Bulgaria’s media-driven pivot to right-wing populism parallels political developments taking place around the world. Martin Marinos applies a critical political economy approach to place Bulgarian right-wing populism within the structural transformation of the country’s media institutions. As Marinos shows, media concentration under Western giants like Westdeutsche Allgemeine Zeitung and News Corporation have led to a neoliberal turn of commercialization, concentration, and tabloidization across media. The Right have used the anticommunism and racism bred by this environment to not only undermine traditional media but position their own outlets to boost new political entities like the nationalist party Ataka. Marinos’s ethnographic observations and interviews with local journalists, politicians, and media experts add on-the-ground detail to his account. He also examines several related issues, including the performative appeal of populist media and the money behind it.

A timely and innovative analysis, Free to Hate reveals where structural changes in media intersect with right-wing populism.

This study is the first major attempt to estimate what would happen in Canada if all trade restrictions between that country and the United States were removed.

In an intensive and far-reaching examination, the authors begin by confronting the generally held assumption that the lowering or eliminating of tariff protection would be disastrous for Canadian manufacturing. On the contrary, their findings lead them to conclude that, given present wage and exchange rates, the Canadian industrial complex would benefit substantially. The basis for this conclusion is a detailed analysis of the growth prospects—in the event of free trade—of five Canadian regions along with thirteen similarly definable regions in the United States. Sixteen manufacturing sectors (food, paper, textiles, etc.) are covered.

The second part of the study explores resulting general equilibrium pressures on wages and exchange. The probability, the authors believe, is that the Canadian dollar would rise to parity, and Canadian wages would reach the U.S. average level although they would remain below wage rates in contiguous areas of the U.S. North. The adjustments would necessarily be of a long-term nature and would be contingent on an effective reorganization of Canadian industry.

The historical effects of protection on Canada are then considered. Inefficiencies in Canadian production are estimated by comparing recent Canadian costs with costs which would exist in a free-trade situation. (The auto industry is singled out for special treatment, and an analysis of recent developments in that industry is appended.) The conclusion is that Canadian per capita real income is 10 to 11 percent lower because of protection. Higher Canadian prices explain about 4 percent of this figure, and lower money incomes 6 to 7 percent.

Finally, the authors discuss the possible structure and implications of various alternative forms of economic integration (Free Trade Area, Customs Union, Common Currency Area); various means of staging tariff reductions; and proposals for adjustment assistance. The techniques they suggest, although focusing specifically on Canada and the United States, are applicable to other countries considering similar programs.

Free Up Yuhself explores and theorizes what it means to embody and be empowered by the chaos of transgression, evaluating the implications for people who destabilize the Caribbean region’s dominant gender and sexuality politics within the Caribbean and the Caribbean diaspora. This book examines how people actively utilize the carnivalesque – spaces of festivity and places of excitement, the extraordinary, the ritualistic – to confront, negotiate, disrupt, and transgress normative trends, boundaries, and perspectives in the Caribbean and Caribbean diaspora communities. This book is particularly concerned with the ways that Caribbean people contest sexual and gendered expectations through their bodily performances across regional and diasporic festival spaces. Through illustrative, analytical, evaluative, and reflective chapters, the collection contemplates the themes of freedom, belonging, acceptance, and recognition as these affect the experience of people’s sense of being. The authors reflect on “freeing up” as a contentious politics, understanding that people have the capacity to enact their freedom through transgressive movements and performances that persistently grapple with notions of respectability, agency, empowerment, disruption, and the meanings and consequences of their varied social and political locations.

