Since the 1950s, the death rate from heart attacks has plunged from 35 percent to about 5 percent—and fatalistic attitudes toward this disease and many others have faded into history. Much of the improved survival and change in attitudes can be traced to the work of Eugene Braunwald, MD. In the 1960s, he proved that myocardial infarction was not a “bolt from the blue” but a dynamic process that plays out over hours and thus could be altered by treatment. By redirecting cardiology from passive, risk-averse observation to active intervention, he helped transform not just his own field but the culture of American medicine.

Braunwald’s personal story demonstrates how the forces of history affected the generation of researchers responsible for so many medical advances in the second half of the twentieth century. In 1938 Nazi occupiers forced his family to flee Vienna for Brooklyn. Because of Jewish quotas in medical schools, he was the last person admitted to his class, but went on to graduate number one. When the Doctor Draft threatened to interrupt his medical training during the Korean War, he joined the National Institutes of Health instead of the Navy, and there he began the research that made him the most influential cardiologist of his time.

In Eugene Braunwald and the Rise of Modern Medicine, Thomas H. Lee offers insights that only authoritative firsthand interviews can provide, to bring us closer to this iconic figure in modern medicine.

Kristine L. Haglund views England’s writing through the tensions produced by his often-opposed intellectual and spiritual commitments. Though labeled a liberal, England had a traditional Latter-day Saint background and always sought to address fundamental questions in Mormon terms. His intellectually adventurous essays sometimes put him at odds with Church authorities and fellow believers. But he also influenced a generation of thinkers and cofounded Dialogue, a Mormon academic and literary journal acclaimed for the broad range of its thought.

A fascinating portrait of a Mormon intellectual and his times, Eugene England reveals a believing scholar who emerged from the lived experiences of his faith to engage with the changes roiling Mormonism in the twentieth century.

In the face of seemingly relentless American optimism, Eugene O’Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with audiences, won him the Nobel Prize and four Pulitzer, and continue to grip theatergoers today. Now noted historian John Patrick Diggins offers a masterly biography that both traces O’Neill’s tumultuous life and explains the forceful ideas that form the heart of his unflinching works.

Diggins paints a richly detailed portrait of the playwright’s life, from his Irish roots and his early years at sea to his relationships with his troubled mother and brother. Here we see O’Neill as a young Greenwich Village radical, a ravenous autodidact who attempted to understand the disjunction between the sunny public face of American life and the rage that he knew was simmering beneath. According to Diggins, O’Neill mined this disjunction like no other American writer. His characters burn with longing for an idealized future composed of equal parts material success and individual freedom, but repeatedly they fall back to earth, pulled by the tendrils of family and the insatiability of desire. Drawing on thinkers from Emerson to Nietzsche, O’Neill viewed this endlessly frustrated desire as the problematic core of American democracy, simultaneously driving and undermining American ideals of progress, success, and individual freedom.

Melding a penetrating assessment of O’Neill’s works and thought with a sensitive re-creation of his life, Eugene O’Neill’s America offers a striking new view of America’s greatest playwright—and a new picture of American democracy itself.

Eugene Debs (1855-1926) is regarded by many as American history's premier labor advocate. He was the leader of the Socialist party, five-time Socialist candidate for president, outspoken on the rights of all workers, and a persistent defender of America's democratic traditions. 

Nick Salvatore's acclaimed biography offers a major reevaluation of Debs, the movements he launched, and his belief in American Socialism as an extension of the nation's democratic traditions. He also shows the relationship between Debs's public image and his private life as child, sibling, husband, and lover. Salvatore's Debs--weaknesses intact--emerges as a complex man, frustrated and angered by the glaring inequities of a new economic order, and willing to risk his freedom to preserve the essence of democratic society.

Winner, Robert Motherwell Book Award, Outstanding Book on Modernism in the Arts, The Dedalus Foundation, 2019

As Latin American elites strove to modernize their cities at the turn of the twentieth century, they eagerly adopted the eugenic theory that improvements to the physical environment would lead to improvements in the human race. Based on Jean-Baptiste Lamarck’s theory of the “inheritance of acquired characteristics,” this strain of eugenics empowered a utopian project that made race, gender, class, and the built environment the critical instruments of modernity and progress.

