens through which the work of rhetoric in complex cultural processes can be better understood. Countering the commonsensical notion that mandatory insurance coverage functions primarily to relieve the problem of infertility, Britt argues instead that the coverage serves to expose its contours.
Britt finds that the mandate, operating as a technology of normalization, helps to identify the abnormal (the infertile) and to create procedures by which the abnormal can be subjected to reform. In its role in normalizing processes, the mandate is more successful when it sustains, rather than resolves, the distinction between the normal and the abnormal. This distinction is achieved in part by the rhetorical mechanism of the double bind. For the middle-class white women who are primarily served by the mandate, these double binds are created both by the desire for success, control, and order and by adherence to medical models that often frustrate these same desires. The resulting double binds help to create and sustain the tension between fertility and infertility, order and discontinuity, control and chaos, success and failure, tensions that are essential for the process of normalization to continue.
Britt uses extensive interviews with women undergoing fertility treatments to provide the foundation for her detailed analysis. While her study focuses on the example of infertility, it is also more broadly a commentary on the power of definition to frame experience, on the burdens and responsibilities of belonging to social collectives, and on the ability of rhetorical criticism to interrogate cultural formations.
Kenneth Burke and Contemporary European Thought: A Rhetoric in Transition reflects the present transitional nature of rhetoric and society. Its purpose is to relate the rhetorical theory of Burke to the theories of four major European philosophers—Jürgen Habermas, Ernesto Grassi, Foucault, and Jacques Derrida—as they discuss the nature of language and its central role in society.
This book describes a rhetorical world in transition but not a world in chaos. It points to the centrality of symbolism in theories of language and rhetoric and illustrates Burke’s influence as a pivotal things and theorist in the communication arts and sciences, suggesting that the observations regarding shifting paradigms and perspectives made by other scholars are indeed emergent in the realm of rhetoric. It also regards the powerful impact of language and symbolic action in both the critique and construction of human knowledge and augurs a central role for rhetoric in the intellectual and social transformations of this and the next century.
Now remembered primarily as Franz Kafta's friend and literary executor, Max Brod was an accomplishered thinker and writer in his own right. In this volume, he considers the nature and differences between Judaism and Christianity, addressing some of the most perplexing questions at the heart of human existence.
“One of the most famous and widely discussed books of the 1920’s, Max Brod’s Paganism—Christianity—Judaism, has at last found its way into English translation to confront a new generation of readers. Max Brod is best remembered today as the literary editor and friend of Franz Kafka. In his day, however, he was the more famous of the two by far. A major novelist, playwright, poet, essayist, and composer, he was also, as this book demonstrates, a serious thinker on the perennial questions that are at the heart of human existence. . . .Some of his judgments are open to question. Still, with all its limitations, this is a forthright and passionate proclamation of the uniqueness of Judaism. Paganism—Christianity—Judaism was an intellectual and spiritual event when it was first published and it remains a valuable document even now.” —Rabbi Jack Riemer, Hadassah
Ernest Hemingway has often been criticized as a misogynist because of his portrayal of women. But some of the most exciting Hemingway scholarship of recent years has come from women scholars who challenge traditional views of Hemingway and women. The essays in this collection range from discussions of Hemingway’s famous heroines Brett Ashley and Catherine Barkley to examinations of the central role of gender in his short stories and in the novel The Garden of Eden. Other essays address the real women in Hemingway’s life—those who cared for him, competed with him, and, ultimately, helped to shape his art. While Hemingway was certainly influenced by traditional perceptions of women, these essays show that he was also aware of the struggle of the emerging new woman of his time. Making this gender struggle a primary concern of his fiction, these critics argue, Hemingway created women with strength, depth, and a complexity that readers are only beginning to appreciate.
A poignant account of the perils and fortunes of an indomitable survivor of violence in Eastern Europe during World War II.
In 1939, to escape Nazi occupation, 14-year-old Adam Broner and his older brother Sam left their home and family in Lodz, Poland, and made their way to the Soviet Union. Adam enlisted in the Red Army to join the fight against the Nazis but was sent to work in a Siberian coal mine instead when his nationality was discovered. After a bold and daring escape from Siberia, Broner reached the Soviet Polish Kosciuszko Army, joined the struggle against the Nazis, participated in the liberation of Poland, and rode victorious into Berlin in 1945. He later learned that his parents, siblings (except Sam), and all other close relatives had perished during the war.
Broner rebuilt his life, established a family, returned to Moscow for a degree in economics, and then went back to Poland, where he accepted a job in the Polish central planning agency. Eventually fed up with the growing anti-Semitism of the Communist government there, the author emigrated to the United States in 1969. He earned a doctorate from Princeton University and served as an economic adviser to New Jersey governors and the state legislature. In retirement, Broner learned portrait painting and reproduced the likenesses of his parents and siblings from memory, which are presented along with their biographies in this book.
In recounting his struggle for survival during some of the most dramatic upheavals of the 20th century— the Great Depression, Nazism, World War II, and the spread of Communism in Central Europe— Broner reveals a life dedicated to the ultimate goal of freedom, which he achieved through a combination of arduous effort and fortunate circumstance.
After establishing the distribution of prehistoric and historic populations from the northeastern Appalachian forests to the southern trans-Mississippian prairies, the contributors consider the archaeological and cultural record of several specific groups, including Mohawk and Onondaga, Monacan, Coosa, and Calusa. For each, they present new evidence of cultural changes prior to European contact, including populations movements triggered by the Little Ice Age (AD 1550–1770), shifting exchange and warfare networks, geological restriction of effective maize subsistence, and use of empty hunting territories as buffers between politically unstable neighbors. The contributors also trace European influences, including the devastation caused by European-introduced epidemics and the paths of European trade goods that transformed existing Native American-exchange networks.
