The political decisions made by the founding fathers were crucial to the success of the early republic. But the economic decisions they made were just as pivotal, ensuring the general welfare and common defense of the United States for decades to come. Founding Choices explores these economic choices and their profound influence on American life, westward expansion, and influence abroad. Among the topics covered are finance, trade, and monetary and banking policy, with a focus on the factors guiding those policies and their end result. 

This book redresses the relative neglect of the economic achievements of the founders. It will be essential reading for historians and economists alike.

As pundits and politicians remind us at every election cycle or turn of the television dial, the United States sees itself as the world’s greatest democracy. But what citizens might also hear, if they knew how to listen, is the grinding of two tectonic plates on which this democracy was established. In the venerable tradition of keen foreign observers of American politics, Anthony King exposes the political paradoxes in our system that we may well be too close to see—founding principles of our great democracy that are distinctly undemocratic.

In an extended essay eloquent in its plainspoken good sense, King begins, on the one hand, with the founding fathers who emphasized moderation, deliberation, checks and balances, and the separation of powers—a system in which “the people” were allowed to play only a limited role. On the other hand were radical democrats who insisted that the people, and only the people, should rule. The result was a political system tangled up in conflicts that persist to this day: unelected and unaccountable Supreme Court justices who exercise enormous personal power; severe restrictions on the kind of person the people can elect as president; popular referendums at the state and local level but none at the federal level, not even to ratify amendments to the Constitution.

In King’s provocative analysis, we see how these puzzles play out in the turmoil of our nation’s public life and political culture—and we glimpse, perhaps, a new way to address them.

Recent movements such as the Tea Party and anti-tax “constitutional conservatism” lay claim to the finance and taxation ideas of America’s founders, but how much do we really know about the dramatic clashes over finance and economics that marked the founding of America? Dissenting from both right-wing claims and certain liberal preconceptions, Founding Finance brings to life the violent conflicts over economics, class, and finance that played directly, and in many ways ironically, into the hardball politics of forming the nation and ratifying the Constitution—conflicts that still continue to affect our politics, legislation, and debate today.

Mixing lively narrative with fresh views of America’s founders, William Hogeland offers a new perspective on America’s economic infancy: foreclosure crises that make our current one look mild; investment bubbles in land and securities that drove rich men to high-risk borrowing and mad displays of ostentation before dropping them into debtors’ prisons; depressions longer and deeper than the great one of the twentieth century; crony mercantilism, war profiteering, and government corruption that undermine any nostalgia for a virtuous early republic; and predatory lending of scarce cash at exorbitant, unregulated rates, which forced people into bankruptcy, landlessness, and working in the factories and on the commercial farms of their creditors. This story exposes and corrects a perpetual historical denial—by movements across the political spectrum—of America’s all-important founding economic clashes, a denial that weakens and cheapens public discourse on American finance just when we need it most.

The essays in this volume focus on the different aspects of Italian gardens of the sixteenth and seventeenth centuries. This volume is divided into two parts, with the first part concentrating on the decorations in Roman gardens of the sixteenth centuries, especially the fountains and statue collections, their iconographic programs, and their relationship to contemporary and ancient literature.

The second half of the volume considers two particular sites. The first, a Savoy duke’s villa, is considered through the history of its construction and its relationship to contemporary festivity architecture. The second essay considers a secret garden at the Palazzo Barberini in the 1630s. Also included are illustrations and text from three Barberini manuscripts documenting the plants used in this garden.

The workings of Western intelligence in our day--whether in politics or the arts, in the humanities or the church--are as troubling as they are mysterious, leading to the questions: Where are we going? What in the world were we thinking? By exploring the history of four "cultures" so deeply embedded in Western history that we rarely see their instrumental role in politics, religion, education, and the arts, this timely book provides a broad framework for addressing these questions in a fresh way.

The cultures considered here originated in the ancient world, took on Christian forms, and manifest themselves today in more secular ways. These are, as John W. O'Malley identifies them: the prophetic culture that proclaims the need for radical change in the structures of society (represented by, for example, Jeremiah, Martin Luther, and Martin Luther King, Jr.); the academic culture that seeks instead to understand those structures (Aristotle, Aquinas, the modern university); the humanistic culture that addresses fundamental human issues and works for the common good of society (Cicero, Erasmus, and Eleanor Roosevelt); and the culture of art and performance that celebrates the mystery of the human condition (Phidias, Michelangelo, Balanchine).

By showing how these cultures, as modes of activity and discourse in which Western intelligence has manifested itself through the centuries and continues to do so, O'Malley produces an essay that especially through the history of Christianity brilliantly illuminates the larger history of the West.

Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached.

At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.

In his Introduction, Herschel Baker writes, “Although Romance, the dominant genre of secular literature throughout the later Middle Ages, has prompted floods of scholarship and speculation, it still bristles with unanswered problems of origin, development, and even definition.”

Helaine Newstead contributes “Malory and Romance”; A. Bartlett Giamatti, “Spenser: From Magic to Miracle”; Norman Rabkin, “The Holy Sinner and the Confidence Man: Illusion in Shakespeare’s Romances”; and Barbara K. Lewalski, “Milton: Revaluations of Romance.”

