Published at the beginning of the twenty-first century, Sustainable Landscape Construction took a new approach to what was then a nearly new subject: how to construct outdoor environments based on principles of sustainability. This enormously influential book helped to spur a movement that has taken root around the U.S. and throughout the world. The second edition has been thoroughly updated to include the most important developments in this landscape revolution, along with the latest scientific research in the field. It has been expanded to provide even more ideas for designing, building, and maintaining environmentally sensitive landscapes. It is essential reading for everyone with an interest in "green" landscape design.
 
Like its predecessor, the new edition of Sustainable Landscape Construction is organized around principles that reflect the authors' desire to put environmental ethics into practice. Each chapter focuses on one over-arching idea. These principles of sustainability are clearly articulated and are developed through specific examples. More than 100 projects from around the globe are described and illustrated. A new chapter details ways in which landscape architectural practice must respond to the dangers posed by fire, floods, drought, extreme storms, and climate change.
 
Sustainable Landscape Construction is a crucial complement to basic landscape construction texts, and is a one-of-a-kind reference for professionals, students, and concerned citizens.

University communities have the potential to serve as models in the development and application of sustainability principles and practices, not only by what they teach and study, but also by how they operate facilities and engage with off-campus partners. With the oldest endowed campus-wide sustainability program in the country, established in 1997, the University of New Hampshire has become a leader in advancing a campus culture of sustainability. The UNH experience provides a unique window into the development of a new and integrated approach to teaching, learning, research, and operations. It is also a valuable guide for other institutions that aim to enhance the quality of campus life while reducing their environmental footprint. The book’s organization along four functional domains (curriculum, operations, research, and engagement) allows faculty, staff, students, and managers to focus on sections of particular relevance to their university roles. Each chapter develops standards of best practices and presents interesting case studies to humanize the larger effort.

Sustainability is a nearly ubiquitous concept today, but can we ever imagine what it would be like for humans to live sustainably on the earth? No, says Bryan G. Norton in Sustainable Values, Sustainable Change. One of the most trafficked terms in the press, on university campuses, and in the corridors of government, sustainability has risen to prominence as a buzzword before the many parties laying claim to it have come close to agreeing how to define it. But the term’s political currency urgently demands that we develop an understanding of this elusive concept.

While economists, philosophers, and ecologists argue about what in nature is valuable, and why, Norton here offers an action-oriented, pragmatic response to the disconnect between public and academic discourse around sustainability. Looking to the arenas in which decisions are made—and the problems that are driving these decisions—Norton reveals that the path to sustainability cannot be guided by fixed, utopian objectives projected into the future; sustainability will instead be achieved through experimentation, incremental learning, and adaptive management. Drawing inspiration from Aldo Leopold’s famed metaphor of “thinking like a mountain” for a spatially explicit, pluralistic approach to evaluating environmental change, Norton replaces theory-dependent definitions with a new decision-making process guided by deliberation and negotiation across science and philosophy, encompassing all stakeholders and activists and seeking to protect as many values as possible. Looking across scales to today’s global problems, Norton urges us to learn to think like a planet.

In 1986, a group of young Brazilian women started a movement to secure economic rights for rural women and transform women's roles in their homes and communities. Together with activists across the country, they built a new democracy in the wake of a military dictatorship. In Sustaining Activism, Jeffrey W. Rubin and Emma Sokoloff-Rubin tell the behind-the-scenes story of this remarkable movement. As a father-daughter team, they describe the challenges of ethnographic research and the way their collaboration gave them a unique window into a fiery struggle for equality.

Starting in 2002, Rubin and Sokoloff-Rubin traveled together to southern Brazil, where they interviewed activists over the course of ten years. Their vivid descriptions of women’s lives reveal the hard work of sustaining a social movement in the years after initial victories, when the political way forward was no longer clear and the goal of remaking gender roles proved more difficult than activists had ever imagined. Highlighting the tensions within the movement about how best to effect change, Sustaining Activism ultimately shows that democracies need social movements in order to improve people’s lives and create a more just society.

What has happened to cities after the global economic recession? Sustaining Cities answers this question by explaining how failed governmental policies contributed to urban problems and offering best practices for solving them.

From social scientists and urban planners to architects and literary and film critics, the authors of this unique collection suggest real responses to this crisis. Could the drastic declines in housing markets have been avoided? Yes, if we reframe our housing values. Do you want to attract corporate investment to your town? You might want to think twice about doing so. The extinction of the “Celtic Tiger” may be charted in statistics, but the response in popular Irish mystery novels is much more compelling. China, while not immune to market vicissitudes, still booms, but at a considerable cost to its urban identities.

Whether constructing a sustainable social framework for Mexican mega-cities or a neighborhood in London, these nine essays consider some strikingly similar strategies. And perhaps, as the contributors suggest, it’s time to look beyond the usual boundaries of urban, suburban, and exurban to forge new links among these communities that will benefit all citizens. Accessible to anyone with an interest in how cities cope today, Sustaining Cities presents a cautionary tale with a hopeful ending.

At once a slogan and a vision for future scholarship, interdisciplinarity promises to break through barriers to address today's complex challenges. Yet even high-stakes projects often falter, undone by poor communication, strong feelings, bureaucratic frameworks, and contradictory incentives. This new book shows newcomers and veteran researchers how to craft associations that will lead to rich mutual learning under inevitably tricky conditions. Strikingly candid and always grounded, the authors draw a wealth of profound, practical lessons from an in-depth case study of a multiyear funded project on cultural property. Examining the social dynamics of collaboration, they show readers how to anticipate sources of conflict, nurture trust, and jump-start thinking across disciplines. Researchers and institutions alike will learn to plan for each phase of a project life cycle, capturing insights and shepherding involvement along the way.

The food-secure and/or privileged worldwide no longer eat and drink simply to maintain life itself. They have the advantage and choice to regard "sustenance" not just as fuel for the body/machine but as a source of pleasure and entertainment for the mind/intellect. This enhanced concept of "sustenance" embraces all the senses: visual, auditory, olfactory, gustatory, and tactile, thus including not just food drink, but ceremonies art forms dealing with them. This book explores the substantive ways food drink impact human existence. The work comprises five parts: medicine; ceremonies; literature cinema; art artists; space/architecture advertising/art. Food drink start with the physical, morph into nutrition, the most basic requirements for organic life, but progress from the beginning of physical process to ceremony and expression. The result and the experience highlight physiological and sensual concepts, and indeed, preference. Food drink staples are determined by geographic availability and cuisine beverage are closely associated with culture ethnicity. Contributor exploration is wide-ranging: Aztec, Mexican Spanish medicine; African Roman Catholic rites; cookbook discourse and socio-gender influence; literature, including cultural comparisons of cooking and cooks; preparation representation of food drink as artistic endeavors, including by Latin American women, and types of inspirational "fodder," especially in the context of Picasso's art in Spain France, Spanish wine museums labelling. Sustenance for the Body Soul ;is the seventh book in the Hispanic Worlds series, details of which are available on the press website.

Suture and Narrative: Deep Intersubjectivity in Fiction and Film by George Butte offers a new phenomenological understanding of how fiction and film narratives use particular techniques to create and represent the experience of community. Butte turns to the concept of suture from Lacanian film theory and to the work of Merleau-Ponty to contribute a deeper and broader approach to intersubjectivity for the field of narrative theory.

Butte’s approach allows for narratives that represent insight as well as blindness, love, and loss, locating these connections and disconnections in narratological techniques that capture the crisscrossing of perspectives, such as those in fiction’s free indirect discourse and in the oblique angle of film’s shot/reverse shot convention. Butte studies the implications of this chiasmus in the novels and film adaptations of later Henry James works, Barrie’s Peter Pan tales and film adaptations, and the films Silence of the Lambsand Nothing But a Man. Suture’s story in the twentieth century, according to Butte, is a story of the loss of immediacy and community. Yet in concluding this, Butte finds optimism in the Coen brothers’ Raising Arizona as well as in Why Be Happy When You Could Be Normal? by Jeanette Winterson and Marc Webb’s film (500) Days of Summer.

Africa is a marriage of cultures: African and Asian, Islamic and Euro-Christian. Nowhere is this fusion more evident than in the formation of Swahili, Eastern Africa’s lingua franca, and its cultures. Swahili Beyond the Boundaries: Literature, Language, and Identity addresses the moving frontiers of Swahili literature under the impetus of new waves of globalization in the twentieth and twenty-first centuries. These momentous changes have generated much theoretical debate on several literary fronts, as Swahili literature continues to undergo transformation in the mill of human creativity.

Swahili literature is a hybrid that is being reconfigured by a conjuncture of global and local forces. As the interweaving of elements of the colonizer and the colonized, this hybrid formation provides a representation of cultural difference that is said to constitute a “third space,” blurring existing boundaries and calling into question established identitarian categorizations. This cultural dialectic is clearly evident in the Swahili literary experience as it has evolved in the crucible of the politics of African cultural production.

However, Swahili Beyond the Boundaries demonstrates that, from the point of view of Swahili literature, while hybridity evokes endless openness on questions of home and identity, it can simultaneously put closure on specific forms of subjectivity. In the process of this contestation, a new synthesis may be emerging that is poised to subject Swahili literature to new kinds of challenges in the politics of identity, compounded by the dynamics and counterdynamics of post–Cold War globalization.

Kiswahili has become the lingua franca of eastern Africa. Yet there can be few historic peoples whose identity is as elusive as that of the Swahili. Some have described themselves as Arabs, as Persians or even, in one place, as Portuguese. It is doubtful whether, even today, most of the people about whom this book is written would unhesitatingly and in all contexts accept the name Swahili.

This book was central to the thought and lifework of the late James de Vere Allen. It is his major study of the origin of the Swahili and of their cultural identity. He focuses on how the African element in their cultural patrimony was first modified by Islam and later changed until many Swahili themselves lost sight of it.

They share a language and they share a culture. Their territory stretches from the coast of southern Somalia to the Lamu archipelago in Kenya, to the Rovuma River in modern Mozambique and out into the islands of the Indian Ocean. But they lack a shared historical experience.

James de Vere Allen, in this study of contentious originality, set out to give modern Swahili evidence of their shared history during a period of eight centuries.