While the profound effects of European explorers, missionaries, and traders on Eastern Woodlands tribes cannot be denied, the archaeological evidence suggests that several indigenous societies were already in the process of redefinition prior to European contact. The essays gathered here show that, whether formed in response to natural or human forces, cultural change may be traced through archaeological artifacts, which play a critical role in answering current questions regarding cultural persistence.
This book explores the ways that scholars, journalists, politicians, and citizens conceive of “the public” or “public life,” and how those entities are defined and invented. For decades, scholars have used the metaphors of spheres, systems, webs, or networks to talk about, describe, and map various practices. This volume proposes a new metaphor—modalities—to suggest that publics are forever in flux, and much more fluid and dynamic than the static models of systems or spheres would indicate—especially in the digital age, where various publics rapidly evolve and dissipate.
Contributors to the volume—employing approaches from the fields of communication studies, English, sociology, psychology, and history—explore a broad range of texts and artifacts that give rise to publics, and discuss what they reveal about conceptualizations of social space. By focusing on process in public engagement, these scholars highlight questions of how people advance their interests and identities, and how they adapt to situational constraints.
Bringing together scholars in rhetorical, cultural, and media studies, this collection of new case studies illustrates a modalities approach to the study of publics. These case studies explore the implications of different ways of forming publics, including alternative means of expression (protests, culture jamming); the intersection of politics and consumerism (how people express their identities and interests through their consumer behavior); and online engagement (blogs as increasingly important public fora). In doing so, they raise important questions of access, community, and political efficacy
In this landmark book, experienced scholars take a retrospective look at the developing routes that have brought American archaeologists into the 21st century.
In 1996, the Society for American Archaeology's Committee on the History of Archaeology established a biennial symposium
named after Gordon R. Willey, one of the fathers of American archaeology, to focus on the history of the discipline. This volume grew out of the
second symposium, presented at the 1998 meeting of the Society for American Archaeology.
Interest in the intellectual history of the field is certainly nothing new—the first such volume appeared in 1856—but previously, focus has been on individuals and their theories and methods, or on various government agencies that supported, developed, or mandated
excavations in North America. This volume, however, focuses on the roots of Americanist archaeology, including its pre-1915 European connections, and on some of the earliest work by women archaeologists, which has been largely overlooked.
Full of valuable insights for archaeologists and anthropologists—both professional and amateur—into the history and
development of Americanist archaeology, New Perspectives will also inspire and serve as a model for future research.
David Browman is Professor of Anthropology and Chair of the Interdisciplinary Program in Archaeology at Washington University. Stephen Williams is Professor Emeritus of Anthropology at Harvard University.
The first scholarly collection of ghostlore from throughout the state of Alabama
Both enlightening and entertaining, The Face in the Window and Other Alabama Ghostlore is the first scholarly collection of ghostlore from throughout the state of Alabama. Alan Brown has traveled the state collecting sotries and photographs illustrating the places that gave rise to the eerie tales.
Brown recreates the experience of actually hearing the tales by reproducing each story as it was told. Additionally, he includes an analysis of the folk motifs and themes that run through the ghostlore commonly found in Alabama and examines their contributions to folk traditions, especially in those stories told by young people.
The oldest town in interior south Florida, Fort Meade lies about 50 miles east of Tampa and 10 miles south of Polk County's seat of Bartow. In this volume, Polk County native Canter Brown recounts the intriguing story of the founding and evolution of Fort Meade during the last half of the 19th century, when it was first established as a military outpost to separate Seminoles from white pioneer families desirous of cattle-grazing lands. A civilian community coalesced at Fort Meade under the pressures of the Billy Bowlegs War of 1855-58. Quickly the village developed as a cattle-industry center, which was important to the Confederacy until its destruction in 1864 by home-grown Union forces.
In the postwar era the cattle industry revived, and the community prospered. The railroads arrived in the 1880s, bringing new settlers, and the village grew into a town. Opportunities expanded as well with the growth of citrus, phosphate mining, truck farming, and tobacco industries. A boom-and-bust economy alternately bolstered and rocked the town, and the disastrous freezes of 1894Ð95 almost delivered a fatal blow.
Little has been written about town development on the Florida frontier. This book portrays the extremely complicated and often exciting processes and influences at play in interior south Florida, and the very precarious hold that town life possessed on that frontier.Local history the way it should be written. Canter Brown has managed to score several significant accomplishments in Fort Meade, 1849-1900. The book contributes to the growing body of good, solid monographs dealing with Florida state and local history and represents the building blocks necessary for a state and regional synthesis. The cumulative research compiled for this volume is impressive and daunting. Canter Brown proves that good local history requires considerable detective work and far-ranging inquiries.
In this landmark biography, Canter Brown Jr. makes evident the extent of Henry Bradley Plant’s influences throughout North, Central, and South America as well as his role in the emergence of integrated transportation and a national tourism system. One of the preeminent historians of Florida, Brown brings this important but understudied figure in American history to the foreground.
Henry Bradley Plant: Gilded Age Dreams for Florida and a New South carefully examines the complicated years of adventure and activity that marked Plant’s existence, from his birth in Connecticut in 1819 to his somewhat mysterious death in New York City in 1899. Brown illuminates Plant’s vision and perspectives for the state of Florida and the country as a whole and traces many of his influences back to events from his childhood and early adulthood. The book also elaborates on Plant’s controversial Civil War relationships and his utilization of wartime earnings in the postwar era to invest in the bankrupt Southern rail lines. With the success of his businesses such as the Southern Express Company and the Tampa Bay Hotel, Plant transformed Florida into a hub for trade and tourism—traits we still recognize in the Florida of today.
