This unique account of the life of German nationalist and revolutionary Charles Follen opens a window on several worlds during the first half of the nineteenth century. Seldom does one biography embrace so many important historical issues and events.

Trained as a lawyer in his native Germany, Follen was involved in student nationalism, eventually turning to revolutionary Jacobinism. He fled to Switzerland in 1819 after conspiring in the first political murder of modern German history--the assassination of the playwright August von Kotzebue. In Switzerland, Follen secretly continued activities for revolutionizing Germany. When his plans were discovered in 1824, he fled to America. For ten years, Follen taught at Harvard; he was the first professor of German literature at an American institution of higher learning. He played a central role in the early importation of German ideas to New England, contributing to the fields of literature, philosophy, and theology. His marriage to Eliza Lee Cabot allowed him to move in elite Boston social circles. After his ordination as a Unitarian minister in 1836, Follen combined his interest in social reform (including an ardent devotion to the antislavery movement) with clerical service. Unitarian leader William Ellery Channingand abolitionist William Lloyd Garrison became Follen's close friends.

During the last two years of his life, Follen began to doubt his own power to bring about political change and suffered a crisis in self-confidence before his accidental death at the age of forty-three.

Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties.

By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.

Charles Olson was an important force behind the raucous, explicit, jaunty style of much of twentieth-century poetry in America. This study makes a major contribution to our understanding of his life and work.

Paul Christensen draws upon a wide variety of source materials—from letters, unpublished essays, and fragments and sketches from the Olson Archives to the full range of Olson's published prose and poetry. Under Christensen's critical examination, Olson emerges as a stunning theorist and poet, whose erratic and often unfinished writings obscured his provocative intellect and the coherence of his perspective on the arts.

Soon after World War II, Olson emerged as one of America's leading poets with his revolutionary document on poetics, "Projective Verse," and his now-classic poem, "The Kingfishers," both of which declared a new set of techniques for verse composition. Throughout the 1950s Olson wrote many polemical essays on literature, history, aesthetics, and philosophy that outlined a new stance to experience he called objectism.

A firm advocate of spontaneous self-expression in the arts, Olson regarded the poet's return to an intense declaration of individuality as a force to combat the decade's insistence on conformity. Throughout his life Olson fought against the depersonalization of the artist in the modern age; his resources, raw verve and unedited tumultuous lyricism, were weapons he used against generalized life and identity.

This volume begins with an overview of Olson's life from his early years as a student at Harvard through his short-lived political career, his rectorship at Black Mountain College, and his retirement to Gloucester to finish writing the Maximus poems. Christensen provides a systematic review of Olson's prose works, including a close examination of his brilliant monograph on Melville, Call Me Ishmael.

Considerable attention is devoted to Olson's theory of projectivism, the themes and techniques of his short poems, and the strategies and content of his major work, the Maximus series. In addition, there is a critical survey of the works of Robert Creeley, Robert Duncan, Denise Levertov, Paul Blackburn, and other poets who show Olson's influence in their own innovative, self-exploratory poetry.

Charles Olson is often described as one of the most influential American poets of the last quarter century; some would rather describe him as a cult figure, prophet of the Black Mountain poets and their descendants. Both judgments refer to an influence exerted as much through theories as through poems. Here is an examination of Olson's understanding of poetry that is cogent and a pleasure to read. It provides the framework needed for understanding Olson's work.

Mr. von Hallberg shows us the Olson of the 1950s, who tried to bring change through teaching, who wanted poetry to communicate knowledge, as well as the more private poet of the 1960s, turning from history to myth. Olson's ambitions for poetry were based on his sense of cultural politics, and the author studies the relation between Olson's politics and his poetics. He traces too Olson's relation to older poets, especially Ezra Pound and William Carlos Williams. His book will interest anyone reading contemporary American poetry.

At the dawn of the twentieth century, Henry Adams proclaimed that the machine was as central to our modem American culture as the Virgin was to medieval culture. We worshiped in our factories as our ancestors worshiped in cathedrals. In this century we also raised up bridges, grain elevators, and skyscrapers, and many were dazzled by these symbols of the Machine Age--from American presidents such as Calvin Coolidge to European artists such as Marcel Duchamp. Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era?

Karen Lucic considers this intriguing question while telling us Sheeler's story: his coming of age, his achievement of artistic independence in the teens and twenties, and his later treatments of Machine Age subjects throughout the years of the Depression and World War II. The author shows us how--in paintings, drawings, and photographs depicting New York skyscrapers, Henry Ford's automobile factories, and machine-dominated interiors--Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in clear, vivid, and exact detail.

Do these compelling works establish Sheeler as a champion of the Machine Age? Most of the artist's contemporaries thought so. "Sheeler was objective before the rest of us were," claimed his friend Edward Steichen, and critics either lauded or assailed Sheeler for his seemingly straightforward acceptance of the machine. He is misunderstood today for the same reason. In the post-industrial era, Sheeler has been attacked for objectifying his subjects, for eliminating the human element from the modern landscape, and ultimately for complicity in the mechanization of the world he so accurately portrayed.

