During the nineteenth century, upstream diversions from the Gila River decreased the arable land on the Gila River Indian Reservation to only a few thousand acres. As a result the Pima Indians, primarily an agricultural people, fell into poverty. Many Pima farmers and leaders lamented this suffering and in 1914 the United States Indian Irrigation Service assigned a 33-year-old engineer named Clay “Charles” Southworth to oversee the Gila River adjudication. As part of that process, Southworth interviewed 34 Pima elders, thus putting a face on the depth of hardships facing many Indians in the late nineteenth century.

This revised edition extends the groundbreaking history and analysis of Forcing the Spring into the present day. It updates the original with important new material that brings the book's themes and arguments into the 21st century, addressing topics such as: the controversy spawned by the original edition with regard to how environmentalism is, or should be, defined; new groups and movements that have formed in the past decade; change and development in the overall environmental movement from 1993 to 2004; the changing role of race, class, gender, and ethnicity in today's environmentalism; the impact of the 2004 presidential election; the emergence of "the next environmentalism."

Forcing the Spring, Revised Edition considers environmentalism as a contemporary movement focused on "where we live, work, and play," touching on such hot-button topics as globalization, food, immigration, and sprawl. The book also describes the need for a "next environmentalism" that can address current challenges, and considers the barriers and opportunities associated with this new, more expansive approach.

Forcing the Spring, Revised Edition is an important contribution for students and faculty in a wide variety of fields including history, sociology, political science, environmental studies, environmental history, and social movements. It also offers useful context and analysis for anyone concerned with environmental issues.

In 1903, before the Ford Motor Company was even incorporated, Stephen Tenvoorde signed a contract to sell “Fordmobiles” at his bicycle shop in St. Cloud, Minnesota. Four generations later, the Tenvoorde family still operates what is now the oldest Ford dealership in the world. Brian McMahon chronicles how the fortunes of the company and the state became intertwined during that century.  

Ford assembled Model T cars in the world’s tallest automobile plant in Minneapolis and a three-story structure in St. Paul—both still standing. These factories quickly became functionally obsolete after the development of the moveable assembly line. The hunt for a new site to build a modern, single-story plant stirred intense rivalry between Minneapolis and St. Paul. Henry Ford took a rare personal interest in the search and selected a 125-acre parcel in St. Paul overlooking the recently built High Dam on the Mississippi River, which allowed for navigation and hydroelectric power. The Twin Cities Assembly Plant would go on to manufacture millions of cars, trucks, tractors, and military vehicles until its closure in 2011. 

Henry Ford’s large-scale experiments with every aspect of the industrial economy sent ripples and shockwaves through the lives of Minnesotans—management and assembly line workers, dealers and customers, families and communities. First-person accounts of more than forty retired auto workers share what it was like to work at Ford—from the early years of the Minneapolis plant to the final hours of the Twin Cities Assembly Plant in St. Paul. McMahon documents the company’s transformation—through the Depression, the rise of the United Auto Workers Union, World War II, women joining the workforce, competition from imported cars, globalization, outsourcing, and the closing of the plant. 

This publication was made possible in part by the people of Minnesota through a grant funded by an appropriation to the Minnesota Historical Society from the Minnesota Arts and Cultural Heritage Fund. Any views, findings, opinions, conclusions or recommendations expressed in this publication are those of the authors and do not necessarily represent those of the State of Minnesota, the Minnesota Historical Society, or the Minnesota Historic Resources Advisory Committee. 

A twentieth-century innovation, foreign aid has become a familiar and even expected element in international relations. But scholars and government officials continue to debate why countries provide it: some claim that it is primarily a tool of diplomacy, some argue that it is largely intended to support development in poor countries, and still others point out its myriad newer uses. Carol Lancaster effectively puts this dispute to rest here by providing the most comprehensive answer yet to the question of why governments give foreign aid. She argues that because of domestic politics in aid-giving countries, it has always been—and will continue to be—used to achieve a mixture of different goals. 

Drawing on her expertise in both comparative politics and international relations and on her experience as a former public official, Lancaster provides five in-depth case studies—the United States, Japan, France, Germany, and Denmark—that demonstrate how domestic politics and international pressures combine to shape how and why donor governments give aid. In doing so, she explores the impact on foreign aid of political institutions, interest groups, and the ways governments organize their giving. Her findings provide essential insight for scholars of international relations and comparative politics, as well as anyone involved with foreign aid or foreign policy.

An exploration of the nuclear arms race and the dangers arising with the advent of “limited warfare”

After the development of the atomic bomb in 1945, Americans became engaged in a "new kind of war" against totalitarianism. Enemies and objectives slipped out of focus, causing political and military aims to mesh as a struggle to contain communism both at home and abroad encompassed civilians as well as soldiers. In matters relating to Vietnam, Central America, and the nuclear arms race, the domestic and foreign dimensions of each issue became inseparable. Policymakers in Washington had to formulate strategies dictated by "limited war" in their search for peace.

Contributors to this volume demonstrate the multifaceted nature of modern warfare. Robert H. Ferrell establishes the importance of studying military history in understanding the post-World War II era. On Vietnam, Colonel Harry G. Summers, Jr., gives an intriguing argument regarding the U. S. Army; George C. Herring examines how America's decisions in 1954 assured deepened involvement; and Captain Mark Clodfelter uncovers new evidence concerning "Linebacker I." On the home front, Robert F. Burk analyzes the impact of the Cold War on the battle for racial justice; Charles DeBenedetti puts forth a challenging interpretation of the antiwar movement; and James C. Schneider provides perspective on the relationship between the Vietnam War and the Great Society. On Central America, two writers downplay communism in explaining the region's troubles. Ralph Lee Woodward, Jr., fits the Nicaraguan revolution in the long span of history, and Thomas M. Leonard shows how the Reagan administration forced Costa Rica to side with the United States's anti-Sandinista policy. Finally, on nuclear strategy, Donald M. Snow offers a thought-provoking assessment of the "star wars" program, and Daniel S. Papp recommends measures to promote understanding among the superpowers.