This thoroughly researched biography fills important gaps in Florida’s social and economic history and sheds light on a historical figure to an extent never previously undertaken or sufficiently appreciated. Both informative and innovative, Brown’s volume will be a valuable resource for scholars and general readers interested in Southern history, business history, Civil War–era history, and transportation history.
This history of Alabama's coal miners documents the struggle not
only between labor and management but also between interracial unionism
and white supremacy.
Much of Alabama's labor history is written in its coal
fields. This book records the critical contribution that District 20 of
the United Mine Workers of America played in the state's labor movement
through its strong stands on such issues as child labor, public education,
and inter-racial unions.
Standing at the cutting edge of social and political
history, these essays cover five periods over a century of union activity:
the emergence of a militant labor force during mining's formative years;
the World War I era, when mine operators tried to divide black and white
labor; the increasing role of the state in labor relations during the interwar
years; rapid changes in the union between 1942 and 1975; and the 1977-79
strike, the largest in the United Mine Workers' history.
Through historic
photographs and depictions of living and working conditions, contributors
Edwin L. Brown, Colin J. Davis, Daniel Letwin, Brian M. Kelly, Peter Alexander,
Glenn Feldman, and Robert H. Woodrum portray the world that miners, both
black and white, made. In a state where racial segregation was the norm,
even the earliest District 20 contract proposals demanded equal pay for
equal work regardless of color. It Is Union and Liberty shows that the
UMW in Alabama stands apart from perceptions of southern trade unionism
as exclusionary and racially fragmented. It sheds light on an important
segment of the state's labor history and is a testament to District 20
on its centennial celebration.
Edwin Brown is Associate
Professor in the Center for Labor Education and Research and Colin Davis is Associate Professor in the Department of History, both at
the University of Alabama at Birmingham.
Keep Your Airspeed Up: The Story of a Tuskegee Airman is the memoir of an African American man who, through dedication to his goals and vision, overcame the despair of racial segregation to great heights, not only as a military aviator, but also as an educator and as an American citizen.
Unlike other historical and autobiographical portrayals of Tuskegee airmen, Harold H. Brown’s memoir is told from its beginnings: not on the first day of combat, not on the first day of training, but at the very moment Brown realized he was meant to be a pilot. He revisits his childhood in Minneapolis where his fascination with planes pushed him to save up enough of his own money to take flying lessons. Brown also details his first trip to the South, where he was met with a level of segregation he had never before experienced and had never imagined possible.
During the 1930s and 1940s, longstanding policies of racial discrimination were called into question as it became clear that America would likely be drawn into World War II. The military reluctantly allowed for the development of a flight-training program for a limited number of African Americans on a segregated base in Tuskegee, Alabama. The Tuskegee Airmen, as well as other African Americans in the armed forces, had the unique experience of fighting two wars at once: one against Hitler’s fascist regime overseas and one against racial segregation at home.
Colonel Brown fought as a combat pilot with the 332nd Fighter Group during World War II, and was captured and imprisoned in Stalag VII A in Moosburg, Germany, where he was liberated by General George S. Patton on April 29, 1945. Upon returning home, Brown noted with acute disappointment that race relations in the United States hadn’t changed. It wasn’t until 1948 that the military desegregated, which many scholars argue would not have been possible without the exemplary performance of the Tuskegee Airmen.
The first comprehensive study and analysis of the most important Mississippian mound site on the north-central Gulf coast
Consisting of 18 earthen mounds and numerous additional habitation areas dating to A.D. 1250-1550, the Bottle Creek site was first professionally investigated in 1932 when David L. DeJarnette of the Alabama Museum of Natural History began work there to determine if the site had a cultural relationship with Moundville, connected to the north by a river system. Although partially mapped in the 1880s, Bottle Creek's location in the vast Mobile-Tensaw Delta of Baldwin County completely surrounded by swamp made it inaccessible and protected it from most of the plunder experienced by similar sites in the Southeast.
This volume builds on earlier investigations to present extensive recent data from major excavations conducted from 1991 to 1994 and supported in part by an NEH grant. Ten anthropologists examine various aspects of the site, including mound architecture, prehistoric diet, pottery classification, vessel forms, textiles used to make pottery impressions, a microlithic stone tool industry, water travel, the persistence of mound use into historic times, and the position of Bottle Creek in the protohistoric world.
The site is concluded to be the best remaining example of Pensacola culture, an archaeological variant of the widespread Mississippian tradition identified by a shell-tempered pottery complex and by its geographic association with the north-central coast of the Gulf of Mexico. Occupied for three centuries by a thriving native culture, Bottle Creek is an important remnant of North American peoples and as such is designated a National Historic Landmark. This published compilation of the research data should establish a base for future scholarly investigation and interpretation.
A Dan Josselyn Memorial Publication
During his decades living and teaching in Alabama, Brown followed his curiosity down myriad pathways about Alabama and the region, including the state’s majestic landscape, plants and animals found nowhere else, history, and rich folkways. In the tapestry of Alabama culture, Brown traces the threads of Native American, African slave, and European settler influences, woven over the centuries into novel patterns that surprise and fascinate.
Writing in the voice of a learned companion, Brown reveals insights and stories about unforgettable facets of Alabama culture, such as Sacred Harp singers and African American railroad callers, the use of handmade snares and stationary fishtraps to catch river redhorse and freshwater drum, white oak basketmaking and herbal medicine traditions, the evolution of the single-pen log cabin into the impressive two-story I-house, and a wealth of other engrossing stories.
An instant classic, Distracted by Alabama is a keepsake that readers who love, visit, or are curious about Alabama and Southern culture will return to again and again.