By closely investigating Sheeler's social and aesthetic contexts and through exceptionally clear and convincing visual analysis, Karen Lucic reinterprets the work of this important modernist. She argues that his images do not celebrate the machine but question its predominance during his time. They provoke us to confront the social consequences of modern technology.

Sheeler appears in this book as neither believer nor heretic in the cult of the machine. Lucic asks us to grant Sheeler his ambivalence, for it was his ambivalence that enabled him to portray modernity so splendidly.

Charlie Chaplin was one of the cinema’s consummate comic performers, yet he has long been criticized as a lackluster film director. In this groundbreaking work—the first to analyze Chaplin’s directorial style—Donna Kornhaber radically recasts his status as a filmmaker. Spanning Chaplin’s career, Kornhaber discovers a sophisticated "Chaplinesque" visual style that draws from early cinema and slapstick and stands markedly apart from later, "classical" stylistic conventions. His is a manner of filmmaking that values space over time and simultaneity over sequence, crafting narrative and meaning through careful arrangement within the frame rather than cuts between frames. Opening up aesthetic possibilities beyond the typical boundaries of the classical Hollywood film, Chaplin’s filmmaking would profoundly influence directors from Fellini to Truffaut. To view Chaplin seriously as a director is to re-understand him as an artist and to reconsider the nature and breadth of his legacy.

By the age of eight, Charlotte Brontë had lost first her mother and then her two older sisters. Later, in a second wave of deaths, her brother and two younger sisters died, leaving her a sole survivor.

With subtlety and imagination, Robert Keefe examines Brontë’s works as the creative response to these losses, particularly the loss of her mother. Terrified and yet fascinated by death, struggling with guilt, remorse, and a deep sense of rejection, Charlotte Brontë found in art a way to come to terms with death through its symbolic reenactment. In her earlier writings she created a fictional world marked by devices that allow her to control or deny death. In her later works these mechanisms evolved into mature expressions of a profound psychological reality.

Brontë’s preoccupation with death is seen in her fiction in the recurring patterns of separation and exile. Keefe traces the development of these motifs in the juvenilia and the four novels: The Professor, Jane Eyre, Shirley, and Villette.

Unique in its emphasis on the maternal relationships in Brontë’s life and art, this study also explores certain aspects of her life that have often puzzled biographers.

Mostly doubtful dialogues.

Plato, the great philosopher of Athens, was born in 427 BC. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates’ execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of “advanced” democracy is obvious. He lived to be 80 years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates’ mind fused with Plato’s thought.

In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city’s thought, and his fate is impending. The Apology (not a dialogue), Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness (and involves education, equality of the sexes, the structure of society, and abolition of slavery). Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato’s last work, Laws, a critical discussion of principles of law which Plato thought the Greeks might accept.

The Loeb Classical Library edition of Plato is in twelve volumes.

Chasing Dragonflies: A Natural, Cultural, and Personal History is an engaging, beautifully illustrated introduction to these remarkable insects. Drawing on her experiences as a natural history instructor, dragonfly monitor, cancer survivor, grandmother, and steward, Crosby tells the stories of dragonflies: their roles in poetry and art, their fascinating sex life—unique within the animal kingdom—and their evolution from dark-water dwellers to denizens of the air. We follow Crosby and other citizen-scientists into the prairies, wetlands, and woodlands of the Midwest, where they observe the environment and chronicle dragonfly populations and migration to decipher critical clues about our changing waterways and climate.
 
Woven throughout are personal stories: reflections on the author’s cancer diagnosis and recovery, change, loss, aging, family, joy, and discovering what it means to be at home in the natural world. Crosby draws an intimate portrait of a landscape teeming with variety and mystery, one that deserves our attention and conservation. As warm as it is informative, this book will interest gardeners, readers of literary nonfiction, and anyone intrigued by transformation, whether in nature or our personal lives.

From Belize to Brazil, the forests of the American neotropics are home to an astonishing array of birds—over 3,700 different species, or nearly 40 percent of all the birds on earth. Because of this overwhelming abundance, birders come from all over the world to try to catch glimpses of species that can be found nowhere else, such as toucans and antbirds, motmots and manakins, bellbirds and cocks-of-the-rock, and practically all of the planet's hummingbirds. Two such birding enthusiasts are Vera and Bob Thornton, who have spent fifteen years photographing these special and exotic birds in the rainforests of eleven different countries of Central and South America. In this book, you'll find more than a hundred spectacular color photographs they took during their travels, along with a highly entertaining account of their adventures—and misadventures—in chasing these exotic neotropicals.