Japan and the four little dragons—Taiwan, South Korea, Hong Kong, and Singapore—constitute less than 1 percent of the world’s land mass and less than 4 percent of the world’s population. Yet in the last four decades they have become, with Europe and North America, one of the three great pillars of the modern industrial world order. How did they achieve such a rapid industrial transformation? Why did the four little dragons, dots on the East Asian periphery, gain such Promethean energy at this particular time in history?

Ezra F. Vogel, one of the most widely read scholars on Asian affairs, provides a comprehensive explanation of East Asia’s industrial breakthrough. While others have attributed this success to tradition or to national economic policy, Vogel’s penetrating analysis illuminates how cultural background interacted with politics, strategy, and situational factors to ignite the greatest burst of sustained economic growth the world has yet seen.

Vogel describes how each of the four little dragons acquired the political stability needed to take advantage of the special opportunities available to would-be industrializers after World War II. He traces how each little dragon devised a structure and a strategy to hasten industrialization and how firms acquired the entrepreneurial skill, capital, and technology to produce internationally competitive goods. Vogel brings masterly insight to the underlying question of why Japan and the little dragons have been so extraordinarily successful in industrializing while other developing countries have not. No other work has pinpointed with such clarity how institutions and cultural practices rooted in the Confucian tradition were adapted to the needs of an industrial society, enabling East Asia to use its special situational advantages to respond to global opportunities.

This is a book that all scholars and lay readers with an interest in Asia will want to read and ponder.

An updated paperback version of the book heralded as “a new benchmark in Marx scholarship” by the Los Angeles Times

Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome’s hardscrabble early years honing their act in front of live audiences.

From Groucho’s debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers’ stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader’s detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.

As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances—some submitted by readers—and additional information provided by descendants of long-departed vaudevillians mentioned in the book.

One of the world’s leading experts on mind and brain takes us on an expedition that reveals a new view of what makes us who we are.

Humans have long thought of their bodies and minds as separate spheres of existence. The body is physical—the source of aches and pains. But the mind is mental; it perceives, remembers, believes, feels, and imagines. Although modern science has largely eliminated this mind-body dualism, people still tend to imagine their minds as separate from their physical being. Even in research, the notion of the “self” as somehow distinct from the rest of the organism persists.

Joseph LeDoux argues that we have hit an epistemological wall—that ideas like the self are increasingly barriers to discovery and understanding. He offers a new framework of who we are, theorizing four realms of existence—bodily, neural, cognitive, and conscious.

The biological realm makes life possible. Hence, every living thing exists biologically. Animals, uniquely, supplement biological existence with a nervous system. This neural component enables them to control their bodies with speed and precision unseen in other forms of life. Some animals with nervous systems possess a cognitive realm, which allows the creation of internal representations of the world around them. These mental models are used to control a wide range of behaviors. Finally, the conscious realm allows its possessors to have inner experiences of, and thoughts about, the world.

Together, LeDoux shows, these four realms make humans who and what we are. They cooperate continuously and underlie our capacity to live and experience ourselves as beings with a past, present, and future. The result, LeDoux shows, is not a self but an “ensemble of being” that subsumes our entire human existence, both as individuals and as a species.

A Seminary Co-op Notable Book

“A big picture perspective on the mind, decision-making, and consciousness…Provocative and stimulating.” —Philosophical Psychology

“LeDoux’s aim is to provide a new theory of being human by dividing our evolutionary past into four realms: biological at the bottom, then neurobiological, cognitive and conscious…Along the way are excellent accounts of the evolution of brain structures and cognitive abilities.” —New Scientist

“A rigorously scientific yet eminently readable exploration of what it means to be human.” —Publishers Weekly

Modern science has largely dispensed with mind-body dualism, yet people still tend to imagine their minds as separate from their physical being. Even researchers persistently presume a “self” somehow distinct from the rest of the organism.

Arguing that the self is a barrier to understanding, leading neuroscientist Joseph LeDoux offers a new framework based on four realms of existence: bodily, neural, cognitive, and conscious. Every living thing, whether bacterium or plant or animal, has a body. Animals alone then supplement such biological existence with a nervous system, which enables quick and precise control of the organism. Certain animals can also think and plan, and thus exist cognitively. Finally, some of the cognitive organisms have inner experiences of and thoughts about the world—the hallmarks of the conscious realm.

These four realms cooperate continuously to create the experience of a being with a past, present, and future. The result, LeDoux shows, is not a self but an “ensemble of being” that subsumes humans’ entire existence, both as individuals and as a species.

A Financial Times Best Book of the Year
A Guardian Best Architecture Book of the Year

“Sharp, revealing, funny.”
—The Guardian

“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”
—The Economist

Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution.

“This is a book about power, money and influence, and architecture’s complete lack of any of them… Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.”
—Financial Times

“This is the most stimulating book on architecture and its practice that I have read for years.”
—Architects’ Journal

Once there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values.

In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.

Shortlist, Cundill History Prize

A poignant return to Korea’s forgotten “Asian Spring”—a moment ripe with possibility denied by the postwar US military occupation.

