Denise Schmandt-Besserat opened a major new chapter in the history of literacy when she demonstrated that the cuneiform script invented in the ancient Near East in the late fourth millennium BC—the world's oldest known system of writing—derived from an archaic counting device. Her discovery, which she published in Before Writing: From Counting to Cuneiform and How Writing Came About, was widely reported in professional journals and the popular press. In 1999, American Scientist chose How Writing Came About as one of the "100 or so Books that shaped a Century of Science."

In When Writing Met Art, Schmandt-Besserat expands her history of writing into the visual realm of communication. Using examples of ancient Near Eastern writing and masterpieces of art, she shows that between 3500 and 3000 BC the conventions of writing—everything from its linear organization to its semantic use of the form, size, order, and placement of signs—spread to the making of art, resulting in artworks that presented complex visual narratives in place of the repetitive motifs found on preliterate art objects. Schmandt-Besserat then demonstrates art's reciprocal impact on the development of writing. She shows how, beginning in 2700-2600 BC, the inclusion of inscriptions on funerary and votive art objects emancipated writing from its original accounting function. To fulfill its new role, writing evolved to replicate speech; this in turn made it possible to compile, organize, and synthesize unlimited amounts of information; and to preserve and disseminate information across time and space.

Schmandt-Besserat's pioneering investigation of the interface between writing and art documents a key turning point in human history, when two of our most fundamental information media reciprocally multiplied their capacities to communicate. When writing met art, literate civilization was born.

Rethinking governance through the lens of human connection.

Whenever Two or More Are Gathered focuses on the critical role of ethics and moral responsibility in the field of public administration. Michael M. Harmon and O. C. McSwite posit that administrative ethics, as presently conceived and practiced, is largely a failure, incapable of delivering on its original promise of effectively regulating official conduct in order to promote the public interest. They argue that administrative ethics is compromised at its very foundations by two core assumptions: that human beings act rationally and that language is capable of conveying clear, stable, and unambiguous principles of ethical conduct.

The result is the illusion that values, principles, and rules of ethical conduct can be specified in workably clear ways, in particular, through their formalization in official codes of ethics; that people are capable of comprehending and responding to them as they are intended; and that the rewards and punishments attached to them will be effective in structuring daily behavior.

In a series of essays that draw on both fiction and film, as well as the disciplines of pragmatism, organizational theory, psychoanalysis, structural linguistics, and economics, Harmon and McSwite make their case for human relationship as the proper foundation of administrative ethics. “Exercising responsible ethical practice requires attaining a special kind of relationship with other people. Relationship is how the pure freedom that resides in the human psyche—for ethical choice, creativity, or original action of any type—can be brought into the structured world of human social relations without damaging or destroying it.” Furthermore, they make the case for dropping the term “ethics” in favor of the term “responsibility,” as “responsibility accentuates the social [relational] nature of moral action.”

A wide-ranging blueprint for change, Where Are the Workers? shows how working-class perspectives can expand our historical memory and inform and inspire contemporary activism.

Contributors: Jim Beauchesne, Rebekah Bryer, Rebecca Bush, Conor Casey, Rachel Donaldson, Kathleen Flynn, Elijah Gaddis, Susan Grabski, Amanda Kay Gustin, Karen Lane, Rob Linné, Erik Loomis, Tom MacMillan, Lou Martin, Scott McLaughlin, Kristin O’Brassill-Kulfan, Karen Sieber, and Katrina Windon

Where Currents Meet, Tanya Zaharchenko’s path-breaking study of literature and cultural memory, moves decisively beyond the simplistic view of a post-Soviet Ukraine divided between east and west. It positions the Ukrainian and Russian components of cultural experience in the country’s east as elements of a complex continuum. Combining insights from memory studies and border studies, Zaharchenko analyzes a generation of younger riters in the city of Kharkiv—a “doubletake generation” that came of age at the time of the Soviet Union’s collapse and now revisits this experience through fiction. In the works of Serhiy Zhadan, Andreĭ Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev, and others the author reveals how borderlands and frontiers, both geographical and conceptual, acquire zonal qualities of their own as these writers navigate the historical legacy they have inherited.

