African American history resounds with calls for black unity. From abolitionist times through the Black Power movement, it was widely seen as a means of securing a full share of America's promised freedom and equality. Yet today, many believe that black solidarity is unnecessary, irrational, rooted in the illusion of "racial" difference, at odds with the goal of integration, and incompatible with liberal ideals and American democracy. A response to such critics, We Who Are Dark provides the first extended philosophical defense of black political solidarity.

Tommie Shelby argues that we can reject a biological idea of race and agree with many criticisms of identity politics yet still view black political solidarity as a needed emancipatory tool. In developing his defense of black solidarity, he draws on the history of black political thought, focusing on the canonical figures of Martin R. Delany and W. E. B. Du Bois, and he urges us to rethink many traditional conceptions of what black unity should entail. In this way, he contributes significantly to the larger effort to re-envision black politics and to modernize the objectives and strategies of black freedom struggles for the post-civil rights era. His book articulates a new African American political philosophy--one that rests firmly on anti-essentialist foundations and, at the same time, urges a commitment to defeating racism, to eliminating racial inequality, and to improving the opportunities of those racialized as "black."

In a deeply unequal world, our economic status shapes our pursuit of virtue whether we have enough resources to live comfortably or struggle to survive

Our understanding of inequality as a moral problem is incomplete. It is not enough to say that inequality is caused by moral failing. We must also see that influence runs in both directions. Inequality harms people’s moral development.

In Wealth, Virtue, and Moral Luck, Kate Ward addresses the issue of inequality from the perspective of Christian virtue ethics, arguing that moral luck—our individual life circumstances—affects our ability to pursue virtue. Economic status functions as moral luck and impedes the ability of both the wealthy and the poor to pursue virtues such as prudence, justice, and temperance, and extreme inequality exacerbates the impact of wealth and poverty on virtue.

With these realities in mind, Ward shows how Christians and Christian communities should respond to the challenges inequality poses to virtue. Through working to change the structures that perpetuate extreme inequality—and through spiritual practices, including contentment, conversion, encountering others, and reminding ourselves of our ultimate dependence on God—Ward believes that we can create a world where all people can pursue and achieve virtue.

The southwestern Pennsylvania town of Connellsville lay in the middle of a massive reserve of high quality coal. Connellsville coal was so soft and easily worked that one man and a boy could cut and load ten tons of it in ten hours.

This region became a major source of coke, a vital material in industrial processes, above all in steel manufacture, producing forty-seven percent of America`s supply in 1913. But by the 1920s, what had seemed to be a gold mine was turning into a devastating economic, environmental and social loss.

In Wealth, Waste and Alienation, Kenneth Warren draws from primary source material, including the minutes and letters of the Carnegie Steel Company, the United States Steel Corporation, and the archives of Henry Clay Frick, to explain the birth, phenomenal growth, decline and death of the Connellsville coke industry.  Its rich natural resources produced wealth for individuals, companies, and some communities, but as Warren shows, there was also social alienation, waste, and devastation of the natural environment. The complicated structure of enterprise, capital, and labor which made this region flourish unwound almost as quickly as it arose, creating repercussions that are still reverberating in what’s left of Connellsville today, a kind of postindustrial rural shell of its former productive glory.

How ordinary Americans, frustrated by the legal and political wrangling over the Second Amendment, can fight for reforms that will both respect gun owners’ rights and reduce gun violence.

Efforts to reduce gun violence in the United States face formidable political and constitutional barriers. Legislation that would ban or broadly restrict firearms runs afoul of the Supreme Court’s current interpretation of the Second Amendment. And gun rights advocates have joined a politically savvy firearms industry in a powerful coalition that stymies reform.

Ian Ayres and Fredrick Vars suggest a new way forward. We can decrease the number of gun deaths, they argue, by empowering individual citizens to choose common-sense gun reforms for themselves. Rather than ask politicians to impose one-size-fits-all rules, we can harness a libertarian approach—one that respects and expands individual freedom and personal choice—to combat the scourge of gun violence.