The birds pictured here are among the Thorntons' personal favorites—birds that, in their words, "either dazzled us with their beauty, or charmed us by their behavior, or, in a few cases, simply challenged us by the mystique of their rarity." This latter category includes such elusive and sought-after birds as the Black-crowned Antpitta, the Zigzag Heron, the Rufous-vented Ground-Cuckoo, the Bare-necked Umbrellabird, and the monkey-eating Harpy Eagle. In the accompanying text, Bob Thornton engagingly describes the challenges as well as the magic of negotiating the neotropical rainforests in search of colorful birds to photograph. For those who would like to follow in the Thorntons' footsteps, there are also helpful tips about photographic gear and techniques, preferred places to see the birds, lodging, and guides. For everyone who enjoys excellent nature photography, Chasing Neotropical Birds is a must-have volume on the coffee table or in the library.

Everyone who craves a thrilling tale of adventure will be completely satisfied with this account of whaling days beyond the Arctic Circle. Captain Bodfish was the first whaling-master to spend a winter in the Arctic in order to lengthen the season. His book is filled with anecdotes, all told with dry Yankee humor, about the rivalry of various crews, living conditions in winter camps, the Eskimos, and the kind of hunting that was at the same time good sport and potential wealth. He has rescued from obliviscence a period of human activity that will probably never be repeated. After intriguing the summer visitors at Martha’s Vineyard for many years, his stories are here set down with illustrations selected from his own large Store of photographs.

The first master of a whaling vessel to spend a winter in the North in order to lengthen the whaling season has here narrated his thrilling career in this now extinct industry. His book is filled with anecdotes, all told with dry Yankee humor, about the rivalry of various crews, living conditions in winter camps, the Eskimos, and the kind of hunting that was at the same time good sport and potential wealth.

The life of David “Mickey” Marcus has become the stuff of legends and myths (even fantasy), conspiracy, wild exaggeration, and untethered embellishment. The image of Marcus cast by the character portrayed by Kirk Douglas in the film version of his life still dominates most evocations of the man, for good or ill. And these days, reactions to the book or film rest mostly on the current headlines rather than the historical context of the struggle in which Marcus died, or the events that cast him as a real-life player in an event marked by destiny. 

Chasing the Shadow: Mickey Marcus’s 200 Days of Destiny is the first comprehensive and balanced biography of David Daniel “Mickey” Marcus, a founder of American Civil Affairs and Military Government doctrine and practice and a seminal figure in early Israeli military history. Far from merely a tribute to Mickey Marcus's legacy, Ossad’s work serves as a critical tool for understanding the realities of mid-20th-century warfare in a Postwar colonial struggle and the dynamics of U.S.-Israeli military and political relations in 1948, the critical year for Israel’s struggle for independence. Indeed, Chasing the Shadow is a valuable read for those interested in Middle East history, Jewish military history, and a fascinating character whose story is told in an engaging, informative, and insightful narrative. 

Honorable Mention, Southern Books Competition, 1999

Known to many as "the butterflies of the bird world," wood warblers allure even the most experienced and discriminating birders. Their annual migrations to and from nesting areas in the United States and Canada draw thousands of birders to places such as High Island, Texas; Crane Creek, Ohio; and Point Pelee, Ontario, where warblers stop to rest and feed during the long journey. There birders have a chance to see and photograph these colorful, elusive songbirds whose quick, darting flight among high branches and thick cover makes them some of the most challenging birds to observe and identify.

In this entertaining, beautifully illustrated book, Bob Thornton recounts his and Vera Thornton's cross-continent adventures in finding and photographing all 52 species of wood warblers that nest in the United States. In addition to describing where and how they photographed each species, Thornton tells marvelous stories of the colorful characters they encountered along the way. He also touches on the current human threats to wood warblers that come from loss of habitat.

What happens when the liberty of ancient nobility collides with the revolutionary ideals of equality? This groundbreaking study explores how the American, French, Haitian, and Greek Revolutions redefined freedom—and how French Romantic figure Chateaubriand mourned that transformation. Tracing his travels across England, North America, and the Mediterranean, this book uncovers Chateaubriand’s seductive visions of “paradises lost,” which were taken up, challenged, and reimagined by Anglophone and Hispanic writers.

From Charlotte Brontë to Harriet Beecher Stowe, from Byron to Bolaño shaping postcolonial identity, readers find in Chateaubriand a conflicted but powerful voice at the crossroads of liberty, race, religion, and empire. This is the first comprehensive study to situate Chateaubriand within the histories of colonialism and global revolution, revealing a literary legacy that remains startlingly relevant in today’s struggles over identity, power, and belonging.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

From Plato’s contempt for “the madness of the multitude” to Kant’s lament for “the great unthinking mass,” the history of Western thought is riddled with disdain for ordinary collective life. But it was not until Kierkegaard developed the term chatter that this disdain began to focus on the ordinary communicative practices that sustain this form of human togetherness. 

The Chattering Mind explores the intellectual tradition inaugurated by Kierkegaard’s work, tracing the conceptual history of everyday talk from his formative account of chatter to Heidegger’s recuperative discussion of “idle talk” to Lacan’s culminating treatment of “empty speech”—and ultimately into our digital present, where small talk on various social media platforms now yields big data for tech-savvy entrepreneurs.