Winner of the PROSE Award
An NRC Handelsblad Best Book of the Year

“Ambitious and impressive…At a time when the very survival of both freedom and democracy seems uncertain, books like this are more important than ever.”
—The Nation

“Helps explain how partisans on both the right and the left can claim to be protectors of liberty, yet hold radically different understandings of its meaning…This deeply informed history of an idea has the potential to combat political polarization.”
—Publishers Weekly

“Ambitious and bold, this book will have an enormous impact on how we think about the place of freedom in the Western tradition.”
—Samuel Moyn, author of Not Enough

“Brings remarkable clarity to a big and messy subject…New insights and hard-hitting conclusions about the resistance to democracy make this essential reading for anyone interested in the roots of our current dilemmas.”
—Lynn Hunt, author of History: Why It Matters

For centuries people in the West identified freedom with the ability to exercise control over the way in which they were governed. The equation of liberty with restraints on state power—what most people today associate with freedom—was a deliberate and dramatic rupture with long-established ways of thinking. So what triggered this fateful reversal? In a masterful and surprising reappraisal of more than two thousand years of Western thinking about freedom, Annelien de Dijn argues that this was not the natural outcome of such secular trends as the growth of religious tolerance or the creation of market societies. Rather, it was propelled by an antidemocratic backlash following the French and American Revolutions.

The notion that freedom is best preserved by shrinking the sphere of government was not invented by the revolutionaries who created our modern democracies—it was first conceived by their critics and opponents. De Dijn shows that far from following in the path of early American patriots, today’s critics of “big government” owe more to the counterrevolutionaries who tried to undo their work.

Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work.

Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart’s bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand.

Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity—for pleasure—is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.

A unique interreligious dialogue provides needed context for deeper understanding of interfaith relations, from ancient to modern times

Freedom is far from straightforward as a topic of comparative theology. While it is often identified with modernity and even postmodernity, freedom has long been an important topic for reflection by both Christians and Muslims, discussed in both the Bible and the Quran. Each faith has a different way of engaging with the idea of freedom shaped by the political context of their beginnings. The New Testament emerged in a region under occupation by the Roman Empire, whereas the Quran was first received in tribal Arabia, a stateless environment with political freedom.

Freedom: Christian and Muslim Perspectives, edited by Lucinda Mosher, considers how Christian and Muslim faith communities have historically addressed many facets of freedom. The book presents essays, historical and scriptural texts, and reflections. Topics include God's freedom, human freedom to obey God, autonomy versus heteronomy, autonomy versus self-governance, freedom from incapacitating addiction and desire, hermeneutic or discursive freedom vis-à-vis scripture and tradition, religious and political freedom, and the relationship between personal conviction and public order.

The rich insights expressed in this unique interfaith discussion will benefit readers—from students and scholars, to clerics and community leaders, to politicians and policymakers—who will gain a deeper understanding of how these two communities define freedom, how it is treated in both religious and secular texts, and how to make sense of it in the context of our contemporary lives.

Friends of the Dallas Public Library Award, 2006
Best Book on East Texas, East Texas Historical Association, 2007

In the decades following the Civil War, nearly a quarter of African Americans achieved a remarkable victory—they got their own land. While other ex-slaves and many poor whites became trapped in the exploitative sharecropping system, these independence-seeking individuals settled on pockets of unclaimed land that had been deemed too poor for farming and turned them into successful family farms. In these self-sufficient rural communities, often known as "freedom colonies," African Americans created a refuge from the discrimination and violence that routinely limited the opportunities of blacks in the Jim Crow South.

Freedom Colonies is the first book to tell the story of these independent African American settlements. Thad Sitton and James Conrad focus on communities in Texas, where blacks achieved a higher percentage of land ownership than in any other state of the Deep South. The authors draw on a vast reservoir of ex-slave narratives, oral histories, written memoirs, and public records to describe how the freedom colonies formed and to recreate the lifeways of African Americans who made their living by farming or in skilled trades such as milling and blacksmithing. They also uncover the forces that led to the decline of the communities from the 1930s onward, including economic hard times and the greed of whites who found legal and illegal means of taking black-owned land. And they visit some of the remaining communities to discover how their independent way of life endures into the twenty-first century.

Though the Day Book’s financial losses steadily declined over the years, it never became profitable, and publication ended in 1917. Nevertheless, Stoltzfus explains that the Day Book served as an important ally of workers, a keen watchdog on advertisers, and it redefined news by providing an example of a paper that treated its readers first as citizens with rights rather than simply as consumers.