When Japanese imperial rule ended in August 1945, the Korean peninsula erupted with hopes that had been bottled up for forty years. New mother Chŏn Sukhŭi marveled at the news, envisioning her son growing up free in an independent Korea. Yi Ilchae, who only days before had been drafted into the Japanese army, threw himself into union activism. An electrifying excitement jolted Koreans into action everywhere. Peasants occupied Japanese-owned farmlands, workers seized control of factories, and women demanded political and economic equality.

A Fractured Liberation brings to vivid life the brief but intense moment in postwar Korea when anything seemed possible, but nothing was guaranteed. The country had been abruptly split into US and Soviet military occupation zones, but, as Kornel Chang shows, ordinary people threw themselves into achieving self-governance throughout a unified Korea. The mostly left-leaning efforts were bolstered by an eclectic group of American supporters, including New Deal liberals, Christian socialists, and trade unionists.

The Koreans’ greatest obstacle, however, proved to be the US military government in the south and its rigidly anti-communist leadership. Despite promising liberation from the hated Japanese-imposed institutions, the US occupation government under General John R. Hodge hired back Koreans who had worked for the Japanese to do the dirty work of curbing protests and muzzling reformers. As concern over the budding superpower rivalry with the Soviet Union overshadowed the Koreans’ democratic aspirations, the United States increasingly narrowed the possibilities for Korean independence, helping to cement the North-South divide and ensure decades of authoritarian rule on both sides.

Fractured Rebellion is the first full-length account of the evolution of China’s Red Guard Movement in Beijing, the nation’s capital, from its beginnings in 1966 to its forcible suppression in 1968. Andrew Walder combines historical narrative with sociological analysis as he explores the radical student movement’s crippling factionalism, devastating social impact, and ultimate failure.

Most accounts of the movement have portrayed a struggle among Red Guards as a social conflict that pitted privileged “conservative” students against socially marginalized “radicals” who sought to change an oppressive social and political system. Walder employs newly available documentary evidence and the recent memoirs of former Red Guard leaders and members to demonstrate that on both sides of the bitter conflict were students from comparable socioeconomic backgrounds, who shared similar—largely defensive—motivations. The intensity of the conflict and the depth of the divisions were an expression of authoritarian political structures that continued to exert an irresistible pull on student motives and actions, even in the midst of their rebellion.

Walder’s nuanced account challenges the main themes of an entire generation of scholarship about the social conflicts of China’s Cultural Revolution, shedding light on the most tragic and poorly understood period of recent Chinese history.

In the aftermath of a financial crisis marked by bank-friendly bailouts and loosening campaign finance restrictions, a chorus of critics warns that business leaders have too much influence over American politics. Mark Mizruchi worries about the ways they exert too little. The Fracturing of the American Corporate Elite advances the surprising argument that American CEOs, seemingly more powerful today than ever, have abrogated the key leadership role they once played in addressing national challenges, with grave consequences for American society.

Following World War II, American business leaders observed an ethic of civic responsibility and enlightened self-interest. Steering a course of moderation and pragmatism, they accepted the legitimacy of organized labor and federal regulation of the economy and offered support, sometimes actively, as Congress passed legislation to build the interstate highway system, reduce discrimination in hiring, and provide a safety net for the elderly and needy. In the 1970s, however, faced with inflation, foreign competition, and growing public criticism, corporate leaders became increasingly confrontational with labor and government. As they succeeded in taming their opponents, business leaders paradoxically undermined their ability to act collectively. The acquisition wave of the 1980s created further pressures to focus on shareholder value and short-term gain rather than long-term problems facing their country.

Today’s corporate elite is a fragmented, ineffectual group that is unwilling to tackle the big issues, despite unprecedented wealth and political clout. Mizruchi’s sobering assessment of the dissolution of America’s business class helps explain the polarization and gridlock that stifle U.S. politics.

This is an auto-narrated audiobook edition of this book.

The rich and complex texture of working-class neighborhoods in eighteenth-century Paris comes vibrantly alive in this collage of the experiences of ordinary people—men and women, rich and poor, masters and servants, neighbors and colleagues. Exploring three arenas of conflict and solidarity—the home, the workplace, and the street—Arlette Farge offers the reader an intimate social history, bringing long-dead citizens and vanished social groups back to life with sensitivity and perception.

Fragile Lives reconstructs the rhythms of this population's daily existence, the way they met, formed relationships and broke them off, conducted their affairs in the community, and raised their young. Farge follows them into the factory and describes the ways they organized to improve their working conditions, and how they were controlled by the authorities. She shows how these Parisians behaved in the context of collective events, from festive street spectacles to repressive displays of power by the police. As the author examines interwoven lives as revealed in judicial records, we come to know and understand the criminals and the underworld of the time; the situation of women as lovers, wives, or prostitutes; anxieties about food and drink, and the rules of conduct in a “fragile” society. Elegantly written and skillfully translated, Fragile Lives is a book for the curious general reader and for those interested in social and cultural history.

Biodiversity is as close as your breakfast table. Your cereal and coffee are the products of at least a dozen species of plants and animals. And believe it or not, you are related to your morning meal—all life on earth is descended from a common ancestor, giving new meaning to the old saying “You are what you eat.”