Ayres and Vars identify ten policies that can be immediately adopted at the state level to reduce the number of gun-related deaths without affecting the rights of gun owners. For example, Donna’s Law, a voluntary program whereby individuals can choose to restrict their ability to purchase or possess firearms, can significantly decrease suicide rates. Amending red flag statutes, which allow judges to restrict access to guns when an individual has shown evidence of dangerousness, can give police flexible and effective tools to keep people safe. Encouraging the use of unlawful possession petitions can help communities remove guns from more than a million Americans who are legally disqualified from owning them. By embracing these and other new forms of decentralized gun control, the United States can move past partisan gridlock and save lives now.

WINNER, 2025 Illinois State Historical Society Russell P. Strange Book of the Year Award!

Police brutality, gentrification, and grassroots activism in 1960s Chicago

In August of 1968, approximately 7,000 people protested the Vietnam War against the backdrop of the Democratic National Convention in Chicago. This highly televised event began peacefully but quickly turned into what was later termed a “police riot.” Brian Mullgardt’s investigation of this event and the preceding tensions shines a light on the ministers, Yippies, and community members who showed up and stood together against the brutality of the police. Charting a complex social history, Wear Some Armor in Your Hair brings together Chicago history, the 1960s, and urbanization, focusing not on the national leaders, but on the grassroots activists of the time.

Beginning in 1955, two competing visions of urban renewal existed, and the groups that propounded each clashed publicly, but peacefully.  One group, linked to city hall, envisioned a future Lincoln Park that paid lip service to diversity but actually included very little. The other group, the North Side Cooperative Ministry, offered a different vision of Lincoln Park that was much more diverse in terms of class and race. When the Yippies announced anti-war protests for the summer of ‘68, the North Side Cooperative Ministry played an instrumental role. Ultimately, the violence of that week altered community relations and the forces of gentrification won out.

Mullgardt’s focus on the activists and community members of Lincoln Park, a neighborhood at the nexus of national trends, broadens the scope of understanding around a pivotal and monumental chapter of our history. The story of Lincoln Park, Chicago, is in many ways the story of 1960s activism writ small, and in other ways challenges us to view national trends differently.

Only in Texas could a snowstorm pelt the Panhandle at the very moment abrasive dust is scouring the Permian Basin while searing heat is wilting the Winter Garden region in the south. The state’s large size and central location within North America subject it to a great variety of weather occurrences. Texas state meteorologist George W. Bomar has been observing Texas weather for nearly half a century, and in Weather in Texas, he provides the essential guide to all of the state’s weather phenomena.

Writing in lively layman’s language, Bomar fully explains both how the weather works and how Texans can prepare for and stay safe during extreme weather events. He describes the forces that shape Texas weather from season to season, including the influence of tropical cyclones, frontal boundaries, El Niño, and the polar jet stream. Bomar puts specific weather events in historical context, using a ranking system to illustrate how recent droughts, snowstorms, hurricanes, flash floods, and tornadoes compare with those of previous generations. He also includes comprehensive tabulations of weather data for every area of Texas, quantifying what constitutes “normal” weather, as well as the extreme limits of variables such as low and high temperatures, rain days, snow accumulations, and earliest and latest freezes. With everything from the latest science on climate change and weather modification to dramatic stories about landmark weather events, Weather in Texas is a must-have reference for all Texans..

Formulaic phraseology presents the epitome of words worn and weathered by trial and the tests of time. Scholarship on weathered words is exceptionally diverse and interdisciplinary. This volume focuses on verbal art, which makes Oral-Formulaic Theory (OFT) a major point of reference. Yet weathered words are but a part of OFT, and OFT is only a part of scholarship on weathered words.

Each of the eighteen essays gathered here brings particular aspects of formulaic language into focus. No volume on such a diverse topic can be all-encompassing, but the essays highlight aspects of the phenomenon that may be eclipsed elsewhere: they diverge not only in style, but sometimes even in how they choose to define “formula.” As such, they offer overlapping frames that complement one another both in their convergences and their contrasts. While they view formulaicity from multifarious angles, they unite in a Picasso of perspectives on which the reader can reflect and draw insight.