There is, literally, a world of difference between the statements "Everyone should have adequate food," and "Everyone has the right to adequate food." In George Kent's view, the lofty rhetoric of the first statement will not be fulfilled until we take the second statement seriously. Kent sees hunger as a deeply political problem. Too many people do not have adequate control over local resources and cannot create the circumstances that would allow them to do meaningful, productive work and provide for themselves. The human right to an adequate livelihood, including the human right to adequate food, needs to be implemented worldwide in a systematic way.

Freedom from Want makes it clear that feeding people will not solve the problem of hunger, for feeding programs can only be a short-term treatment of a symptom, not a cure. The real solution lies in empowering the poor. Governments, in particular, must ensure that their people face enabling conditions that allow citizens to provide for themselves.

In a wider sense, Kent brings an understanding of human rights as a universal system, applicable to all nations on a global scale. If, as Kent argues, everyone has a human right to adequate food, it follows that those who can empower the poor have a duty to see that right implemented, and the obligation to be held morally and legally accountable, for seeing that that right is realized for everyone, everywhere.

In the long decade between the mid-1950s and the late ’60s, jazz was changing more than its sound. The age of Max Roach’s Freedom Now Suite, John Coltrane’s A Love Supreme, and Charles Mingus’s The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain’t is the first book to tell the broader story of this period in jazz—and American—history.

The story’s central figures are jazz musicians like Coltrane and Mingus, who rewrote the conventions governing improvisation and composition as they sought to infuse jazz with that gritty exuberance known as “soul.” Scott Saul describes how these and other jazz musicians of the period engaged in a complex cultural balancing act: utopian and skeptical, race-affirming and cosmopolitan, they tried to create an art that would make uplift into something forceful, undeniable in its conviction, and experimental in its search for new possibilities. Freedom Is, Freedom Ain’t considers these musicians and their allies as a cultural front of the Civil Rights movement, a constellation of artists and intellectuals whose ideas of freedom pushed against a Cold War consensus that stressed rational administration and collective security. Capturing the social resonance of the music’s marriage of discipline and play, the book conveys the artistic and historical significance of the jazz culture at the start, and the heart, of the Sixties.

In the 1950s, the exclusion of women and of black and Latino men from higher-paying jobs was so universal as to seem normal to most Americans. Today, diversity in the workforce is a point of pride. How did such a transformation come about?

In this bold and groundbreaking work, Nancy MacLean shows how African-American and later Mexican-American civil rights activists and feminists concluded that freedom alone would not suffice: access to jobs at all levels is a requisite of full citizenship. Tracing the struggle to open the American workplace to all, MacLean chronicles the cultural and political advances that have irrevocably changed our nation over the past fifty years.

Freedom Is Not Enough reveals the fundamental role jobs play in the struggle for equality. We meet the grassroots activists—rank-and-file workers, community leaders, trade unionists, advocates, lawyers—and their allies in government who fight for fair treatment, as we also witness the conservative forces that assembled to resist their demands. Weaving a powerful and memorable narrative, MacLean demonstrates the life-altering impact of the Civil Rights Act and the movement for economic advancement that it fostered.

The struggle for jobs reached far beyond the workplace to transform American culture. MacLean enables us to understand why so many came to see good jobs for all as the measure of full citizenship in a vital democracy. Opening up the workplace, she shows, opened minds and hearts to the genuine inclusion of all Americans for the first time in our nation’s history.

Led by the Office of Economic Opportunity, Lyndon Johnson's War on Poverty reflected the president's belief that, just as the civil rights movement and federal law tore down legalized segregation, progressive government and grassroots activism could eradicate poverty in the United States. Yet few have attempted to evaluate the relationship between the OEO and the freedom struggles of the 1960s. Focusing on the unique situation presented by Texas, Freedom Is Not Enough examines how the War on Poverty manifested itself in a state marked by racial division and diversity—and by endemic poverty.