These essays demonstrate that the making of foreign policy is immensely complicated, not subject to easy solution or to simple explanation. Despite these complexities, the central objective of policymakers remained clear: to safeguard what was perceived as the national interest.

Every year hundreds of students from all over the world come to study in Utrecht. On the occasion of the 375th anniversary of the founding of Utrecht University, foreign students and alumni were invited to reflect on Dutch culture as they had experienced it in their university years there. This book collects the best of the essays they wrote; the result is a unique and fascinating contribution to the study of Dutch culture. These essays offer not only an intimate portrait of the students’ experiences, but also a fresh perspective on the remarkable, frustrating, and fascinating features of Dutch culture.

Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad.  Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood.
    From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman.  Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art.  Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty.
    The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
 

Contributors. José Julián Álvarez González, Roberto Aponte Toro, Christina Duffy Burnett, José A. Cabranes, Sanford Levinson, Burke Marshall, Gerald L. Neuman, Angel R. Oquendo, Juan Perea, Efrén Rivera Ramos, Rogers M. Smith, E. Robert Statham Jr., Brook Thomas, Richard Thornburgh, Juan R. Torruella, José Trías Monge, Mark Tushnet, Mark Weiner

In Foreign Intervention in Africa after the Cold War—interdisciplinary in approach and intended for nonspecialists—Elizabeth Schmidt provides a new framework for thinking about foreign political and military intervention in Africa, its purposes, and its consequences. She focuses on the quarter century following the Cold War (1991–2017), when neighboring states and subregional, regional, and global organizations and networks joined extracontinental powers in support of diverse forces in the war-making and peace-building processes. During this period, two rationales were used to justify intervention: a response to instability, with the corollary of responsibility to protect, and the war on terror.

Often overlooked in discussions of poverty and violence in Africa is the fact that many of the challenges facing the continent today are rooted in colonial political and economic practices, in Cold War alliances, and in attempts by outsiders to influence African political and economic systems during the decolonization and postindependence periods. Although conflicts in Africa emerged from local issues, external political and military interventions altered their dynamics and rendered them more lethal. Foreign Intervention in Africa after the Cold War counters oversimplification and distortions and offers a new continentwide perspective, illuminated by trenchant case studies.

This volume is the first to examine at length and in detail the impact of the missionary experience on American cultural, political, and religious history.

This collection of 15 essays provides a fully developed account of the domestic significance of foreign missions from the 19th century through the Vietnam War. U.S. and Canadian missions to China, South America, Africa, and the Middle East have, it shows, transformed the identity and purposes of their mother countries in important ways. Missions provided many Americans with their first significant exposure to non-Western cultures and religions. They helped to establish a variety of new academic disciplines in home universities—linguistics, anthropology, and comparative religion among them. Missionary women helped redefine gender roles in North America, and missions have vitalized tiny local churches as well as entire denominations, causing them to rethink their roles and priorities, both here and abroad. In fact, missionaries have helped define our own national identity by influencing our foreign, trade, military, and immigration policies over the last two centuries.

Topics in the collection range from John Saillant's essay on the missions of free African Americans to Liberia in the 19th century to Grant Wacker's essay on the eventual disillusionment of noted writer Pearl S. Buck. Kathryn T. Long’s essay on the “Auca martyrs” offers a sobering case study of the missionary establishment's power to, in tandem with the evangelical and secular press, create and record the stories of our time. William L. Svelmoe documents the improbable friendship between fundamentalist Bible translator William Cameron Townsend and Mexico’s secular socialist president Lázaro Cárdenas. And Anne Blue Wills details the ways many American groups—black, Protestant, Catholic, and Mormon—sought to convert one another, stead-
fastly envisioning “others” as every bit as “heathen” as those in far-off lands.

The Foreign Missionary Enterprise at Home is an insightful, provocative collection that will stimulate much discussion and debate. It is valuable for academic libraries and seminaries, scholars of religious history and American studies, missionary groups, cultural historians and ethnographers, and political scientists.

With world affairs so troubled, what kind of foreign policy should the United States pursue? Benjamin Page and Marshall Bouton look for answers in a surprising place: among the American people. Drawing on a series of national surveys conducted between 1974 and 2004, Page and Bouton reveal that—contrary to conventional wisdom—Americans generally hold durable, coherent, and sensible opinions about foreign policy. Nonetheless, their opinions often stand in opposition to those of policymakers, usually because of different interests and values, rather than superior wisdom among the elite. The Foreign Policy Disconnect argues that these gaps between leaders and the public are harmful, and that by using public opinion as a guideline policymakers could craft a more effective, sustainable, and democratic foreign policy. 

Page and Bouton support this argument by painting a uniquely comprehensive portrait of the military, diplomatic, and economic foreign policies Americans favor. They show, for example, that protecting American jobs is just as important to the public as security from attack, a goal the current administration seems to pursue single-mindedly. And contrary to some officials’ unilateral tendencies, the public consistently and overwhelmingly favors cooperative multilateral policy and participation in international treaties. Moreover, Americans’ foreign policy opinions are seldom divided along the usual lines: majorities of virtually all social, ideological, and partisan groups seek a policy that pursues the goals of security and justice through cooperative means. Written in a clear and engaging style, The Foreign Policy Disconnect calls, in an original voice, for a more democratic approach to creating such a policy.