Born in 1942, Jerry Brown helped out in his father’s pottery shop as a young boy. There he learned the methods and techniques for making pottery in a family tradition dating back to the 1830s. His responsibilities included tending the mule that drove the mill that was used to mix clay (called “mud” by traditional potters). Business suffered as demand for stoneware churns, jugs, and chamber pots waned in the postwar years, and manufacture ceased following the deaths of Brown’s father and brother in the mid-1960s. Brown turned to logging for his livelihood, his skill with mules proving useful in working difficult and otherwise inaccessible terrain. In the early 1980s, he returned to the family trade and opened a new shop that relied on the same methods of production with which he had grown up, including a mule-powered mill for mixing clay and the use of a wood-fired rather than gas-fueled kiln.
Folklorist Joey Brackner met Brown in 1983, and the two quickly became close friends who collaborated together on a variety of documentary and educational projects in succeeding years—efforts that led to greater exposure, commercial success, and Brown’s recognition as a National Heritage Fellow by the National Endowment for the Arts. For years, Brown spoke of the urge to write his life story, but he never set pen to paper. In 2015, Brackner took the initiative and interviewed Brown, recording his life story over the course of a weekend at Brown’s home. Of Mules and Mud is the result of that marathon interview session, conducted one year before Brown passed away.
Brackner has captured Jerry Brown’s life in his own words as recounted that weekend, lightly edited and elaborated. Of Mules and Mud is illustrated with photos from all phases of Brown’s life, including a color gallery of 28 photos of vessel forms made by Brown throughout his career that collectors of folk pottery will find invaluable.
A Vietnam War combat memoir from the perspective of an artilleryman
Impact Zone documents Marine First Lieutenant James S. Brown's intense battle experiences, including those at Khe Sanh and Con Thien, throughout his thirteen months of service on the DMZ during 1967-68. This high-action account also reflects Brown's growing belief that the Vietnam War was mis-fought due to the unproductive political leadership of President Johnson and his administration. Brown's naiveté developed into hardening skepticism and cynicism as he faced the harsh realities of war, though he still managed to retain a sense of honor, pride, and patriotism for his country.
Impact Zone is a distinctive book on the Vietnam War because it is told from the perspective of an artilleryman, and the increasingly dangerous events gain momentum as they progress from one adventure to the next. Impact Zone is not only an important historical document of the Vietnam conflict, but also a moving record of the personal and emotional costs of war.
With the 11 stories in this long-awaited collectiong, Mary Ward Brown once again offers her devoted fans a palette of new literary pleasures. The hallmarks of her style, so finely wrought in the award-winning Tongues of Flame (1986)—the fully realized characters, her deep sensitivity, a defining sense of place and time—are back in all their richness to involve and enchant the reader.
All but one of the stories are set in Alabama. They deal with dramatic turning points in the lives of characters who happen to be southerners, many jaxtaposed between Old South sensibility and manners and New South modernity and expectations. Among these is a new widow who is not consoled by well-meaning, proselytizing Christians; a middle-aged waitress in love with the town “catch”; a bedridden belle dependent upon her black nurse; a “special” young man in a newspaper shop; a young faculty wife who attempts generosity with a lower-class neighbor; and a lawyer caught in the dilemma of race issues. Through their diverse voices, Brown proves herself a graceful and gifted storyteller who writes with an authoritative pen, inventing and inhabiting the worlds of her set of characters with insight, compassion, and wit.
Most of the stories in It Wasn't All Dancing have appeared previously in prominent national magazines and literary journals, including the Atlantic Monthly, Grand Street, and Threepenny Review. This fine collection should appeal to a wide audience among writers, literature scholars, and general readers alike.
These beautifully crafted stories depict the changing relationships between black and white southerners, the impact of the civil rights movement, and the emergence of the New South.
Mary Ward Brown is a storyteller in the tradition of such powerful 20th-century writers as William Faulkner, Harper Lee, Flannery O'Connor, and Eudora Welty-writers who have explored and dramatized the tension between the inherited social structure of the South and its contemporary dissolution. With Tongues of Flame, her first collection of short stories, Brown bares the awkward, sometimes hopeful, and often tragic suffering of people caught in changing times within a timeless setting.
Here we meet such memorable characters as a dying black woman who seeks the advice of a now-alcoholic white doctor whom she knew in better years; a young woman, jilted at the altar, driven crazy by an illuminated cross erected by the church opposite her house; and a 95-year-old woman buying a tombstone for her long-deceased husband only to discover that he had been adulterous throughout their marriage. Brown constructs her characters in a disarmingly plain style while breathing life into them with compassion and honesty as they confront the large moments of their lives.
First published by E. P. Dutton in 1986 to immediate critical acclaim, Tongues of Flame won the 1987 PEN/Ernest Hemingway Foundation Award. The judges commended Brown for "seeing life whole, without prejudice, without sentimentality, without histrionics. Her voice may be quiet-sometimes she speaks in a whisper-but her words are, nevertheless, always forceful, clear, and ultimately lasting." With this new publication of Tongues of Flame and its inclusion in the University of Alabama Press's Deep South Books series, a whole new generation of readers may once more discover Mary Ward Brown's profound stories of pain, loss, and hope.
In the Atlantic World, the 1820s was a decade marked by the rupture of colonial relations, the independence of Latin America, and the ever-widening chasm between the Old World and the New. Connections after Colonialism, edited by Matthew Brown and Gabriel Paquette, builds upon recent advances in the history of colonialism and imperialism by studying former colonies and metropoles through the same analytical lens, as part of an attempt to understand the complex connections—political, economic, intellectual, and cultural—between Europe and Latin America that survived the demise of empire.
Historians are increasingly aware of the persistence of robust links between Europe and the new Latin American nations. This book focuses on connections both during the events culminating with independence and in subsequent years, a period strangely neglected in European and Latin American scholarship. Bringing together distinguished historians of both Europe and America, the volume reveals a new cast of characters and relationships including unrepentant American monarchists; compromise-seeking liberals in Lisbon and Madrid who envisioned transatlantic federations; British merchants in the River Plate who saw opportunity where others saw risk; public moralists whose audiences spanned from Paris to Santiago de Chile; and plantation owners in eastern Cuba who feared that slave rebellions elsewhere in the Caribbean would spread to their island.