Though the War on Poverty did not eradicate destitution in the United States, the history of the effort provides a unique window to examine the politics of race and social justice in the 1960s. William S. Clayson traces the rise and fall of postwar liberalism in the Lone Star State against a backdrop of dissent among Chicano militants and black nationalists who rejected Johnson's brand of liberalism. The conservative backlash that followed is another result of the dramatic political shifts revealed in the history of the OEO, completing this study of a unique facet in Texas's historical identity.

As the chief human rights official of the Clinton Administration, John Shattuck faced far-flung challenges. Disasters were exploding simultaneously--genocide in Rwanda and Bosnia, murder and atrocities in Haiti, repression in China, brutal ethnic wars, and failed states in other parts of the world. But America was mired in conflicting priorities and was reluctant to act. What were Shattuck and his allies to do?

This is the story of their struggle inside the U.S. government over how to respond. Shattuck tells what was tried and what was learned as he and other human rights hawks worked to change the Clinton Administration's human rights policy from disengagement to saving lives and bringing war criminals to justice. He records his frustrations and disappointments, as well as the successes achieved in moving human rights to the center of U.S. foreign policy.

Shattuck was at the heart of the action. He was the first official to interview the survivors of Srebrenica. He confronted Milosevic in Belgrade. He was a key player in bringing the leaders of genocide in Bosnia and Rwanda to justice. He pushed from the inside for an American response to the crisis of the Haitian boat people. He pressed for the release of political prisoners in China. His book is both an insider's account and a detailed prescription for preventing such wars in the future.

Shattuck criticizes the Bush Administration's approach, which he says undermines human rights at home and around the world. He argues that human rights wars are breeding grounds for terrorism. Freedom on Fire describes the shifting challenges of global leadership in a world of explosive hatreds and deepening inequalities.

Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family's quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States.

Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana's state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie's great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium.

Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.

The original book on the renowned Freedom quilters of Gee's Bend - stitching justice, one quilt at a time.

In December of 1965, the year of the Selma-to-Montgomery march, a white Episcopal priest driving through a desperately poor, primarily black section of Wilcox County found himself at a great bend of the Alabama River. He noticed a cabin clothesline from which were hanging three magnificent quilts unlike any he had ever seen. They were of strong, bold colors in original, op-art patterns—the same art style then fashionable in New York City and other cultural centers. An idea was born and within weeks took on life, in the form of the Freedom Quilting Bee, a handcraft cooperative of black women artisans who would become acclaimed throughout the nation.

This book is a study of how ideas drawn from the English Middle Ages have been used to preserve and withhold freedom in the modern world. Broad in scope, it draws on canonical and ephemeral texts, including chronicles, memoirs, novels, political pamphlets, archival material, and works of history by scholars, colonizers, abolitionists, and Lost Cause apologists. Using three generations of a single family to frame its analysis, it reveals an intellectual genealogy that moves from medieval England to modern Africa, the Caribbean, the plantations of the US, and back again, to the academic disciplines of medieval studies and the very fabric of England’s medieval heritage. It argues that England’s medieval past has been a source of tenacious bonds—of family, freedom, slavery, nation, and race—and suggests that better understanding how those bonds were formed and resisted will enable full analysis of their legacy.

For many of the 200,000 black soldiers sent to Europe with the American Expeditionary Forces in World War I, encounters with French civilians and colonial African troops led them to imagine a world beyond Jim Crow. They returned home to join activists working to make that world real. In narrating the efforts of African American soldiers and activists to gain full citizenship rights as recompense for military service, Adriane Lentz-Smith illuminates how World War I mobilized a generation.

Black and white soldiers clashed as much with one another as they did with external enemies. Race wars within the military and riots across the United States demonstrated the lengths to which white Americans would go to protect a carefully constructed caste system. Inspired by Woodrow Wilson’s rhetoric of self-determination but battered by the harsh realities of segregation, African Americans fought their own “war for democracy,” from the rebellions of black draftees in French and American ports to the mutiny of Army Regulars in Houston, and from the lonely stances of stubborn individuals to organized national campaigns. African Americans abroad and at home reworked notions of nation and belonging, empire and diaspora, manhood and citizenship. By war’s end, they ceased trying to earn equal rights and resolved to demand them.