In this sense, The Chattering Mind is less a history of ideas than a book in search of a usable past. It is a study of how the modern world became anxious about everyday talk, figured in terms of the intellectual elites who piqued this anxiety, and written with an eye toward recent dilemmas of digital communication and culture. By explaining how a quintessentially unproblematic form of human communication became a communication problem in itself, McCormick shows how its conceptual history is essential to our understanding of media and communication today.

Designed to fill a gap in Chaucerianstudies, this book offers new insight intothe development of Chaucer's artistry at acritical point in his career, after he hadcompleted the Troilus and just beforehe embarked on The Canterbury Tales. Chaucer and "The Legend of GoodWomen" rejects the usual criticalassessment of the Legend, setting it forthinstead as a serious and experimental work,an important and necessary prelude tothe achievement of The Canterbury Tales.

Robert Worth Frank, Jr., begins hisanalysis of the Legend with a carefulconsideration of Chaucer's situation in1386, the year he presumably beganthe Legend. It was, he suggests, a momentin his career propitious for change--change in subject and in art as well. TheLegend reveals this change in the process ofits accomplishment.

Frank stresses that the road to TheCanterbury Tales runs through the Legend.In tracing the route he shows howChaucer broke away from the limited tradition of courtly love and experimented with a variety of tones and styles and an expanded range of subject matter, with a new verse form, the pentameter couplet, and with new techniques of compression which led to a greater dedication to the short narrative form. The individual legends, though not Chaucer's greatest creations, have merits of their own. The general uniformity of theme proves misleading. The legends provide Chaucer with a broader canvas than he had ever used before, making possible a wide variety in tone and dramatic incident.

Above all, this study, enlivened by the author's supple and spirited prose, depicts Chaucer boldly committing himself to the great world of story and thereby drawing on some of the most enduring classical myths for material and moving toward a new art and a new and richer realm of human experience.

The longest continuous majority in the history of the U.S. House of Representatives came to a dramatic close with the 1994 midterm elections. The Democratic Party had controlled the House for forty years—two and a half times as long as any previous majority. In Cheap Seats, James E. Campbell considers the reasons why the Democrats dominated House elections for four decades and why they ultimately lost that control.

Examining the structural advantages that helped congressional Democrats, Campbell finds that their unprecedented success in the House was due in no small measure to a favorable election system, an advantage in the way in which votes are translated into House seats. His straightforward analysis indicates that Democrats consistently win most of the very-low-turnout districts, or “cheap seats.” In fact, because of the party's continued hold on such districts, the new Democratic minority is considerably larger than it would otherwise have been.

Cheap Seats is a thorough and innovative investigation into the electoral system's impact on partisan politics and representation in Congress. Campbell presents an impressive array of evidence, including both quantitative analysis of election returns from 1936 to 1994 and in-depth studies of several cheap-seat districts. He also explores the important theoretical issues of representation that cheap seats raise and offers several proposals to reform the system. This well-written and provocative volume is accessible to anyone interested in American politics, in addition to scholars especially interested in the areas of Congress, elections, electoral systems, and political parties.

Why do weak states resist threats of force from the United States, especially when history shows that this superpower carries out its ultimatums? Cheap Threats upends conventional notions of power politics and challenges assumptions about the use of compellent military threats in international politics.

Drawing on an original dataset of US compellence from 1945 to 2007 and four in-depth case studies—the Cuban Missile Crisis, the 2011 confrontation with Libya, and the 1991 and 2003 showdowns with Iraq—Dianne Pfundstein Chamberlain finds that US compellent threats often fail because threatening and using force became comparatively “cheap” for the United States after the Cold War. Becoming the world’s only superpower and adopting a new light-footprint model of war, which relied heavily on airpower and now drones, have reduced the political, economic, and human costs that US policymakers face when they go to war. Paradoxically, this lower-cost model of war has cheapened US threats and fails to signal to opponents that the United States is resolved to bear the high costs of a protracted conflict. The result: small states gamble, often unwisely, that the United States will move on to a new target before achieving its goals.

Cheap Threats resets the bar for scholars and planners grappling with questions of state resolve, hegemonic stability, effective coercion, and other issues pertinent in this new era of US warfighting and diplomacy.

Nearly three-quarters of college students cheat during their undergraduate careers, a startling number attributed variously to the laziness of today’s students, their lack of a moral compass, or the demands of a hypercompetitive society. For James Lang, cultural or sociological explanations like these are red herrings. His provocative new research indicates that students often cheat because their learning environments give them ample incentives to try—and that strategies which make cheating less worthwhile also improve student learning. Cheating Lessons is a practical guide to tackling academic dishonesty at its roots.

Drawing on an array of findings from cognitive theory, Lang analyzes the specific, often hidden features of course design and daily classroom practice that create opportunities for cheating. Courses that set the stakes of performance very high, that rely on single assessment mechanisms like multiple-choice tests, that have arbitrary grading criteria: these are the kinds of conditions that breed cheating. Lang seeks to empower teachers to create more effective learning environments that foster intrinsic motivation, promote mastery, and instill the sense of self-efficacy that students need for deep learning.