In 2005, Hurricane Katrina devastated New Orleans. The principal Vietnamese-American enclave was a remote, low-income area that flooded badly. Many residents arrived decades earlier as refugees from the Vietnam War and were marginally fluent in English. Yet, despite these poor odds of success, the Vietnamese made a surprisingly strong comeback in the wake of the flood. In Weathering Katrina, public health scholar Mark VanLandingham analyzes their path to recovery, and examines the extent to which culture helped them cope during this crisis.

Contrasting his longitudinal survey data and qualitative interviews of Vietnamese residents with the work of other research teams, VanLandingham finds that on the principal measures of disaster recovery—housing stability, economic stability, health, and social adaptation—the Vietnamese community fared better than other communities. By Katrina’s one-year anniversary, almost 90 percent of the Vietnamese had returned to their neighborhood, higher than the rate of return for either blacks or whites. They also showed much lower rates of post-traumatic stress disorder than other groups. And by the second year after the flood, the employment rate for the Vietnamese had returned to its pre-Katrina level.

While some commentators initially attributed this resilience to fairly simple explanations such as strong leadership or to a set of vague cultural strengths characteristic of the Vietnamese and other “model minorities”, VanLandingham shows that in fact it was a broad set of factors that fostered their rapid recovery. Many of these factors had little to do with culture. First, these immigrants were highly selected—those who settled in New Orleans enjoyed higher human capital than those who stayed in Vietnam. Also, as a small, tightly knit community, the New Orleans Vietnamese could efficiently pass on information about job leads, business prospects, and other opportunities to one another. Finally, they had access to a number of special programs that were intended to facilitate recovery among immigrants, and enjoyed a positive social image both in New Orleans and across the U.S., which motivated many people and charities to offer the community additional resources. But culture—which VanLandingham is careful to define and delimit—was important, too. A shared history of overcoming previous challenges—and a powerful set of narratives that describe these successes; a shared set of perspectives or frames for interpreting events; and a shared sense of symbolic boundaries that distinguish them from broader society are important elements of culture that provided the Vietnamese with some strong advantages in the post-Katrina environment.

By carefully defining and disentangling the elements that enabled the swift recovery of the Vietnamese in New Orleans, Weathering Katrina enriches our understanding of this understudied immigrant community and of why some groups fare better than others after a major catastrophe like Katrina.

Although less well known than its much-admired counterparts in Peru and Bolivia, highland Ecuadorian weaving is an Andean tradition that has relationships with these more southern areas. A world away from the industrialized textile manufacturing of Euro-American society, these handmade pieces reflect the history and artistry of an ancient culture.

This comprehensive study, edited by Ann Pollard Rowe, is unrivaled in its detail and includes not only descriptions of the indigenous weaving and dyeing technology, but also an interpretation of its historical significance, as well as hundreds of photographs, drawings, and maps that inform the understanding of the process.

The principal focus is on backstrap-loom weaving, a major pre-Hispanic technology. Ecuadorian backstrap looms, which differ in various ways from those found elsewhere in the Andes, have previously only been treated in general terms. Here, the basic operation of this style of loom is covered, as are a variety of patterning techniques including warp-resist (ikat) dyeing, weaving belts with twill, and supplementary- and complementary-warp patterning. Spanish colonial treadle-loom weaving is also covered. The weaving techniques are explained in detail, so the reader can replicate them if desired.

Textiles have been an important art form among Andean peoples from remote prehistory up to the present. A greater understanding of their creation process can yield a more meaningful appreciation of the art itself.

Traje, the brightly colored traditional dress of the highland Maya, is the principal visual expression of indigenous identity in Guatemala today. Whether worn in beauty pageants, made for religious celebrations, or sold in tourist markets, traje is more than "mere cloth"—it plays an active role in the construction and expression of ethnicity, gender, education, politics, wealth, and nationality for Maya and non-Maya alike.

Carol Hendrickson presents an ethnography of clothing focused on the traje—particularly women's traje—of Tecpán, Guatemala, a bi-ethnic community in the central highlands. She covers the period from 1980, when the recent round of violence began, to the early 1990s, when Maya revitalization efforts emerged.