Foreign policy motivation is a complex mix reflecting the fears and aspirations of publics, interest groups, bureaucratic sets, and important individuals. International conflict cannot be resolved without resolving how foreign policy is motivated. This book presents a conceptual framework for identifying and weighing foreign policy motives that shape, direct, and alter foreign policy.

Television shows like CSI, Forensic Files, and The New Detectives make it look so easy. A crime-scene photographer snaps photographs, a fingerprint technician examines a gun, uniformed officers seal off a house while detectives gather hair and blood samples, placing them carefully into separate evidence containers. In a crime laboratory, a suspect's hands are meticulously examined for gunshot residue. An autopsy is performed in order to determine range and angle of the gunshot and time-of-death evidence. Dozens of tests and analyses are performed and cross-referenced. A conviction is made. Another crime is solved. The credits roll.

The American public has become captivated by success stories like this one with their satisfyingly definitive conclusions, all made possible because of the wonders of forensic science. Unfortunately, however, popular television dramas do not represent the way most homicide cases in the United States are actually handled. Crime scenes are not always protected from contamination; physical evidence is often packaged improperly, lost, or left unaccounted for; forensic experts are not always consulted; and mistakes and omissions on the autopsy table frequently cut investigations short or send detectives down the wrong investigative path.

In Forensics Under Fire, Jim Fisher makes a compelling case that these and other problems in the practice of forensic science allow offenders to escape justice and can also lead to the imprisonment of innocent people. Bringing together examples from a host of high-profile criminal cases and familiar figures, such as the JonBenet Ramsey case and Dr. Henry Lee who presented physical evidence in the O. J. Simpson trial, along with many lesser known but fascinating stories, Fisher presents daunting evidence that forensic science has a long way to go before it lives up to its potential and the public's expectations.

Hannah Arendt, Walter Benjamin, and Theodor W. Adorno were intellectual giants of the first half of the twentieth century. The drama Foreplay explores their deeply human and psychologically intriguing private lives, focusing on professional and personal jealousies, the mutual dislike of Theodor Adorno and Hannah Arendt, the association between Walter Benjamin and Georges Bataille, and the border between erotica and pornography.

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Back in print at last in a third edition, the classic Forest and Shade Trees of Iowa now has a wealth of full-color photographs and updated, reorganized information that will please both new and returning readers.

Part 1 of this guide focuses on identification, with user-friendly keys to both summer and winter trees and illustrated descriptions of more than one hundred common species. The trees are arranged according to similarities in foliage; each entry includes a large scan of a leafy branch along with two or three smaller photos of buds, flowers, fruits, and winter twigs. The text contains a description of the species, its geographical distribution, and notes on how to distinguish it from similar species. Part 2 is divided into conifers and flowering trees and includes all trees native to Iowa, trees that are widely planted, invasive species, some less commonly planted trees, and tall native shrubs that might be mistaken for trees. The authors provide information about the natural history of individual trees, their ecological requirements, pests and diseases that affect them, and their usefulness for such different purposes as windbreaks, landscaping, wildlife plantings, fuel, lumber, and food. Following these two main parts, three shorter sections describe the planting and care of trees, Iowa’s forest communities, and good places to see trees in the state; a glossary and a bibliography are also included.

A complete guide to Iowa’s trees, both native and introduced, full of hundreds of color photos, this new edition of Forest and Shade Trees of Iowa will be immensely useful to arborists, foresters, horticulturists, landscape architects, gardeners, and all Iowans and midwesterners who appreciate the beauty and value of trees and want to learn more about them.

If sociology could teach everyone just one thing, what would it be? The Forest and the Trees is one sociologist's response to the hypothetical—the core insight with the greatest potential to change how people see the world and themselves in relation to it.

This revised and updated edition features:

• A new chapter that brings together the various aspects of the sociological model described in previous chapters with a detailed application to the origins of racism in the United States

•A discussion of how individuals can participate in social change by stepping off paths of least resistance

•The addition of graphics to illustrate the sociological model of systems and individuals

Forest Conservation in the Anthropocene provides thought-provoking insight into the ongoing environmental crises that climate change is generating and raises critical questions about how public and private land managers in North America will adapt to the climatological disruptions that are already transforming the ecological structures of these forests.

In this pathbreaking anthology, a team of leading environmental researchers probes the central dilemmas that ecologists, forest land managers, state and federal agencies, and grassroots organizations are confronting—and will continue to confront—in the coming century. Each chapter examines strategies that are currently being tested across the country as scientists, citizen-­scientists, policy makers, academics, and activists work to grasp their options and opportunities for a future that will be shaped by ongoing environmental upheaval.

Successful adaptation to the challenges of climate change requires a transdisciplinary perspective. Forest Conservation in the Anthropocene provides a compelling set of arguments and case studies that underscores the need for innovative policies and energetic actions.

“Extraordinarily valuable, illuminating, and even entertaining, Forest of Pressure brims with the types of information that only a key insider can get his hands on.” —Mitsuhiro Yoshimoto, New York University

Ogawa Productions—known in Asia as Ogawa Pro—was an influential filmmaking collective that started in the 1960s under the direction of Ogawa Shinsuke (1936–1992). Between 1968 and the mid-1970s, Ogawa Pro electrified the Japanese student movement with its Sanrizuka documentary series—eight films chronicling the massive protests over the construction of the Narita airport—which has since become the standard against which documentaries are measured in Japan.