Through a transnational and interdisciplinary lens, Eugenics in the Garden reveals how eugenics, fueled by a fear of social degeneration in France, spread from the realms of medical science to architecture and urban planning, becoming a critical instrument in the crafting of modernity in the new Latin world. Journeying back and forth between France, Brazil, and Argentina, Fabiola López-Durán uncovers the complicity of physicians and architects on both sides of the Atlantic, who participated in a global strategy of social engineering, legitimized by the authority of science. In doing so, she reveals the ideological trajectory of one of the most celebrated architects of the twentieth century, Le Corbusier, who deployed architecture in what he saw as the perfecting and whitening of man. The first in-depth interrogation of eugenics’ influence on the construction of the modern built environment, Eugenics in the Garden convincingly demonstrates that race was the main tool in the geopolitics of space, and that racism was, and remains, an ideology of progress.

The architects of the Soviet Union intended not merely to remake their society—they also had an ambitious plan to remake the citizenry physically, with the goal of perfecting the socialist ideal of man. As Euphoria and Exhaustionshows, the Soviet leadership used sport as one of the primary arenas in which to deploy and test their efforts to mechanize and perfect the human body, drawing on knowledge from physiology, biology, medicine, and hygiene. At the same time, however, such efforts, like any form of social control, could easily lead to discontent—and thus, the editors show, a study of changes in public attitude towards sport can offer insight into overall levels of integration, dissatisfaction, and social exhaustion in the Soviet Union.

The roots—and reach—of “Great Replacement” theory in France and beyond​
 

The Eurabia Myth delves into the origins and evolution of far-right anxieties about the future of a Europe that welcomes postcolonial migration, racial and ethnic diversity, and tolerance of Islam. Nationalists deploy the specter of “Eurabia”—an Arabized and Islamized Europe—as a doomsday scenario of demographic replacement that only they can avert. Mehammed Amadeus Mack traces this dark vision to a sociopolitical conspiracy theory that began in France, spread throughout Europe, and has become especially virulent in the United States: Great Replacement Theory.

Examining how the Eurabia narrative gained traction, Mack analyzes dystopian fiction that envisions how this Replacement will take place, the contemporary politicization of medieval history, and ecofascist rhetoric depicting immigrants as an “invasive” species. He also interviews prominent French activists of color about how they subvert being portrayed as Replacers and destroyers of European civilization, and he explores the American echoes of the Great Replacement Theory.

Innovatively deploying gender and sexuality theory to the concept of Eurabia, Mack demonstrates that the demographic and racial anxieties underlying Great Replacement Theory are intertwined with a more fundamental crisis of masculinity, evident in the far right’s accusations that feminists and the LGBT community are responsible for the decline in white birth rates. As it uncovers the deeper roots of this pervasive theory, The Eurabia Myth shows its insidious relevance to a rising tide of nativist fear, hatred, and violence.

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A long-awaited corrective to the controversial idea of world literature, from a major voice in the field.

Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters.

Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture.

Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.

This volume examines Russian discourses of regionalism as a source of identity construction practices for the country's political and intellectual establishment. The overall purpose of the monograph is to demonstrate that, contrary to some assumptions, the transition trajectory of post-Soviet Russia has not been towards a liberal democratic nation state that is set to emulate Western political and normative standards. Instead, its foreign policy discourses have been constructing Russia as a supranational community which transcends Russia's current legally established borders.

The study undertakes a systematic and comprehensive survey of Russian official (authorities) and semi-official (establishment affiliated think tanks) discourse for a period of seven years between 2007 and 2013. This exercise demonstrates how Russia is being constructed as a supranational entity through its discourses of cultural and economic regionalism. These discourses associate closely with the political project of Eurasian economic integration and the "Russian world" and "Russian civilization" doctrines. Both ideologies, the geoeconomic and culturalist, have gained prominence in the post-Crimean environment. The analysis tracks down how these identitary concepts crystallized in Russia's foreign policies discourses beginning from Vladimir Putin's second term in power.