This beautifully written book reclaims World War I as a critical moment in the freedom struggle and places African Americans at the crossroads of social, military, and international history.

The Hungarian artist-designer László Moholy-Nagy, the Austrian sociologist Paul Lazarsfeld, and his fellow Viennese Victor Gruen—an architect and urban planner—made careers in different fields. Yet they shared common socialist politics, Jewish backgrounds, and experience as refugees from the Nazis. This book tells the story of their intellectual migration from Central Europe to the United States, beginning with the collapse of the Habsburg Empire, and moving through the heady years of newly independent social-democratic republics before the descent into fascism. It follows their experience of exile and adaptation in a new country, and culminates with a surprising outcome of socialist thinking: the opening of the first fully enclosed, air-conditioned suburban shopping center in the United States. Although the American culture they encountered ostensibly celebrated entrepreneurial individualism and capitalistic “free enterprise,” Moholy-Nagy, Lazarsfeld, and Gruen arrived at a time of the progressive economic reforms of the New Deal and an extraordinary open-mindedness about social democracy. This period of unprecedented economic experimentation nurtured a business climate that, for the most part, did not stifle the émigrés’ socialist idealism but rather channeled it as the source of creative solutions to the practical problems of industrial design, urban planning, and consumer behavior.

Based on a vast array of original sources, Malherek interweaves the biographies of these three remarkable personalities and those of their wives, colleagues, and friends with whom they collaborated on innovative projects that would shape the material environment and consumer culture of their adopted home. The result is a narrative of immigration and adaptation that challenges the crude binary of capitalism and socialism with a story of creative economic hybridization.

No one has figured more prominently in the study of the German philosopher Gottlob Frege than Michael Dummett. His magisterial Frege: Philosophy of Language is a sustained, systematic analysis of Frege's thought, omitting only the issues in philosophy of mathematics. In this work Dummett discusses, section by section, Frege's masterpiece The Foundations of Arithmetic and Frege's treatment of real numbers in the second volume of Basic Laws of Arithmetic, establishing what parts of the philosopher's views can be salvaged and employed in new theorizing, and what must be abandoned, either as incorrectly argued or as untenable in the light of technical developments.

Gottlob Frege (1848-1925) was a logician, mathematician, and philosopher whose work had enormous impact on Bertrand Russell and later on the young Ludwig Wittgenstein, making Frege one of the central influences on twentieth-century Anglo-American philosophy; he is considered the founder of analytic philosophy. His philosophy of mathematics contains deep insights and remains a useful and necessary point of departure for anyone seriously studying or working in the field.

For many philosophers, modern philosophy begins in 1879 with the publication of Gottlob Frege's Begriffsschrift, in which Frege presents the first truly modern logic in his symbolic language, Begriffsschrift, or concept-script. Danielle Macbeth's book, the first full-length study of this language, offers a highly original new reading of Frege's logic based directly on Frege's own two-dimensional notation and his various writings about logic.

Setting out to explain the nature of Frege's logical notation, Macbeth brings clarity not only to Frege's symbolism and its motivation, but also to many other topics central to his philosophy. She develops a uniquely compelling account of Frege's Sinn/Bedeutung distinction, a distinction central to an adequate logical language; and she articulates a novel understanding of concepts, both of what they are and of how their contents are expressed in properly logical language. In her reading, Frege's Begriffsschrift emerges as a powerful and deeply illuminating alternative to the quantificational logic it would later inspire.

The most enlightening examination to date of the developments of Frege's thinking about his logic, this book introduces a new kind of logical language, one that promises surprising insight into a range of issues in metaphysics and epistemology, as well as in the philosophy of logic.

Widespread interest in Frege’s general philosophical writings is, relatively speaking, a fairly recent phenomenon. But it is only very recently that his philosophy of mathematics has begun to attract the attention it now enjoys. This interest has been elicited by the discovery of the remarkable mathematical properties of Frege’s contextual definition of number and of the unique character of his proposals for a theory of the real numbers.