Groundbreaking anthologies of this kind come along once in a generation and, in time, define that generation. The Swallow Anthology of New American Poets identifies a group of poets who have recently begun to make an important mark on contemporary poetry, and their accomplishment and influence will only grow with time. The poets gathered here do not constitute a school or movement; rather they are a group of unique artists working at the top of their craft. As editor David Yezzi writes in his introduction, “Here is a group of writers who have, perhaps for the first time since the modernist revolution of the early twentieth century, returned to a happy détente between warring camps. This, I think, is a new—at least in our age—kind of poet, who, dissatisfied with the climate of extremes, has found a balance between innovation and received form, perceiving the terror beneath the classical and the unities girding romanticism. This new unified sensibility is no watered-down admixture, no pragmatic compromise worked out in departments of creative writing, but, rather, the vital spirit behind some of the most accomplished poetry being written by America’s new poets.”

Poets include: Craig Arnold, David Barber, Rick Barot, Priscilla Becker, Geoffrey Brock, Daniel Brown, Peter Campion, Bill Coyle, Morri Creech, Erica Dawson, Ben Downing, Andrew Feld, John Foy, Jason Gray, George Green, Joseph Harrison, Ernest Hilbert, Adam Kirsch, Joanie Mackowski, Eric McHenry, Molly McQuade, Joshua Mehigan, Wilmer Mills, Joe Osterhaus, J. Allyn Rosser, A. E. Stallings, Pimone Triplett, Catherine Tufariello, Deborah Warren, Rachel Wetzsteon, Greg Williamson, Christian Wiman, Mark Wunderlich, David Yezzi, and C. Dale Young.

This is an inspiring book about writing and—more unusually—a book that honors ambition, that idiosyncratic drive that compels writers and other artists to action despite every kind of obstacle. Upton explores forces that threaten our ability to fulfill the most daring aspirations, and she examines ambition’s adjuncts, including failure, boredom, and purity, offering a provocative antidote:obsession. Ultimately Upton argues for a new perception of literary art as “a good secret” for our time, when our interior lives and our imaginations are under threat.

"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham Greene

Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.

"The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune

"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph

In his convincing and highly accomplished fifth book, Ralph Burns draws on his deep practice and experience. His tones, forms, and subjects are various and striking, and the work of a poet mature and courageous enough to range through the full spectrum of his emotions.

Sometimes Burns is haunted by the strength and fallibility of the Christian tradition, and in many of his poems he explores the conflicts between individuals and the larger world—the mystery and responsibility of choice, consequence and inconsequence, “the terror of being taken.”

In a world filled with breathtaking beauty, we have often overlooked the elusive charm and magic of certain landscapes. A cloudy river flows into a verdant Arctic wetland where sandhill cranes and muskoxen dwell. Further south, cypress branches hang low over dismal swamps. Places like these–collectively known as swamplands or peatlands–often go unnoticed for their ecological splendor. They are as globally significant as rainforests, and function as critical carbon sinks for addressing our climate crisis. Yet, because of their reputation as wastelands, they are being systematically drained and degraded to make way for oilsands, mines, farms, and electricity.
 
In Swamplands, journalist Edward Struzik celebrates these wild places, venturing into windswept bogs in Kauai and the last remnants of an ancient peatland in the Mojave Desert. The secrets of the swamp aren’t for the faint of heart. Ed loses a shoe to an Arctic wolf and finds himself ankle-deep in water during a lightning storm. But, the rewards are sweeter for the struggle: an enchanting Calypso orchid; an elusive yellow moth thought to be extinct; ancient animals preserved in lifelike condition down to the fur.

Swamplands highlights the unappreciated struggle being waged to save peatlands by scientists, conservationists, and landowners around the world. An ode to peaty landscapes in all their offbeat glory, the book is also a demand for awareness of the myriad threats they face. It urges us to see the beauty and importance in these least likely of places­. Our planet’s survival might depend on it.
 

Little in North America is wilder than the Florida Everglades—a landscape of frightening reptiles, exotic plants in profusion, swarms of mosquitoes, and unforgiving heat. And yet, even from the early days of taming the wilderness with clearing and drainage, the Everglades has been considered fragile, unique, and in need of restorative interventions. Drawing on a decade of fieldwork with hunters in the Everglades, Laura A. Ogden explores the lives and labors of people, animals, and plants in this most delicate and tenacious ecosystem.

Today, the many visions of the Everglades—protectionist, ecological, commercial, historical—have become a tangled web of contradictory practices and politics for conservation and for development. Yet within this entanglement, the place of people remains highly ambivalent. It is the role of people in the Everglades that interests Ogden, as she seeks to reclaim the landscape’s long history as a place of human activity and, in doing so, discover what it means to be human through changing relations with other animals and plant life.

Ogden tells this story through the lives of poor rural whites, gladesmen, epitomized in tales of the Everglades’ most famous outlaws, the Ashley Gang. With such legends and lore on one side, and outsized efforts at drainage and development on the other, Swamplife strikes a rare balance, offering a unique insight into the hidden life of the Everglades—and into how an appreciation of oppositional culture and social class operates in our understanding of wilderness in the United States.

Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi’s groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art.

Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia’s two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet’s worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period.

Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.

Intercultural couples struggle, often quite successfully, with the kind of questions anyone who wants to live responsibly in a multicultural world must raise. They live, as we must all learn to do, in a place where multiple cultures find expression. This engaging anthology of literary nonfiction celebrates the creative potential of choosing diversity and explores in many voices the real-life social, cultural, and spiritual consequences of this choice. These are the honest voices of women who have made commitments across national and cultural lines, who have moved toward the revitalizing and educating potential of such partnerships.

In the early 1900s, thousands of immigrants labored in New Yorks Lower East Side sweatshops, enduring work environments that came to be seen as among the worst examples of Progressive-Era American industrialization. Although reformers agreed that these unsafe workplaces must be abolished, their reasons have seldom been fully examined.

Sweated Work, Weak Bodies is the first book on the origins of sweatshops, exploring how they came to represent the dangers of industrialization and the perils of immigration. It is an innovative study of the language used to define the sweatshop, how these definitions shaped the first anti-sweatshop campaign, and how they continue to influence our current understanding of the sweatshop.

A groundbreaking book that seeks to understand dance as labor, Sweating Saris examines dancers not just as aesthetic bodies but as transnational migrant workers and wage earners who negotiate citizenship and gender issues. 
           
Srinivasan merges ethnography, history, critical race theory, performance and post-colonial studies among other disciplines to investigate the embodied experience of Indian dance. The dancers’ sweat stained and soaked saris, the aching limbs are emblematic of global circulations of labor, bodies, capital, and industrial goods.  Thus the sweating sari of the dancer stands in for her unrecognized labor.
         
Srinivasan shifts away from the usual emphasis on Indian women dancers as culture bearers of the Indian nation. She asks us to reframe the movements of late nineteenth century transnational Nautch Indian dancers to the foremother of modern dance Ruth St. Denis in the early twentieth century to contemporary teenage dancers in Southern California, proposing a transformative theory of dance, gendered-labor, and citizenship that is far-reaching.

Arguing that the sweatshop is as American as apple pie, Laura Hapke surveys over a century and a half of the language, verbal and pictorial, in which the sweatshop has been imagined and its stories told.  Not seeking a formal definition of the sort that policymakers are concerned with, nor intending to provide a strict historical chronology, this unique book shows, rather, how the “real” sweatshop has become intertwined with the “invented” sweatshop of our national imagination, and how this mixture of rhetoric and myth has endowed American sweatshops with rich and complex cultural meaning. 

Hapke uncovers a wide variety of tales and images that writers, artists, social scientists, reformers, and workers themselves have told about “the shop.” Adding an important perspective to historical and economic approaches, Sweatshop draws on sources from antebellum journalism, Progressive era surveys, modern movies, and anti-sweatshop websites. Illustrated chapters detail how the shop has been a facilitator of assimilation, a promoter of upward mobility, the epitome of exploitation, a site of ethnic memory, a venue for political protest, and an expression of twentieth-century managerial narratives.

An important contribution to the real and imagined history of garment industry exploitation, this book provides a valuable new context for understanding contemporary sweatshops that now represent the worst expression of an unregulated global economy.

This volume makes two essays by Henry Corbin, the eminent French scholar of Islam, available in English for the first time. Although his primary interest was the esoteric tradition of Islam, Corbin was also a lifelong student of the theological works of Emanuel Swedenborg. The first essay, "Mundus Imaginalis, or The Imaginary and the Imaginal," clarifies Corbin's use of the term he coined, mundus imaginalis, or "the imaginal world." This important concept appears in both Swedenborgian and esoteric Islamic spirituality. The second piece, "Comparative Spiritual Hermeneutics," compares the revelation of the internal sense of the sacred boks of two distinct religions, Christianity and Islam.

Swedenborg and His Readers by John Chadwick is a collection of essays that addresses the problems of translation and the bridging of the cultural and historical divide between readers of today and texts written in centuries past. The essays focus on Chadwick’s groundbreaking work as a translator of Swedish philosopher and mystic Emanuel Swedenborg (1688–1772), but many of the issues raised are applicable to the broader study of language beyond that. This volume is the first in the Journal of the Swedenborg Society series. It contains five essays by John Chadwick entitled:
 
• “Swedenborg and His Readers”
• “On Translating The True Christian Religion”
• “On Conjugial Love”
• “On The Worlds in Space”
• “The Translator and the Latin Text”
 
Also included in the volume are “A Personal Tribute to John Chadwick” by G. P. Dawson; an introduction by Stephen McNeilly, a bibliography, and an index.

German philosopher Immanuel Kant had a complicated view of the writings of Swedish theologian Emanuel Swedenborg. Although Kant wrote a book that was harshly satiric of Swedenborg's ideas (Traume eines Geistersehers, or Dreams of a Spirit-Seer in English), later in life he appeared to reverse this opinion. Florschutz discusses this tension in Kant's thought in this short monograph.

Ursula Groll relates the metaphysical thought of Emanuel Swedenborg to current New Paradigm science, especially to the interface of science and spirituality. By providing extensive excerpts from Swedenborg's works and drawing parallels between his visionary insights and the works of philosophers and physicists such as David Bohm, Fritjof Capra, Rupert Sheldrake, and Albert Einstein, Groll shows how Swedenborg's voyage of discovery led him increasingly from the great to the small, from the outer to the inner, until he discovered the mirror of the universe, the seat of the Divine as the source of truth.