In this book Cedric Whitman turns from the heroic poets of Greece to the world of Euripides, less than heroic but still archetypal in its adherence to myth. In a four-part essay he analyzes the three “romances,” Iphigenia in Tauris, Helen, and Ion, placing them in the poet’s work as a whole.

The keynote is myth, not as a collection of outmoded stories to be rejected or rationalized by the “philosopher of the stage,” but as a fulfilling pattern of personal redemption, never completed in the other extant plays. In this reading, the controversial gods of Euripides are seen as characters in a greater scheme, the myth, rather than as parodies of religion or objects of atheistical satire. The theme of purity, or spiritual wholeness, wrought into the poetic texture, appears as a recurrent symbol of what redemption means to the struggling protagonists. This is an elegant piece of criticism, both in its conception and in its style.

With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and borrowings from other arts.

Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blends, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives a historical and theoretical overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment.

The second part of Lev’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema.

Despite western Europe's traditional disdain for the United States' "adversarial legalism," the European Union is shifting toward a very similar approach to the law, according to Daniel Kelemen. Coining the term "eurolegalism" to describe the hybrid that is now developing in Europe, he shows how the political and organizational realities of the EU make this shift inevitable.

The model of regulatory law that had long predominated in western Europe was more informal and cooperative than its American counterpart. It relied less on lawyers, courts, and private enforcement, and more on opaque networks of bureaucrats and other interests that developed and implemented regulatory policies in concert. European regulators chose flexible, informal means of achieving their objectives, and counted on the courts to challenge their decisions only rarely. Regulation through litigation-central to the U.S. model-was largely absent in Europe.

But that changed with the advent of the European Union. Kelemen argues that the EU's fragmented institutional structure and the priority it has put on market integration have generated political incentives and functional pressures that have moved EU policymakers to enact detailed, transparent, judicially enforceable rules-often framed as "rights"-and back them with public enforcement litigation as well as enhanced opportunities for private litigation by individuals, interest groups, and firms.

Stalin's death on March 6, 1953, reopened the debate within the Eisenhower administration over whether or not the United States should propose and actively promote the reunification of Germany at a summit conference. Written by an insider, this is the only published firsthand account of this foreign policy decision—a decision that illuminated the dilemmas of the Cold War at an important moment.

W. W. Rostow examines the origins of Eisenhower's "peace speech" of April 16, 1953, and of the National Security Council's debate on the German question between John Foster Dulles and presidential adviser C. D. Jackson. Jackson proposed immediate high-level diplomatic contact with the Soviet Union and the countries of Western Europe to discuss German reunification, as well as proposals for the general control of armaments and special security arrangements for Europe. Dulles, however, argued for a more reserved posture, which ruled out summitry and immediate negotiation with the Soviets. Dulles prevailed, but Eisenhower made his famous "peace speech."

In his concluding chapter, Rostow explores the question of whether or not anything was lost by this outcome. Was an opportunity for a united Germany forfeited when Eisenhower rejected Churchill's suggestion for a prompt summit meeting and backed Dulles against Jackson in the National Security Council meeting of March 11?

This is the third in a series of volumes by the author that probe the relationship between ideas and action in the making of major policy decisions. In this series, Rostow examines historic decision making from an insider's point of view while exploiting fully the rich documentary evidence.

Europe and Love in Cinema explores the relationship between love and Europeanness in a wide range of films from the 1920s to the present. A critical look at the manner in which love—in its broadest sense—is portrayed in cinema from across Europe and the United States, this volume exposes constructed notions of "Europeanness" that both set Europe apart and define some parts of it as more "European" than others. Through the international distribution process, these films in turn engage with ideas of Europe from both outside and within, while some, treated extensively in this volume, even offer alternative models of love. A bracing collection of essays from top film scholars, Europe and Love in Cinema demonstrates the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.