This collection of essays addresses three main developments in recent work on Frege’s philosophy of mathematics: the emerging interest in the intellectual background to his logicism; the rediscovery of Frege’s theorem; and the reevaluation of the mathematical content of The Basic Laws of Arithmetic. Each essay attempts a sympathetic, if not uncritical, reconstruction, evaluation, or extension of a facet of Frege’s theory of arithmetic. Together they form an accessible and authoritative introduction to aspects of Frege’s thought that have, until now, been largely missed by the philosophical community.

An analytical study of the French apanages from their creation to the end of the Capetian period, this pioneering book offers an explanation of why the French kings began the practice of granting fiefs to their younger sons, and why they introduced the curious inheritance restrictions which limited succession in an apanage to direct heirs of the original holder. The author also examines the connection of the apanages with the royal government in terms of sovereignty, jurisdiction, administration, military obligations, and financial affairs, showing how difficult it was to draw distinctions between the two spheres of government.

Since the original apanages were granted from lands only recently conquered from the English, they had the important practical effect of introducing the notion of French royal authority into areas that had not known it for centuries. People living in these lands became used to the fact that "the king" was the king of France, not of England. A clear understanding of the relationship of the apanages to the monarchy, the author maintains, is at the same time a large step toward an understanding of how the monarchy gained control of France and,ultimately, made a nation out of her fragmented provinces.

When political and civil unrest threatened France’s social order in the 1950s, French cinema provided audiences a unique form of escapism from such troubled times: a nostalgic look back to the France of the nineteenth century, with costume dramas set in the age of Napoleon and the Belle Époque. Film critics, however, have routinely dismissed this period of French cinema, overlooking a very important period of political cultural history. French Costume Drama of the 1950s redresses this balance, exploring a diverse range of films including Guitry’s Napoléon (1955), Vernay’s Le Comte de Monte Cristo (1943), and Becker’s Casque d’Or (1952) to expose the political cultural paradox between nostalgia for a lost past and the drive for modernization.

2005 — San Antonio Conservation Society Citation

Original articles that explore the French presence and influence on Texas history, arts, education, religion, and business.

The flag of France is one of the six flags that have flown over Texas, but all that many people know about the French presence in Texas is the ill-fated explorer Cavelier de La Salle, fabled pirate Jean Laffite, or Cajun music and food. Yet the French have made lasting contributions to Texas history and culture that deserve to be widely known and appreciated. In this book, François Lagarde and thirteen other experts present original articles that explore the French presence and influence on Texas history, arts, education, religion, and business from the arrival of La Salle in 1685 to 2002.

Each article covers an important figure or event in the France-Texas story. The historical articles thoroughly investigate early French colonists and explorers, the French pirates and privateers, the Bonapartists of Champ-d'Asile, the French at the Alamo, Dubois de Saligny and French recognition of the Republic of Texas, the nineteenth-century utopists of Icaria and Reunion, and the French Catholic missions. Other articles deal with French immigration in Texas, including the founding of Castroville, Cajuns in Texas, and the French economic presence in Texas today (the first such study ever published). The remaining articles look at painters Théodore and Marie Gentilz, sculptor Raoul Josset, French architecture in Texas, French travelers from Théodore Pavie to Simone de Beauvoir who have written on Texas, and the French heritage in Texas education. More than seventy color and black-and-white illustrations complement the text.

In tracing the evolution of the institutional conception of positive law, this volume makes an important contribution to the study of positive law. It also provides the first extensive translation of important writings on the theory of the institution, which has had continuing influence in France but has been known only by repute in English-speaking countries.

Supplementing the selections from the most significant works of Hauriou, Renard, and Delos are critiques that provide a contemporary focus to institutionalist thought. They include pieces by the noted jurists Jean Brèthe de la Gressaye, André Hauriou (the son), François and Bernard Geny, and Marcel Waline, as well as a retrospective essay prepared by Delos especially for this volume.