Contributors
Matthew Brown / Will Fowler / Josep M. Fradera / Carrie Gibson / Brian Hamnett / Maurizio Isabella / Iona Macintyre / Scarlett O’Phelan Godoy / Gabriel Paquette / David Rock / Christopher Schmidt-Nowara / Jay Sexton / Reuben Zahler
"An outstanding and innovative study on hunting, gardening, and love magic among the Aguaruna. . . . [It is] both highly useful ethnographically and an important contribution to the understanding of how a primitive culture conceptualizes its transactions with nature. The book touches on cosmology and religion as well as the ethnoecology of hunting and agriculture--with an interlude on sex."
--American Ethnologist
This biography of Edward Stanly relates the major political events of his life: his emergence, while still in his twenties, as a fiery and controversial leader of the Whig Party in North Carolina, his role as one of the ablest champions of Whiggery in the United States House of Representatives, 1837–1843; his candidacy for governor of California on the Republican ticket in 1857; his appointment by President Abraham Lincoln as military governor of North Carolina in 1862; and his support in California of President Andrew Johnson’s Reconstruction policy.
Raised under the “Ancient Standard of Federalism,” Edward Stanly was a southern nationalist in the tradition of the two great Virginia Federalists, George Washington and John Marshall. An outspoken opponent of the nullification and secession doctrines of party of section in national politics.
Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes
Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.
Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.
In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
The first scholarly treatment of the strategies employed by the New Christian Right in litigating cases regarding religion
Trumping Religion provides a detailed analysis of the five major public-interest law firms that have litigated religion cases in the federal courts between 1980 and 2000. Allied with several highly vocal, evangelical ministries, such as those of Jerry Falwell and Pat Robinson, these legal organizations argue that religious expression is a form of protected speech and thereby gain a greater latitude of interpretation in the courts. The long-term agenda of the New Christian Right as illuminated by this study is to shape church-state jurisprudence in a way that permits free course for the Christian gospel.
Steven P. Brown presents his research and conclusions from a balanced viewpoint. In filling a distinct void in the literature, this book will be of considerable interest to political scientists, legal scholars, law schools and seminaries, and anyone concerned with the intersection of religion and judicial politics.
Much of Alabama’s written history concentrates on the Tennessee Valley, the hill counties, and the Black Belt, while the piney woods of south central and southeastern Alabama, commonly known as the wiregrass region today, is one of the most understudied areas in Alabama history. Deep in the Piney Woods: Southeastern Alabama from Statehood to the Civil War, 1800–1865 offers a comprehensive and long overdue account of a historically rich region of the state, challenging many commonly held assumptions about the area’s formation and settlement, economy, politics, race relations, and its role in both the secession of the state and the Civil War.
Historians routinely depict this part of the state as an isolated, economically backward wilderness filled with poor whites who showed little interest in supporting the Confederacy once civil war erupted in 1861. Tommy Craig Brown challenges those traditional interpretations, arguing instead that many white Alabamians in this territory participated in the market economy, supported slavery, favored secession, and supported the Confederate war effort for the bulk of the conflict, sending thousands of soldiers to fight in some of the bloodiest campaigns of the war.
This thorough and expansive account of southeastern Alabama’s role in the Civil War also discusses its advocacy for state secession in January 1861; the effects of Confederate conscription on the home front; the economic devastation wrought on the area; and the participation of local military companies in key campaigns in both the eastern and western theaters, including Shiloh, the Peninsula Campaign, the Overland Campaign, Atlanta, and Franklin-Nashville. Brown argues that the lasting effects of the war on the region’s politics, identity, economy, and culture define it in ways that are still evident today.
“You recall the expression ‘toting the lead row’, don’t you? In chopping cotton or corn there is always a leader, one who can chop the fastest of them all. When he finishes his row, he goes back and helps the other choppers finish theirs. The one who totes the lead row takes the lead place in the next row.”—Ruby Pickens Tartt
She was certain that the very essence of her native Sumter County lay on the back roads, in the cabins hidden nearby, and with the black people who lived there. Their singing and their stories captivated her; the preservation of their heritage became life-long commitment.
In her collection work, including service with the WPA Writers’ Project, Ruby Pickens Tartt worked with and assisted other collectors of folklore, notably Carl Carmer and John Lomax; indeed, her Livingston home became a mecca for folklorists and writers. In helping them all, truly Mrs. Tartt was “toting the lead row”.
Toting the Lead Rowis divided into two major parts. The first is biographical and told in detail is her work during the Depression with the Federal Writers’ Project, collecting folk songs and life histories and gathering folklore. The second part contains selecting writings of Ruby Pickens Tartt: 18 life histories and stories and 12 slave narratives.
“A retired major general of the Marine Corps offers here an interpretive history of the campaign culminating in the battle of New Orleans, based on a meticulous review of the sources and employing the perceptive of modern military doctrine. Written with a military regard for precision . . . [the book] nevertheless gathers force and even suspense though its emphasis on the importance f the events at hand . . [T]his is now probably the best book on the topic.”—Choice
Understanding our environment
American philosopher John Dewey considered all human endeavors to be continuous with the natural world. In his writings, particularly Art as Experience (1934), Dewey insists on the primacy of the environment in aesthetic experience. Dewey's conception of environment includes both the natural and the man-made. Neil Browne highlights this notion in order to define what he terms "pragmatist ecology," a practice rooted in the interface of the cultural and the natural, which he finds to be a significant feature of some of the most important ecological writing of the last century.