"…important for anyone who is concerned with inter-religious dialogue and the meaning of… visionary mysticism."
--The Reader's Review

This first complete English translation of two works by Zen scholar D.T. Suzuki introduces Emanuel Swedenborg and compares Swedenborgian thought to Buddhism. The first work stresses Swedenborg's message that true spirituality demands an engagement in this world; the second compares Swedenborg's description of heaven to the paradise of Pure Land Buddhism.

The Swedenborg Concordance is one of the most comprehensive reference tools on the writings of the eighteenth-century Swedish philosopher and mystic Emanuel Swedenborg to ever be produced. Printed in six volumes, The Concordance contains a subject index of nearly eight thousand entries spanning across Swedenborg’s entire theological output, listing every instance where these terms occur along with concise and helpful illustrative quotations. The terms are arranged alphabetically in English with the supporting citations also given in English translation. The original Latin words of which the terms are translations are given beside the headwords of each entry.
 
The Concordance is a “must have” for scholars of Swedenborg, providing a much-needed shortcut for anyone researching themes and ideas across Swedenborg’s works.
 
The six volumes are arranged as follows:
 
• Volume I, letters A-C + Introduction
• Volume II, letters D-F
• Volume III, letters G-J
• Volume IV, letters K-N
• Volume V, letters O-Sq
• Volume VI, letters St-Z + Appendix, Latin-English Vocabulary, Errata & Corrigenda

For more than 250 years, followers of scientist and visionary Emanuel Swedenborg have been translating and commenting on his writings, and for those unfamiliar with Swedenborg's works, it can be a difficult field to navigate. This revised and expanded edition of the Swedenborg Explorer's Guidebook offers:

* An annotated bibliography of all primary works by Emanuel Swedenborg -- including scientific, literary, and theological writings as well as personal letters and journals -- containing the latest information on holdings, publication dates, and available translations.

* An extensive annotated bibliography of secondary literature, including major biographies, bibliographies, analyses of Swedenborg's works, dissertations and theses, historical writings about the New Church, and works on and by prominent figures in the Swedenborgian community.

* Easy-to-use listings of Swedenborg's works by date, by subject, and by title, with cross-references to each title's bibliographic information.

* A glossary of special terms used in Swedenborg's writings.

* A listing of major documentary collections in the United States and Europe.

* A chronology of Swedenborg's life and works

* An expanded index

Ralph Waldo Emerson’s groundbreaking essay on Emanuel Swedenborg (1688–1772), originally published in Emerson’s book Representative Men in 1850, places the Swedish philosopher and mystic alongside other great men of genius, including Michel de Montaigne and William Shakespeare. Casting a sharp critical eye over the central tenets of Swedenborg’s philosophy, Emerson examines the dynamic relationship between Swedenborg’s mysticism and his scientific ways of reasoning.
 
Innovative, critically aware, and thoroughly engaging, Emerson’s essay is an indispensable tool in reading Swedenborg and understanding his subsequent influence on writers as established and respected as August Strindberg and Jorge Luis Borges. This accessible new edition includes a contextual introduction by Stephen McNeilly, a chronology of Swedenborg’s life and works, a chronology of Emerson’s life and works, endnotes, and an index.

Complementary and alternative healing encompass a wide range of practices that share a common ground: the belief that our physical well-being is inextricably linked to an unseen world beyond our physical senses. Our view of that world can be traced to two key thinkers: Emanuel Swedenborg and Franz Anton Mesmer.

Who were these men, and what shaped their thought? How did their ideas capture the public imagination? How did they speak to movements as diverse as utopianism, Spiritualism, psychic healing, and homeopathy? Historian John S. Haller traces the threads of Swedenborg’s and Mesmer’s influence through the history of nineteenth-century medicine, illuminating the lasting impact these men have had on concepts of alternative healing.

In this meticulous study, Wouter Hanegraaff examines the structure, themes, and development of Emanuel Swedenborg's massive work Secrets of Heaven (Arcana Coelestia), published between 1749 and 1756. Written as a work of biblical exegesis (of Genesis and Exodus), Swedenborg also interpolated material on his visionary experiences, which have long fascinated readers.

In the second part of the study, Dr. Hanegraaff examines the contemporary reception of the multi-volume work, particularly the critical reactions of Immanuel Kant and Friedrich Christoph Oetinger. He finds that Swedenborg's biblical exegesis, so important in his divine calling, was largely ignored in favor of the mystical experiences.

A daily book of insights from Emanuel Swedenborg.

A Swedenborg Perpetual Calendar, originally published in 1902 by the Swedenborg Publishing Association, is a daily devotional calendar consisting of thought-provoking quotes by Emanuel Swedenborg (1688–1772), an Enlightenment-era philosopher, scientist, and mystic whose ideas have inspired generations of religious thinkers and literary figures alike. The Swedenborg Foundation’s new edition of this insightful collection not only includes modern translations of excerpts from the most up-to-date editions and translations of his works but it also provides a fresh perspective on a variety of Swedenborg’s spiritual themes, such as divine love and wisdom, regeneration, divine providence, correspondences, and the afterlife. A useful tool for anyone in search of daily inspiration, A Swedenborg Perpetual Calendar is a timeless treasure that will help guide readers at each step of their spiritual journey.

Swedish scientist and theologian Emanuel Swedenborg wrote volumes upon volumes based on the understanding he gained through visits to the spiritual world and from conversations with its inhabitants. For new readers of Swedenborg, knowing where to start and what to read can present an insurmountable task. This volume is a good starting point and provides samples of some of his most powerful writings, now available in new, contemporary translations.

What happens to our souls after we die? What is the afterlife like? What is the nature of God? Of evil? What can we do during our lives to help guide us to heaven? What kinds of answers can we find in the Bible? Selections from some of Swedenborg’s most popular works—Heaven and Hell, Divine Love and Wisdom, Divine Providence, Secrets of Heaven, and True Christianity—answer these questions and more.

Ideal for those new to Swedenborg’s theology, A Swedenborg Sampler offers tastes from a rich smorgasbord of spiritual insight.

Though better known for his theological writings, Swedish scientist and visionary Emanuel Swedenborg (1688-1772) was also an inventor who was extraordinarily ahead of his time. One of his early designs, circa 1714, was "a machine to fly in the air" -- anticipating the modern airplane by more than 150 years. With its oval, fixed "sail," Swedenborg's contribution soars above its predecessors with its simple, workable design.

Henry Soderberg encountered this remarkable invention while research for a book on the history of flight. In this account Soderberg offers an overview on the dream of flight through the centuries and places Swedenborg at a pivotal point in aviation history.

Swedish man of letters Lars Bergquist explains the often enigmatic but always fascinating dream journal kept by Emanuel Swedenborg from 1743 to 1744. A scientist, Swedenborg meticulously recorded his dreams and visions, adding interpretations that foreshadowed modern dream analysis. After an Easter vision in 1745, Swedenborg abandoned his scientific studies and dedicated his life to studying the inner meaning of Sacred Scripture. In his diary, he reveals his daily life and the reflections that are a key to understanding his later spiritual works.

"The book enables us to follow Swedenborg...from dismal gloom to inner splendor."
--Gunnar Bronerg, Upsala Nya Tidning

When he entered the visionary phase of his life, Swedish theologian Emanuel Swedenborg (1688-1772) set out on a journey to document all that he had seen, heard, and learned while in contact with the spirits of heaven and hell. Before his death, he wrote eighteen different works published in twenty-five volumes, totaling about three and a half million words.

Navigating that rich garden of thought has been a challenge even for scholars of Swedenborg, let alone those new to his work. In this compact guide, Jonathan S. Rose introduces readers to the basic concepts of Swedenborg’s thought, including Swedenborg’s view of God and the afterlife and his description of humanity’s spiritual history. Rose also examines how Swedenborg’s theology relates to other Christian denominations, both in his time and ours, and takes a side trip into some of Swedenborg’s more unusual ideas.

Swedenborg’s Garden of Theology provides an ideal introduction for anyone seeking a starting point to delve into Swedenborg’s religious thought.

Swedenborg’s Secret is the first major study of the eighteenth-century Swedish philosopher and mystic Emanuel Swedenborg (1688–1772) to be published in English for over fifty years, being a translation of the critically acclaimed Swedish biography Swedenborg’s Hemlighet (1999). Beautifully designed and illustrated throughout with ten color plates and forty-four black-and-white pictures, Swedenborg’s Secret is an authoritative and full-length biography that is immensely readable.
 
Using a wealth of historical material, Lars Bergquist paints a vivid portrait of an ambitious and practical man who was one of the greatest figures of the Enlightenment, a polymath who was a poet, inventor, mathematician, mineralogist, anatomist, and cosmologist. Bergquist also reveals Swedenborg to be a “man of two worlds,” someone who not only played an active part in the political life of his nation but who was also a spiritual visionary, setting out a stunning vision of human destiny in works such as Heaven and Hell and New Jerusalem. Swedenborg’s Secret reclaims Swedenborg from the margins of contemporary thought and places him where he belongs: as a founding figure of modern spirituality and Western philosophy.
 
The book also contains a chronology of Swedenborg’s life and contemporary events, an appendix listing the contents of Swedenborg’s personal library and other books he was known to have owned or read, a comprehensive bibliography, and a full index.

In the late nineteenth and early twentieth centuries, large numbers of Swedish immigrants came to Michigan seeking new opportunities in the United States and relief from economic, religious, or political problems at home. In addition to establishing early farming communities, Swedish immigrants worked on railroad construction, mining, fishing, logging, and urban manufacturing. As a result, Swedish Americans made significant contributions to the economic and cultural landscape of Michigan, a history this book explores in engaging and illustrative depth. Swedes in Michigan traces the evolution of hard-working people who valued education and assimilated actively while simultaneously maintaining their cultural ties and institutions. Moving from past to present, the book examines community patterns, family connections, social organizations, exchange programs, ethnic celebrations, and business and technical achievements that have helped Swedes in Michigan maintain a sense of their heritage even as they have adapted to American life.

The revised and expanded edition of Frederick Hale’s Swedes in Wisconsin begins with the story of the state’s first legal Swedish immigrants, a group of six young people and a hunting dog who set sail from Gävle, Sweden, in 1841 and established Wisconsin’s first Swedish settlement, New Uppsala, along Pine Lake in Waukesha County.