A critical biography of a collective, Forest of Pressure explores the emergence of socially committed documentary filmmaking in postwar Japan. Analyzing Ogawa Pro’s films and works by other Japanese filmmakers, Abé Mark Nornes addresses key issues in documentary theory and practice, including individual and collective cinema production modes and the relationship between subject and object. Benefiting from unprecedented access to Ogawa Pro’s archives and interviews with former members, Forest of Pressure is an innovative look at the fate of political filmmaking in the wake of the movement’s demise.

Abé Mark Nornes is associate professor of screen arts and cultures and Asian languages and cultures at the University of Michigan. He is a coordinator at the Yamagata International Documentary Film Festival and the author of Japanese Documentary Film: The Meiji Era through Hiroshima (Minnesota, 2003).

“The Forest of Taboos may be considered among the most important books ever written by an anthropologist. Valeri writes superbly, and this book makes a fundamental contribution to one of the most central lines of thought in twentieth-century anthropology. He shows that taboo is finally comprehensible.”—John Stephen Lansing, University of Michigan
 
“The Forest of Taboos is no conventional ethnography, more an extended meditative essay on its subject, erudite, rich in ideas and data, wide-ranging in its theoretical inspiration, and self-consciously literary in form. It is a fitting memorial to an author whose life was so tragically cut short.”—Roy Ellen, University of Kent at Canterbury

This eloquent and profound book, completed by Valerio Valeri shortly before his death in 1998, contends that the ambivalence felt by all humans about sex, death, and eating other animals can be explained by a set of coordinated principles that are expressed in taboos. In elegant prose, Valeri evokes the world of the Huaulu, forest hunters of Indonesia. The hidden attractions of the animal world, which invades the human world in perilous ways, he shows, also delineate that which the Huaulu regard as most human about themselves.

Climate change poses a huge threat to the West. The current mountain pine beetle epidemic with over 50 million acres of dying trees in western North America has created a powerful “teachable moment” across the region.

A primary goal of the Forests At Risk symposium was to reframe the nation’s climate change dialogue by making the issue both personal and real to many who may not appreciate its connection to the immediate world around them. While some may have difficulty relating to rising sea levels, falling water tables, imperiled polar bears and melting glaciers in far-off places, they are still shocked by the sight of vast dying forests around their homes. The Forests At Risk symposium explored the statement by Andy Jacobson, a carbon cycle scientist at the National Oceanic and Atmospheric Administration in Boulder, that “this is the kind of feedback we're all very worried about in the carbon cycle ... a warming planet leading to, in this case, an insect outbreak that increases carbon dioxide into the atmosphere, which can increase warming.”

The overwhelming scientific consensus holds that climate change is one of the most serious threats facing humankind today. We have a soberingly short time in which to reduce atmospheric greenhouse gases if we are to preserve our quality of life and environment. In addition to the global urgency, the American West is deeply dependent on the health of its forests, mountains and streams for both its quality of life and its economy. Put simply, if global warming shortens our winters, diminishes our recreation, and unleashes wildfires, diseases and insect epidemics that devastate our forests, the regional damage would be incalculable.

NOW is the perfect time to learn more in this ebook.  The Forests At Risk symposium represented the first substantial public forum focused directly on the connection between climate change and forest health in the American West. In the wake of millions of acres of pine beetle devastation across our continent, this is the ideal moment to highlight the climate change connection and focus on the question of what happens when our forests transform from carbon sinks into carbon sources.

Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead. The final section is focused upon individuals and includes studies of generals, of civil administrators, and of one remarkable woman who, in 1831, successfully negotiated peace treaties with the British and the Danes on the Gold Coast. The author argues that contemporary developments can only be fully understood against the background of long-term trajectories of change in Ghana.

This tale of youth and the immutable forces of society arrayed against its innocence and optimism has been called the best football novel in years.

I died exactly the way I lived.” So begins the astonishing story of C. P. (Corinthians Phillipians) McKay, a star football player and passionate student who loves poetry. C. P. is a young man who appears to have everything going for him. But his downfall begins when he receives a scholarship to a major university. There, he finds his dream blocked from all directions by a ruthless coach, an unethical university president, and a cynical professor as he attempts to play the game he loves, satisfy his desire for knowledge, and guard his integrity.

Said to rival John Grisham’s A Time to Kill among debut novels, The Forever Season was first published by St. Martin’s Press in 1995. Bookpage proclaimed, “It is so much more than a sports story. . . . As understated and as clearly written as the better work of Erskine Caldwell. And as shocking!” The Chattanooga Free Press described it as “a fast-paced, funny and poignant look at coming of age [with] vivid characters [and] well-drawn witty prose [that] will engage readers who don’t know a clip from a couplet.”

In The Forever Season, Don Keith writes with a concise, hard-edged pen about a subject he knows well—the South, its trailer park culture, and its passion for gridiron glory—while exploring universal themes of fumbling youth and innocence lost.

 

The first book in T. S. Stribling's award-winning Vaiden Trilogy about life in north Alabama at the onset, during, and after the Civil War

Originally published in 1931, The Forge introduces the Vaiden family, residents of the rural north Alabama of Stribling’s own youth. The Vaidens are a family of white yeoman farmers who scratch out a living in the social and financial shadow of the Lacefields, masters of an opulent plantation nearby.
 
