Puritans did not find a life free from tyranny in the New World—they created it there. Massachusetts emerged a republic as they hammered out a vision of popular participation and limited government in church and state, spurred by Plymouth Pilgrims. Godly Republicanism underscores how pathbreaking yet rooted in puritanism’s history the project was.

Michael Winship takes us first to England, where he uncovers the roots of the puritans’ republican ideals in the aspirations and struggles of Elizabethan Presbyterians. Faced with the twin tyrannies of Catholicism and the crown, Presbyterians turned to the ancient New Testament churches for guidance. What they discovered there—whether it existed or not—was a republican structure that suggested better models for governing than monarchy.

The puritans took their ideals to Massachusetts, but they did not forge their godly republic alone. In this book, for the first time, the separatists’ contentious, creative interaction with the puritans is given its due. Winship looks at the emergence of separatism and puritanism from shared origins in Elizabethan England, considers their split, and narrates the story of their reunion in Massachusetts. Out of the encounter between the separatist Plymouth Pilgrims and the puritans of Massachusetts Bay arose Massachusetts Congregationalism.

Bruce Lincoln is one of the most prominent advocates within religious studies for an uncompromisingly critical approach to the phenomenon of religion—historians of religions, he believes, should resist the preferred narratives and self-understanding of religions themselves, especially when their stories are endowed with sacred origins and authority. In Gods and Demons, Priests and Scholars, Lincoln assembles a collection of essays that both illustrates and reveals the benefits of his methodology, making a case for a critical religious studies that starts with skepticism but is neither cynical nor crude.

The dramatic desert landscapes of the Big Bend country along the Texas-Mexico border reminded historian Walter Prescott Webb of "an earth-wreck in which a great section of country was shaken down, turned over, blown up, and set on fire." By contrast, naturalist Aldo Leopold considered the region a mountainous paradise in which even the wild Mexican parrots had no greater concern than "whether this new day which creeps slowly over the canyons is bluer or golder than its predecessors, or less so." Whether it impresses people as God's country or as the devil's playground, the Big Bend typically evokes strong responses from almost everyone who lives or visits there.

In this anthology of nature writing, Barney Nelson gathers nearly sixty literary perspectives on the landscape and life of the Big Bend region, broadly defined as Trans-Pecos Texas and northern Chihuahua, Mexico. In addition to Leopold and Webb, the collection includes such well-known writers as Edward Abbey, Mary Austin, Roy Bedichek, and Frederick Olmsted, as well as a wide range of voices that includes explorers, trappers, cowboys, ranch wives, curanderos, college presidents, scientists, locals, tourists, historians, avisadores, and waitresses. Following a personal introduction by Barney Nelson, the pieces are grouped thematically to highlight the distinctive ways in which writers have responded to the Big Bend.

God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

A record of the 2015 Building Bridges Seminar for leading Christian and Muslim scholars, this collection of essays explores the nature of divine and human agency through themes of creation’s goal, humankind’s dignity and task, and notions of sovereignty. Part I sets the context for the book with “Human Action within Divine Creation: A Muslim Perspective” by Mohsen Kadivar of Duke University and “On the Possibility of Holy Living: A Christian Perspective” by Lucy Gardner of Oxford University. The rest of the book includes paired essays—one from a Muslim perspective, one from a Christian perspective—that introduce scriptural material with commentary to aid readers in conducting dialogical study. In her conclusion, coeditor Lucinda Mosher digests the illuminating small-group conversations that lie at the heart of the Building Bridges initiative, conversations that convey a vivid sense of the lively, penetrating but respectful dialogue for which the project is known. This unique volume will be a valuable resource to scholars, students, and professors of Christianity and Islam.

In this book devoted exclusively to temples and perceptions of the divine presences that inhabit them, Michael B. Hundley focuses on the official religions of the ancient Near East and explores the interface between the human and the divine within temple environs.