            Making clear why the future of biodiversity matters, Fragile Web—which takes its name from the delicate mechanism that holds all life together—unites a team of international experts to explore the wonder of the natural world. Drawing on the very latest research, the book explains what biodiversity is and explores its evolution, from 3.5 billion years ago to the present day. It discusses the importance of the world’s ecosystems and how directly or indirectly humans are responsible for the fate of nature. Crucially, it also examines what can be done to protect the natural world and why it matters. Although we cannot undo all that we have done, ignoring the current crisis facing biodiversity could fundamentally change the lives of future generations.

Fully illustrated with color photographs, diagrams, and maps, and edited by celebrated ecologist Jonathan Silvertown, this book is a timely snapshot of the state of life on Earth. From the plant and animal products that make up our breakfast to the ecosystems that help to produce clean water, our very survival depends upon the variety of plant and animal life on our planet. The year 2010 has been declared by the United Nations the International Year of Biodiversity, and The Fragile Web will be an essential guidebook for our time.

So many women who do everything right to stay healthy still wind up with breast cancer, heart disease, or osteoporosis. In The Fragile Wisdom, Grazyna Jasienska provides an evolutionary perspective on the puzzle of why disease prevention among women is so frustratingly difficult. Modern women, she shows, are the unlucky victims of their own bodies’ conflict of interest between reproductive fitness and life-long health.

The crux of the problem is that women’s physiology has evolved to facilitate reproduction, not to reduce disease risk. Any trait—no matter how detrimental to health in the post-reproductive period—is more likely to be preserved in the next generation if it increases the chance of giving birth to offspring who will themselves survive to reproductive age. To take just one example, genes that produce high levels of estrogen are a boon to fertility, even as they raise the risk of breast cancer in mothers and their daughters.

Jasienska argues that a mismatch between modern lifestyles and the Stone Age physiology that evolution has bequeathed to every woman exacerbates health problems. She looks at women’s mechanisms for coping with genetic inheritance and at the impact of environment on health. Warning against the false hope gene therapy inspires, Jasienska makes a compelling case that our only avenue to a healthy life is prevention programs informed by evolutionary understanding and custom-fitted to each woman’s developmental and reproductive history.

The assimilated assimilator.

Quintus Ennius (239–169 BC), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity and inspired major developments in Roman religion, social organization, and popular culture. Born in the Calabrian town of Rudiae in Magna Graecia, Ennius claimed descent from Messapus, eponymous hero of Messapia, and was uncle to the tragic dramatist Pacuvius. Brought in 204 from Sardinia to Rome in the entourage of Cato, Ennius took up independent residence on the Aventine and, fluent in his native Oscan as well as Greek and Latin, became one of the first teachers to introduce Greek learning to Romans through public readings of Greek and Latin texts. Transcending partisan interests, Ennius cultivated familiar relationships with several of Rome’s most distinguished families, including that of Marcus Fulvius Nobilior, through whose patronage he eventually attained Roman citizenship.

Best known for domesticating Greek epic and drama, Ennius also pursued a wide range of literary endeavors and, with the apparent exception of comedy, found success in all of them. He thus played a major role in setting Latin literature on the assimilationist course that was to be its hallmark throughout the Republican period. His tragedies were long regarded as classics of the genre, and his Annals gave Roman epic its canonical shape and pioneered many of its most characteristic features. Other endeavors included philosophical works in prose and verse, epigrams, didactic poems, dramas on Roman themes (praetextae), and occasional poetry that informed the later development of satire.

This two-volume edition of Ennius, which inaugurates the Loeb series Fragmentary Republican Latin, replaces that of Warmington in Remains of Old Latin, Volume I and offers fresh texts, translations, and annotation that are fully current with modern scholarship.

The assimilated assimilator.

Quintus Ennius (239–169 BC), widely regarded as the father of Roman literature, was instrumental in creating a new Roman literary identity and inspired major developments in Roman religion, social organization, and popular culture. Born in the Calabrian town of Rudiae in Magna Graecia, Ennius claimed descent from Messapus, eponymous hero of Messapia, and was uncle to the tragic dramatist Pacuvius. Brought in 204 from Sardinia to Rome in the entourage of Cato, Ennius took up independent residence on the Aventine and, fluent in his native Oscan as well as Greek and Latin, became one of the first teachers to introduce Greek learning to Romans through public readings of Greek and Latin texts. Transcending partisan interests, Ennius cultivated familiar relationships with several of Rome’s most distinguished families, including that of Marcus Fulvius Nobilior, through whose patronage he eventually attained Roman citizenship.

Best known for domesticating Greek epic and drama, Ennius also pursued a wide range of literary endeavors and, with the apparent exception of comedy, found success in all of them. He thus played a major role in setting Latin literature on the assimilationist course that was to be its hallmark throughout the Republican period. His tragedies were long regarded as classics of the genre, and his Annals gave Roman epic its canonical shape and pioneered many of its most characteristic features. Other endeavors included philosophical works in prose and verse, epigrams, didactic poems, dramas on Roman themes (praetextae), and occasional poetry that informed the later development of satire.

This two-volume edition of Ennius, which inaugurates the Loeb series Fragmentary Republican Latin, replaces that of Warmington in Remains of Old Latin, Volume I and offers fresh texts, translations, and annotation that are fully current with modern scholarship.