Using a symbolic analysis informed by political concerns, Hendrickson seeks to increase the value accorded to a subject like weaving, which is sometimes disparaged as "craft" or "women's work." She examines traje in three dimensions—as part of the enduring images of the "Indian," as an indicator of change in the human life cycle and cloth production, and as a medium for innovation and creative expression.

From this study emerges a picture of highland life in which traje and the people who wear it are bound to tradition and place, yet are also actively changing and reflecting the wider world. The book will be important reading for all those interested in the contemporary Maya, the cultural analysis of material culture, and the role of women in culture preservation and change.

"What if truth were a woman?" asked Nietzsche. In ancient Greek thought, truth in language has a special relation to the female by virtue of her pre-eminent art-form—the one Freud believed was even invented by women—weaving. The essays in this book explore the implications of this nexus: language, the female, weaving, and the construction of truth.

The Homeric bard—male, to be sure—inherits from Indo-European culture the designation of his poetry as a weaving, the female's art. Like her tapestries, his "texts" can suspend, reverse, and re-order time. He can weave the content from one world into the interstices of another.

The male poet shares the ambiguous power of the female Muses whose speech he channels. "We can say false things like to real things, and whenever we wish, we can utter the truth."

Violence is a topic of concern everywhere--in the media, in churches, in the halls of governments. In every land and in every culture violence is considered by most to be taboo, a last resort. Yet under certain conditions, from the level of the family to the level of nations, violence is used as a mechanism of social control. Various rationalizations thus emerge to distinguish between legitimate and illegitimate violence.

The Web of Violence explores the interrelationship among personal, collective, national, and global levels of violence. This unique collection brings together a number of internationally known contributors to address the genesis and manifestations of violence in the search for a remedy for this confounding social problem.

As the global community becomes more intimate, we must better understand the nature of violence. The Web of Violence supports this aim by examining the dangerous human phenomenon from many perspectives, at different levels, and using multiple methodologies.

Contributors: Robert Jay Lifton, Christopher G. Ellison, John P. Bartkowski, Yuan-Horng Chu, Philip Smith, Robert Elias, Birgit Brock-Utne, Riane Eisler, Johan Galtung

Constructing a new approach for centering empire in productions of racialized, gendered, and sexualized difference

One of the oldest, most persistent issues in gender and sexuality studies is the dominance of white, northern theorizing and its consequences for what we know about sex, gender, and sexuality. There is an ongoing neglect of the significance of histories of empire and coloniality, particularly in U.S. sociology, where the United States and its theoretical productions are routinely sanitized of such histories. In Webbed Connectivities, Vrushali Patil offers a global historical sociology that reembeds the United States within histories of empire, situating the emergence of northern and U.S.-based concepts and frameworks squarely within these histories.

Webbed Connectivities intercepts the political economy of knowledge production within the social sciences to argue for the work of centering the role of imperial hierarchies in knowledge production and circulation. Patil develops a new approach—webbed connectivities—which tracks imperial processes and impacts across borders, shifting from an emphasis on particular experiences and identities to the constitution and creation of the categories themselves.

A sociologist of feminist thought and gender and sexuality studies, Patil explores the theoretical spaces that spotlighting imperial hierarchies within knowledge production might open, including making productive and essential connections across sites of the global south and north.

"Manages to be a thorough and informative source on weeding library collections and yet also an easy, engaging read ... Recommended." That rave review from Technicalities sums up the acclaim and appeal of this bestselling resource’s first edition. Now Vnuk has revised and updated her text to keep pace with libraries’ longer-term shifts in collection development and access, such as a growing emphasis on digital collections and managing duplicate physical materials. She demonstrates how weeding helps a library thrive by focusing its resources on those parts of the collection that are the most useful to its users. Walking collections staff through the proverbial stacks shelf by shelf, this book

• includes a new “Tales from the Front” feature, providing real-life case studies of librarians working on weeding projects;
• explains why weeding is important for a healthy library and how it can positively affect library budgets;
• systematically walks readers through a library's shelves, with recommended weeding criteria and call-outs in each area for the different considerations of large collections and smaller collections;
• offers easily adaptable, updated sample development plans which reflect the latest thinking in collection development;
• advises readers on weeding problematic materials, such as those that include racist themes and depictions;
• presents updated and expanded guidance on special considerations for youth collections;
• addresses reference, media, magazines and newspapers, e-books, and other special materials;
• shares guidance for determining how to delegate responsibility for weeding, plus pointers for getting other staff members on board; and
• gives advice for educating the community about the process, how to head off PR disasters, and what to do with weeded materials.