The essays in Europe in Black and White offer new critical perspectives on race, immigration, and identity on the Old Continent. In reconsidering the various forms of encounters with difference, such as multiculturalism and hybridity, the contributors address a number of issues, including the cartography of postcolonial Europe, its relation to the production of "difference" and "race," and national and identity politics and their dependence on linguistic practices inherited from imperial times. Featuring scholars from a wide variety of nationalities and disciplinary areas, this collection will speak to an equally wide readership.

The first detailed analysis of Native metalworking in the Protohistoric/Contact Period

From the time of their earliest encounters with European explorers and missionaries, Native peoples of eastern North America acquired metal trinkets and utilitarian items and traded them to other aboriginal communities. As Native consumption of European products increased, their material culture repertoires shifted from ones made up exclusively of items produced from their own craft industries to ones substantially reconstituted by active appropriation, manipulation, and use of foreign goods. These material transformations took place during the same time that escalating historical, political, economic, and demographic influences (such as epidemics, new types of living arrangements, intergroup hostilities, new political alliances, missionization and conversion, changes in subsistence modes, etc.) disrupted Native systems.

Ehrhardt's research addresses the early technological responses of one particular group, the Late Protohistoric Illinois Indians, to the availability of European-introduced metal objects. To do so, she applied a complementary suite of archaeometric methods to a sample of 806 copper-based metal artifacts excavated from securely dated domestic contexts at the Illiniwek Village Historic Site in Clark County, Missouri.

Ehrhardt's scientific findings are integrated with observations from historical, archaeological, and archival research to place metal use by this group in a broad social context and to critique the acculturation perspective at other Contact Period sites. In revealing actual Native practice, from material selection and procurement to ultimate discard, the author challenges technocentric explanations for Native material and cultural change at contact.

In European Urbanization Jan de Vries provides the first comprehensive data base for understanding the nature of the changes that took place in European cities from 1500 to 1800. The book is based on an immense systematic survey of the population history of 379 European cities with 10,000 or more inhabitants analyzed at fifty-year intervals.

Using a wide range of economic, demographic, and geographic models, de Vries illustrates patterns of urban growth, draws conclusions about the significance of migratory behavior, and shows the effects of urbanization on the history of Europe as a whole. In presenting these broad measures of urbanization, de Vries makes a case that the cities of Europe gradually came to form a single urban system. The properties of this system are analyzed with the use of several geographical concepts: rank-size distribution, transition matrices, and potential surfaces, among others. This examination of the fortunes of cities of different sizes and regions and the economic and political factors that affected their development is fundamentally important for understanding modern Europe and the contemporary problems of urban development. De Vries mines these rich, complex data to give us a rounded view of the dynamics of change in urban preindustrial society.

European Urbanization will be of great value to readers interested in social, economic, and demographic history, geography, architecture, and urban studies.

In carefully crafted official statements, the European Union presents itself as an honest broker in the Middle East. In reality, however, the EU’s 27 governments have been engaged in a long process of accommodating Israel’s occupation of Palestinian territories.

Journalist David Cronin interrogates the relationship and its outcomes. A recent agreement for 'more intense, more fruitful, more influential co-operation' between the EU and Israel has meant that Israel has become a member state of the Union in all but name. Cronin shows that rather than using this relationship to encourage Israeli restraint, the EU has legitimised actions such as the ill-treatment of prisoners and the Gaza invasion.

Concluding his revealing and shocking account, Cronin calls for a continuation and deepening of international activism and protest to halt the EU's slide into complicity.

When Portuguese explorers first rounded the Cape of Good Hope and arrived in the subcontinent in the late fifteenth century, Europeans had little direct knowledge of India. The maritime passage opened new opportunities for exchange of goods as well as ideas. Traders were joined by ambassadors, missionaries, soldiers, and scholars from Portugal, England, Holland, France, Italy, and Germany, all hoping to learn about India for reasons as varied as their particular nationalities and professions. In the following centuries they produced a body of knowledge about India that significantly shaped European thought.