Gordy's uncanny instinct for finding extraordinary talent--from performers and musicians to songwriters and producers—packed the label's roster with a who's who of historic artists and hitmakers. Here is the story of the Supremes and superstar Diana Ross, of the towering solo acts Marvin Gaye and Stevie Wonder, of vocal groups led by the Temptations and Four Tops, of the phenomenal Jackson Five and Michael Jackson, and of singer/songwriter and Motown executive Smokey Robinson. Up front about Gordy's manipulative and complex relationships with his artists, George reveals the inner workings of how Motown conducted its business. He also offers portraits of the Funk Brothers and other musicians who played the unforgettable songs.

George's preface shows how Motown influenced a later generation of young artists and music moguls, including R. Kelly, D'Angelo, Sean Combs, and Russell Simmons.

Copublished with the Institute for Mesoamerican Studies, University of Albany

In Where Did the Eastern Mayas Go? Brent E. Metz explores the complicated issue of who is Indigenous by focusing on the sociohistorical transformations over the past two millennia of the population currently known as the Ch’orti’ Maya. Epigraphers agree that the language of elite writers in Classic Maya civilization was Proto-Ch’olan, the precursor of the Maya languages Ch’orti’, Ch’olti’, Ch’ol, and Chontal. When the Spanish invaded in the early 1500s, the eastern half of this area was dominated by people speaking various dialects of Ch’olti’ and closely related Apay (Ch’orti’), but by the end of the colonial period (1524–1821) only a few pockets of Ch’orti’ speakers remained.
 
From 2003 to 2018 Metz partnered with Indigenous leaders to conduct a historical and ethnographic survey of Ch’orti’ Maya identity in what was once the eastern side of the Classic period lowland Maya region and colonial period Ch’orti’-speaking region of eastern Guatemala, western Honduras, and northwestern El Salvador. Today only 15,000 Ch’orti’ speakers remain, concentrated in two municipalities in eastern Guatemala, but since the 1990s nearly 100,000 impoverished farmers have identified as Ch’orti’ in thirteen Guatemalan and Honduran municipalities, with signs of Indigenous revitalization in several Salvadoran municipalities as well. Indigenous movements have raised the ethnic consciousness of many non-Ch’orti’-speaking semi-subsistence farmers, or campesinos. The region’s inhabitants employ diverse measures to assess identity, referencing language, history, traditions, rurality, “blood,” lineage, discrimination, and more.
 
Where Did the Eastern Mayas Go? approaches Indigenous identity as being grounded in historical processes, contemporary politics, and distinctive senses of place. The book is an engaged, activist ethnography not on but, rather, in collaboration with a marginalized population that will be of interest to scholars of the eastern lowland Maya region, indigeneity generally, and ethnographic experimentation.

As the confusion over the ballots in Florida in 2000 demonstrated, American elections are complex and anything but user-friendly. This phenomenon is by no means new, but with the weakening of political parties in recent decades and the rise of candidate-centered politics, the high level of complexity has become ever more difficult for many citizens to navigate. Thus the combination of complex elections and the steady decline of the party system has led to a decline in voter turnout.

In this timely book, Martin Wattenberg confronts the question of what low participation rates mean for democracy. At the individual level, turnout decline has been highest among the types of people who most need to have electoral decisions simplified for them through a strong party system--those with the least education, political knowledge, and life experience.

As Wattenberg shows, rather than lamenting how many Americans fail to exercise their democratic rights, we should be impressed with how many arrive at the polls in spite of a political system that asks more of a typical person than is reasonable. Meanwhile, we must find ways to make the American electoral process more user-friendly.

Catholic institutions of higher learning are at a crossroads: How can they remain true to their roots while recognizing that many of their administrations, faculties, and student bodies have little connection with the tradition? How can these institutions remain competitive while maintaining a relationship to the Church?

During the past several years Catholic theologian John C. Haughey, SJ, has conducted groundbreaking research on these questions. He has done this in tandem with a team of Catholic scholars from around the United States. Haughey has also conducted numerous workshops with faculty at a dozen Catholic colleges and universities to learn firsthand about their research and teaching aspirations. Those relationships and conversations provide the foundation for this book’s many insights.