To fully understand human involvement in the natural world, Browne argues, disciplinary boundaries must be opened up. This is primarily important between the arts and science, with profound implications for the practice of democracy. The degradation of the physical environment and democratic decay, for Browne, are rooted in the same problem: our persistent belief that humans are somehow separate from their physical environment.
Browne probes the work of a number of major American writers through the lens of Dewey's philosophy. Among other texts, he examines John Muir’s My First Summer in the Sierra (1911); Sea of Cortez (1941) by John Steinbeck and Edward Ricketts; Rachel Carson's three books about the sea, Under the Sea-Wind (1941), The Sea Around Us (1951), and The Edge of the Sea (1955); John Haines's The Stars, the Snow, the Fire (1989); Tarry Lopez's Arctic Dreams (1986); and Terry Tempest Williams's Refuge (1991). Together, these texts—with their combinations of scientific observation and personal meditation—challenge the dichotomies to which we've become accustomed and affirm the values of a pragmatist ecology, one in which ecological and democratic
values go hand in hand.
"A major accomplishment in the study of Burke." —Choice
More than 200 years after his death, Edmund Burke remains among the most influential conservative writers in the Anglophone world. Burke’s relevance has only grown as the nature of what it means to be a conservative has become hotly contested.
And yet Burke is often discussed more than he is read. Worse, his rhetoric is often pressed into the service of other ideologies. In Edmund Burke and the Discourse of Virtue, Stephen Browne of Pennsylvania State University subjects Burke’s work to the close textual analysis it has never received.
The result of Browne's study is to present Burke and his work in a light that was clearly essential to Burke himself, one that illuminates the link between rhetoric and action that is key to understanding Burke, his career, his work, and his influence on contemporary conservatism.
Readers interested in the development of conversative philosophy, politics, and writing from its earliest roots will value this rare and illuminating work.
Examines naval logistics, tactics, and strategy employed by the Union blockade off the Atlantic coast of the Confederacy.
The history of the squadron comprises myriad parts and players, deployed in a variety of missions across the thousand-mile-wide Western Theater. From disorganized beginnings, the squadron’s leaders and sailors had to overcome setbacks, unfulfilled expectations, and lost opportunities. Browning masterfully captures the many variables that influenced the strategic choices of Navy commanders as they both doggedly pursued unchanging long-term goals as well as improvised and reacted to short-term opportunities.
Notable among its leaders was David Glasgow Farragut, believed by many to be America’s greatest naval hero, who led the squadron through most of the war and the climactic Battle of Mobile Bay. Under his legendary leadership, the squadron not only sealed Confederate sea ports, but also made feints and thrusts up the Mississippi River as far north as Vicksburg, Mississippi.
Knowing the Navy’s role in isolating the Confederate economy and preventing the movement of troops and supplies within the South is crucial to understanding of the outcomes of the Civil War, as well as the importance of naval power in military conflicts. With thirty-five maps and illustrations, Lincoln’s Trident expounds upon an essential part of the Civil War as well as naval and American history.
Through history, rhetoric has been understood as the art of verbal influence. This art took various forms and was put to diverse uses. Rhetoric has usually been regarded as the kind of extended verbal discourse found in the public speech, the essay, the letter, or belles lettres, a discourse often founded on reasoned argument in support of propositions.
This conception of rhetoric as propositional, verbal text persisted through ages in which public controversy primarily took oral or written form: words spoken or committed to print. Issues were debated and decisions were formed verbally; the word was the agency for managing public business. But today the dominance of the extended text and the well-supported line of argument is fading. Public discourse may be embodied in as many words as it was in 1860, but the words take rather different forms. Presidential candidates speak more than they ever have, but campaigns depend increasingly on the twenty-second “sound bite” targeted for the evening news (Hart, 1987). A public that once read newspapers, listened to radios and to the Chautauqua speaker, or conversed on front porches is increasingly turning to various forms of video for information and entertainment.
The place and time of rhetoric are moving inexorably from specific locales in which issues are debated, into the more general context of popular culture. In other words, rhetoric as a distinct social practice carried out during concentrated periods of speaking and listening, or reading and writing, is dissipating into a noisy environment teeming with messages. Rhetorical studies as an academic discipline is responding to these changes in rhetorical practice by augmenting its traditional concerns for extended verbal texts (e.g., Medhurst & Benson, 1984). Students of rhetoric have recently examined the “rhetoric” of the streets, cartoons, and popular music. This book joins those efforts by theorists to conceptualize a kind of rhetoric that is less verbal, or “textual,” and more integrated into popular culture than is the rhetoric of Edmund Burke, Abraham Lincoln, and Franklin Roosevelt. The public as well as the academy needs a way to understand the rhetorical dimensions of popular culture.
A highly developed study of the relationships between rhetoric and public culture.
One of the most widely used ideas in scholarship of the humanities and social sciences is that of homology: a formal pattern structuring different kinds of texts, ideas, and experiences. Rhetorical Homologies explores the central meaning of this form in a variety of discourses and also examines the kind of homologies that shape audience responses to personal, public, and political issues. Barry Brummett is most interested in homologies among very different orders of experience and texts: experiences on the battlefield that are homologous to those at a dining room table, for instance. What the common patterns that underlie such cases mean, why they are interesting, and why homology is rhetorical are the subjects of this study.
Brummett focuses on a wide range of topics, from the homologies between rhetoric and weapons throughout history to the homology of ritual injuries as manifested in representations of Christian martyrs, Laurel and Hardy films, the African-American practice of playing the dozens, and televised professional wrestling. Brummett also explores the homology of the Wise Woman, using rhetorical representations of Sojourner Truth and Oprah Winfrey. In a concluding chapter, Brummett argues that the idea of homology is important in understanding how social life is organized in general and that the centrality of discourse in organizing experience makes rhetorical homologies an important perspective for general knowledge beyond the boundaries of this study.