This book is a profound reexamination of the role of the German army, the Wehrmacht, in World War II. Until very recently, the standard story avowed that the ordinary German soldier in World War II was a good soldier, distinct from Hitler's rapacious SS troops, and not an accomplice to the massacres of civilians. Wolfram Wette, a preeminent German military historian, explodes the myth of a "clean" Wehrmacht with devastating clarity.

This book reveals the Wehrmacht's long-standing prejudices against Jews, Slavs, and Bolsheviks, beliefs that predated the prophecies of Mein Kampf and the paranoia of National Socialism. Though the sixteen-million-member German army is often portrayed as a victim of Nazi mania, we come to see that from 1941 to 1944 these soldiers were thoroughly involved in the horrific cleansing of Russia and Eastern Europe. Wette compellingly documents Germany's long-term preparation of its army for a race war deemed necessary to safeguard the country's future; World War II was merely the fulfillment of these plans, on a previously unimaginable scale.

This sober indictment of millions of German soldiers reaches beyond the Wehrmacht's complicity to examine how German academics and ordinary citizens avoided confronting this difficult truth at war's end. Wette shows how atrocities against Jews and others were concealed and sanitized, and history rewritten. Only recently has the German public undertaken a reevaluation of this respected national institution--a painful but necessary process if we are to truly comprehend how the Holocaust was carried out and how we have come to understand it.

Between 1939 and 1945 more than 17,000 Catholic German priests and seminarians were conscripted into Hitler’s Wehrmacht. Men who had devoted their lives to God found themselves advancing the cause of an abhorrent regime. Lauren Faulkner Rossi draws on personal correspondence, official military reports, memoirs, and interviews to present a detailed picture of Catholic priests who served faithfully in the German armed forces in the Second World War. Most of them failed to see the bitter irony of their predicament.

Wehrmacht Priests plumbs the moral justifications of men who were committed to their religious vocation as well as to the cause of German nationalism. In their wartime and postwar writings, these soldiers often stated frankly that they went to war willingly, because it was their spiritual duty to care for their countrymen in uniform. But while some priests became military chaplains, carrying out work consistent with their religious training, most served in medical roles or, in the case of seminarians, in general infantry. Their convictions about their duty only strengthened as Germany waged an increasingly desperate battle against the Soviet Union, which they believed was an existential threat to the Catholic Church and German civilization.

Wehrmacht Priests unpacks the complex relationship between the Catholic Church and the Nazi regime, including the Church’s fierce but futile attempts to preserve its independence under Hitler’s dictatorship, its accommodations with the Nazis regarding spiritual care in the military, and the shortcomings of Catholic doctrine in the face of total war and genocide.

Mining in North America has long been criticized for its impact on the natural environment. Mica Jorgenson’s The Weight of Gold explores the history of Ontario, Canada’s rise to prominence in the gold mining industry, while detailing a series of environmental crises related to extraction activities. In Ontario in 1909, the discovery of exceptionally rich hard rock gold deposits in the Abitibi region in the north precipitated industrial development modeled on precedents in Australia, South Africa, and the United States. By the late 1920s, Ontario’s mines had reached their maturity, and in 1928, Minister of Mines Charles McRae called Canada “the mineral treasure house to [the] world.”

Mining companies increasingly depended upon their ability to redistribute the burdens of mining onto surrounding communities—a strategy they continue to use today—both at home and abroad. Jorgenson connects Canadian gold mining to its international context, revealing that Ontario’s gold mines informed extractive knowledge which would go on to shape Canada’s mining industry over the next century.