In Where Is Knowing Going? Haughey explores what constitutes the Catholic identity of Catholic colleges and universities. Going beyond a doctrinal understanding of Catholic identity to one that engages and is engaged by the intellectual tradition of Catholicism, Haughey does not find that the issue of Catholic identity is adequately dealt with by marketing the distinctive identities of institutions in terms of their founding religious orders or saints. He provides a sure-handed process whereby the pursuits of individual faculty can be better aligned with the formal mission of the institution.

Book 2 in the Dr. Abby Wilmore Series

Where Light Comes and Goes brings back Dr. Abby Wilmore, the young family physician who was the protagonist of Miller’s first novel, The Color of Rock. Abby has accepted the directorship of a summer clinic in Yellowstone National Park where she hopes to expand her medical skills. She arrives to find herself working above the increasingly restless Yellowstone supervolcano, treating visitors, staff, and locals, all while evading the advances of a lecherous concession manager and maintaining a long-distance relationship with her partner who stays at the Grand Canyon Clinic. As tremors in the park escalate and the lakes seethe with bubbling gases, Abby learns that some-one is mysteriously killing the bison.

What follows is an engrossing mystery unfolding in a spectacular setting with rich, quirky, and endearing characters and unexpected plot turns. While an overworked Abby makes new friends among her clinic staff and patients, tension builds as the volcano seems to be moving closer to a major eruption and the bison killings become more frequent. Soon, Abby finds herself in mortal danger as the story races to a thrilling and unexpected conclusion.

Sandra Cavallo Miller demonstrated in The Color of Rock that she is a gifted storyteller. Where Light Comes and Goes deftly combines a gripping mystery set in the accurately depicted routine of a busy medical practice amid the wonders of Yellowstone’s magnificent scenery and wildlife. This is entertaining reading at its best.

When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema’s history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency.

Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including 28 Days Later, AVP: Alien vs. Predator, Children of Men, Beasts of the Southern Wild, Firefly, and Doctor Who: Series 3. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, Where No Black Woman Has Gone Before shows why heroines such as Lex in AVP and Zoë in Firefly are inspiring a generation of fans, just as Uhura did.

Plenty of books tell you how to do research. This book helps you figure out WHAT to research in the first place, and why it matters.

The hardest part of research isn't answering a question. It's knowing what to do before you know what your question is. Where Research Begins tackles the two challenges every researcher faces with every new project: How do I find a compelling problem to investigate—one that truly matters to me, deeply and personally? How do I then design my research project so that the results will matter to anyone else?

This book will help you start your new research project the right way for you with a series of simple yet ingenious exercises. Written in a conversational style and packed with real-world examples, this easy-to-follow workbook offers an engaging guide to finding research inspiration within yourself, and in the broader world of ideas.

Read this book if you (or your students):

• have difficulty choosing a research topic
• know your topic, but are unsure how to turn it into a research project
• feel intimidated by or unqualified to do research
• worry that you’re asking the wrong questions about your research topic
• have plenty of good ideas, but aren’t sure which one to commit to
• feel like your research topic was imposed by someone else
• want to learn new ways to think about how to do research.

Under the expert guidance of award-winning researchers Thomas S. Mullaney and Christopher Rea, you will find yourself on the path to a compelling and meaningful research project, one that matters to you—and the world.

A favorite destination of visitors to the Texas coast, Corpus Christi is a midsize city that manages to be both cosmopolitan and provincial, networked and local. It is an indispensable provider of urban services to South Texas, as well as a port of international significance. Its industries and military bases and, increasingly, its coastal research institutes give it a range of connections throughout North America. Despite these advantages, however, Corpus Christi has never made it into the first rank of Texas cities, and a keen self-consciousness about the city’s subordinate position has driven debates over Corpus’s identity and prospects for decades.

In this masterful urban history—a study that will reshape the way that Texans look at all their cities—Alan Lessoff analyzes Corpus Christi’s place within Texas, the American Southwest, the western Gulf of Mexico, and the U.S.-Mexican borderlands from the city’s founding in 1839 to the present. He portrays Corpus as a place where westward Anglo expansion overwhelmed the Hispanic settlement process from the south, leaving a legacy of conflicting historical narratives that colors the city’s character even now. Lessoff also explores how competing visions of the city’s identity and possibilities have played out in arenas ranging from artwork in public places to schemes to embellish, redevelop, or preserve the downtown waterfront and North Padre Island. With a deep understanding of the geographic, historical, economic, and political factors that have formed the city, Lessoff demonstrates that Corpus Christi exemplifies the tensions between regional and cosmopolitan influences that have shaped cities across the Southwest.