Hundley identifies common ancient Near Eastern temple systems and examines issues that include what temple structures communicate, how temples were understood to function, temple ideology, the installation of divine presence in a temple, the connection between presence and physical representation, and human service to the deity.

Drawing on architectural and spatial theory, ritual theory, theories of language, art history, archaeology, sociocultural anthropology, and comparative studies, Hundley offers a single interpretive lens through which to view temple worship.

Features:

• A close examination of temples in Egypt, Mesopotamia, Hittite Anatolia, and Syria-Palestine
• An interdisciplinary treatment of architecture, language, ritual, and art
• A dual focus on how a deity's divine presence connects to space and art and how human service to the deity maintains the deity's active presence

The magical and mundane twist together in this collection of surreal stories

In this collection of stories set in an uncanny American suburbia and haunted by a lurking unease, the peculiar feeling of ephemeral youth finds its voice. The stories in The Gods in Small Doses depict childhood through a funhouse mirror, as a time of myth and damage, of tenderness and terror. Anything—except what should happen—can happen next.

A retired witch traps a goat-killing feral child, a girl becomes obsessed with the regenerative properties of her younger brother’s body, Armageddon is fought between the forces of good (those who like to go to bed early) and evil (those who prefer to stay up late), a supernatural orphan insinuates his way into an all-American family, the god Poseidon wrecks a high-school house party, and the women of a fabulated island city all mysteriously disappear overnight. In these fast, comic, and troubling tales, sweetness and violence vie to become synonymous.

This is a universe of both realism and surrealism, of magic and the mundane, where strong but deeply flawed characters fight to exert control over things—time, death, themselves—that can’t be controlled. Dreamlike moments of body horror, catastrophe, and absurdity challenge the reader to embrace the taboo and to expect—always—the unexpected. Bell’s stories offer a twisted, unique, and utterly fascinating take on what it means to “grow up,” and all of the questions that the notion inspires.

The magical and mundane twist together in this collection of surreal stories

In this collection of stories set in an uncanny American suburbia and haunted by a lurking unease, the peculiar feeling of ephemeral youth finds its voice. The stories in The Gods in Small Doses depict childhood through a funhouse mirror, as a time of myth and damage, of tenderness and terror. Anything—except what should happen—can happen next.

A retired witch traps a goat-killing feral child, a girl becomes obsessed with the regenerative properties of her younger brother’s body, Armageddon is fought between the forces of good (those who like to go to bed early) and evil (those who prefer to stay up late), a supernatural orphan insinuates his way into an all-American family, the god Poseidon wrecks a high-school house party, and the women of a fabulated island city all mysteriously disappear overnight. In these fast, comic, and troubling tales, sweetness and violence vie to become synonymous.

This is a universe of both realism and surrealism, of magic and the mundane, where strong but deeply flawed characters fight to exert control over things—time, death, themselves—that can’t be controlled. Dreamlike moments of body horror, catastrophe, and absurdity challenge the reader to embrace the taboo and to expect—always—the unexpected. Bell’s stories offer a twisted, unique, and utterly fascinating take on what it means to “grow up,” and all of the questions that the notion inspires.

Winner of a Christianity Today Book Award

An incisive look at how evangelical Christians shaped—and were shaped by—the American criminal justice system.

America incarcerates on a massive scale. Despite recent reforms, the United States locks up large numbers of people—disproportionately poor and nonwhite—for long periods and offers little opportunity for restoration. Aaron Griffith reveals a key component in the origins of American mass incarceration: evangelical Christianity.

Evangelicals in the postwar era made crime concern a major religious issue and found new platforms for shaping public life through punitive politics. Religious leaders like Billy Graham and David Wilkerson mobilized fears of lawbreaking and concern for offenders to sharpen appeals for Christian conversion, setting the stage for evangelicals who began advocating tough-on-crime politics in the 1960s. Building on religious campaigns for public safety earlier in the twentieth century, some preachers and politicians pushed for “law and order,” urging support for harsh sentences and expanded policing. Other evangelicals saw crime as a missionary opportunity, launching innovative ministries that reshaped the practice of religion in prisons. From the 1980s on, evangelicals were instrumental in popularizing criminal justice reform, making it a central cause in the compassionate conservative movement. At every stage in their work, evangelicals framed their efforts as colorblind, which only masked racial inequality in incarceration and delayed real change.