Although cheating is a persistent problem, the prognosis is not dire. The good news is that strategies which reduce cheating also improve student performance overall. Instructors who learn to curb academic dishonesty will have done more than solve a course management problem—they will have become better educators all around.

Geography has always played a major role in world politics. In this study, Philip Kelly maps the geopolitics of South America, a continent where relative isolation from the power centers in North America and Eurasia and often forbidding internal terrain have given rise to a fascinating and unique geopolitical structure.

Kelly uses the geographical concepts of "checkerboards" and "shatterbelts" to characterize much of South America's geopolitics and to explain why the continent has never been unified nor dominated by a single nation. This approach accounts for both historical relationships among South American countries and for such current situations as Brazil's inability to extend its authority across the continent from Atlantic to Pacific, its traditional competition with Argentina, its territorial expansion toward the continental heartlands, its encirclement by neighbors fearful of such expansion, and its recent rapprochement with Argentina.

An important component of this book is the incorporation of the thinking and writing of South American geopolitical analysts, which leads to an interesting inventory of viewpoints on frontier conflicts, territorial expansion, industrial development, economic cooperation, and United States and European relations. Kelly's findings will be important reading for geographers, political scientists, and students and scholars of Latin American history.

A thorough reassessment of how domestic factors do and do not constrain the use of American military force abroad in the early twenty-first century.

More than two decades have passed since the September 11th terrorist attacks resuscitated debates about the “imperial presidency” within the United States. During that same time, the United States has fought costly and inconclusive wars in Iraq and Afghanistan, pivoted to the Pacific to counter China, and pulled its gaze back to Europe and the Middle East in response to wars in Ukraine and Gaza. Moreover, new technologies and ways of funding and staffing wars have made the costs of war less visible to the public while polarization has increased and a new legal doctrine of presidential power has gained force.

Against this backdrop, Checking the Costs of War reassesses how domestic factors have both constrained and failed to constrain the use of military power across different contexts and over time. Richly empirical chapters explore the varying effects of different kinds of potential checks: legislative, public opinion, and bureaucratic. Collectively, chapters offer new insight into the prospects for war and peace today.

Tracing how a notorious checkpoint shapes power, resistance, and lives in Palestine

Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space, Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence.

Griffiths’s sensitive and timely work highlights the myriad ways Palestinians are affected by Israel’s spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.

Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control.

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Is religion best seen as only a cause of war, or is it a source of comfort for those caught up in conflict?

Checkpoint, Temple, Church and Mosque is based on fieldwork in Sri Lanka’s most religiously diverse and politically troubled region in the closing years of the civil war. It provides a series of new and provocative arguments about the promise of a religiously based civil society, and the strengths and weaknesses of religious organisations and religious leaders in conflict mediation. It argues that for people trapped in long and violent conflicts, religion plays a contradictory role, often acting as a comforting and stabilising force but also, in certain situations, acting as a source of new conflict. Additionally, war itself can lead to profound changes in religious institutions: Catholic priests engage with Buddhist monks and new Muslim leaders, while Hindu temples and Pentecostal churches offer the promise of healing.

This book will provoke new debate about the role of religious organisations and leaders in situations of extreme conflict and will be of great interest to students of anthropology, development studies, religious studies and peace/conflict studies.

Works of Distinction, LDEI M.F.K. Fisher Prize for Excellence in Culinary Media Content, 2022

A rare woman’s-eye-view of working in the professional French kitchen

Though women enter France’s culinary professions at higher rates than ever, men still receive the lion’s share of the major awards and Michelin stars. Rachel E. Black looks at the experiences of women in Lyon to examine issues of gender inequality in France’s culinary industry. Known for its female-led kitchens, Lyon provides a unique setting for understanding the gender divide, as Lyonnais women have played a major role in maintaining the city’s culinary heritage and its status as a center for innovation. Voices from history combine with present-day interviews and participant observation to reveal the strategies women use to navigate male-dominated workplaces or, in many cases, avoid men in kitchens altogether. Black also charts how constraints imposed by French culture minimize the impact of #MeToo and other reform-minded movements. 

Evocative and original, Cheffes de Cuisine celebrates the successes of women inside the professional French kitchen and reveals the obstacles women face in the culinary industry and other male-dominated professions.

In the 1978 Love Canal toxic waste crisis, concerned citizens "did a far better job of evaluating the health of the community than did the professionals of the New York Health Department," asserts Marvin Legator. In Chemical Alert! A Community Action Handbook, he and coeditor Sabrina Strawn offer a step-by-step guide that can be used by any lay person or citizens' group to determine whether a health risk exists in their area.

Writing for the general reader with no scientific expertise, environmental, medical, and legal professionals instruct communities on the organizational and investigative techniques that will produce a valid, scientific case study. With these tools, citizens living near petrochemical plants or waste disposal areas—or who may have simply noticed a high incidence of certain health problems in their community—can determine for themselves whether a problem really exists and seek remediation. Given the reality that government agencies often lack the resources—or the will—to detect health hazards before they affect a community, an informed citizenry should be its own best environmental watchdog.