The novel opens on Alabama’s secession and the onset of the Civil War. It traces the story of Miltiades Vaiden, who enlists in the Confederate army, and explores the ways the Vaidens, Lacefields, and freed slaves attempt to adapt to the collapse of southern society on the home front.
 
After The Forge, Stribling continued the Vaiden saga in 1932 with The Store, which earned him the Pulitzer Prize. He completed the trilogy in 1934 with The Unfinished Cathedral. Together, the three books paint a portrait of the agrarian South of the mid-nineteenth century, its destruction, and the beginnings of a mercantile future.

Between 1905 and 1939 a conspicuously tall white man with a shock of red hair, dressed in a silk shirt and white linen trousers, could be seen on the streets of Onitsha, in Eastern Nigeria. How was it possible for an unconventional, boy-loving Englishman to gain a social status among the local populace enjoyed by few other Europeans in colonial West Africa?

In The Forger’s Tale: The Search for Odeziaku Stephanie Newell charts the story of the English novelist and poet John Moray Stuart-Young (1881–1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. Leaving behind a criminal record for forgery and embezzlement and his notoriety as a “spirit rapper,” Stuart-Young found a new identity as a wealthy palm oil trader and a celebrated author, known to Nigerians as “Odeziaku.”

In this fascinating biographical account, Newell draws on queer theory, African gender debates, and “new imperial history” to open up a wider study of imperialism, (homo)sexuality, and nonelite culture between the 1880s and the late 1930s. The Forger’s Tale pays close attention to different forms of West African cultural production in the colonial period and to public debates about sexuality and ethics, as well as to movements in mainstream English literature.

By November 1822, the British reading public had already voraciously consumed both Walter Scott’s expensive novels and Rudolf Ackermann’s exquisite lithographs. The next decade, referred to by some scholars as dormant and unproductive, is in fact bursting with Forget Me Nots, Friendship’s Offerings, Keepsakes, and Literary Souvenirs. By wrapping literature, poetry, and art into an alluring package, editors and publishers saturated the market with a new, popular, and best-selling genre, the literary annual. In Forget Me Not, Katherine D. Harris assesses the phenomenal rise of the annual and its origins in other English, German, and French literary forms as well as its social influence on women, its redefinition of the feminine, and its effects on late nineteenth- and early twentieth-century print culture. Harris adopts an interdisciplinary approach that uses textual and social contexts to explore a forum of subversive femininity, where warfare and the masculine hero were not celebrated.

Initially published in diminutive, decoratively bound volumes filled with engravings of popularly recognized artwork and “sentimental” poetry and prose, the annuals attracted a primarily middle-class female readership. The annuals were released each November, making them an ideal Christmas gift, lover’s present, or token of friendship. Selling more than 100,000 copies during each holiday season, the annuals were accused of causing an epidemic and inspiring an “unmasculine and unbawdy age” that lasted through 1860 and lingered in derivative forms until the early twentieth century in both the United States and Europe. The annual thrived in the 1820s and after despite—or perhaps because of—its “feminine” writing and beautiful form.

Behdad shows how political, cultural, and legal texts have articulated American anxiety about immigration from the Federalist period to the present day. He reads texts both well-known—J. Hector St. John de Crèvecoeur’s Letters from an American Farmer, Alexis de Tocqueville’s Democracy in America, and Walt Whitman’s Leaves of Grass—and lesser-known—such as the writings of nineteenth-century nativists and of public health officials at Ellis Island. In the process, he highlights what is obscured by narratives and texts celebrating the United States as an open-armed haven for everyone: the country’s violent beginnings, including its conquest of Native Americans, brutal exploitation of enslaved Africans, and colonialist annexation of French and Mexican territories; a recurring and fierce strand of nativism; the need for a docile labor force; and the harsh discipline meted out to immigrant “aliens” today, particularly along the Mexican border.

In 1811, deaf student Ferdinand Berthier commenced his education at the National Institute for the Deaf in Paris under its director Abbé Sicard and his teachers Auguste Bébian, Jean Massieu, and Laurent Clerc. Their tutelage eventually led Berthier to join the faculty at the Institute and become a life-long proponent of sign language and Deaf culture. Berthier earned fame for instituting the famous silent banquets in Paris in 1834. He also learned to advance his agenda by writing biographies of important figures who advocated sign over oralism to educate deaf French students. Forging Deaf Education in Nineteenth-Century France offers the first translation of Berthier’s biographical sketches of the four men above who influenced him most.

Berthier wrote first about Bébian in 1839, timed to advocate sign language for teaching deaf students after the death of the pro-oralism Institute Director Désiré Ordinaire. Berthier extolled Bébian’s linguistic acumen and his educational philosophy. In later sketches, however, he described Sicard and Massieu in positive terms, but also criticized them for supporting “methodical” signing that conformed to spoken language conventions.  In contrast, he lauded  Clerc in his portrayal for using “natural” signing to teach deaf students. The clarity of these translations will introduce a brand new audience to Berthier’s biographies shaped by his unswerving beliefs about Deaf French education.

Forging People explores the way in which Hispanic American thinkers in Latin America and Latino/a philosophers in the United States have posed and thought about questions of race, ethnicity, and nationality, and how they have interpreted the most significant racial and ethnic labels used in Hispanic America in connection with issues of rights, nationalism, power, and identity. Following the first introductory chapter, each of the essays addresses one or more influential thinkers, ranging from Bartolomé de Las Casas on race and the rights of Amerindians; to Simon Bolívar's struggle with questions of how to forge a nation from disparate populations; to modern and contemporary thinkers on issues of race, unity, assimilation, and diversity. Each essay carefully and clearly presents the views of key authors in their historical and philosophical context and provides brief biographical sketches and reading lists, as aids to students and other readers.