Hale describes the mass emigration from Sweden to the Midwest that began during the late 1860s and fundamentally changed both Sweden and the Midwest. During this time more than a million Swedes left their homeland for North America, motivated at least in part by a huge population surge that overtaxed Sweden’s relatively small amount of arable land (agriculture served until the twentieth century as the Swedish economy’s mainstay).

Updates for the new edition include new photos and excerpts from letters Swedish novelist and feminist Fredrika Bremer wrote to her sister while touring the Wisconsin frontier in the autumn of 1850.

Between 1880 and 1920, emigration from Sweden to Chicago soared, and the city itself grew remarkably. During this time, the Swedish population in the city shifted from three centrally located ethnic enclaves to neighborhoods scattered throughout the city. As Swedes moved to new neighborhoods, the early enclave-based culture adapted to a progressively more dispersed pattern of Swedish settlement in Chicago and its suburbs. Swedish community life in the new neighborhoods flourished as immigrants built a variety of ethnic churches and created meaningful social affiliations, in the process forging a complex Swedish-American identity that combined their Swedish heritage with their new urban realities.

Chicago influenced these Swedes’ lives in profound ways, determining the types of jobs they would find, the variety of people they would encounter, and the locations of their neighborhoods. But these immigrants were creative people, and they in turn shaped their urban experience in ways that made sense to them. Swedes arriving in Chicago after 1880 benefited from the strong community created by their predecessors, but they did not hesitate to reshape that community and build new ethnic institutions to make their urban experience more meaningful and relevant. They did not leave Chicago untouched—they formed an expanding Swedish community in the city, making significant portions of Chicago Swedish. This engaging study will appeal to scholars and general readers interested in immigration and Swedish-American history.
 

Michael Tapper considers Swedish culture and ideas from the period 1965 to 2012 as expressed in detective fiction and film in the tradition of Maj Sjöwall and Per Wahlöö. Believing the Swedish police narrative tradition to be part and parcel of the European history of ideas and culture, Tapper argues that, from being feared and despised, the police emerged as heroes and part of the modern social project of the welfare state after World War II. Establishing themselves artistically and commercially in the forefront of the genre, Sjöwall and Wahlöö constructed a model for using the police novel as an instrument for ideological criticism of the social democratic government and its welfare state project. With varying political affiliations, their model has been adapted by authors such as Leif G. W. Persson, Jan Guillou, Henning Mankell, Håkan Nesser, Anders Roslund and Börge Hellström, and Stieg Larsson, and in film series such as Beck and Wallander. The first book of its kind about Swedish crime fiction, Swedish Cops is just as thrilling as the novels and films it analyzes.

This book presents a close look at the golden age of Swedish pornography in the 1970s, with a specific focus on pornographic films screened in Malmö between 1971 and 1976. How, Mariah Larsson asks, was that one small city’s embrace of the era’s sexual liberation both representative and unique in relation to the rest of Sweden?
            Combining contemporary case studies with comprehensive analyses of advertisements, critical responses, and censorship records, Larsson deconstructs the complexities and paradoxes of the Swedish porn scene. Looking as closely at the exhibition spaces where porn was seen as at the productions themselves and their audiences, Larsson reveals the conditions and social changes that allowed pornography in Sweden to flourish in the period.
 

José Antonio Antón-Pacheco exercises his expertise in philosophy in this meditation on the ideas of Emanuel Swedenborg.

In this book he tackles subjects as diverse as the nature of unity and the way that the Divine manifests in the world; the nature of human beings as they relate to the higher realms, and specifically Swedenborg’s concept of the Grand Man or Universal Human; the mystical nature of Swedenborg’s interpretation of the Bible; and the nature of time and space in the spiritual world. Alongside his exploration of Swedenborg’s thought are examinations of Swedenborg’s influence on a variety of different thinkers and authors, from Jorge Luis Borges to Ibn ’Arabi.

This book was originally published in Spanish as El profeta del norte: Un libro sobre Swedenborg. Perfect for scholars and serious students of Swedenborg’s thought, Antón Pacheco’s powerful writing casts a new light on the Swedish prophet.

Reframing Swedish–American relations by focusing on contacts, crossings, and convergences beyond migration 

Studies of Swedish American history and identity have largely been confined to separate disciplines, such as history, literature, or politics. In Swedish–American Borderlands, this collection edited by Dag Blanck and Adam Hjorthén seeks to reconceptualize and redefine the field of Swedish–American relations by reviewing more complex cultural, social, and economic exchanges and interactions that take a broader approach to the international relationship—ultimately offering an alternative way of studying the history of transatlantic relations. 

Swedish–American Borderlands studies connections and contacts between Sweden and the United States from the seventeenth century to today, exploring how movements of people have informed the circulation of knowledge and ideas between the two countries. The volume brings together scholars from a wide range of disciplines within the humanities and social sciences to investigate multiple transcultural exchanges between Sweden and the United States. Rather than concentrating on one-way processes or specific national contexts, Swedish–American Borderlands adopts the concept of borderlands to examine contacts, crossings, and convergences between the nations, featuring specific case studies of topics like jazz, architecture, design, genealogy, and more.

By placing interactions, entanglements, and cross-border relations at the center of the analysis, Swedish–American Borderlands seeks to bridge disciplinary divides, joining a diverse set of scholars and scholarship in writing an innovative history of Swedish–American relations to produce new understandings of what we perceive as Swedish, American, and Swedish American. 

Contributors: Philip J. Anderson, North Park U; Jennifer Eastman Attebery, Idaho State U; Marie Bennedahl, Linnaeus U; Ulf Jonas Björk, Indiana U–Indianapolis; Thomas J. Brown, U of South Carolina; Margaret E. Farrar, John Carroll U; Charlotta Forss, Stockholm U; Gunlög Fur, Linnaeus U; Karen V. Hansen, Brandeis U; Angela Hoffman, Uppsala U; Adam Kaul, Augustana College; Maaret Koskinen, Stockholm U; Merja Kytö, Uppsala U; Svea Larson, U of Wisconsin–Madison; Franco Minganti, U of Bologna; Frida Rosenberg, KTH Royal Institute of Technology, Stockholm; Magnus Ullén, Stockholm U.

Many disasters originate from a force of nature, such as an earthquake, cyclone, tsunami, volcanic eruption, drought, or flood. But that is only half of the story; decisions of people and their particular cultural lifeways are the rest. Sociocultural fact

As a young boy, Dave Crehore moved with his parents from northern Ohio to the shipbuilding town of Manitowoc on the shores of Wisconsin’s Lake Michigan, where the Germanic inhabitants punctuate their conversations with “enso,” the local radio station interrupts Beethoven for commercials, and the outdoors are a wellspring of enlightenment.
    Crehore’s stories of his youth in 1950s Wisconsin are peppered with engaging characters and a quiet wit. A grouse-hunting expedition goes awry when an eccentric British businessman bags an escaped bantam rooster with a landing net. Crehore's great-grandfather gets in trouble one Christmas when he sneaks a whoopee-cushion under a guest’s seat. The elderly Frau Blau gets trapped in an outhouse by a shady auctioneer during a farm sale. Through all the adventures—and misadventures—in a small town and in the great outdoors of Wisconsin, family is always at the center. This gently humorous look back at a baby-boomer’s awakening to adulthood will be appreciated by members of any generation.

 

 

Honorable Mention, Kingery/Derleth Book Length Nonfiction, Council for Wisconsin Writers

Finalist, Humor, Midwest Book Awards

 

 

In urban and rural high schools throughout Illinois, basketball is a Friday night ritual. Local games are often the biggest thing happening all week, and the Thanksgiving, Christmas, and state tournaments attract fanatical fans by the thousands.
 
Far from the jaded professionals, the stories in Taylor Bell's Sweet Charlie, Dike, Cazzie, and Bobby Joe are of hungry young men playing their hearts out, where high-tops and high hopes inspire "hoop dreams" from Peoria to Pinckneyville, and Champaign to Chicago. Bell, a life-long fan and authority on high school basketball in Illinois, brings together for the first time the stories of the great players, teams, and coaches from the 1940s through the 1990s. 
 
The book is titled for four players who reflect the unique quality of high school basketball, and whose first names are enough to trigger memories in fans who love the sport -- Sweet Charlie Brown, Dike Eddleman, Cazzie Russell, and Bobby Joe Mason. Bell offers exciting accounts of their exploits, told with a journalistic flair.
 
Beyond a lifetime spent covering the sport, Bell's research includes three hundred and fifty personal interviews with coaches, administrators, family members, and fans. He has attended the Elite Eight finals of every boys' state basketball tournament since 1958, and met and written about many of the most outstanding teams, coaches, and players who helped to make Illinois one of the most exciting arenas for high school basketball in the United States. Sixty photographs add depth to the accounts.       
 
By a fan, for the fans, Sweet Charlie, Dike, Cazzie, and Bobby Joe is the authoritative book on high school basketball in Illinois, and will elate anyone who has thrilled to the poignant highs and shattering lows of high school sports. 
 

Johanna Drucker's "sweet dream" is for a new and more positive approach to contemporary art. Calling for a revamping of the academic critical vocabulary used to discuss art into one more befitting current creative practices, Drucker argues that contemporary art is fully engaged with material culture—yet still struggling to escape the oppositional legacy of the early twentieth-century avant-garde.

Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde defiance with eager complicity. Finding their materials at flea markets or exploring celebrity culture, contemporary artists have created a vibrantly participatory movement that exudes enthusiasm and affirmation—all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-garde. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary artists, demonstrating their clear departure from the past and petitioning viewers and critics to shift their terms and sensibilities as well. Sweet Dreams is a testament to the creative processes and self-conscious heterogeneity of art today as well as a revolutionary effort to solicit collaboration that will encourage the production of imaginative thought and contribute to contemporary life.

Contributors are Beth Bailey, Mike Foreman, Douglas Gomery, George Hamilton IV, Warren R. Hofstra, Joli Jensen, Bill C. Malone, Kristine M. McCusker, and Jocelyn R. Neal.