Rhetorical remnants.

The Loeb Classical Library series Fragmentary Republican Latin continues with oratory, an important element of Roman life from the earliest times, essential to running public affairs and for advancing individual careers long before it acquired literary dimensions, which happened once orators decided to write up and circulate written versions of their speeches after delivery.

Beginning with Appius Claudius Caecus (340–273 BC), this three-volume edition covers the full range of speech-making—political, juridical, and epideictic (display)—and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive.

Such an overview provides insight into the typical forms and themes of Roman oratory as well as its wide variety of occasions and styles. By including orators from different phases within the Republican period as well as men given high or low rankings by contemporaries and later ancient critics, the collection offers a fuller panorama of Roman Republican oratory than a selection guided simply by an orator’s alleged or canonical quality, or by the amount of evidence available.

This edition includes all the orators recognized by Malcovati and follows her numbering, but the texts have been drawn from the most recent and reliable editions of the source authors and revised in light of current scholarship; additional material has been included with its own separate numbering. Helping to guide readers through the material are faithful translations, informative introductions, and ample annotation.

Rhetorical remnants.

The Loeb Classical Library series Fragmentary Republican Latin continues with oratory, an important element of Roman life from the earliest times, essential to running public affairs and for advancing individual careers long before it acquired literary dimensions, which happened once orators decided to write up and circulate written versions of their speeches after delivery.

Beginning with Appius Claudius Caecus (340–273 BC), this three-volume edition covers the full range of speech-making—political, juridical, and epideictic (display)—and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive.

Such an overview provides insight into the typical forms and themes of Roman oratory as well as its wide variety of occasions and styles. By including orators from different phases within the Republican period as well as men given high or low rankings by contemporaries and later ancient critics, the collection offers a fuller panorama of Roman Republican oratory than a selection guided simply by an orator’s alleged or canonical quality, or by the amount of evidence available.

This edition includes all the orators recognized by Malcovati and follows her numbering, but the texts have been drawn from the most recent and reliable editions of the source authors and revised in light of current scholarship; additional material has been included with its own separate numbering. Helping to guide readers through the material are faithful translations, informative introductions, and ample annotation.

Rhetorical remnants.

The Loeb Classical Library series Fragmentary Republican Latin continues with oratory, an important element of Roman life from the earliest times, essential to running public affairs and for advancing individual careers long before it acquired literary dimensions, which happened once orators decided to write up and circulate written versions of their speeches after delivery.

Beginning with Appius Claudius Caecus (340–273 BC), this three-volume edition covers the full range of speech-making—political, juridical, and epideictic (display)—and with the exceptions of Cato the Elder and Cicero includes all individuals for whom speech-making is attested and for whose speeches quotations, descriptive testimonia, or historiographic recreations survive.

Such an overview provides insight into the typical forms and themes of Roman oratory as well as its wide variety of occasions and styles. By including orators from different phases within the Republican period as well as men given high or low rankings by contemporaries and later ancient critics, the collection offers a fuller panorama of Roman Republican oratory than a selection guided simply by an orator’s alleged or canonical quality, or by the amount of evidence available.

This edition includes all the orators recognized by Malcovati and follows her numbering, but the texts have been drawn from the most recent and reliable editions of the source authors and revised in light of current scholarship; additional material has been included with its own separate numbering. Helping to guide readers through the material are faithful translations, informative introductions, and ample annotation.

Three foundational Roman poets.

The Loeb Classical Library series Fragmentary Republican Latin continues with three highly influential pioneers in the creation and development of Latin poetry.

Livius Andronicus (born ca. 292 BC) was regarded by the Romans as the founder of Latin literature, introducing tragedy and comedy, adapting Homer’s Odyssey into Saturnian verse, and composing a nationally important hymn for Juno. A meeting place for writers and actors was established in the temple of Minerva on the Aventine in recognition of his poetic achievements.

Naevius (born ca. 280–260), though most famous for his comedies, also wrote tragedy and epic. He innovated by incorporating Roman material into his Greek models and writing on Roman subjects independently. The inventor of the fabula praetexta, drama on a Roman theme, he also introduced new topics to Roman tragedy, especially those relating to Troy, and his Punic War, the first epic on a Roman historical subject, was a longtime school text and a favorite of Augustus.

Caecilius (born probably in the 220s), a friend of the older Ennius, excelled at comedy, of which he was Rome’s leading exponent during his career, and was so considered by posterity. Caecilius continued the Naevian practice of inserting Roman allusions into his works and was admired by later critics particularly for his substantive and well-constructed plots, and for his ability to arouse emotion.

The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship.

Dilapidated dramas.

The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220–130), deemed by Cicero to be Rome’s greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain.

Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus’ victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid.

The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship.

Incomplete but invaluable excerpts from otherwise lost orations.

Cicero (Marcus Tullius, 106–43 BC), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero’s political speeches and in his correspondence, we see the excitement, tension, and intrigue of politics and the important part he played in the turmoil of the time.