Today evangelicals play an ambiguous role in reform, pressing for reduced imprisonment while backing law-and-order politicians. God’s Law and Order shows that we cannot understand the criminal justice system without accounting for evangelicalism’s impact on its historical development.

With exoplanets being discovered daily, Earth is still the only planet we know of that is home to creatures who seek a coherent explanation for the structure, origins, and fate of the universe, and of humanity’s place within it. Today, science and religion are the two major cultural entities on our planet that share this goal of coherent understanding, though their interpretation of evidence differs dramatically. Many scientists look at the known universe and conclude we are here by chance. The renowned astronomer and historian of science Owen Gingerich looks at the same evidence—along with the fact that the universe is comprehensible to our minds—and sees it as proof for the planning and intentions of a Creator-God. He believes that the idea of a universe without God is an oxymoron, a self-contradiction. God’s Planet exposes the fallacy in thinking that science and religion can be kept apart.

Gingerich frames his argument around three questions: Was Copernicus right, in dethroning Earth from its place at the center of the universe? Was Darwin right, in placing humans securely in an evolving animal kingdom? And was Hoyle right, in identifying physical constants in nature that seem singularly tuned to allow the existence of intelligent life on planet Earth? Using these episodes from the history of science, Gingerich demonstrates that cultural attitudes, including religious or antireligious beliefs, play a significant role in what passes as scientific understanding. The more rigorous science becomes over time, the more clearly God’s handiwork can be comprehended.

Loathed by mainstream Southern Baptists, J. Frank Norris (1877–1952) was in many ways the Southern Baptist Convention’s first fundamentalist. Twenty-five years after its first publication, this second edition of Barry Hankins’s field-defining work God’s Rascal: J. Frank Norris and the Beginnings of Southern Fundamentalism engages new scholar- ship on American fundamentalism to reassess one of the most controversial figures in the history of American Christianity. In this completely revised edition, Hankins pens an entirely new chapter on J. Frank Norris’s murder trial, examines newly uncovered details regarding his recurrent sexual improprieties, and reconsiders his views on race in order to place J. Frank Norris, a man both despicable and captivating, among the most significant Southern fundamentalists of the twentieth century.

Norris merged a southern populist tradition with militant fundamentalism, carving out a distinctly take-no-prisoners political niche within the Baptist church that often offended his allies as much as his enemies. Indeed, Norris was about as bad as a fundamentalist could be. He resided in a world of swirling conspiracies of leftists who, he argued, intended to subvert both evangelical religion and American culture. There are times when Norris’s ego looms so large in his story that he seemed less interested in the threat these alleged conspiracies posed than in their power to keep him in the limelight. Finally, his tactics foreshadowed those employed in the fundamentalists’ tenacious takeover of the Southern Baptist Convention that would occur more than twenty years after Norris’s death.

Resisting the tendency to separate the study of religion and politics, editor Jacob Neusner pulls together a collection of ten essays in which various authors explain and explore the relationship between the world's major religions and political power. As William Scott Green writes in the introduction, "Because religion is so comprehensive, it is fundamentally about power; it therefore cannot avoid politics."

Beginning with the classical sources and texts of Judaism, Christianity, Buddhism, Islam, Confucianism and Hinduism, God's Rule begins to explore the complex nature of how each religion shapes political power, and how religion shapes itself in relation to that power. The corresponding attention to differing theories of politics and views towards non-believers are important not only to studies in comparative religion, but to foreign policy, history and governance as well. From early Christianity's relationship to the Roman Empire to Hinduism's relationship to Gandhi and the caste system, God's Rule provides a basis of understanding from which undergraduates, seminarians and others can begin asking questions of relationships "both unavoidable and systematically uneasy."