The writings themselves range over a number of areas--sociology, psychology, law, and philosophy--and they cover such subjects as juridical method, public law, individual rights and the state, Hauriou's famous "Notes" on decisions of the Conseil d'Etat, natural law, and the social order.

This comprehensive history of the French labor movement is notable for a number of reasons. It is a critical account of “unions in crisis” in a Democracy in crisis. It offers the only full description of the highly regulated collective bargaining system in France, and it shows why in France there are strikes against the Government as well as against private industry. It analyzes the Communist Party capture of the most influential labor combine—the General Federation of Labor—despite the fact that much of the rank and file do not concern themselves with political parties.

Val Lorwin gives his readers a good many reasons why the unfortunate situation which we know today has developed, and he provides a few indications as to how French labor may get out of the impasse into which it has slipped. He discusses the Government role in labor politics, and explains why French workers do not pay dues, and why poverty-stricken unions persist in striking. At the bottom of all French labor troubles, he points out, is the concept of class struggle; healthy, dynamic French economic growth will be achieved only when the labor unions adopt a more responsible position.

French Lessons in Late-Medieval England presents two fifteenth-century manuals designed to support facility in French among the English, the Liber donati and Commune parlance. These texts treat the grammar, lexis, and orthography of French as well as compiling a selection of entertaining dialogues that model the language in action. Together, they paint a vivid picture of the kinds of French that English learners might desire to wield and of the high levels of fluency that they could achieve. Critten's comprehensive introduction discusses his materials' relevance both for histories of language education and for recent reassessments of the longevity of French in medieval England. His pairing of first-time modern-English translations with facing-page original text makes these fascinating works newly available for a twenty-first-century audience.

 For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil.

“Whatever happens, the flame of French resistance must not and will not go out.” As Charles de Gaulle ended his radio address to the French nation in June 1940, listeners must have felt a surge of patriotism tinged with uncertainty. Who would keep the flame burning through dark years of occupation? At what cost?

Olivier Wieviorka presents a comprehensive history of the French Resistance, synthesizing its social, political, and military aspects to offer fresh insights into its operation. Detailing the Resistance from the inside out, he reveals not one organization but many interlocking groups often at odds over goals, methods, and leadership. He debunks lingering myths, including the idea that the Resistance sprang up in response to the exhortations of de Gaulle’s Free French government-in-exile. The Resistance was homegrown, arising from the soil of French civil society. Resisters had to improvise in the fight against the Nazis and the collaborationist Vichy regime. They had no blueprint to follow, but resisters from all walks of life and across the political spectrum formed networks, organizing activities from printing newspapers to rescuing downed airmen to sabotage. Although the Resistance was never strong enough to fight the Germans openly, it provided the Allies invaluable intelligence, sowed havoc behind enemy lines on D-Day, and played a key role in Paris’s liberation.

Wieviorka shatters the conventional image of a united resistance with no interest in political power. But setting the record straight does not tarnish the legacy of its fighters, who braved Nazism without blinking.

In the English response to the increasingly bloody French Revolution, Seamus Deane finds a new perspective on English political thought as well as a striking indication of the sharpening of national consciousness. Ranging widely among the major and lesser thinkers of the period, he has produced a complex picture of cultural affinity and national hostility. The group dominated by Edmund Burke, which included Southey, Wordsworth, and Carlyle, viewed the Revolution as the culmination of a great conspiracy, led by intellectuals, to overthrow all that was sacred and traditional. The radical group, led by Godwin, Shelley, and Hazlitt, welcomed the Revolution but were perturbed by its excesses.

The English debate about the French Revolution tended to focus on the specifically French characteristics that made it what it was, in sharp contrast to the culture and experience that produced the relatively peaceful English revolution of 1688. To see the Revolution as an essentially French phenomenon allowed it to be understood as alien to English circumstances and inclinations. This permitted the English to deny that its basic doctrines had any claim to universality and also led to an enhanced definition of the English national character. In his analysis of major writers, popular political novelists, and pamphleteers, Deane interprets the intellectual indebtedness of individual English writers to their French counterparts, reflects on the power of the written word to influence events, and dissects polemical styles and language. His book constitutes an important chapter of English intellectual history.