Europe’s India tracks Europeans’ changing ideas of India over the entire early modern period. Sanjay Subrahmanyam brings his expertise and erudition to bear in exploring the connection between European representations of India and the fascination with collecting Indian texts and objects that took root in the sixteenth century. European notions of India’s history, geography, politics, and religion were strongly shaped by the manuscripts, paintings, and artifacts—both precious and prosaic—that found their way into Western hands.

Subrahmanyam rejects the opposition between “true” knowledge of India and the self-serving fantasies of European Orientalists. Instead, he shows how knowledge must always be understood in relation to the concrete circumstances of its production. Europe’s India is as much about how the East came to be understood by the West as it is about how India shaped Europe’s ideas concerning art, language, religion, and commerce.

Socrates against sophistry.

Plato of Athens, who laid the foundations of the Western philosophical tradition and in range and depth ranks among its greatest practitioners, was born to a prosperous and politically active family circa 427 BC. In early life an admirer of Socrates, Plato later founded the first institution of higher learning in the West, the Academy, among whose many notable alumni was Aristotle. Traditionally ascribed to Plato are thirty-five dialogues developing Socrates’ dialectic method and composed with great stylistic virtuosity, together with the Apology and thirteen letters.

The two dialogues in this volume, Euthydemus and Gorgias, probably date from the end of Plato’s early period in the late 380s. They contrast Socrates’ aims and methods with those of sophists, rhetoricians, and others who claimed the ability to teach excellence (aretē), while illustrating Socrates’ own conception thereof not as worldly power or political success but as a personal search for wisdom leading to happiness. Gorgias also contains a classic refutation of the “might is right” philosophy represented by Callicles, a ruthless up-and-coming politician.

This edition, which replaces the original Loeb editions by Sir Walter R. M. Lamb, offers text, translation, and annotation that are fully current with modern scholarship.

The fundamental tetralogy on Socrates’ final days.

Plato of Athens, who laid the foundations of the Western philosophical tradition and in range and depth ranks among its greatest practitioners, was born to a prosperous and politically active family circa 427 BC. In early life an admirer of Socrates, Plato later founded the first institution of higher learning in the West, the Academy, among whose many notable alumni was Aristotle. Traditionally ascribed to Plato are thirty-five dialogues developing Socrates’ dialectic method and composed with great stylistic virtuosity, together with the Apology and thirteen letters.

The four works in this volume recount the circumstances of Socrates’ trial and execution in 399 BC. In Euthyphro, set in the weeks before the trial, Socrates and Euthyphro attempt to define holiness. In Apology, Socrates answers his accusers at trial and unapologetically defends his philosophical career. In Crito, a discussion of justice and injustice explains Socrates’ refusal of Crito’s offer to finance his escape from prison. And in Phaedo, Socrates discusses the concept of an afterlife and offers arguments for the immortality of the soul. This edition, which replaces the original Loeb edition by Harold North Fowler, offers text, translation, and annotation that are fully current with modern scholarship.

Plato, the great philosopher of Athens, was born in 427 BCE. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates' execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of 'advanced' democracy is obvious. He lived to be 80 years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates' mind fused with Plato's thought.

In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city's thought, and his fate is impending. The Apology (not a dialogue), Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness (and involves education, equality of the sexes, the structure of society, and abolition of slavery). Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato's last work of the twelve books of Laws (Socrates is absent from it), a critical discussion of principles of law which Plato thought the Greeks might accept.

The Loeb Classical Library edition of Plato is in twelve volumes.

A new English translation for scholars and students of church history

Evagrius exerted a striking impact on the development of spirituality, of Origenism, and of the spiritual interpretation of the Bible in Greek, Syriac, and Latin Christianity. This English translation of the most complete Syriac version of Kephalaia Gnostika makes Evagrius Ponticus's thoughts concerning reality, God, protology, eschatology, anthropology, and allegorical exegesis of Scripture widely available.

Features:

• English translation of the longer Syriac version discovered by Antoine Guillaumont
• Commentary provides an integrated analysis of Evagrius's ascetic and philosophical writings
• Extensive introduction on the importance of Evagrius and the context of his writings

Enter the world of an academic trailblazer