Gus Flesor came to the United States from Greece in 1901. His journey led him to Tuscola, Illinois, where he learned the confectioner's trade and opened a business that still stands on Main Street. Sweet Greeks sets the story of Gus Flesor's life as an immigrant in a small town within the larger history of Greek migration to the Midwest.

Ann Flesor Beck's charming personal account recreates the atmosphere of her grandfather's candy kitchen with its odors of chocolate and popcorn and the comings-and-goings of family members. "The Store" represented success while anchoring the business district of Gus's chosen home. It also embodied the Midwest émigré experience of chain migration, immigrant networking, resistance and outright threats by local townspeople, food-related entrepreneurship, and tensions over whether later generations would take over the business.

An engaging blend of family memoir and Midwest history, Sweet Greeks tells how Greeks became candy makers to the nation, one shop at a time.

"This music of Place, with all its varied and subtle emotional range, is what this book so marvelously captures. . . ." --Linda Pastan

Love waits for one woman in this charming story of love lost and then found.

How long has it been since you fell in love with a book?

Dominique Laxalt was sixteen when he left the French Pyrenees for America. He became a sheepherder in the Nevada desert and nearby hills of the Sierra. Like all his fellow Basque immigrants, Dominique dreamed of someday returning to the land of his beginnings. Most Basques never made the journey back, but Dominique finally did return for a visit with family and friends. Sweet Promised Land is the story of that trip, told by his son Robert, who accompanied him to the pastoral mountain village of Tardets in France. Dominique came home victorious, the adventurer who had conquered the unknown and found his fortune in the New World. He told of his life in America, the hardships and challenges, and began to realize that he had changed since his departure from Tardets. By the end of the visit, he knew with certainty where he belonged.

During the past fifty years, this book has become a classic in Western American literature, still beloved by the Basque-American community. In celebration of the fiftieth anniversary of the book’s publication, western literature scholar Ann Ronald wrote a new foreword, discussing the book in the context of American and Nevada literature.

How long has it been since you fell in love with a book?

Dominique Laxalt was sixteen when he left the French Pyrenees for America. He became a sheepherder in the Nevada desert and nearby hills of the Sierra. Like all his fellow Basque immigrants, Dominique dreamed of someday returning to the land of his beginnings. Most Basques never made the journey back, but Dominique finally did return for a visit with family and friends. Sweet Promised Land is the story of that trip, told by his son Robert, who accompanied him to the pastoral mountain village of Tardets in France. Dominique came home victorious, the adventurer who had conquered the unknown and found his fortune in the New World. He told of his life in America, the hardships and challenges, and began to realize that he had changed since his departure from Tardets. By the end of the visit, he knew with certainty where he belonged.

During the past fifty years, this book has become a classic in Western American literature, still beloved by the Basque-American community. In celebration of the fiftieth anniversary of the book’s publication, western literature scholar Ann Ronald wrote a new foreword, discussing the book in the context of American and Nevada literature.

In Sweet Reason, Susan Wells presents a rhetorical model for understanding the diverse discourses of modernity. Wells describes modernity as a system of texts which we are only now learning to read. In order to comprehend how these texts organize our world, she argues, we must grasp how reason and desire interact to create meaning. To this end, Wells offers a rhetoric based on an understanding of meaning as intersubjectivity created through the work of language. Wells elaborates this "rhetoric of intersubjectivity" by drawing on both Jürgen Habermas's concept of communicative rationality and on Jacques Lacan's theory of desire, affirming the significance of reason and desire for rhetorical studies. From scientific articles to classroom altercations, contemporary government hearings to Mantaigne's Essays, Wells organizes several using rhetoric as an art, and she shows how rhetoric operates in practice.

Susan Wells is associate professor of English at Temple University.

Tony Hoagland captures the recognizably American landscape of a man of his generation:  sex, friendship, rock and roll, cars, high optimism, and disillusion.  With what Robert Pinsky has called “the saving vulgarity of American poetry,”  Hoagland’s small biographies of destruction reveal that defeat is a natural prelude to grace and loss a kind of threshold to freedom.

“A remarkable book.  Without any rhetorical straining, with a disarming witty directness, these poems manage to transform every subject they touch, from love to politics, reaching out from the local and the personal to place the largest issues in the context of feeling.  It’s hard to think of a recent book that succeeds with equal grace in fusing the truth-telling and the lyric impulse, clarity and song, in a way that produces such consistent pleasure and surprise.”—Carl Dennis

“This is wonderful poetry:  exuberant, self-assured, instinct with wisdom and passion.”—Carolyn Kizer

“There is a fine strong sense in these poems of real lives being lived in a real world.  This is something I greatly prize.  And it is all colored, sometimes brightly, by the poet’s own highly romantic vision of things, so that what we may think we already know ends up seeming rich and strange.”—Donald Justice

“In Sweet Ruin, we’re banging along the Baja of our little American lives, spritzing truth from our lapels, elbowing our compadres, the Seven Deadly Sins.  Maybe we’re unhappy in a less than tragic way, but our ruin requires of us a love and understanding and loyalty just as deep and sweet as any tragic hero’s.  And it’s all the more poignant in a sad and funny way because the purpose of this forced spiritual march, Hoagland seems to be saying, is to leave ourselves behind.  Undoubtedly, you will recognize among the body count many of your selves.”—Jack Myers

Today we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry.

Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.

A self-taught artist in several mediums who became known for stippling, Leonard Chana captured the essence of the Tohono O’odham people. He incorporated subtle details of O’odham life into his art, and his images evoke the smells, sounds, textures, and tastes of the Sonoran desert—all the while depicting the values of his people.

He began his career by creating cards and soon was lending his art to posters and logos for many community-based Native organizations. Winning recognition from these groups, his work was soon actively sought by them. Chana’s work also appears on the covers and as interior art in a number of books on southwestern and American Indian topics.

The Sweet Smell of Home is an autobiographical work, written in Chana’s own voice that unfolds through oral history interviews with anthropologist Susan Lobo. Chana imparts the story of his upbringing and starting down the path toward a career as an artist. Balancing humor with a keen eye for cultural detail, he tells us about life both on and off the reservation.

Eighty pieces of art—26 in color—grace the text, and Chana explains both the impetus for and the evolution of each piece. Leonard Chana was a people’s artist who celebrated the extraordinary heroism of common people’s lives. The Sweet Smell of Home now celebrates this unique artist whose words and art illuminate not only his own remarkable life, but also the land and lives of the Tohono O’odham people

In this innovative grassroots to global study, Kathleen Mapes explores how the sugar beet industry transformed the rural Midwest by introducing large factories, contract farming, and foreign migrant labor. Identifying rural areas as centers for modern American industrialism, Mapes contributes to an ongoing reorientation of labor history from urban factory workers to rural migrant workers. She engages with a full range of individuals, including Midwestern family farmers, industrialists, Eastern European and Mexican immigrants, child laborers, rural reformers, Washington politicos, and colonial interests. Engagingly written, Sweet Tyranny demonstrates that capitalism was not solely a force from above but was influenced by the people below who defended their interests in an ever-expanding imperialist market.

The poems, including the long meditation of more than five hundred lines, “A Poem with No Ending,” are beautiful and essential. Restored to print, they will resonate with readers who love both the earlier and the later work of one of our most important poets. 

An Irish working-class hero of Pittsburgh, Billy Conn captured hearts through his ebullient personality, stellar boxing record, and good looks. A light heavyweight boxing champion best remembered for his sensational near-defeat of heavyweight champion Joe Louis in 1941, Conn is still regarded as one of the greatest fighters of all time. Andrew O'Toole chronicles the boxing, Hollywood, and army careers of "the Pittsburgh Kid" by drawing from newspaper accounts, Billy's personal scrapbooks, and fascinating interviews with family. Presenting an intimate look at the champion's relationships with his girlfriend, manager, and rivals, O'Toole compellingly captures the personal life of a public icon and the pageantry of sports during the 1930s and '40s.

The Sweetness of Freedom presents an eclectic grouping of late nineteenth- and twentieth-century immigrants' narratives and the personal artifacts, historical documents, and photographs these travelers brought on their journeys to Michigan. Most of the oral histories in this volume are based on interviews conducted with the immigrants themselves.
       Some of the immigrants presented here hoped to gain better education and jobs. Others—refugees—fled their homelands because of war, poverty, repression, religious persecution, or ethnic discrimination. All dreamt of freedom and opportunity. They tell why they left their homelands, why they chose to settle in Michigan, and what they brought or left behind. Some wanted to preserve their heritage, religious customs, traditions, and ethnic identity. Others wanted to forget past conflicts and lost family members. Their stories reveal how they established new lives far away from home, how they endured homesickness and separation, what they gave up and what they gained.

The question of order inspired two of the greatest political thinkers of the Renaissance—Niccolò Machiavelli and Francesco Guicciardini, whose major works on the nature of government are linked in an authoritative new translation. Political adversaries but nonetheless friends, Machiavelli and Guicciardini both reflected on ancient Rome and refined their conceptions of government with an eye to the political turmoil of their own Florence.

Based on the definitive Italian editions and including extensive explanatory notes, this new translation re-creates the fascinating conflict that helped to shape the history of political thought.

Assesses Woodland Period interactions using technofunctional, mineralogical, and chemical data derived from Swift Creek Complicated Stamped sherds

A unique dataset for studying past social interactions comes from Swift Creek Complicated Stamped pottery that linked sites throughout much of the Eastern Woodlands but that was primarily distributed over the lower Southeast. Although connections have been demonstrated, their significance has remained enigmatic. How and why were apparently utilitarian vessels, or the wooden tools used to make them, distributed widely across the landscape?

Since the late 1950s, the idea that hidden, imperceptible messages could influence mass behavior has been debated, feared, and ridiculed. In Swift Viewing, Charles R. Acland reveals the secret story of subliminal influence, showing how an obscure concept from experimental psychology became a mainstream belief about our vulnerability to manipulation in an age of media clutter. He chronicles the enduring popularity of the dubious claims about subliminal influence, tracking their migration from nineteenth-century hypnotism to twentieth-century front-page news. His expansive history of popular concern about subliminal messages shows how the notion of “hidden persuaders” became a vernacular media critique, one reflecting anxiety about a rapidly expanding media environment. Through a deep archive of eclectic examples, including educational technology in the American classroom, mind-control tropes in science fiction, Marshall McLuhan’s media theories, and sensational claims in the late 1950s about subliminal advertising, Acland establishes the subliminal as both a product of and a balm for information overload.