We live in a universe with a very long history, a vast cosmos where things are being worked out over unimaginably long ages. Stars and galaxies have formed, and elements come forth from great stellar cauldrons. The necessary elements are present, the environment is fit for life, and slowly life forms have populated the earth. Are the creative forces purposeful, and in fact divine?

Owen Gingerich believes in a universe of intention and purpose. We can at least conjecture that we are part of that purpose and have just enough freedom that conscience and responsibility may be part of the mix. They may even be the reason that pain and suffering are present in the world. The universe might actually be comprehensible.

Taking Johannes Kepler as his guide, Gingerich argues that an individual can be both a creative scientist and a believer in divine design—that indeed the very motivation for scientific research can derive from a desire to trace God’s handiwork. The scientist with theistic metaphysics will approach laboratory problems much the same as does his atheistic colleague across the hall. Both are likely to view the astonishing adaptations in nature with a sense of surprise, wonder, and mystery.

In God’s Universe Gingerich carves out “a theistic space” from which it is possible to contemplate a universe where God plays an interactive role, unnoticed yet not excluded by science.

Third Place in the Victor Turner Prize in Ethnographic Writing from the American Anthropological Association's Society for Humanistic Anthropology

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.

Course or Book Club Reading and Discussion Guide (https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/02/04135941/gods-waiting-room_reading-questions.pdf)

For copyright reasons, this edition is not available in the South African Development Community and Kenya.

God's War offers a sweeping new vision of one of history's most astounding events: the Crusades.

From 1096 to 1500, European Christians fought to recreate the Middle East, Muslim Spain, and the pagan Baltic in the image of their God. The Crusades are perhaps both the most familiar and most misunderstood phenomena of the medieval world, and here Christopher Tyerman seeks to recreate, from the ground up, the centuries of violence committed as an act of religious devotion.

The result is a stunning reinterpretation of the Crusades, revealed as both bloody political acts and a manifestation of a growing Christian communal identity. Tyerman uncovers a system of belief bound by aggression, paranoia, and wishful thinking, and a culture founded on war as an expression of worship, social discipline, and Christian charity.

This astonishing historical narrative is imbued with figures that have become legends--Saladin, Richard the Lionheart, Philip Augustus. But Tyerman also delves beyond these leaders to examine the thousands and thousands of Christian men--from Knights Templars to mercenaries to peasants--who, in the name of their Savior, abandoned their homes to conquer distant and alien lands, as well as the countless people who defended their soil and eventually turned these invaders back. With bold analysis, Tyerman explicates the contradictory mix of genuine piety, military ferocity, and plain greed that motivated generations of Crusaders. He also offers unique insight into the maturation of a militant Christianity that defined Europe's identity and that has forever influenced the cyclical antagonisms between the Christian and Muslim worlds.

Drawing on all of the most recent scholarship, and told with great verve and authority, God's War is the definitive account of a fascinating and horrifying story that continues to haunt our contemporary world.

The first English translations of the original novellas about the iconic kaijū Godzilla

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas. 

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions.

Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

Retail e-book files for this title are screen-reader friendly.

Peoples’s analysis ranges from abolitionist and proslavery visual culture to Do the Right Thing to “Bed Intruder Song” and the cellphone video of Derrion Albert’s murder. After identifying these moments, he considers how performances go viral in Black ways. He also thinks through the ways Black virality circulates ideas that materially affect Black life. As he shows, an interacting person’s vulnerability to racialized gender and racialized sexuality knowledge inspires how they spread a performance. Non-iconic elements of viral moments reveal hard-to-find nuances of Black life while the artists and others represented in viral moments promote both collective and individual liberation by harnessing their visibility and audibility.

Rigorous and expansive, Goin’ Viral uses Black virality as a new way to understand and frame Black performances.