"The Lifetime movie of my divorce and crime spree will be entitled Breakdown at Midnight.... Sympathy for my character will be established by my loss of a wildly respectable, lucrative job with Arthur Andersen, a company which turned out to be as crooked as its customers. I will be another orphan of the American Dream gone sour, and eventually I will give in to the so-called dark side of my nature when I strangle Carmine with the strap of her Prada bag, or stab her to death with a survivalist-quality knife, or bludgeon her skull to a bloody pulp with a classic Tiffany lamp; this part of the script will have to wait for the real event to unfold since, though I've decided that tomorrow will be the day I kill her, I have yet to choose how."
—Charley Stranger

Turning headline news into biting social satire, Jim Grimsley exposes the amorality of materialistic America in Forgiveness, a blackly comic tale of a bankrupt accounting executive who dreams of achieving stardom in the only way a pathetic failure can—by murdering his wife. As Charley Stranger imagines the crime, he fantasizes wildly unlikely encounters with celebrities—sharing marital woes with Nicole Kidman over a latte at Starbucks, being interviewed by Barbara Walters—while in real life his wife Carmine incessantly ridicules his inability to perform either in bed or in the marketplace. As Forgiveness veers to its shocking conclusion, it strips bare the corruption of the American Dream—the moral bankruptcy of corporate and political institutions, the hollowness of living in a media-saturated world, the delusion of buying love with luxury goods.

 This book brings together a unique combination of experts in conflict resolution and focuses on the role forgiveness can play in the process. It deals with theology, public policy, psychological and social theory, and social policy implementation of forgiveness. This book is essential for libraries, scholars, conflict negotiators, and all people who hope to understand the role of forgiveness in the peace process.

The book's first section explores how ideas like "forgiveness" and "reconciliation" are moving out from the seminary and academy into the world of public policy and how these terms have been used and defined in the past. The second section looks at forgiveness and public policy. One of the chapters, by Donald W. Shriver Jr., addresses forgiveness in a secular political forum.

The third section of the book draws us to a more thorough analysis of the relationship between forgiveness and reconciliation from voices in the academic and theological community, and the final section highlights the work of practitioners currently working with religion, public policy, and conflict transformation, particularly in areas such as Ireland and Africa. 

Contributors include Desmond M. Tutu, Rodney L. Petersen, Miroslav Volf, Stanley S. Harakas, Raymond G. Helmick, SJ, Joseph V. Montville, Douglas M. Johnston, Donna Hicks, Donald W. Shriver, Jr., Everett L. Worthington, Jr., John Paul Lederach, Ervin Staub, Laurie Anne Pearlman, John Dawson, Audrey R. Chapman, Olga Botcharova, Anthony da Silva, SJ, Geraldine Smythe, OP, Andrea Bartoli, Ofelia Ortega, and George F. R. Ellis.

This interdisciplinary volume brings together essays on eleven of the founders of the American republic--Abigail Adams, Samuel Adams, Oliver Ellsworth, Alexander Hamilton, Patrick Henry, John Jay, Thomas Paine, Edmund Randolph, Benjamin Rush, Roger Sherman, and Mercy Otis Warren--many of whom are either little recognized today or little appreciated for their contributions. The essays focus on the thinking of these men and women on the proper role of religion in public life, including but not limited to the question of the separation of church and state. Their views represent a wide range of opinions, from complete isolation of church and state to tax-supported clergy.

These essays present a textured and nuanced view of the society that came to a consensus on how religion would fit in the public life of the new nation. They reveal that religion was more important in the lives and thinking of many of the founders than is often portrayed and that it took the interplay of disparate and contrasting views to frame the constitutional outline that eventually emerged.

"For more than a decade these three editors, separately and together, have led us to a more nuanced view of the central place of religion in the American founding era. Not only were the political views of famous founders like Adams, Jefferson, and Madison more dependent on religion than their modern secular caricature allows. But many other figures, from varying religious traditions, proved equally critical to forging the original American understanding of constitutional order, democratic liberty, and rule of law. This well-crafted volume introduces a dozen such founding figures and the sterling political accomplishments that they offered the young nation on the strength of their religious convictions." --John Witte, Jr., Emory University

"This excellent collection explores the rich diversity of the American mind at the Founding by attending to the spiritual, political, and intellectual convictions of a dozen men and women prominent in the events of that seminal period but relatively neglected by the historians. It fills a major gap left In the literature with its conventional fixation on the life and work of a handful of luminaries. In doing so, it takes seriously the role of religion in grounding devotion to Whig liberty and common law constitutionalism to form a popular consensus that has endured from 1776 until today. Highly readable and thoroughly sourced, this is a book for anyone interested in American history and politics." --Ellis Sandoz, Moyse Distinguished Professor of Political Science, Louisiana State University

"This collection of well-crafted essays probes the "religion and the founding" question from a fresh angle. Its concentration on the second rank of founders pays rich dividends, since this focus uncovers more variety on religious issues than appear when looking only at the "Big Six" of Washington-Franklin-John Adams-Madison-Hamilton-Jefferson. The pay off is to show not only how deep but also how various were the founders' religious commitments. Historians, but also those concerned about religion in contemporary American politics, should take note--the editors have done a very fine job." --Mark Noll, University of Notre Dame

"There is no book comparable to The Forgotten Founders on Religion and Public Life. It is a collection of eleven essays on the many neglected figures or, in some cases, the neglected church-state views of duly appreciated figures. The book's appeal goes beyond the realm of constitutional doctrine. In addition to constitutional lawyers, constitutional historians, historians of religion in America, and those who study American political thought will all welcome and value the book." --Gerard V. Bradley, University of Notre Dame Law School

"…an impressive new book… [The Forgotten Founders] is a gem that encompasses virtually every aspect of the development of our region." -ROCKY MOUNTAIN NEWS

"[Udall] offers a convincing argument that it wasn't the cavalry, fur traders, prospectors, gunslingers or railroad builders who tamed the West; it was 'courageous men and women who made treks into wilderness and created communities in virgin valleys.' Udall's spare prose adds impact to his words." -THE SEATTLE TIMES

"The West is so cluttered with misconceptions that it is hard to have a serious discussion about its history." --Wallace Stegner.