    The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
    Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references.

    The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
    Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references.

    The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
    Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references. You'll find safety emphasized throughout the book in each demonstration.

An exploration of the elaborate relationship between farmers, aerial sprayers, agriculturalists, crop pests, chemicals, and the environment.

The controversies in the 1960s and 1970s that swirled around indiscriminate use of agricultural chemicals—their long-term ecological harm versus food production benefits—were sparked and clarified by biologist Rachel Carson’s Silent Spring (1962). This seminal publication challenged long-held assumptions concerning the industrial might of American agriculture while sounding an alarm for the damaging persistence of pesticides, especially chlorinated hydrocarbons such as DDT, in the larger environment.
 
In Chemical Lands: Pesticides, Aerial Spraying, and Health in North America’s Grasslands since 1945 David D. Vail shows, however, that a distinctly regional view of agricultural health evolved. His analysis reveals a particularly strong ethic in the North American grasslands where practitioners sought to understand and deploy insecticides and herbicides by designing local scientific experiments, engineering more precise aircraft sprayers, developing more narrowly specific chemicals, and planting targeted test crops. Their efforts to link the science of toxicology with environmental health reveal how the practitioners of pesticides evaluated potential hazards in the agricultural landscape while recognizing the production benefits of controlled spraying. 
 
Chemical Lands adds to a growing list of books on toxins in the American landscape. This study provides a unique Grasslands perspective of the Ag pilots, weed scientists, and farmers who struggled to navigate novel technologies for spray planes and in the development of new herbicides/insecticides while striving to manage and mitigate threats to human health and the environment.

The advent of chemical or pharmacological therapies has had an enormous impact on the treatment of psychiatric illness. For the chemotherapy to be effective, however, the clinician must take into account many factors in addition to recognition of a syndrome and selection of an appropriate agent and dose. In this extensively revised and expanded edition of a widely used book, Ross Baldessarini concentrates on providing rational, scientific underpinnings for the treatment of patients. In doing so, he bridges the gap between biology, psychology, and clinical practice.

To provide the most up-to-date coverage of the actions and use of psychotropic agents, Professor Baldessarini has enlarged the text to nearly twice its original length and has added sixty-three new tables. More basic preclinical pharmacology is included to guide the thoughtful use of medication. In addition to summarizing this basic knowledge, the text reviews the indications for each drug, the kinds of patients most likely to respond, and side effects and contraindications, and provides summaries of clinical research findings on which rational clinical practice rests.

A chapter is devoted to each of the principal classes of psychotropic drugs: antipsychotic agents, lithium salts and other antimanic agents, antidepressant agents, and antianxiety drugs. Within each chapter is a new section that surveys the future of the field and examines new procedures, theories, and agents. A final chapter covers more general topics such as psychosocial, ethical, and legal aspects of practice in the administration of drugs, as well as the emerging topics of geriatric and pediatric psychopharmacology--material not readily available elsewhere.

Winner of the Leila Webster Memorial Music Award for the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music

Chen Yi is the most prominent woman among the renowned group of new wave composers who came to the US from mainland China in the early 1980s. Known for her creative output and a distinctive merging of Chinese and Western influences, Chen built a musical language that references a breathtaking range of sources and crisscrosses geographical and musical borders without eradicating them.

Leta E. Miller and J. Michele Edwards provide an accessible guide to the composer's background and her more than 150 works. Extensive interviews with Chen complement in-depth analyses of selected pieces from Chen's solos for Western or Chinese instruments, chamber works, choral and vocal pieces, and compositions scored for wind ensemble, chamber orchestra, or full orchestra. The authors highlight Chen's compositional strategies, her artistic elaborations, and the voice that links her earliest and most recent music. A concluding discussion addresses questions related to Chen's music and issues such as gender, ethnicity and nationality, transnationalism, border crossing, diaspora, exoticism, and identity.

N. G. Chernyshevskii (1828-1889), a pivotal figure in the protest movement that developed in Russia after the Crimean War, was esteemed by both Marx and Lenin. Alienated from Russia's traditional values, institutions, and power structure, he nevertheless rejected the economic doctrines and political goals of the more advanced nations of his day, seeing in the operation of laissez-faire economics a form of exploitation as vicious as serfdom, and in political liberalism a hypocritical attempt to divorce the concept of legal rights from the more basic issue of material security, without which freedom is meaningless.

He adopted instead an admixture of liberal and socialist theory, which could be roughly characterized as utopian socialist, but which simultaneously was part of a larger populist tradition. His radicalism attached itself to no particular political form, but was sustained by a belief that the inadequacies of society could be corrected only by its complete overhaul, which in turn could be accomplished only by the destruction of traditional autocratic power. This blend of ideas ultimately provided the basis for those radicals seeking to take advantage of Russia's economic backwardness by eliminating the phase of capitalism and proceeding directly to a socialist form of organization.