Although Cicero’s oratory is well attested—of 106 known speeches, fifty-eight survive intact or in large part—the sixteen speeches that survive only in quotations nevertheless fill gaps in our knowledge. These speeches attracted the interest of later authors, particularly Asconius and Quintilian, for their exemplary content, oratorical strategies, or use of language, failing to survive entire not because they were inferior in quality or interest but due to factors contingent on the way Cicero’s speeches were read, circulated, and evaluated in (especially late) antiquity.

The fragmentary speeches fall, like Cicero’s career in general, into three periods: the preconsular, the consular, and the postconsular, and here are presented chronologically, numbered continuously, and their fragments arranged, insofar as possible, in the order in which they would have occurred, followed by unplaced quotations. Each speech receives an introduction and ample notation.

This edition, which completes the Loeb Classical Library edition of Cicero, includes all speeches with attested fragments, together with testimonia. Based upon Crawford’s edition of 1994, the sources have been examined afresh, and newer source-editions substituted where appropriate.

Both communitarianism and casuistry have sought to restore ethics as a practical science—the former by incorporating various traditions into a shared definition of the common good, the latter by considering the circumstances of each situation through critical reasoning.

Mark G. Kuczewski analyzes the origins and methods of these two approaches and forges from them a new unified approach. This approach takes the communitarian notion of the person as its starting point but also relies upon the narrative and analogical tools of case-based reasoning. He separates out the rhetoric that is incongruent with the Aristotelian aspirations of each method to show that the two are complementary, and that consensus can emerge from fragmentation.

He then applies his resulting method to three major problems in bioethics: the difficulties that the issue of personal identity poses for advance directives, the role of the family in medical decision making, and the refusal of treatment because of religious beliefs. He analyzes the need to assume a communitarian notion of the person as a starting point for the application of casuistic insights.

Combining theoretical, practical, and scholarly insights, this book will be of interest to philosophers, political and social scientists, and bioethicists.

Southwest Book Award, Border Regional Library Association, 2008
Association of Latina and Latino Anthropologists Book Award, 2009

Established in 1659 as Misión de Nuestra Señora de Guadalupe de los Mansos del Paso del Norte, Ciudad Juárez is the oldest colonial settlement on the U.S.-Mexico border-and one of the largest industrialized border cities in the world. Since the days of its founding, Juárez has been marked by different forms of conquest and the quest for wealth as an elaborate matrix of gender, class, and ethnic hierarchies struggled for dominance. Juxtaposing the early Spanish invasions of the region with the arrival of late-twentieth-century industrial "conquistadors," Fragmented Lives, Assembled Parts documents the consequences of imperial history through in-depth ethnographic studies of working-class factory life.

By comparing the social and human consequences of recent globalism with the region's pioneer era, Alejandro Lugo demonstrates the ways in which class mobilization is itself constantly being "unmade" at both the international and personal levels for border workers. Both an inside account of maquiladora practices and a rich social history, this is an interdisciplinary survey of the legacies, tropes, economic systems, and gender-based inequalities reflected in a unique cultural landscape. Through a framework of theoretical conceptualizations applied to a range of facets—from multiracial "mestizo" populations to the notions of border "crossings" and "inspections," as well as the recent brutal killings of working-class women in Ciudad Juárez—Fragmented Lives, Assembled Parts provides a critical understanding of the effect of transnational corporations on contemporary Mexico, calling for official recognition of the desperate need for improved working and living conditions within this community.

From Mariano Azuela's 1915 novel Los de abajo to Rosamaría Roffiel's Amora of 1989, fragmented narrative has been one of the defining features of innovative Mexican fiction in the twentieth century. In this innovative study, Carol Clark D'Lugo examines fragmentation as a literary strategy that reflects the social and political fissures within modern Mexican society and introduces readers to a more participatory reading of texts.

D'Lugo traces defining moments in the development of Mexican fiction and the role fragmentation plays in each. Some of the topics she covers are nationalist literature of the 1930s and 1940s, self-referential novels of the 1950s that focus on the process of reading and writing, the works of Carlos Fuentes, novels of La Onda that came out of rebellious 1960s Mexican youth culture, gay and lesbian fiction, and recent women's writings.

With its sophisticated theoretical methodology that encompasses literature and society, this book serves as an admirable survey of the twentieth-century Mexican novel. It will be important reading for students of Latin American culture and history as well as literature.

Ancient Athens’ most successful tragedian.

Sophocles (497/6–406 BC), the second of the three great tragedians of Athens and by common consent one of the world's greatest poets, wrote more than 120 plays. Only seven of these survive complete, but we have a wealth of fragments, from which much can be learned about Sophocles' language and dramatic art. This volume presents a collection of all the major fragments, ranging in length from two lines to a very substantial portion of the satyr play The Searchers. Prefatory notes provide frameworks for the fragments of known plays.

Many of the Sophoclean fragments were preserved by quotation in other authors; others, some of considerable size, are known to us from papyri discovered during the past century. Among the lost plays of which we have large fragments, The Searchers shows the god Hermes, soon after his birth, playing an amusing trick on his brother Apollo; Inachus portrays Zeus coming to Argos to seduce Io, the daughter of its king; and Niobe tells how Apollo and his sister Artemis punish Niobe for a slight upon their mother by killing her twelve children. Throughout the volume, as in the extant plays, we see Sophocles drawing his subjects from heroic legend.