For most Americans, the "Wild West" popularized in movies and pulp novels -- a land of intrepid traders and explorers, warlike natives, and trigger-happy gunslingers -- has become the true history of the region. The story of the West's development is a singular chapter of history, but not, according to former Secretary of the Interior and native westerner Stewart L. Udall, for the reasons filmmakers and novelists would have us believe.

In The Forgotten Founders, Stewart Udall draws on his vast knowledge of and experience in the American West to make a compelling case that the key players in western settlement were the sturdy families who travelled great distances across forbidding terrain to establish communities there. He offers an illuminating and wide-ranging overview of western history and those who have written about it, challenging conventional wisdom on subjects ranging from Manifest Destiny to the importance of Eastern capitalists to the role of religion in westward settlement.

Stewart Udall argues that the overblown and ahistorical emphasis on a "wild west" has warped our sense of the past. For the mythical Wild West, Stewart Udall substitutes a compelling description of an Old West, the West before the arrival of the railroads, which was the home place for those he calls the "wagon people," the men and women who came, camped, settled, and stayed. He offers a portrait of the West not as a government creation or a corporate colony or a Hollywood set for feckless gold seekers and gun fighters but as primarily a land where brave and hardy people came to make a new life with their families. From Native Americans to Franciscan friars to Mormon pioneers, these were the true settlers, whose goals, according to Stewart Udall were "amity not conquest; stability, not strife; conservation, not waste; restraint, not aggression." The Forgotten Founders offers a provocative new look at one of the most important chapters of American history, rescuing the Old West and its pioneers from the margins of history where latter-day mythmakers have dumped them. For anyone interested in the authentic history of the American West, it is an important and exciting new work.

The sixteenth-century Mediterranean witnessed the expansion of both European and Middle Eastern civilizations, under the guises of the Habsburg monarchy and the Ottoman empire. Here, Andrew C. Hess considers the relations between these two dynasties in light of the social, economic, and political affairs at the frontiers between North Africa and the Iberian peninsula.

• the natural history of southern grasslands
• their origin and history (geologic, vegetation, and human)
• biological hotspots and endangered ecosystems
• physical determinants of grassland distribution, including ecology, soils, landform, and hydrology fire, herbivores, and ecological interactions.

Rarely has an individual's life been so inseparable from his writing as was Randolph Bourne's. His work reveals not only his political viewpoints but also his humanistic personality and the tumultuous era during which he lived. Forgotten Prophet carefully examines the intellect and personality of the "born essayist" who saw clearly both his century's potential for harmony and the danger that it faced from the lingering tides of nineteenth-century European nationalism.

Disfigured and hunchbacked, Bourne reacted to his disability not with bitterness or self-pity, but rather with an exuberant love for beauty and a compassion for humanity that created in him a longing for a truly cosmopolitan society—a "trans-national America" that would draw its strength from ethnic diversity and political pluralism. Nearly alone among American intellectuals, Bourne actively denounced involvement in World War I. He foresaw that, beyond the horrible cost in young lives, the war would bring in its wake the spiritual impoverishment of the nation and the disillusionment of its youth; it would strangle reform and social tolerance, exacerbate racism and nativism, and plant the seeds for further international instability. Although derided and largely ignored at the time they were written, Bourne's fearful predictions would all too quickly be confirmed in the dissolute frenzy of the jazz age, the turmoil of the 1930s, and the social chaos that brought about the rise of fascism in Europe and, soon, an even more destructive war.

Bourne did not live to witness this terrifying unfolding of events. His career as a social critic was brief but prolific. When he died in 1918 at the age of thirty-two, a victim of the flu epidemic, he had completed three books and more than a hundred essays. His first book, Youth and Life, is considered by some to be the original manifesto of the counterculture. From his earliest years as a writer, Bourne was identified as a voice for youth, idealism, and progress in human relations. Forgotten Prophet characterizes Bourne not just as a foreseer of this century's bloodshed but, equally important, as an apostle of hope—a champion of what was best, most truthful in the arts, in politics, and in the conduct of our daily lives.

Forgotten Readers expands our definition of literacy and urges us to think of literature as broadly as it was conceived of in the nineteenth century. Elizabeth McHenry delves into archival sources, including the records of past literary societies and the unpublished writings of their members. She examines particular literary associations, including the Saturday Nighters of Washington, D.C., whose members included Jean Toomer and Georgia Douglas Johnson. She shows how black literary societies developed, their relationship to the black press, and the ways that African American women’s clubs—which flourished during the 1890s—encouraged literary activity. In an epilogue, McHenry connects this rich tradition of African American interest in books, reading, and literary conversation to contemporary literary phenomena such as Oprah Winfrey’s book club.