By contributing to the radical orientation of the protest movement, Chernyshevskii encouraged a polarization of views in Russian public opinion, which led to the abandonment of moderate reforms, to governmental reaction, and to his own tragic imprisonment and exile to Siberia. But through his diverse writings he had succeeded as no other writer before him in popularizing the idea of revolution.

This first thorough treatment of Chernyshevskii in English constitutes both a biography and a presentation of his views on philosophy, aesthetics and literary criticism, economics and social relations, politics and revolution.

After a century of archaeological research in the Southeastern United States, there are still areas about which little is known. Surprisingly, one of these areas is the Appalachian Summit, which in historic times was inhabited by the Cherokee people whose rich culture and wide influence made their name commonplace in typifying Southeastern Indians. The culture of the people who preceded the historic Cherokees was no less rich, and their network of relationships with other groups no less wide. Until recently, however, the prehistoric cultural remains of the Southern Appalachians had received only slight attention.

Archaeological sites in the Appalachians usually do not stand out dramatically on the landscape as do the effigy mounds of the Ohio Valley and the massive platform mounds of the Southeastern Piedmont and Mississippi Valley. Prehistoric settlements in the Southern Appalachians lay in the bottomlands along the clear, rocky rivers, hidden in the folds of the mountains. Finding and investigating these sites required a systematic approach. From 1964 to 1971, under the direction of Joffre L. Coe, the Research Laboratories of Anthropology at the University of North Carolina, Chapel Hill, conducted an archaeological project that was designed to investigate the antecedents of the historic Cherokees in the Appalachian Summit, and included site surveys over large portions of the area and concentrated excavations at several important sites in the vicinity of the historic Cherokee Middletowns.

One result of the Cherokee project is this book, the purpose of which is to present an initial description and synthesis of a late prehistoric phase in the Appalachian Summit, a phase that lasted from the beginnings of South Appalachian Mississippian culture to the emergence of identifiable Cherokee culture. At various points Professor Dickens draws these data into the broader picture of Southeastern prehistory, and occasionally presents some interpretations of the human behavior behind the material remains, however, is to make available some new information on a previously unexplored area. Through this presentation Cherokee Prehistory helps to provide a first step to approaching, in specific ways, the problems of cultural process and systemics in the aboriginal Southeast.

A sweeping new history reveals how the Cherokees became a nation as they navigated a century and a half of intertribal conflicts and colonial expansion that threatened their way of life.

For more than 150 years between their first encounters with the English in the 1670s and forced removal along the Trail of Tears, the Cherokees negotiated mounting pressures. As their world was convulsed by the spread of European diseases, competition for guns, furs, and deerskins, and imperial powers’ unrelenting pursuit of “savage” allies, Cherokee communities responded by creating new solidarities. At the dawn of the eighteenth century, the idea of unity among the widely dispersed Cherokees would scarcely have occurred to their leaders. A century later, chiefs would declare unequivocally that they stood for the whole Cherokee nation.

Steps toward national unity were partially a response to the exigencies of war. But while armed conflict was frequent, David Narrett shows that the bonds of Cherokee peoplehood were forged primarily through efforts to maintain peace and secure their livelihoods. The Cherokees—both men and women—were remarkably skillful diplomats who practiced peacemaking as a distinctive spiritual art in which adversaries would reconcile through a mutual and symbolic forgetting of wrongs inflicted on one another. Pragmatic and purposeful, Cherokees adeptly managed relationships with colonials and Indigenous rivals, seeking to preserve their independence and living space and to maximize advantages from trade.

Rich in detail and insight, and told through captivating personal stories, The Cherokees offers a portrait of the perseverance that built a nation. Amid an onslaught of struggle and change, the Cherokees became a people who survived against all odds.

Chersonesan Studies 1 presents the painted grave stelai of the Early Hellenistic necropolis of Chersonesos Taurike, a Greek city on the northern shore of the Black Sea. This unique collection of over one hundred objects is of major interest to students of ancient art and Greek culture. Their polychrome decoration has been extraordinarily well preserved, a rarity in the ancient world. They compose a remarkable, even unique, body of evidence of Greek funerary memorial sculpture: their shapes are gender-specific, their depicted objects are gender- and age-specific, and they can be ascribed to a handful of specific workshops. Their surprising uniformity requires an explanation, since comparable assemblages from other parts of the Greek world show substantial diversity in all these aspects.

This book provides the first complete catalog and description of the stelai, together with full-color illustrations of all the significant stelai and many details. Through his painstaking recovery and reassembling of fragments, as well as the use of advanced photographic techniques, Richard Posamentir has been able to add a whole new dimension to the study of these artifacts. The volume covers the history of the stelai, analysis of the workshops, and reconstruction of the necropolis that the stelai originally graced. A comparison chapter discusses how the stelai fit into the context of Greek funerary art and provides insights into the culture and society of a city on the Black Sea.