This is the final volume of Lloyd-Jones's Loeb Classical Library edition of Sophocles. In Volumes I and II he gives a faithful and very skillful translation of the seven surviving plays. Volume I contains Oedipus Tyrannus, Ajax, and Electra. Volume II contains Oedipus at Colonus, Antigone, The Women of Trachis, and Philoctetes.

The master of Old Comedy.

The eleven plays by Aristophanes that have come down to us intact brilliantly illuminate the eventful period spanned by his forty-year career, beginning with the first production in 427 BC. But the Athenians knew much more of his work: over forty plays by Aristophanes were read in antiquity, of which nearly a thousand fragments survive. These provide a fuller picture of the poet’s ever astonishing comic vitality and a wealth of information and insights about his world. Jeffrey Henderson’s new, widely acclaimed Loeb edition of Aristophanes is completed by this volume containing what survives from, and about, his lost plays, hitherto inaccessible to the nonspecialist, and incorporating the enormous scholarly advances that have been achieved in recent years.

Each fragmentary play is prefaced by a summary of what can be inferred about its plot, characters, themes, theatricality, and topical significance. Also included in this edition are the ancient reports about Aristophanes’ life, works, and influence on the later comic tradition.

Tantalizing quotations from lost tragedies.

Aeschylus (ca. 525–456 BC), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens, fought against the Persians at Marathon and probably also at Salamis, and had one of his productions sponsored by the young Pericles. He was twice invited to visit Sicily, and it was there that he died. At Athens he competed for the tragic prize at the City Dionysia about nineteen times between circa 499 and 458, and won it on thirteen occasions; in his later years he was probably victorious almost every time he put on a production, though Sophocles beat him at least once.

Of his total of about eighty plays, seven survive complete. The first volume of this new Loeb Classical Library edition contains fresh texts and translations by Alan H. Sommerstein of Persians (472), on the recent war, the only surviving Greek historical drama; Seven against Thebes (467), the third play of a trilogy, on the conflict between Oedipus’ sons which ends when they kill each other; Suppliants, the first or second play of a trilogy, on the successful appeal by the daughters of Danaus to the king and people of Argos for protection against a forced marriage to their cousins (whom they will later murder, all but one); and Prometheus Bound (of disputed authenticity), on the terrible punishment of Prometheus for giving fire to humans in defiance of Zeus (with whom he will later be reconciled after preventing his overthrow). The second volume contains the complete Oresteia trilogy (458), comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.

This edition’s third volume offers all the major fragments of lost Aeschylean plays, with brief headnotes explaining what is known, or can be plausibly inferred, about their content, and bibliographies of recent studies.

Contributors: Osei-Mensah Aborampah, Niyi Afolabi, Patrick Bellegarde-Smith, Randy P. Conner, T. J. Desch-Obi, Ina Johanna Fandrich, Kean Gibson, Marilyn Houlberg, Nancy B. Mikelsons, Roberto Nodal, Rafael Ocasio, Miguel "Willie" Ramos, and Denise Ferreira da Silva

Laughter in stitches.

The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad.

For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.

Laughter in stitches.

The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad.

For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.

Laughter in stitches.

The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad.

For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.

Chronicles of a Caesarean partisan.

Sallust, Gaius Sallustius Crispus (86–35 BC), a Sabine from Amiternum, acted as tribune against Cicero and Milo in 52, joined Caesar after being expelled from the Senate in 50, was restored to the Senate by Caesar and took part in his African campaign as praetor in 46, and was then appointed governor of New Africa (Numidia). Upon his return to Rome he narrowly escaped conviction for malfeasance in office, retired from public life, and took up historiography. Sallust’s last work, the annalistic Histories in five books, is much more expansive than his monographs on Catiline and Jugurtha (LCL 116), treating the whole of Roman history at home and abroad in the post-Sullan age. Although fragmentary, it provides invaluable information and insight about a crucial period of history spanning the period from 78 to around 67 BC.

Although Sallust is decidedly unsubtle and partisan in analyzing people and events, his works are important and significantly influenced later historians, notably Tacitus. Taking Thucydides as his model but building on Roman stylistic and rhetorical traditions, Sallust achieved a distinctive style, concentrated and arresting; lively characterizations, especially in the speeches; and skill at using particular episodes to illustrate large general themes.

For this volume, which completes the Loeb Classical Library edition of Sallust’s works, John T. Ramsey has freshly edited the Histories and the two pseudo-Sallustian Letters to Caesar, supplying ample annotation.

Lost works by ancient Greece’s third great tragedian.

Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BC survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.

This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

Lost works by ancient Greece’s third great tragedian.

Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BC survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.