"This book will make a valuable contribution to the field of German history, as well as the histories of gender and sexuality. The argument that Weimar feminism did bring about tangible gains for women needs to be made, and Roos has done so convincingly."
---Julia Sneeringer, Queens College

Until 1927, Germany had a system of state-regulated prostitution, under which only those prostitutes who submitted to regular health checks and numerous other restrictions on their personal freedom were tolerated by the police. Male clients of prostitutes were not subject to any controls. The decriminalization of prostitution in 1927 resulted from important postwar gains in women's rights; yet this change---while welcomed by feminists, Social Democrats, and liberals—also mobilized powerful conservative resistance. In the early 1930s, the right-wing backlash against liberal gender reforms like the 1927 prostitution law played a fateful role in the downfall of the Weimar Republic and the rise of Nazism.

Weimar through the Lens of Gender combines the political history of early twentieth-century Germany with analytical perspectives derived from the fields of gender studies and the history of sexuality. The book's argument will be of interest to a broad readership: specialists in the fields of gender studies and the history of sexuality, as well as historians and general readers interested in Weimar and Nazi Germany.

Julia Roos is Assistant Professor of History at Indiana University, Bloomington.

Jacket art: "Hamburg, vermutlich St. Pauli, 1920er–30er Jahre," photographer unknown, s/w-Fotografie. (Courtesy of the Museum für Hamburgische Geschichte.)

Austin, Texas, at the beginning of the twenty-first century, is experiencing one of the most dynamic periods in its history. Wedged between homogenizing growth and a long tradition of rebellious nonconformity, many Austinites feel that they are in the midst of a battle for the city's soul.

From this struggle, a movement has emerged as a form of resistance to the rapid urban transformation brought about in recent years: "Keep Austin Weird" originated in 2000 as a grassroots expression of place attachment and anti-commercialization. Its popularity has led to its use as a rallying cry for local business, as a rhetorical tool by city governance, and now as the unofficial civic motto for a city experiencing rapid growth and transformation.

By using "Keep Austin Weird" as a central focus, Joshua Long explores the links between sense of place, consumption patterns, sustainable development, and urban politics in Austin. Research on this phenomenon considers the strong influence of the "Creative Class" thesis on Smart Growth strategies, gentrification, income inequality, and social polarization made popular by the works of Richard Florida. This study is highly applicable to several emerging "Creative Cities," but holds special significance for the city considered the greatest creative success story, Austin.

With increasing frequency, readers of literature are encountering barely intelligible, sometimes unrecognizable languages created by combining one or more languages with English. Evelyn Ch'ien argues that weird English constitutes the new language of literature, implicitly launching a new literary theory.

Weird English explores experimental and unorthodox uses of English by multilingual writers traveling from the canonical works of Nabokov and Hong Kingston to the less critiqued linguistic terrain of Junot Díaz and Arundhati Roy. It examines the syntactic and grammatical innovations of these authors, who use English to convey their ambivalence toward or enthusiasm for English or their political motivations for altering its rules. Ch'ien looks at how the collision of other languages with English invigorated and propelled the evolution of language in the twentieth century and beyond.

Ch'ien defines the allure and tactical features of a new writerly genre, even as she herself writes with a sassiness and verve that communicates her ideas with great panache.

A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers readers an inside look at a unique musical culture.

• How do you milk a cow?
• What types of food are made from cow’s milk?
• How much does a cow eat and drink in a day?
• How much does a calf weigh when it’s born?
• What types of crops do dairy farmers grow?
• What do farmers use tractors for?
• What happens in a silo?

A sweeping intellectual history of the welfare state’s policy-in-waiting.

The idea of a government paying its citizens to keep them out of poverty—now known as basic income—is hardly new. Often dated as far back as ancient Rome, basic income’s modern conception truly emerged in the late nineteenth century. Yet as one of today’s most controversial proposals, it draws supporters from across the political spectrum.

In this eye-opening work, Anton Jäger and Daniel Zamora Vargas trace basic income from its rise in American and British policy debates following periods of economic tumult to its modern relationship with technopopulist figures in Silicon Valley. They chronicle how the idea first arose in the United States and Europe as a market-friendly alternative to the postwar welfare state and how interest in the policy has grown in the wake of the 2008 credit crisis and COVID-19 crash.