Swim for the Little One First is a dazzling new collection of twelve short fictions by the acclaimed fiction writer and prose stylist Noy Holland. The stories gathered in Swim for the Little One First vary in setting (Ecuador, Montana, Florida, the Berkshires, North Dakota, New Mexico, and California) and style (from the plainspoken to the fustian).

 

In “Milk River” a young girl whose mother has committed suicide and whose brother has gone off to war is left to tend to her ailing father; in “Today is an Early Out” a family finds itself caught in a mudslide in the Sierra Nevada; in “Merengue” a young couple takes up residence in a HUD hotel in Miami Beach, among the elderly living out their last days. In the title story a woman with young children addresses her father, who has come to visit, in theobdurate language of remorse. In “Pemmican” the author takes a comic approach to the telling of an absurd story about escaped pet mice surviving winter in a car. In these and seven other stories, Noy Holland, an author praised by writers and critics ranging from William H. Gass to Michiko Kakutani, presents readers with what Gass has described as “beautifully lyrical but bitter prose and . . . an ardent grimness of eye that is both unsettling and intensely satisfying.”

“They looked at us like we were not supposed to be scientists,” says one young African American girl, describing one openly hostile reaction she encountered in the classroom. In this significant study, Sandra Hanson explains that although many young minority girls are interested in science, the racism and sexism in the field discourage them from pursuing it after high school. Those girls that remain highly motivated to continue studying science must “swim against the tide.”

Hanson examines the experiences of African American girls in science education using multiple methods of quantitative and qualitative research, including a web survey and vignette techniques. She understands the complex interaction between race and gender in the science domain and, using a multicultural and feminist framework of analysis, addresses the role of agency and resistance that encourages and sustains interest in science in African American families and communities.

Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.

The poems in Swimming at Midnight range from early lyrics written in American during the late 1960s to meditative poems dealing with historical, geographical and cultural themes deriving from Matthias’s years in England in the seventies and eighties; they include the epistolary poems from Turns, “Poem for Cynouai” from Crossing, “A Wind in Roussillon” from Northern Summer, and the formal experiments engaging issues of poetics and metaphysics for which Matthias is well known. The book concludes with a section of new poems and translations dealing both with the public world of modern history and the private experience of life in the century’s final decade. The last poem of all connects the work in Swimming at Midnight with the last of the long poems in Beltane at Aphelion.

Critics have been warm in their praise of Matthias’s work. Robert Duncan called his early poetry “the work of a Goliard—one of those wandering souls out of a Dark Age in our own time,” and Guy Davenport has said that his recent work makes him “one of the leading poets in the USA.” D. M. Thomas in the TLS admired the “virtuosity” of Turns and the way “life presses into the poems,” while John Fuller in the same journal found the poems in Crossing “bursting with a masterful intelligence.” In a long essay on Northern Summer, Jeremy Hooker wrote: “In his combination of lyrical and discursive voices, as in subject and concern, Matthias has an exciting range…He writes in some poems from a tension between a scribe’s respect for the integrity of his materials and a magician’s freedom to transform them, and in many poems he brings together the contrasting gifts and is fully present as himself, both scribe and magician.”

Nothing beats a natural swimming hole for cooling off on a scorching summer day in Texas. Cold, clear spring water, big old shade trees, and a quiet stretch of beach or lawn offer the perfect excuse to pack a cooler and head out with family and friends to the nearest natural oasis. Whether you’re looking for a quick getaway or an unforgettable summer vacation, let The Swimming Holes of Texas be your guide. Julie Wernersbach and Carolyn Tracy highlight one hundred natural swimming spots across the entire state. The book is organized by geographic regions, so you can quickly find local places to swim—or plan a trip to a more distant spot you’d like to explore. Each swimming hole is illustrated with an inviting color photo and a description of what it’s like to swim there, as well as the site’s history, ecology, and conservation. The authors include all the pertinent info about admission fees and hours, parking, and on-site amenities such as showers and restrooms. They also offer tips for planning your trips and lists of the swimming holes that are most welcoming to families and pets. So when the temperature tops 100 and there’s nothing but traffic in sight, take a detour down the backroads and swim, sunbathe, revel, and relax in the swimming holes of Texas.

Chana Bloch's collection of new and selected poetry explores a retrospective view on Jewish texts and traditions, illness, death, gender, memory, and family life.

Swimming is often touted as one of the most accessible workouts—low impact, low tech, and beneficial at any stage of life. Yet each time you suit up and dive in, your body’s moving parts must work together to propel you through dozens of pounds of water resistance, somehow emulating the movements of species that evolved specifically for the water. What are the physical forces at work when you get in a pool, and what determines whether you will sink or swim?

Writing to competitive and novice swimmers alike, contributors to this volume break down every aspect of the sport. Swimming Science covers physiology, psychology, and safety, as well as hydrodynamics, nutrition, and technique. Each chapter examines these topics through a series of practical questions. What are the forces acting on you when you swim, and how do your muscles best generate propulsion against those forces? How much protein, salt, and iron should a swimmer consume, and how does energy from carbohydrates compare to energy from fats? How important is the “swimmer’s physique” in competitive swimming, and is technique or strength more necessary for generating speed? These questions are examined with the aid of explanatory diagrams and illustrations, and the book can be used to search for particular topics, or read straight through for a comprehensive overview.

Whether you are a competitive swimmer looking to optimize your performance or just beginning to dip a toe into the sport, Swimming Science is a must-read.
 

How “innovative” finance schemes skim public wealth while hijacking public governance

Charter school expansion. Vouchers. Scholarship tax credit programs. The Swindle of Innovative Educational Finance offers a new social theory to explain why these and other privatization policies and programs win support despite being unsupported by empirical evidence. Kenneth J. Saltman details how, under the guise of innovation, cost savings, and corporate social responsibility, new and massive neoliberal educational privatization schemes have been widely adopted in the United States. From a trillion-dollar charter school bubble to the Chan Zuckerberg Initiative to celebrities branding private schools, Saltman ultimately connects such schemes to the country’s current crisis of truth and offers advice for resistance.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

In the early nineteenth century, thousands of emancipated and freeborn blacks from the United States returned to Africa to colonize the area now known as Liberia. In this, the first systematic study of the demographic impact of this move on the migrants, Antonio McDaniel finds that the health of migrant populations depends on the adaptability of the individuals in the group, not on their race.

McDaniel compares the mortality rates of the emigrants to those of other migrants to tropical areas. He finds that, contrary to popular belief, black immigrants during this period died at unprecedented rates. Moreover, he shows that though the emigrant's mortality levels were exceptionally high, their mortality patterns were consistent with those of other populations.

McDaniel concludes that the greater the variance between the environment left and the environment entered, the higher the probability of contracting a new disease, and, in some cases, of death from these diseases. Additionally, a migrant's health can be affected by dietary changes, differences in local pathogens, inappropriate immunities, and increased risk of accidents due to unfamiliar surroundings.

The forgotten history of the “all-girl” big bands of the World War II era takes center stage in Sherrie Tucker’s Swing Shift. American demand for swing skyrocketed with the onslaught of war as millions—isolated from loved ones—sought diversion, comfort, and social contact through music and dance. Although all-female jazz and dance bands had existed since the 1920s, now hundreds of such groups, both African American and white, barnstormed ballrooms, theaters, dance halls, military installations, and makeshift USO stages on the home front and abroad.
Filled with firsthand accounts of more than a hundred women who performed during this era and complemented by thorough—and eye-opening—archival research, Swing Shift not only offers a history of this significant aspect of American society and culture but also examines how and why whole bands of dedicated and talented women musicians were dropped from—or never inducted into—our national memory. Tucker’s nuanced presentation reveals who these remarkable women were, where and when they began to play music, and how they navigated a sometimes wild and bumpy road—including their experiences with gas and rubber rationing, travel restrictions designed to prioritize transportation for military needs, and Jim Crow laws and other prejudices. She explains how the expanded opportunities brought by the war, along with sudden increased publicity, created the illusion that all female musicians—no matter how experienced or talented—were “Swing Shift Maisies,” 1940s slang for the substitutes for the “real” workers (or musicians) who were away in combat. Comparing the working conditions and public representations of women musicians with figures such as Rosie the Riveter, WACs, USO hostesses, pin-ups, and movie stars, Tucker chronicles the careers of such bands as the International Sweethearts of Rhythm, Phil Spitalny’s Hours of Charm, The Darlings of Rhythm, and the Sharon Rogers All-Girl Band.

 Examining how labor and economy shaped the family life of bondwomen and bondmen in the antebellum South

"Swing the Sickle for the Harvest Is Ripe" compares the work, family, and economic experiences of enslaved women and men in upcountry and lowland Georgia during the nineteenth century. Mining planters' daybooks, plantation records, and a wealth of other sources, Daina Ramey Berry shows how slaves' experiences on large plantations, which were essentially self-contained, closed communities, contrasted with those on small plantations, where planters' interests in sharing their workforce allowed slaves more open, fluid communications. By inviting readers into slaves' internal lives through her detailed examination of domestic violence, separation and sale, and forced breeding, Berry also reveals important new ways of understanding what it meant to be a female or male slave, as well as how public and private aspects of slave life influenced each other on the plantation.

A volume in the series Women in American History, edited by Anne Firor Scott, Susan Armitage, Susan K. Cahn, and Deborah Gray White

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/Film actress and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of swing across the world like Wildfire."

A dance contest winner by 14, Norma Miller became a member of Herbert White's Lindy Hoppers and a celebrated Savoy Ballroom Lindy Hop champion. Swingin' at the Savoy chronicles a significant period in American cultural history and race relations, as it glorifies the home of the Lindy Hop and he birthplace of memorable dance hall fads. Miller shares fascinating anecdotes about her youthful encounters with many of the greatest jazz legends in music history, including Ella Fitzgerald, Count Basie, Benny Goodman, Billie Holiday, Artie Shaw, Duke Ellington, Ethel Waters, and even boxer Joe Louis. Readers will experience the legend of the celebrated Harlem ballroom and the phenomenal Swing generation that changed music and dance history forever.

During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since.

"Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World

"An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly

"[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement

In any age and any given society, cultural practices reflect the material circumstances of people's everyday lives. According to Joel Dinerstein, it was no different in America between the two World Wars-an era sometimes known as the "machine age"-when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. Grand spectacles such as the Ziegfeld Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles.

Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. In "The Ballad of John Henry," the epic toast "Shine," and countless blues songs, African Americans first addressed the challenge of industrialization. Jazz musicians drew on the symbol of the train within this tradition to create a set of train-derived aural motifs and rhythms, harnessing mechanical power to cultural forms. Tap dance and the lindy hop brought machine aesthetics to the human body, while the new rhythm section of big band swing mimicked the industrial soundscape of northern cities. In Dinerstein's view, the capacity of these artistic innovations to replicate the inherent qualities of the machine-speed, power, repetition, flow, precision-helps explain both their enormous popularity and social function in American life.

As the Föhn blew the first breaths of spring into the Alps in March 1845, two Swiss men embarked on a circuitous voyage that took them from the impoverished canton of Glarus in eastern Switzerland to the hills of southern Wisconsin. Their mission: to select and purchase a tract of land to which the Swiss government could dispatch part of its excess population. With subscriptions from prospective emigrants totaling about $2,600, Nicholas Dürst and Fridolin Streiff ultimately purchased 1,280 acres of timber and prospective farmland in Green County—land fellow immigrants declared “beautiful beyond expectation,” offering “excellent timber, good soil, fine springs, and a stream filled with fish.” Thus began the colony at New Glarus, Wisconsin, perhaps the most distinctively Swiss settlement in the United States. A mere five years later, Wisconsin boasted 1,224 of the nation’s 13,358 Swiss immigrants.

In this concise introduction to the state’s Swiss settlers, Frederick Hale traces the catalysts for Swiss emigration, their difficult journeys, and their adjustments to life on Wisconsin soil. Updates for this expanded edition include additional historic photographs and the selected writings of John Luchsinger, who settled at the Swiss colony at New Glarus, in 1856.

 

In Jan Beatty’s fourth collection, The Switching/Yard, she takes us through the ravaged landscape of the American West. In unflinching lines of burning lyric and relentless narrative, she forges the constructed body into movement. What is still stereotyped as the romantic journey—now becomes as scarred as the Rust Belt. What lives in our collective unconscious as the Golden West becomes almost surreal, as these poems snap that vision in half with extended description of ghost explorers.

We see the open truck cab, the farm workers on the corner waiting for pick-up; we see the speaker returning west to find the long-abandoned story of the birthfather. There is no stable landscape here except the horizontal action of moving through. Landscape becomes story. In this extended tale of the idea of family, we find stand-ins for the father in the form of a hit man, Jim Morrison, and ultimately the unyielding road takes the place of the body. The Switching/Yard is at once the horizontal world of the birth table where babies are switched, the complex yard of the body where gender routinely shifts and switches, and the actual switching yard of the trains that run the inevitable tracks of this book.

Switzerland: A Village History is an account of an Alpine village that illuminates the broader history of Switzerland and its rural, local underpinnings. It begins with the colonization of the Alps by Romanized Celtic peoples who came from the plain to clear the wilderness, establish a tiny monastic house, and create a dairy economy that became famous for its cheeses. Over ten centuries the village, like the rest of Switzerland, went through the traumas of religious reformation and political revolution. A single currency, a unified postal service, and eventually an integrated army brought improved stability and prosperity to the union of two dozen small republics.

Yet Switzerland’s enduring foundation remains the three thousand boroughs to which the Swiss people feel they truly belong. In Switzerland: A Village History, distinguished scholar David Birmingham tells the story of his childhood village-Château-d’Oex-where records of cheesemaking date to 1328. The evolution of this ancient grazing and forest economy included the rise of the legal profession to keep track of complex deeds, grazing allotments, and animal rights-of-way. Switzerland’s eventual privatization of communal grazing land drove many highlanders to emigrate to the European plains and overseas to the Americas. The twentieth century brought wealth from foreign tourism to Switzerland, punctuated by austerities imposed by Europe’s wars. Alpine peasants were integrated into Swiss union society and began at last to share in some of the prosperity flowing from urban industry.

Switzerland: A Village History replaces the mythology and patriotic propaganda that too often have passed for Swiss history with a rigorous, insightful, and charming account of the daily life, small-scale rivalries, and local loyalties that actually make up Swiss history.

What does it mean to be a woman—a lover, mother and artist? In Swoon, Redel tackles the question of Eros as it animates domestic life. These are poems unafraid to embrace the sweetness of difficulty and the difficult sweetness of intimacy. Using short and extended lyric, prose poem, circular narrative, Redel refuses formal categorization, demanding of poetry a complex and textured vision of the female experience. Swoon is a robustly sexy, intelligent, daring book of poems.

When her parents died and her marriage disintegrated within the span of a few months, art historian and performance artist Joanna Frueh entered a painful period of grief and mourning. This book is about how she healed herself and in the process explored the range of her potential as a woman.Swooning Beauty is an intimate memoir of discovery and healing. Frueh’s path to recovery lay through a profound examination of her intuitions, desires, fantasies, dreams, and emotions, her capacity for pleasure—visual, sensual, intellectual, gastronomic, and erotic—and her sense of her own heroic female identity. Hers is the passionate voice of a creative, intelligent woman scrutinizing the nature of love in all its forms and the ways of being that make us free, flexible, more fully real and more fully human. The result is an engaging view into the rich and colorful inner life of a woman at the threshold of middle age, of the blossoming of mind and spirit that comes after suffering and self-realization. Pleasure, she concludes, “is the absence of lack. Self-love is a necessary plenitude. Vigilance in love brings us freedom. Freedom is not an absolute whose attainment is humanly impossible. Yogis say that the self that is not ego is free. That self is the spacious heart, the spacious mind.” Frueh offers us wisdom and comfort for the journey into middle age, and the deep pleasure of encountering a generous, lively spirit and a remarkably spacious mind.

The Israel Air Force (IAF) has accumulated as much battle experience as any air force in the world during the post-Second World War era. It has recorded many outstanding accomplishments throughout a seemingly endless string of interstate wars, asymmetrical wars, counterinsurgency campaigns, and special operations. Sword and Shield of Zion examines the IAF's experience in the Arab-Israeli conflict, from the establishment of Israel in 1948 to the present day. The book analyzes this experience through the prisms of maneuver warfare, attrition warfare, counterinsurgency warfare, special operations, and humanitarian operations. It reviews the IAF's performance in such wars as the 1967 Six-Day War, the 1969-70 War of Attrition, the 1973 Yom Kippur War, the 2006 Second Lebanon War, and the 2008-09 Gaza War. Also, the book scrutinizes the IAF's participation in major counterinsurgency campaigns and special operations, traces its experience with unmanned aerial vehicles - which have occupied a very prominent place in air operations since the 1982 Lebanon War - and chronicles its experience with anti-aircraft defenses and satellites. Up-to-date information on the IAF's bases, squadrons, and other infrastructure is provided as well. Sword and Shield of Zion is based on personal visits to the IAF over the past few years, during which the author had the opportunity to tour bases, listen to lectures and briefings, and speak with numerous retired, reserve, and active duty officers.

In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe.
 
This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies.
 
"Konrad Eisenbichler’s succinct, scholarly, and highly readable introduction to Sienese politics and culture in the 1530s–50s opens this field up for the first time to the nonspecialist reader, while at the same time providing much fresh material of value to specialists. Rich in biographical detail and centered on three of the most remarkable Sienese female protagonists of the period, it makes compelling reading for anyone with an interest in early modern women and their social and cultural worlds." —Virginia Cox, New York University
 
"At one level this is a rich and exhaustive study of three fascinating Sienese women poets, their poetry, their lives, and the lively intellectual circles they moved in and fostered. But at the same time it is an intriguing historical and literary detective story that ranges widely and deeply through archives and largely forgotten texts to rediscover a group of important women writers who, for the most part, have been ignored by history and the literary canon. As such, it stands as a powerful model and as a call for future studies that would recover the lost treasures of a powerful tradition that has been virtually deleted from our literary past." —Guido Ruggiero, University of Miami
 
"Combining expert research, informative analysis, and fine storytelling, Konrad Eisenbichler's The Sword and the Pen shows readers what was so remarkable about the women who chose lyric poetry as a medium for expressing their friendship and political views in war-torn sixteenth-century Siena. In the process, he reveals a Sienese community alive with literary conversations among men and women. The translations at the end of the book are more than icing on the cake; they are the means by which we can now bring these poets into our classrooms." —Deanna Shemek, University of California, Santa Cruz
 

A perfect fish in the evolutionary sense, the broadbill swordfish derives its name from its distinctive bill—much longer and wider than the bill of any other billfish—which is flattened into the sword we all recognize. And though the majesty and allure of this warrior fish has commanded much attention—from adventurous sportfishers eager to land one to ravenous diners eager to taste one—no one has yet been bold enough to truly take on the swordfish as a biographer. Who better to do so than Richard Ellis, a master of marine natural history? Swordfish: A Biography of the Ocean Gladiator is his masterly ode to this mighty fighter.

The swordfish, whose scientific name means “gladiator,” can take on anyone and anything, including ships, boats, sharks, submarines, divers, and whales, and in this book Ellis regales us with tales of its vitality and strength. Ellis makes it easy to understand why it has inspired so many to take up the challenge of epic sportfishing battles as well as the longline fishing expeditions recounted by writers such as Linda Greenlaw and Sebastian Junger. Ellis shows us how the bill is used for defense—contrary to popular opinion it is not used to spear prey, but to slash and debilitate, like a skillful saber fencer. Swordfish, he explains, hunt at the surface as well as thousands of feet down in the depths, and like tuna and some sharks, have an unusual circulatory system that gives them a significant advantage over their prey, no matter the depth in which they hunt. Their adaptability enables them to swim in waters the world over—tropical, temperate, and sometimes cold—and the largest ever caught on rod and reel was landed in Chile in 1953, weighing in at 1,182 pounds (and this heavyweight fighter, like all the largest swordfish, was a female).

Ellis’s detailed and fascinating, fact-filled biography takes us behind the swordfish’s huge, cornflower-blue eyes and provides a complete history of the fish from prehistoric fossils to its present-day endangerment, as our taste for swordfish has had a drastic effect on their population the world over. Throughout, the book is graced with many of Ellis’s own drawings and paintings, which capture the allure of the fish and bring its splendor and power to life for armchair fishermen and landlocked readers alike.