This volume explores the earliest available version of the Sikh canon. The book contains the first critical description and partial edition of the Goindval Pothis, a set of proto-scriptural manuscripts prepared in the 1570s. The manuscripts also contain a number of hymns by non-Sikh saints, some of them not found elsewhere.

Through a meticulous analysis of the contents of these rare manuscripts, Gurinder Singh Mann establishes their place and importance in the history of Sikh canon formation.

The book will be of great interest to scholars of comparative canon studies and of medieval Indian literature.

Climate change is no longer an abstract threat. Day after day, an already disrupted climate is impacting the lives of millions, and the time available to curtail climate change is alarmingly limited. Going for zero greenhouse gas emissions requires retooling everything about industry, agriculture, transportation, and every city and town that people inhabit. The work of architects, engineers, landscape architects, urban designers and the countless others who shape the built environment has never been more relevant. Decarbonizing how buildings are designed, constructed, and operated is a sea change that is already altering professional principles and practices. 

In Going for Zero: Decarbonizing the Built Environment on the Path to Our Urban Future​, seasoned architect and former AIA president Carl Elefante addresses how buildings and cities can and must help resolve the looming climate emergency. Elefante offers a decidedly alternative viewpoint, one informed by his architecture career rescuing buildings from senseless demolition and learning from the practices and wisdom embedded in built heritage.  

For architects and the countless others who work together creating human habitation, the twenty-first century imperatives demand a profound mode shift, from an expansion mindset to one of reintegration and healing. Elefante argues that curtailing the climate emergency, resolving intransigent social and economic injustice, and launching the urban era onto a truly beneficial and sufficient path presents challenges that must be addressed through built form.  

The challenge of our built environment and the possible solutions are covered in four sections: climate imperative, justice imperative, urban imperative, and beyond modernism. Elefante explains that revitalizing communities by optimizing existing resources makes social, economic, and environmental sense and directs resources where they are most needed.  

Going for Zero is an urgent call to action and path forward. Elefante’s message is ultimately one of hope—but we must act now. 

David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls.

The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among "whites," and creating a common national culture.

Since the beginning of the twentieth century, modern Chinese intellectuals, reformers, revolutionaries, leftist journalists, and idealistic youth had often crossed the increasing gap between the city and the countryside, which made the act of “going to the countryside” a distinctively modern experience and a continuous practice in China. Such a spatial crossing eventually culminated in the socialist state program of “down to the villages” movements during the 1960s and 1970s. What, then, was the special significance of “going to the countryside” before that era? Going to the Countryside deals with the cultural representations and practices of this practice between 1915 and 1965, focusing on individual homecoming, rural reconstruction, revolutionary journeys to Yan’an, the revolutionary “going down to the people” as well as going to the frontiers and rural hometowns for socialist construction. As part of the larger discourses of enlightenment, revolution, and socialist industrialization, “going to the countryside” entailed new ways of looking at the world and ordinary people, brought about new experiences of space and time, initiated new means of human communication and interaction, generated new forms of cultural production, revealed a fundamental epistemic shift in modern China, and ultimately created a new aesthetic, social, and political landscape.

As a critical response to the “urban turn” in the past few decades, this book brings the rural back to the central concern of Chinese cultural studies and aims to bridge the city and the countryside as two types of important geographical entities, which have often remained as disparate scholarly subjects of inquiry in the current state of China studies. Chinese modernity has been characterized by a dual process that created problems from the vast gap between the city and the countryside but simultaneously initiated constant efforts to cope with the gap personally, collectively, and institutionally. The process of “crossing” two distinct geographical spaces was often presented as continuous explorations of various ways of establishing the connectivity, interaction, and relationship of these two imagined geographical entities. Going to the Countryside argues that this new body of cultural productions did not merely turn the rural into a constantly changing representational space; most importantly, the rural has been constructed as a distinct modern experiential and aesthetic realm characterized by revolutionary changes in human conceptions and sentiments.