An incisive, comprehensive history, Welfare for Markets tells the story of how a fringe idea conceived in economics seminars went global, revealing the most significant shift in political culture since the end of the Cold War.

Now that responsibility for welfare policy has devolved from Washington to the states, Pamela Winston examines how the welfare policymaking process has changed. Under the welfare reform act of 1996, welfare was the first and most basic safety net program to be sent back to state control. Will the shift help or further diminish programs for low-income people, especially the millions of children who comprise the majority of the poor in the United States?

In this book, Winston probes the nature of state welfare politics under devolution and contrasts it with welfare politics on the national level. Starting with James Madison's argument that the range of perspectives and interests found in state policymaking will be considerably narrower than in Washington, she analyzes the influence of interest groups and other key actors in the legislative process at both the state and national levels. She compares the legislative process during the 104th Congress (1995-96) with that in three states — Maryland, Texas, and North Dakota — and finds that the debates in the states saw a more limited range of participants, with fewer of them representing poor people, and fewer competing ideas.

The welfare reform bill of 1996 comes up for renewal in 2002. At stake in the U.S. experiment in welfare reform are principles of equal opportunity, fairness, and self-determination as well as long-term concerns for political and social stability. This investigation of the implications of the changing pattern of welfare politics will interest scholars and teachers of social policy, federalism, state politics, and public policy generally, and general readers interested in social policy, state politics, social justice, and American politics.

During the 1990s the United States undertook the greatest social policy reform since the Social Security Act of 1935. In Welfare Reform: Effects of a Decade of Change, Jeffrey Grogger and Lynn Karoly assemble evidence from numerous studies, including nearly three dozen social experiments, to assess how welfare reform has affected behavior. To broaden our understanding of this wide-ranging policy reform, the authors evaluate the evidence in relation to an economic model of behavior. The evidence they collect reveals the trade-offs that policymakers face in achieving the conflicting goals of promoting work, reducing dependency, and alleviating need among the poor. Finally, the authors identify numerous areas where important gaps remain in our understanding of the effects of welfare reform.

The book will be a crucial resource for policy economists, social policy specialists, other professionals concerned with welfare policy, and students.

A response is needed to the numerous issues spurred by the expansion of the gig economy, where flexible patterns of employment prevail in contrast to permanent jobs. In this context of the exponential growth of the digital economy and underlying business models the largest nationwide study of its kind into the impact of the working conditions in the UK music industry ‘Can Music Make You Sick?’ has been conducted by MusicTank/University of Westminster.

This research suggests the need to consider the future of work not only from an economic or employment law perspective but from a mental health one too. What are the psychological implications of precarious work and how are factors such as financial instability, the feedback economy and personal relationships reflected in mental health outcomes or connected to the business relationships most musicians and other gig economy participants work under?

Authors Sally-Anne Gross, George Musgrave and Laima Janciute consider which policy measures may help or harm gig economy workers including the taxation of self-employed workers, a universal basic income, education around mental health issues and access to mental health support.

• navigating the pitfalls of vocational awe, which can lead to unrealistic expectations and self-neglect;
• setting and recalibrating healthy boundaries;
• approaching difficult conversations by creating spaces for positive staff communication;
• overcoming limited budgets;
• the proper mindset for encouraging realistic performance expectations among employees;
• using recognition, appreciation, and staff professional development as tools for wellness;
• nurturing social connections and collaboration to combat loneliness;
• effective techniques for addressing sensitive issues such as disabilities, confronting anti-fat bias, and moral injury;
• emotional and invisible labor mitigation; and
• self-care methods for library leaders at risk of burnout.

When a master novelist, essayist, and critic searches for the wellsprings of his own work, where does he turn? Mario Vargas Llosa—Peruvian writer, presidential contender, and public intellectual—answers this most personal question with elegant concision in this collection of essays. In “Four Centuries of Don Quixote,” he revisits the quintessential Spanish novel—a fiction about fiction whose ebullient prose still questions the certainties of our stumbling ideals. In recounting his illicit, delicious discovery of Borges’ fiction—“the most important thing to happen to imaginative writing in the Spanish language in modern times”—Vargas Llosa stands in for a generation of Latin American novelists who were liberated from their sense of isolation and inferiority by this Argentinean master of the European tradition.