In The Forgotten Tribe: Scientists as Writers, Lisa Emerson offers an important corrective to the view that scientists are "poor writers, unnecessarily opaque, not interested in writing, and in need of remediation." She argues that scientists are among "the most sophisticated and flexible writers in the academy, often writing for a wider range of audiences (their immediate disciplinary peers, peers in adjacent fields, a broad scientific audience, industry, and a range of public audiences including social media) than most other faculty." Moreover, she notes, the often collaborative and multidisciplinary nature of their work results in writing practices that "may be more socially complex, and require more articulation, mediation, and interpersonal communication, and more use of advanced media and technology than those of faculty in other disciplines."

Drawing on extensive interviews with scientists, Emerson argues that writing scholars have "engaged in a form of cultural appropriation" that has worked against a deeper understanding of the contexts in which scientists work and the considerations they bring to their writing. Emerson grounds her analysis in the voices of scientists in a way that allows us to understand not only how they approach writing but also how we might usefully teach writing in the sciences. The Forgotten Tribe offers a valuable contribution to our understanding of scientific writing, allowing us to hear voices that are seldom included in our discussions of this critical area.

Armstrong-Fumero's translation allows readers to develop a more nuanced understanding of this foundational work, which is often misrepresented in contemporary critical analyses. As much about national identity as anthropology, this text gives Anglophone readers access to a particular set of topics that have been mentioned extensively in secondary literature but are rarely discussed with a sense of their original context. Forjando Patria also reveals the many textual ambiguities that can lend themselves to different interpretations.

The book highlights the history and development of Mexican anthropology and archaeology at a time when scholars in the United States are increasingly recognizing the importance of cross-cultural collaboration with their Mexican colleagues. It will be of interest to anthropologists and archaeologists studying the region, as well as those involved in the history of the discipline.

Form and Reform: Reading across the Fifteenth Century challenges the idea of any definitive late medieval moment and explores instead the provocatively diverse, notably untidy, and very rich literary culture of the age. These essays from leading medievalists, edited by Shannon Gayk and Kathleen Tonry, both celebrate and complicate the reemergence of the fifteenth century in literary studies. Moreover, this is the first collection to concentrate on the period between 1450 and 1500—the crucial five decades, this volume argues, that must be understood to comprehend the entire century’s engagement with literary form in shifting historical contexts.

“Was it a crater or a sinkhole?” asks a voice in one of the mysterious, wonderstruck poems in Christopher Bolin’s Form from Form, whose cadences modulate with the energies of form-making, deformation, and elusive reformation. Natural forms and forms of human manufacture, forms of absence and those of urgent desire construct and deconstruct each other in Bolin’s singular music, which blends unnerving plainness and obliqueness, the childlike and the alien. 

As their sites drift from workers’ camps to city squares, isolated coasts to windswept plains, the poems in Form from Form trace a map of a fragmented ecology, dense with physical detail of altered landscapes and displaced populations. In tones of austere beauty and harsh discordance, these poems provide a “field guide to luminescent things,” a visionary fretwork of the possibilities and impossibilities of faith in the present moment. 

The meaning of any linguistic expression resides not only in the words, but also in the ways that those words are conveyed. In her new study, Miako N. P. Rankin highlights the crucial interrelatedness of form and meaning at all levels in order to consider specific types of American Sign Language (ASL) expression. In particular, Form, Meaning, and Focus in American Sign Language considers how ASL expresses non-agent focus, similar to the meaning of passive voice in English.

       Rankin’s analyses of the form-meaning correspondences of ASL expressions of non-agent focus reveals an underlying pattern that can be traced across sentence and verb types. This pattern produces meanings with various levels of focus on the agent. Rankin has determined in her meticulous study that the pattern of form-meaning characteristic of non-agent focus in ASL is used prolifically in day-to-day language. The recognition of the frequency of this pattern holds implications regarding the acquisition of ASL, the development of curricula for teaching ASL, and the analysis of ASL discourse in effective interpretation.

By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment.

       Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephen Fredman and Steve McCaffery, the essays in this collection have been gathered into three parts. Those in “Form” consider a variety of characteristic formal qualities that differentiate Creeley from his contemporaries. In “Power,” writers reflect on the pressure exerted by emotions, gender issues, and politics in Creeley’s life and work. In “Person,” Creeley’s unique artistic and psychological project of constructing a person—reflected in his correspondence, teaching, interviews, collaborations, and meditations on the concept of experience—is excavated. While engaging these three major topics, the authors remain, as Creeley does, intent upon the ways such issues appear in language, for Creeley’s nakedness is most conspicuously displayed in his intimate relationship with words.

Contributors

Charles Altieri

Rachel Blau DuPlessis

Stephen Fredman

Benjamin Friedlander

Alan Golding

Michael Davidson

Steve McCaffery

Peter Middleton

Marjorie Perloff

Peter Quartermain

Libbie Rifkin

Many texts on logic are written with a mathematical emphasis, and focus primarily on the development of a formal apparatus and associated techniques. In other, more philosophical texts, the topic is often presented as an indulgent collection of musings on issues for which technical solutions have long since been devised.

What has been missing until now is an attempt to unite the motives underlying both approaches. Paul Hoyningen-Huene’s Formal Logic seeks to find a balance between the necessity of formal considerations and the importance of full reflection and explanation about the seemingly arbitrary steps that occasionally confound even the most serious student of logic. Alex Levine’s artful translation conveys both the content and style of the German edition. Filled with examples, exercises, and a straightforward look at some of the most common problems in teaching the subject, this work is eminently suitable for the classroom.