It is generally believed that Mao Zedong's populism was an abrupt departure from traditional Chinese thought. This study demonstrates that many of its key concepts had been developed several decades earlier by young May Fourth intellectuals, including Liu Fu, Zhou Zuoren, and Gu Jiegang. The Chinese folk-literature movement, begun at National Beijing University in 1918, changed the attitudes of Chinese intellectuals toward literature and toward the common people.

Turning their backs on “high culture” and Confucianism, young folklorists began “going to the people,” particularly peasants, to gather the songs, legends, children's stories, and proverbs that Chang-tai Hung here describes and analyzes. Their focus on rural culture, rural people, and rural problems was later to be expanded by the Chinese Communist revolutionaries.

• COVID-19 Misinformation Challenge, featuring an email quiz, to encourage participants to separate fact from fiction; 
• weekly virtual storytimes;
• community cooking demonstrations via Zoom;
• an online grocery store tour, complete with tips about shopping healthy on a budget;
• a virtual beer tasting that boasted 80 attendees;
• socially distanced "creativity crates" for summer reading;
• an online Minecraft club for kids ages 6 and up;
• a Zoom presentation about grieving and funerals during COVID, featuring the director of a local funeral home;
• Art Talk Tuesday, a one-hour, docent-led program; 
• a virtual lecture on the history of witchcraft, presented by a public library in partnership with a university rare book room, that drew thousands of viewers;
• "knitting for knewbies" kits for curbside pickup;
• Songs from the Stacks, an ongoing virtual concert series in the style of NPR’s “Tiny Desk”;
• a pink supermoon viewing party that included people howling at the moon together from their homes on Facebook Live;
• and many others

In tracing the history of gold through the ages, this beautiful book showcases the multifarious uses to which the precious metal has been put. Drawing on her own long experience investigating the art and science of metallurgy, Susan La Niece guides readers through the rich history of gold. In detailed images and descriptive text, her book shows us gold over the millennia as coinage, jewelry and ornamentation, high-status vessels, and grave goods; as gifts of distinction, and as radiant symbols in rituals of magic and worship.

Following a glimmering trail through distant times and places, Gold takes us to cultures as disparate as the Mughals of India, the Anglo-Saxons of Britain, and the pre-Hispanic civilizations of the New World. It considers the work of alchemists and goldsmiths, the myths and the legends, the fakes and fine art. And, in the end, it offers a fittingly lavish and deeply informed picture of gold in all its practical, figurative, commercial, artistic, and historical facets.

The lands between Mesoamerica and the Central Andes are famed for the rich diversity of ancient cultures that inhabited them. Throughout this vast region, from about AD 700 until the sixteenth-century Spanish invasion, a rich and varied tradition of goldworking was practiced. The amount of gold produced and worn by native inhabitants was so great that Columbus dubbed the last New World shores he sailed as Costa Rica—the "Rich Coast."

Despite the long-recognized importance of the region in its contribution to Pre-Columbian culture, very few books are readily available, especially in English, on these lands of gold. Gold and Power in Ancient Costa Rica, Panama, and Colombia now fills that gap with eleven articles by leading scholars in the field. Issues of culture change, the nature of chiefdom societies, long-distance trade and transport, ideologies of value, and the technologies of goldworking are covered in these essays as are the role of metals as expressions and materializations of spiritual, political, and economic power. These topics are accompanied by new information on the role of stone statuary and lapidary work, craft and trade specialization, and many more topics, including a reevaluation of the concept of the "Intermediate Area."

Collectively, the volume provides a new perspective on the prehistory of these lands and includes articles by Latin American scholars whose writings have rarely been published in English.