In a nuanced appreciation of Ortega y Gasset, Vargas Llosa recovers the democratic liberalism of a misunderstood radical—a mid-century political philosopher on a par with Sartre and Russell, ignored because “he was only a Spaniard.” And in essays on the influence of Karl Popper and Isaiah Berlin, the author finds an antidote to the poisonous well of fanaticism in its many modern forms, from socialist utopianism and nationalism to religious fundamentalism. From these essays a picture emerges of a writer for whom the enchantment of literature awakens a critical gaze on the turbulent world in which we live.

The Light Crust Doughboys are one of the most long-lived and musically versatile bands in America. Formed in the early 1930s under the sponsorship of Burrus Mill and Elevator Company of Fort Worth, Texas, with Bob Wills and Milton Brown (the originator of western swing) at the musical helm and future Texas governor W. Lee "Pappy" O'Daniel as band manager and emcee, the Doughboys are still going strong in the twenty-first century. Arguably the quintessential Texas band, the Doughboys have performed all the varieties of music that Texans love, including folk and fiddle tunes, cowboy songs, gospel and hymns, commercial country songs and popular ballads, honky-tonk, ragtime and blues, western swing and jazz, minstrel songs, movie hits, and rock 'n' roll.

In this book, Jean Boyd draws on the memories of Marvin "Smokey" Montgomery and other longtime band members and supporters to tell the Light Crust Doughboys story from the band's founding in 1931 through the year 2000. She follows the band's musical evolution and personnel over seven decades, showing how band members and sponsors responded to changes in Texas culture and musical tastes during the Great Depression, World War II, and the postwar years. Boyd concludes that the Doughboys' willingness to change with changing times and to try new sounds and fresh musical approaches is the source of their enduring vitality. Historical photographs of the band, an annotated discography of their pre-World War II work, and histories of some of the band's songs round out the volume.

One of the best loved of the American spirituals is here interpreted by an artist whose birthright is an authentic understanding of the spirituals. He gives us that understanding in terms of an art having all the appeal of the Negro's conception of religion in its narrative quality, its close emotional identification with religious ideas and events, and its simplicity of feeling.

The thirty-nine black-and-white drawings which compose the drama are not "illustrations" in the usual sense of visual elaborations of a text, but are rather a translation from musical rhythm into visual rhythm. Where the sung spiritual creates cumulative dramatic tension by repeated variations of a musical phrase, the artist lays increasing stress on the central idea of a pictorial sequence, each drawing dependent for its full power on its relation to those preceding and following it. Human figures have been used as symbols depicting the various shadings and accents of the great story as it is suggested by the words and music of the spiritual. The main motif is that of Christ; the secondary motifs or accompaniments are the Blessed Virgin Mary and St. John, with the chorus in the background. Throughout, the spirit is reverent, and there is, as the changing text of the spiritual demands, a subtle and inevitable change from realism to symbolism.

Artistically the drawings are simple, with an unusual vitality and strength characteristic of this artist's skillful brushwork, which is bold or delicate as the subject matter demands. Crite's work has been exhibited extensively throughout the country and is represented in many collections.

Donna Kornhaber approaches Anderson's style as the necessary product of the narrative and thematic concerns that define his body of work. Using Anderson's focus on collecting, Kornhaber situates the director as the curator of his filmic worlds, a prime mover who artfully and conscientiously arranges diverse components into cohesive collections and taxonomies. Anderson peoples each mise-en-scéne in his ongoing ""Wesworld"" with characters orphaned, lost, and out of place amidst a riot of handmade clutter and relics. Within, they seek a wholeness and collective identity they manifestly lack, with their pain expressed via an ordered emotional palette that, despite being muted, cries out for attention. As Kornhaber shows, Anderson's films offer nothing less than a fascinating study in the sensation of belonging--told by characters who possess it the least.