When Harry Truman named him ambassador to India in 1951, Chester Bowles was already a prominent figure in American public life a onetime advertising mogul, wartime administrator, governor of Connecticut and yet his past hardly presaged the turn his path would take in Asia. Over the next two decades, at home and abroad, Bowles would become one of the leading liberal lights in American foreign policy, a New Dealer destined to be at odds with the stiffening cold war conservatism of his time. His biography is also the story of America finding its place in a changing world, a story of remarkable relevance to our own post-cold war era.

Howard Schaffer, a former ambassador and seasoned Foreign Service officer, worked closely with Bowles in India and Washington and is able to offer a colorful firsthand portrayal of the man, as well as an insider's view of American foreign policy in the making. Bowles's indefatigable energy, inspired idealism, and humanitarian instincts leave their mark on these pages—as do his stubbornness, his cultural blinders, and his failure to master the game of bureaucratic politics. We see him in his sometimes exhilarating and ultimately frustrating struggle to influence the leaders and policymakers of his day—as twice ambassador to India, Democratic party foreign policy spokesman, congressman from Connecticut, foreign policy adviser to John F. Kennedy, undersecretary to Dean Rusk at the State Department, and President Kennedy's special adviser on Africa, Asia, and Latin America. Drawing on a wealth of documents and interviews with some of the nation's top foreign policy makers in the post-World War II years, Schaffer shows us Bowles in his tireless attempt to advance an alternative approach to international relations during those decades, an approach defined less in military than in economic terms, focused less on the struggle for power with the Soviet Union in Europe than on the contest with China over the fate of Third World countries.

“Only the historians can determine who was right and who was wrong,” Dean Rusk once said of Bowles's ideas and convictions—and today history itself is writing the last word.

Once a powerful figure who reversed the disintegration of China and steered the country to Allied victory in World War II, Chiang Kai-shek fled into exile following his 1949 defeat in the Chinese civil war. As attention pivoted to Mao Zedong’s communist experiment, Chiang was relegated to the dustbin of history.

In Chiang Kai-shek’s Politics of Shame, Grace C. Huang reconsiders Chiang’s leadership and legacy by drawing on an extraordinary and uncensored collection of his diaries, telegrams, and speeches stitched together by his secretaries. She paints a new, intriguing portrait of this twentieth-century leader who advanced a Confucian politics of shame to confront Japanese incursion into China and urge unity among his people. In also comparing Chiang’s response to imperialism to those of Mao, Yuan Shikai, and Mahatma Gandhi, Huang widens the implications of her findings to explore alternatives to Western expressions of nationalism and modernity and reveal how leaders of vulnerable states can use potent cultural tools to inspire their country and contribute to an enduring national identity.

Once a powerful figure who reversed the disintegration of China and steered the country to Allied victory in World War II, Chiang Kai-shek fled into exile following his 1949 defeat in the Chinese civil war. As attention pivoted to Mao Zedong’s communist experiment, Chiang was relegated to the dustbin of history.

In Chiang Kai-shek’s Politics of Shame, Grace C. Huang reconsiders Chiang’s leadership and legacy by drawing on an extraordinary and uncensored collection of his diaries, telegrams, and speeches stitched together by his secretaries. She paints a new, intriguing portrait of this twentieth-century leader who advanced a Confucian politics of shame to confront Japanese incursion into China and urge unity among his people. In also comparing Chiang’s response to imperialism to those of Mao, Yuan Shikai, and Mahatma Gandhi, Huang widens the implications of her findings to explore alternatives to Western expressions of nationalism and modernity and reveal how leaders of vulnerable states can use potent cultural tools to inspire their country and contribute to an enduring national identity.

Chicago has been called by many names. Nelson Algren declared it a “City on the Make.” Carl Sandburg dubbed it the “City of Big Shoulders.” Upton Sinclair christened it “The Jungle,” while New Yorkers, naturally, pronounced it “the Second City.”

At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial biography, historian Dominic Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city’s great industrialists, reformers, and politicians—and, indeed, the many not-so-great and downright notorious—animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author’s uncommon ability to illuminate the lives of Chicago’s ordinary people. Raised on the city’s South Side and employed for a time in the stockyards, Pacyga gives voice to the city’s steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks, but by bungalows and corner taverns.

 Filled with the city’s one-of-a-kind characters and all of its defining moments, Chicago: A Biography is as big and boisterous as its namesake—and as ambitious as the men and women who built it.

This is an auto-narrated audiobook version of this book. 

Chicago has been called by many names. Nelson Algren declared it a “City on the Make.” Carl Sandburg dubbed it the “City of Big Shoulders.” Upton Sinclair christened it “The Jungle,” while New Yorkers, naturally, pronounced it “the Second City.”

At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial biography, historian Dominic Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city’s great industrialists, reformers, and politicians—and, indeed, the many not-so-great and downright notorious—animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author’s uncommon ability to illuminate the lives of Chicago’s ordinary people. Raised on the city’s South Side and employed for a time in the stockyards, Pacyga gives voice to the city’s steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks, but by bungalows and corner taverns.

 Filled with the city’s one-of-a-kind characters and all of its defining moments, Chicago: A Biography is as big and boisterous as its namesake—and as ambitious as the men and women who built it.