    Gold Diggers of 1933, a lavish and glittering showcase for Busby Berkeley's musical production talent, was designed and produced as a Depression tonic. As Berkeley said, "In an era of breadlines, Depression, and wars, I tried to help people get away from all the misery . . . to turn their minds away to something else. I wanted to make people happy, if only for an hour.
    This book contains the full shooting script of Erwin Gelsey and James Seymour, based on the Avery Hopwood play of 1919, as well as the lyrics to the five songs of the film. Arthur Hove's introduction outlines the story concept from its initial Broadway form, through the 1923 silent movie, the 1929 talkie, and including several post-1933 versions. The concept of the good-hearted chorus girl with a penchant for separating wealthy men from some of their money has long been popular with both theatre and movie audiences.
    Hove tells much about the relationship between the story line and musical segments of the movie, about how far a writer can go before passing the baton to the director, and about how a film is actually put together.
    The film is remembered for Berkeley's musical and visual extravaganza. In the opening number, "We're in the Money," his sumptuous corps de ballet, numbering fifty-four, appeared in costumes made of fifty-four thousand "silver" coins. Five silver dollars, twenty-eight feet in diameter formed the background for the chorus.

2025 Broadcast Historian Award, Library of American Broadcasting Foundation

How mid-century television anthologies reflected and shaped US values and identities.

From the late 1940s to the early 1960s, anthology dramas presented “quality” television programming in weekly stand-alone television plays meant to entertain and provide cultural uplift to American society. Programs such as Playhouse 90, Studio One, and The Twilight Zone became important emblems of American creative potential on television. But their propensity for addressing matters of major social concern also meant that they often courted controversy. Although the anthology’s tenure would be brief, its importance in the television landscape would be great, and the ways the format negotiated ideas about “Americanness” at midcentury would be a crucial facet of its significance.

In Gold Dust on the Air, Molly Schneider traces a cultural history of the “Golden Age” anthology, addressing topics such as the format’s association with Method acting and debates about “authentic” American experience, its engagement with ideas about “conformity” in the context of Cold War pressures, and its depictions of war in a medium sponsored by defense contractors. Drawing on archival research, deep textual examination, and scholarship on both television history and broader American culture, Schneider posits the anthology series as a site of struggle over national meaning.

Entertaining and expert, The Gold in the Rings maps the Olympics' course from paragon of purity to billion-dollar profits.

The top joint in Texas shares its secrets to award-winning barbecue.

Goldee's Bar-B-Q, which sits in a quiet corner of Dallas–Fort Worth, opened only a few weeks before COVID-19 closed the dining room, and for months the restaurant eked out a living with curbside service and catering. The owners didn’t expect their barbecue to be crowned the best in the state by Texas Monthly, yet they earned that honor in 2021. What separates Goldee's from other joints is their pitmasters’ attention to craft and an inclusive attitude toward sharing their work. They understand that the secret ingredient in barbecue is not a particular spice in the rub, but hours of paying attention to fire and meat.

Goldee’s Bar-B-Q shows you how to make classics such as brisket, ribs, sausages, beans, coleslaw, potato salad, and banana pudding. Goldee’s pitmasters share how to trim, season, and smoke meat, as well as tips for managing a fire and monitoring temperature, which are key to elevating your barbecue. Goldee’s Bar-B-Q also captures the heart of the restaurant, the story of best friends coming together to make a place where they could share their love of cooking. A must-have for barbecue aficionados, meat lovers, and chefs looking to perfect their techniques, Goldee’s Bar-B-Q will help you make your barbecue exceptional.

In a masterful study, Carl J. Richard explores how the Greek and Roman classics became enshrined in American antebellum culture. For the first time, knowledge of the classics extended beyond aristocratic males to the middle class, women, African Americans, and frontier settlers.

The classics shaped how Americans interpreted developments around them. The example of Athens allowed politicians of the democratic age to espouse classical knowledge without seeming elitist. The Industrial Revolution produced a backlash against utilitarianism that centered on the classics. Plato and other ancients had a profound influence on the American romantics who created the first national literature, and pious Christians in an age of religious fervor managed to reconcile their faith with the literature of a pagan culture. The classics supplied both sides of the slavery debate with their chief rhetorical tools: the Aristotelian defense of slavery to Southern slaveholders and the concept of natural law to the Northern abolitionists.