The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture.

This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976.
 
The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste.
 
The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer.

The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.

It's time for a new approach to learning French verbs. Unlike popular verb guides that require the rote memorization of hundreds of verb forms, this book clearly explains the rules that govern the conjugation of all classes of French verbs—especially the irregular ones that give second-language learners the most trouble. These straightforward, easy-to-understand rules for conjugating French verbs are effective learning tools for both beginning students and more advanced speakers who want to perfect their usage of French verb forms.

French Verbs Made Simple(r) has many helpful features that you won't find in any other verb guide:

• Clear explanations of all verb tenses and forms.
• The simple patterns and rules that govern the conjugation of all verbs—including those verbs whose irregularities follow patterns that can be easily learned.
• A detailed discussion of how each verb form is used, with numerous examples.
• A full explanation of whether a verb should be conjugated with avoir or être, and the conditions under which the past participle is variable—two of the thorniest problems for students of French.
• An extended treatment of the subjunctive that will help you understand why it is used in some situations but not others.
• Complete conjugations for 57 basic model verbs (along with 27 "variants") and a comprehensive listing of some 6,200 verbs that indicates which of the models each verb follows.

Going well beyond any other guide in the clarity and detail of its explanations—as well as the innovative manner in which individual verbs are linked to model conjugations—French Verbs Made Simple(r) is the only guide to French verbs a learner needs.

In unprecedented detail, Leslie Choquette narrates the peopling of French Canada across the seventeenth and eighteenth centuries, the lesser known colonial phase of French migration. Drawing on French and Canadian archives, she carefully traces the precise origins of individual immigrants, describing them by gender, class, occupation, region, religion, age, and date of departure. Her archival work is impressive: of the more than 30,000 emigrants who embarked for Quebec and the Maritimes during the French Regime, nearly 16,000 are chronicled here.

In considering the pattern of emigration in the context of migration history, Choquette shows that, in many ways, the movement toward Canada occurred as a byproduct of other, perennial movements, such as the rural exodus or interurban labor migrations. Overall, emigrants to Canada belonged to an outwardly turned and mobile sector of French society, and their migration took place during a phase of vigorous Atlantic expansion. They crossed the ocean to establish a subsistence economy and peasant society, traces of which lingered on into the twentieth century.

Because Choquette looks at the entire history of French migration to Canada—its social and economic aspects as well as its place in the larger history of migration—her work makes a remarkable contribution in the field of immigration history.

That rosy tomato perched on your plate in December is at the end of a great journey—not just over land and sea, but across a vast and varied cultural history. This is the territory charted in Fresh. Opening the door of an ordinary refrigerator, it tells the curious story of the quality stored inside: freshness.

We want fresh foods to keep us healthy, and to connect us to nature and community. We also want them convenient, pretty, and cheap. Fresh traces our paradoxical hunger to its roots in the rise of mass consumption, when freshness seemed both proof of and an antidote to progress. Susanne Freidberg begins with refrigeration, a trend as controversial at the turn of the twentieth century as genetically modified crops are today. Consumers blamed cold storage for high prices and rotten eggs but, ultimately, aggressive marketing, advances in technology, and new ideas about health and hygiene overcame this distrust.

Freidberg then takes six common foods from the refrigerator to discover what each has to say about our notions of freshness. Fruit, for instance, shows why beauty trumped taste at a surprisingly early date. In the case of fish, we see how the value of a living, quivering catch has ironically hastened the death of species. And of all supermarket staples, why has milk remained the most stubbornly local? Local livelihoods; global trade; the politics of taste, community, and environmental change: all enter into this lively, surprising, yet sobering tale about the nature and cost of our hunger for freshness.

Fretwork hazards a response to its dilemma by turning, skeptically and resiliently, toward the materials of lyric poetry and empathetic action, however fragmented and fragile. Glazer’s poems are sculpted word by word, their forms evoking both organic process and machined exactness. Their voice blends command and humility, openness and terseness, generosity and rigor, gravity and mordant humor.