This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

The acclaimed actress and legendary singer, Yamaguchi Yoshiko (aka Li Xianglan, 1920– 2014), emerged from Japan- occupied Manchuria to become a transnational star during the Second Sino-Japanese war. Born to Japanese parents, raised in Manchuria, and educated in Beijing, the young Yamaguchi learned to speak impeccable Mandarin Chinese and received professional training in operatic singing. When recruited by the Manchurian Film Association in 1939 to act in “national policy” films in the service of Japanese imperialism in China, she allowed herself to be presented as a Chinese, effectively masking her Japanese identity in both her professional and private lives. Yamaguchi soon became an unprecedented transnational phenomenon in Manchuria, Shanghai, and Japan itself as the glamorous female lead in such well-known films as Song of the White Orchid (1939), China Nights (1940), Pledge in the Desert (1940), and Glory to Eternity (1943). Her signature songs, including “When Will You Return?” and “The Evening Primrose,” swept East Asia in the waning years of the war and remained popular well into the postwar decades.

Ironically, although her celebrated international stardom was without parallel in wartime East Asia, she remained a puppet within a puppet state, choreographed at every turn by Japanese film studios in accordance with the expediencies of Japan’s continental policy. In a dramatic turn of events after Japan’s defeat, she was placed under house arrest in Shanghai by the Chinese Nationalist forces and barely escaped execution as a traitor to China. Her complex and intriguing life story as a convenient pawn, willing instrument, and tormented victim of Japan’s imperialist ideology is told in her bestselling autobiography, translated here in full for the first time in English. An addendum reveals her postwar career in Hollywood and Broadway in the 1950s, her friendship with Charlie Chaplin, her first marriage to Isamu Noguchi, and her postwar life as singer, actress, political figure, television celebrity, and private citizen.

A nation's buildings are a record of the character and aspirations of its people. In a rich blend of social and architectural history, Abbott Lowell Cummings reconstructs, through text and pictures, the framed houses of Massachusetts Bay that reflect the straightforward honesty of our earliest northern settlers and their profound love of craftsmanship.

A substantial number of the nation's seventeenth-century houses have been preserved in Massachusetts, and Cummings provides illustrations for a majority of them. He describes the dwellings in detail, and includes architectural drawings that were especially commissioned for this book. He demonstrates that the builders were far more sophisticated than previously imagined and that, while maintaining their English timber-building traditions, they were astonishingly adaptable to their new environment.

Beyond the houses themselves, Cummings discusses evolutions in pioneer life. The most simple kinds of changes in architecture, Cummings shows, indicated singular changes in family living. Such additions as kitchens and parlors, or the moving of the master bedroom to a second floor, suggest shifts in the private and social lives of families.

The Framed Houses of Massachusetts Bay is a splendid story of innovations— of restless, migratory people and their architectural and social responses to the heavily forested New World. It is the first chapter in the long saga of America's preoccupation with technology as it affected the early American home.

Dr. Ehrhardt considers that New Testament teaching could benefit by being more closely related to its context and background than is often the case. He suggests that the method of the presentation of the Gospel is important, as well as the intention behind it.

In an examination of the background, Dr. Ehrhardt deals principally with two aspects. The first is the fact that the New Testament and the form Christianity took in the first few centuries after the death of Christ were subject to several influences. One of the most important was Greek and Dr. Ehrhardt traces Hellenistic influence in St. Paul's treatment of Christ, in Greek modes of thought in the preaching of the Gospel and the historical tradition in the Book of Acts. He then turns to Jewish and Roman practices and ideas which played a part in forming Church doctrine and ritual, such as ordination and baptism. Secondly, he discusses the daily life of the newly-converted Christians, the problems they met with and the changes that took place.

It is hoped that these essays, many of which aim at giving a fresh, rather than a final view, may prove stimulating by asking unfamiliar questions and offering new solutions.

As real women increasingly entered the professions from the 1970s onward, their cinematic counterparts followed suit. Women lawyers, in particular, were the protagonists of many Hollywood films of the Reagan-Bush era, serving as a kind of shorthand reference any time a script needed a powerful career woman. Yet a close viewing of these films reveals contradictions and anxieties that belie the films' apparent acceptance of women's professional roles. In film after film, the woman lawyer herself effectively ends up "on trial" for violating norms of femininity and patriarchal authority.

In this book, Cynthia Lucia offers a sustained analysis of women lawyer films as a genre and as a site where other genres including film noir, maternal melodrama, thrillers, action romance, and romantic comedy intersect. She traces Hollywood representations of female lawyers through close readings of films from the 1949 Adam's Rib through films of the 1980s and 1990s, including Jagged Edge, The Accused, and The Client, among others. She also examines several key male lawyer films and two independent films, Lizzie Borden's Love Crimes and Susan Streitfeld's Female Perversions. Lucia convincingly demonstrates that making movies about women lawyers and the law provides unusually fertile ground for exploring patriarchy in crisis. This, she argues, is the cultural stimulus that prompts filmmakers to create stories about powerful women that simultaneously question and undermine women's right to wield authority.

As Preda discovers through extensive research, the public was once much more skeptical. For investing to become accepted, a deep-seated prejudice against speculation had to be overcome, and Preda reveals that over the course of the eighteenth and nineteenth centuries groups associated with stock exchanges in New York, London, and Paris managed to redefine finance as a scientific pursuit grounded in observational technology. But Preda also notes that as the financial data in which they trafficked became ever more difficult to understand, charismatic speculators emerged whose manipulations of the market undermined the benefits of widespread investment. And so, Framing Finance ends with an eye on the future, proposing a system of public financial education to counter the irrational elements that still animate the appeal of finance.