The Civil War led to a radical alteration of the educational system in a way that steadily eroded the preeminence of the classics. They would never regain the profound influence they held in the antebellum era.

A collaborative effort by scholars from the United States, China, and Japan, this volume focuses on the period 1972-1989, during which all three countries, brought together by a shared geopolitical strategy, established mutual relations with one another despite differences in their histories, values, and perceptions of their own national interest. Although each initially conceived of its political and security relations with the others in bilateral terms, the three in fact came to form an economic and political triangle during the 1970s and 1980s. But this triangle is a strange one whose dynamics are constantly changing. Its corners (the three countries) and its sides (the three bilateral relationships) are unequal, while its overall nature (the capacity of the three to work together) has varied considerably as the economic and strategic positions of the three have changed and post–Cold War tensions and uncertainties have emerged.

In considering this special era, when the three major powers in the East Asia region engaged in positive interaction, the essays in this volume highlight the importance of this triangular reality in achieving a workable framework for future regional and global cooperation.

The elegiac poet Propertius responds in his verse to the complex changes that Rome underwent in his period, taking on numerous topics including poetic and sexual rivalry, visual art, violence, inability to control the elusive mistress, imperialism, colonialism, civil war, the radical new shape of the Roman state under the new monarch Augustus, and more. These essays, by well-known scholars of Roman elegy, offer new ways of reading Propertius’ topics, attitudes, and poetics.

This book begins with two distinguished essays by the late Barbara Flaschenriem, whose work on Propertius remains influential. The other contributions, offered in honor of her, are by Diane Rayor, Andrew Feldherr, Ellen Greene, Lowell Bowditch, Alison Keith, and volume editor Sharon L. James. These essays explore topics including Propertian didacticism, dream interpretation, visual art and formalism, sex and violence, Roman imperialism and its connection to the elegiac puella, and Propertius’ engagement, in Book 4, with Vergil’s poetry.

The gold rush was Herman Francis Reinhart's life for almost twenty years. From the summer of 1851 when, as a boy in his late teens, he traveled the Oregon trail to California, until a January day in 1869 when he climbed aboard an eastbound train at Evanston, Wyoming, he was a part of every gold discovery that stirred the West.

Reinhart dipped his pan in the streams of northern California and western Oregon—in Humbug Creek, Indian Creek, Rogue River, and Sucker Creek. He made the arduous and dangerous overland journey through Indian-occupied western Washington and British Columbia to find the Fraser River gold even more elusive than that farther south. With his teams and wagons he traversed all of the inland mine areas from Walla Walla to Fort Benton, from Boise Basin to South Pass City.

Reinhart's German common sense soon turned him from actual mining to other sources of income, but whatever his labor was, the mines were always the focal point of his activities. When he operated a bakery and saloon it was a business whose customers were miners, whose transactions were more likely to involve gold dust than legal tender, and whose gambling tables saw the exchange of mining fortunes. When he operated a whipsaw mill the timbers cut there were used by miners for sluices and cradles. For a while Reinhart farmed, but planting and harvesting suffered from interruption by frequent expeditions to the mines. And when he prospered as a teamster it was to and from the mining towns that he hauled passengers, supplies, and equipment.

The men who, like Herman Francis Reinhart, hopefully followed the golden frontier were not an articulate group, and the written records of their lives are few and fragmentary. But Reinhart, in his later years, recorded his experiences in five long, narrow, hardback ledgers. Many years after he died his daughter gave the ledgers to a friend in Chanute, Kansas—Nora Cunningham—who read the narrative, became fascinated by it, and typed it for publication.

Reinhart's account, written in a grammar and language all his own, is not a record of the historian's West, but of the West of the individual miner. The pages are filled with the details of day-to-day life of the miners—the subjects that interested them, the problems that plagued them, their fun and feuding, their frustrations and hopes. Edited by an authority of the history of the West, it is a book that will offer exciting reading to casual readers and scholars alike.