Outside the theatrical profession Sybil Thorndike is no longer the household name she once was; she has become a historical figure. Yet her combative, inspiring life, her passionate concern for the state of the world as well as for her art, resonates with any age. As the actor Michael Macli­ammói­r put it: 'Essentially English, she is yet nationless; essentially of her period, she is yet timeless.'

Depicted in popular films, television series, novels, poems, and countless media reports, Sylvia Plath's women readers have become nearly as legendary as Plath herself, in large part because the depictions are seldom kind. If one is to believe the narrative told by literary and popular culture, Plath's primary audience is a body of young, misguided women who uncritically—even pathologically—consume Plath's writing with no awareness of how they harm the author's reputation in the process.

Janet Badia investigates the evolution of this narrative, tracing its origins, exposing the gaps and elisions that have defined it, and identifying it as a bullying mythology whose roots lie in a long history of ungenerous, if not outright misogynistic, rhetoric about women readers that has gathered new energy from the backlash against contemporary feminism.

More than just an exposé of our cultural biases against women readers, Badia's research also reveals how this mythology has shaped the production, reception, and evaluation of Plath's body of writing, affecting everything from the Hughes family's management of Plath's writings to the direction of Plath scholarship today. Badia discusses a wide range of texts and issues whose significance has gone largely unnoticed, including the many book reviews that have been written about Plath's publications; films and television shows that depict young Plath readers; editorials and fan tributes written about Plath; and Ted and (daughter) Frieda Hughes's writings about Plath's estate and audience.

The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project,  and elucidates her attempts to rehistoricize humanness as praxis.

These essays, written by experts in their fields, demonstrate how necessary it is in the study of the humanities and social sciences to realize the interdependency of the fields and how rich the resulting study can be.

Utah Series in Middle East Studies

Today, nationalism and nationalist sentiments are becoming more and more pronounced, creating a global emergence of ethno-nationalist and religious fundamentalist identity conflicts. In the post-9/11 era of international terrorism, it is appropriate to suggest that nationalism will retain its central place in politics and local and world affairs for the foreseeable future. It is in this vein that there has been a recent upsurge of interest concerning the power of nationalist tendencies as one of the dominant ideologies of modern times.

Symbiotic Antagonisms looks at the state-centric mode of modernization in Turkey that has constituted the very foundation on which nationalism has acquired its ideological status and transformative power. The book documents a symposium held at Sabanci University, presenting nationalism as a multidimensional, multiactor-based phenomenon that functions as an ideology, a discourse, and a political strategy. Turkish, Kurdish, and Islamic nationalisms are systematically compared in this timely and significant work.

Symbolic Caxton is the first study to explore the introduction of printing in symbolic terms. It presents a powerful literary history in which the fifteenth century is crucial to the overall story of English literature. William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority. For Kuskin, William Caxton (1422–1491), the first English printer, becomes a unique lens through which to view these issues. Kuskin contends that recognizing the fundamental complexity inherent in the transformation from manuscript to print—the power of literature to formulate its audience, the intimacy of capital and communication, the closeness of commodities and identity—makes possible a clear understanding of the way cultural, bibliographical, financial, and technological instruments intersect in a process of symbolic production.

In 1933 eminent philosopher Ernst Cassirer (1874–1945) fled Nazi Germany for the United States. His fame in Europe having already been established through a public debate with Martin Heidegger in 1929, Cassirer would go on to become a noteworthy influence on American culture. His most important early writings focused on the symbol and symbolic interaction, exploring how human cultures—from early myth-based ones to our own modern, scientifically oriented time—have used symbols to mediate the basic forms of experience. Following this work, Cassirer extended his insights to encompass a broad spectrum of philosophical themes: from investigations into Western epistemological and scientific traditions to aesthetics and the philosophy of history to anthropology and political philosophy. Reflecting this diversity in Cassirer’s own work, The Symbolic Construction of Reality collects eleven essays by a wide range of contributors from different fields. Each essay analyzes a different aspect of his legacy, reassessing its significance for our contemporary world and bringing much-needed attention to this seminal thinker.

The important role of the Temperance movement throughout American history is analyzed as clashes and conflicts between rival social systems, cultures, and status groups. Sometimes the "dry" is winning the classic battle for prestige and political power. Sometimes, as in today's society, he is losing.
This significant contribution to the theory of status conflict also discloses the importance of political acts as symbolic acts and offers a dramatistic theory of status politics, Gusfield provides a useful addition to the economic and psychological modes of analysis current in the study of political and social movements.
 

Symbolic interactionism, resolutely empirical in practice, shares theoretical concerns with cultural studies and humanistic discourse. Recognizing that the humanities have engaged many of the important intellectual currents of the last twenty-five years in ways that sociology has not, the contributors to this volume fully acknowledge that the boundary between the social sciences and the humanities has begun to dissolve. This challenging volume explores that border area.

When we observe protest marches, striking workers on picket lines, and insurgent movements in the world today, a litany of objects routinely fill our field of vision. Some such objects are ubiquitous the world over, like flags, banners, and placards. Others are situationally unique: Who could have anticipated the historical importance of a flower placed in the barrel of a gun, a flaming torch, a sea of umbrellas, a motorist’s yellow vest, a feather headdress, an AK-47, or a knitted pink hat? This book explores the “stuff” at the heart of protests, revolutions, civil wars, and other contentious political events, with  particular focus on those objects that have or acquire symbolic importance. In the context of “contentious politics” (disruptive political episodes where people try to change societies without going through institutions), certain objects can divide and unite social groups, tell stories, make declarations, spark controversy, and even trigger violent upheavals.

This book draws together scholars from a variety of fields to discuss symbolic objects in contentious politics: their meanings, uses, functions, and social responses. In bringing these phenomena together, this book offers a serious, distinctive, and cohesive theoretical contribution that draws upon diverse scholarly work in order to form the building blocks for future inquiry in the field. The aim is not merely to “close the gap” in the literature, but to create space in the field for further and more fruitful inquiry.

Power is the central organizing principle of all social life, from culture and education to stratification and taste. And there is no more prominent name in the analysis of power than that of noted sociologist Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly held view that symbolic power—the power to dominate—is solely symbolic. He emphasized that symbolic power helps create and maintain social hierarchies, which form the very bedrock of political life. By the time of his death in 2002, Bourdieu had become a leading public intellectual, and his argument about the more subtle and influential ways that cultural resources and symbolic categories prevail in power arrangements and practices had gained broad recognition.

 

Richard A. Etlin explores the social and cultural hierarchies established in eighteenth-century France to illustrate how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth-century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he shows how the work of these architects was informed by considerations of symbolic space.

For Etlin, the eighteenth-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces. He focuses on the design theory of Boullée and Durand and charts their legacy through the architecture of Paul Philippe Cret, Frank Lloyd Wright, and Louis Kahn. He defines the distinctive features of neoclassicism and outlines the new grammar for classical architecture articulated by theorists and architects such as Laugier, Leroy, and Ledoux.

After discussing the eighteenth-century hôtel, revolutionary space, and the transformation of the image of the cemetery, Etlin examines the space of absence as embodied in commemorative architecture from Boullée and Gilly to Cret, Wright, and Terragni. His book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.

Art is politics and politics is art in this study of post–World War I caricature art in Egypt and Egyptian politics. This book explores the complex meaning and significance of caricature art drawn to support the ascendant Egyptian Wafdpolitical party and its push for independence from British colonial control. The works of previously neglected Egyptian lithographers are also explored, especially those who adopted sophisticated European techniques while experimenting with a variety of new styles during a remarkable period in Egyptian history.

Caricature art by Wafd party artists was almostsui generis. It is distinguished especially by its sincere use of iconic, folkloric imagery, intended to rally nationalistic sentiments among an emerging Egyptian electorate that included many nonliterate citizens. Cannon’s research breathes new life into an influential yet largely forgotten artistic movement in Egypt, one that deserves recognition for its contribution to Egypt’s share of modern Middle East cultural history. Includes full color reproductions.

This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the author's previous book, The Invention of Culture, is at once symbolic, philosophical, and evolutionary: meaning is a form of perception to which human beings are physically and mentally adapted. Using examples from his many years of research among the Daribi people of New Guinea as well as from Western culture, Wagner approaches the question of the creation of meaning by examining the nonreferential qualities of symbols—such as their aesthetic and formal properties—that enable symbols to stand for themselves.

In this second book of poems, oncologist Marc J. Straus addresses the hopes and the tragedies of his profession. The work is a commentary on his experience in the medical field and a collection of rich, vivid monologues written from the points of view of both doctor and patient. These poems show a rare sensitivity not only to those who are suffering but also to the details that distinguish each life.

Even as unemployment rates soared during the Great Depression, FDR’s relief and social security programs faced attacks in Congress and the courts on the legitimacy of federal aid to the growing population of poor. In response, New Dealers pointed to a long tradition—dating back to 1790 and now largely forgotten—of federal aid to victims of disaster. In The Sympathetic State, Michele Landis Dauber recovers this crucial aspect of American history, tracing the roots of the modern American welfare state beyond the New Deal and the Progressive Era back to the earliest days of the republic when relief was forthcoming for the victims of wars, fires, floods, hurricanes, and earthquakes.

 

Drawing on a variety of materials, including newspapers, legal briefs, political speeches, the art and literature of the time, and letters from thousands of ordinary Americans, Dauber shows that while this long history of government disaster relief has faded from our memory today, it was extremely well known to advocates for an expanded role for the national government in the 1930s, including the Social Security Act. Making this connection required framing the Great Depression as a disaster afflicting citizens though no fault of their own. Dauber argues that the disaster paradigm, though successful in defending the New Deal, would ultimately come back to haunt advocates for social welfare. By not making a more radical case for relief, proponents of the New Deal helped create the weak, uniquely American welfare state we have today—one torn between the desire to come to the aid of those suffering and the deeply rooted suspicion that those in need are responsible for their own deprivation.

 

Contrary to conventional thought, the history of federal disaster relief is one of remarkable consistency, despite significant political and ideological change. Dauber’s pathbreaking and highly readable book uncovers the historical origins of the modern American welfare state.

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