The nine essays in Creating Citizens offer structures for incorporating CCE initiatives into university programs, instructional methods and techniques, and numerous case studies and examples undertaken at Auburn University but applicable at any university. Many contributors describe their own rewarding experiences with CCE and emphasize the ways outreach efforts reinvigorate their teaching or research.
Creating Citizens recounts the foundation of land-grant institutions by the Morrill Act of 1862. Their mission is to instruct in agriculture, military science, and mechanics, but these goals augmented rather than replaced an education in the classics, or liberal arts. Land-grant institutions, therefore, have a special calling to provide a broad spectrum of society with an education that not only enriched the personal lives of their students, but the communities they are a part of. Creating Citizens demonstrates the important opportunities CCE instruction represents to any university but are especially close to the heart of the mission of land-grant colleges.
In open societies, the role and mission of public institutions of higher learning that are supported by public subsidies are perennial subjects of interest and debate. Creating Citizens provides valuable insights of interest to educators, education administrators, students, and policy makers involved in the field of higher education.
In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of self-interrupting composition, starting with Friedrich Schlegel's inaugural theory and practice of the fragment as an assertion of the autonomy of words, and their freedom from rule-governed hierarchies.
Bruns opens the book with a short history of the fragment as a distinctive feature of literary modernism in works from Gertrude Stein to Paul Celan to present-day authors. The study progresses to the later work of Maurice Blanchot and Samuel Beckett, and argues, controversially, that Blanchot's writings on the fragment during the 1950s and early 1960s helped to inspire Beckett’s turn toward paratactic prose.
The study also extends to works of poetry, examining the radically paratactic arrangements of two contemporary British poets, J. H. Prynne and John Wilkinson, focusing chiefly on their most recent, and arguably most abstruse, works. Bruns also offers a close study of the poetry and poetics of Charles Bernstein.
Interruptions concludes with two chapters about James Joyce. First, Bruns tackles the language of Finnegans Wake, namely the break-up of words themselves, its reassembly into puns, neologisms, nonsense, and even random strings of letters. Second, Bruns highlights the experience of mirrors in Joyce’s fiction, particularly in Dubliners, Portrait of the Artist as a Young Man, and Ulysses, where mirrored reflections invariably serve as interruptions, discontinuities, or metaphorical displacements and proliferations of self-identity.
Conflict in the Great Outdoors addresses the different orientations and behaviors within sportsmen categories. A major problem of outdoor recreation management addressed in Hobson Bryan’s work is the difficulty in identifying sportsmen subgroups having distinctive preferences and expectations as to the composition of the “quality” outdoor experience. Land-use managers and planners are faced with the problem of matching resources with more users having increasingly specific motivations. Bryan applies his theory of variations within a leisure activity by addressing what sportsmen do and why they do it in various activities such as mountain climbing, hunting, canoeing, skiing, and backpacking.
With a death rate of 5 percent, Alabama's Cahaba Federal Prison boasted a better survival rate than the notorious Confederate prisoner-of-war camps of Andersonville, Libby Prison, Elmira, Rock Island, Johnson's Island, and Camp Douglas. Yet it was a ghastly facility, a hastily converted agricultural warehouse so overcrowded that each man barely had space to lie down to sleep.
At the war's conclusion in 1865, however, in a harrowing reversal of the inmates' fates, captured Union soldiers were sent on a grueling overland march to the Mississippi River. Held there in camps at Vicksburg along with other prisoners of war, the soldiers embarked on the steamship Sultana for transportation north.
Traveling first to New Orleans and then heading north, the vessel held by some estimates six times more passengers than its safe limit, many of them ill, injured, or malnourished. The flow of the swollen Mississippi that April was wide, swift, and cold, and the Sultana struggled to make the journey. Then, on April 27, 1865, seven miles north of Memphis, a series of three boilers exploded within seconds of one another.
The lucky passengers were flung into the water as chunks of the Sultana blasted apart. The remaining wooden structure caught fire and the upper deck collapsed. Only an estimated one third of the passengers survived, hundreds of whom later died from their wounds.
First published in 1988, Bryant's account weaves together the many strands of the Cahaba story. Combining masterful storytelling and insightful analysis, he describes Civil War prisons, the history of the Cahaba Federal Prison and its construction, as well as the prison's commanders, prisoners, and local women who provided medical care and food to the prisoners. He tells of the violent struggles among Union inmates, a mutiny and flood that occurred during the final days of the camp, and the harrowing deaths of the liberated soldiers aboard the Sultana. Bryant's Cahaba Prison and the Sultana Disaster remains a vital part of any library of Civil War history.
As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his works—protean, provocative, multilayered, and rich—continue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art.
In Life in a Mississippian Warscape: Common Field, Cahokia, and the Effects of Warfare Meghan E. Buchanan posits that to understand the big histories of warfare, political fragmentation, and resilience in the past archaeologists must also analyze and interpret the microscale actions of the past. These are the daily activities of people before, during, and after historical events. Within warscapes, battles take place in peoples’ front yards, family members die, and the impacts of violence in near and distant places are experienced on a daily basis. This book explores the microscale of daily lives of people living at Common Field, a large, palisaded mound center, during the period of Cahokia’s abandonment and the spread of violence and warfare throughout the Southeast.
Linking together ethnographic, historic, and archaeological sources, Buchanan discusses the evidence that the people of Common Field engaged in novel and hybrid practices in these dangerous times. At the microscale, they adopted new ceramic tempering techniques, produced large numbers of serving vessels decorated with warfare-related imagery, adapted their food practices, and erected a substantial palisade with specially prepared deposits. The overall picture that emerges at Common Field is of a people who engaged in risk-averse practices that minimized their exposure to outside of the palisade and attempted to seek intercession from otherworldly realms through public ceremonies involving warfare-related iconography.
A visceral, stark, and deadpan collection of stories that brilliantly fuse humor with horror
Horses Dream of Money is a daring collection of tales, darkly humorous, that eerily channels the surreal and sinister mood of the times. Preoccupied with the fault lines between life and death, and veering often into horror, Angela Buck brings a raw energy and witty sobriety to these accounts of human life and connection with the intimacy of fireside-storytelling, gimlet-eyed revelry in bloodletting, and a masterful sleight of hand between the fantastical and the quotidian.
“The Solicitor” reinvents the coming-of-age story as a romance-for-hire between a girl and her “solicitor,” a man whose services are demanded by her mother and enforced by a cruel master. “Coffin-Testament” is a fabulous futuristic account of the extinction of human life on earth written 1,667 years later by a group of lady robots channeling Sir Thomas Browne to muse on their own mortality. “The Bears at Bedtime” documents a compound of cuddly kind worker-bears and their ruthless doings. “Bisquit” imagines today’s precariat as a lovable horse who is traded from one master to another until a horse race brings his maddeningly repetitive adventures to a violent conclusion.
The official journal of the Mid-America Theatre Conference
Alabama’s territorial and early statehood years represent a crucial formative period in its past, a time in which the state both literally and figuratively took shape. The story of the remarkable changes that occurred within Alabama as it transitioned from frontier territory to a vital part of the American union in less than a quarter century is one of the most compelling in the state’s past. This history is rich with stories of charismatic leaders, rugged frontiersmen, a dramatic and pivotal war that shaped the state’s trajectory, raging political intrigue, and pervasive sectional rivalry.
Many of Alabama’s modern cities, counties, and religious, educational, and governmental institutions first took shape within this time period. It also gave way to the creation of sophisticated trade and communication networks, the first large-scale cultivation of cotton, and the advent of the steamboat. Contained within this story of growth and innovation is a parallel story, the dispossession of Native groups of their lands and the forced labor of slaves, which fueled much of Alabama’s early development.
Early Alabama: An Illustrated Guide to the Formative Years, 1798–1826 serves as a traveler’s guidebook with a fast-paced narrative that traces Alabama’s developmental years. Despite the great significance of this era in the state’s overall growth, these years are perhaps the least understood in all of the state’s history and have received relatively scant attention from historians. Mike Bunn has created a detailed guide—appealing to historians and the general public—for touring historic sites and structures including selected homes, churches, businesses, government buildings, battlefields, cemeteries, and museums..
,
Mosquitoes of the Southeastern United States is a full-color, highly-illustrated guide to the 64 known species of mosquitoes in 11 genera that populate the South's main geographical area--from the Gulf Coastal states to the Carolinas.
Among the arguments Hotze employed were adaptations of the scientific racism of the period, which attempted to establish a rational basis for assumptions of racial difference. After the collapse of the Confederacy in 1865, Hötze remained in Europe, where he became an active partisan and promoter of the ideas of Arthur de Gobineau (1816–1882) whose work Essai sur L’inégalité des Races Humaines was a founding document in racism’s struggle for intellectual respectability.
This work consists of a biographical essay on Hotze; his contributions to Mobile newspapers during his military service in 1861; his correspondence with Confederate officials during his service in London; articles he published in London to influence British and European opinion; and his correspondence with, and published work in support of, Gobineau.
Traces 400 years of Osage culture from prehistoric times to the group's current status as an officially recognized tribe.
Osage traditional lands are located in mid-continental America encompassed by the present-day states of Arkansas, Missouri, Kansas, and Oklahoma. Major waterways through these lands and the defensible terrain of the Ozark range provided the tribe a distinct advantage in prehistoric and early historic times. A warlike people, the Osage long encroached on neighboring tribal lands, especially those of the Caddo to the southwest. Yet good natural boundaries and centuries of success in warfare afforded the tribe little advantage in attempts to forestall Euro-American westward expansion. Three major routes to the West—the Missouri and Arkansas Rivers and the Continental Trail—crossed Osage land, so conflict with the newcomers was inevitable.
Louis Burns draws on ancestral oral traditions and research in a broad body of literature to tell the story of the Osage people. He writes clearly and concisely, from the Osage perspective. First published in 1989 and for many years out of print, this revised edition is augmented by a new preface and maps. Because of its masterful compilation and synthesis of the known data, A History of the Osage People continues to be the best reference for information on an important American Indian people.
Louis F. Burns, of Osage-French-Scottish heritage, is a member of the Mottled Eagle Clan and author of six books, including Symbolic and Decorative Art of the Osage People.
Siouan peoples who migrated from the Atlantic coastal region and settled in the central portion of the North American continent long before the arrival of Europeans are now known as Osage. Because the Osage did not possess a written language, their myths and cultural traditions were handed down orally through many generations. With time, only those elements deemed vital were preserved in the stories, and many of these became highly stylized. The resulting verbal recitations of the proper life of an Osage—from genesis myths to body decoration, from star songs to child-naming rituals, from war party strategies to medicinal herbs—constitute this comprehensive volume.
Osage myths differ greatly from the myths of Western Civilization, most obviously in the absence of individual names. Instead, “younger brother,” “the messenger,” “Little Old Men,” or a clan name may serve as the allegorical embodiment of the central player. Individual heroic feats are also missing because group life took precedence over individual experience in Osage culture.
Supplementing the work of noted ethnographer Francis La Flesche who devoted most of his professional life to recording detailed descriptions of Osage rituals, Louis Burns’s unique position as a modern Osage—aware of the white culture’s expectations but steeped in the traditions himself is able to write from an insider’s perspective.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press