Huaca Prieta—one the world’s best-known, yet least understood, early maritime mound sites—and other Preceramic sites on the north coast of Peru bear witness to the beginnings of civilization in the Americas. Across more than fourteen millennia of human occupation, the coalescence of maritime, agricultural, and pastoral economies in the north coast settlements set in motion long-term biological and cultural transformations that led to increased social complexity and food production, and later the emergence of preindustrial states and urbanism. These developments make Huaca Prieta a site of global importance in world archaeology.

This landmark volume presents the findings of a major archaeological investigation carried out at Huaca Prieta, the nearby mound Paredones, and several Preceramic domestic sites in the lower Chicama Valley between 2006 and 2013 by an interdisciplinary team of more than fifty international specialists. The book’s contributors report on and analyze the extensive material records from the sites, including data on the architecture and spatial patterns; floral, faunal, and lithic remains; textiles; basketry; and more. Using this rich data, they build new models of the social, economic, and ontological practices of these early peoples, who appear to have favored cooperation and living in harmony with the environment over the accumulation of power and the development of ruling elites. This discovery adds a crucial new dimension to our understanding of emergent social complexity, cosmology, and religion in the Neolithic period.

Annamaboe was the largest slave trading port on the eighteenth-century Gold Coast, and it was home to successful, wily African merchants whose unusual partnerships with their European counterparts made the town and its people an integral part of the Atlantic’s webs of exchange. Where the Negroes Are Masters brings to life the outpost’s feverish commercial bustle and continual brutality, recovering the experiences of the entrepreneurial black and white men who thrived on the lucrative traffic in human beings.

Located in present-day Ghana, the port of Annamaboe brought the town’s Fante merchants into daily contact with diverse peoples: Englishmen of the Royal African Company, Rhode Island Rum Men, European slave traders, and captured Africans from neighboring nations. Operating on their own turf, Annamaboe’s African leaders could bend negotiations with Europeans to their own advantage, as they funneled imported goods from across the Atlantic deep into the African interior and shipped vast cargoes of enslaved Africans to labor in the Americas.

Far from mere pawns in the hands of the colonial powers, African men and women were major players in the complex networks of the slave trade. Randy Sparks captures their collective experience in vivid detail, uncovering how the slave trade arose, how it functioned from day to day, and how it transformed life in Annamaboe and made the port itself a hub of Atlantic commerce. From the personal, commercial, and cultural encounters that unfolded along Annamaboe’s shore emerges a dynamic new vision of the early modern Atlantic world.

Winner of the John Collier Jr. Award for Still Photography

Where the Roads All End tells the remarkable story of an American family’s eight anthropological expeditions to the remote Kalahari Desert in South-West Africa (Namibia) during the 1950s. Raytheon co-founder Laurence Marshall, his wife Lorna, and children John and Elizabeth recorded the lives of some of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important ventures in the anthropology of Africa. Largely self-taught as ethnographers, the family supplemented their research with motion picture film and still photography to create an unparalleled archive that documents the Ju/’hoansi and the /Gwi just as they were being settled by the government onto a “Bushman Preserve.” The Marshalls’ films and publications popularized a strong counternarrative to existing negative stereotypes of the “Bushman” and revitalized academic studies of these southern African hunter-gatherers.

This vivid and multilayered account of a unique family enterprise focuses on 25,000 still photographs in the archives of Harvard’s Peabody Museum of Archaeology and Ethnology. Illustrated with over 300 images, Where the Roads All End reflects on the enduring ethnographic record established by the Marshalls and the influential pathways they charted in anthropological fieldwork, visual anthropology, ethnographic film, and documentary photography.

Depression-era Harlan County, Kentucky, was the site of one of the most bitter and protracted labor disputes in American history. The decade-long conflict between miners and the coal operators who adamantly resisted unionization has been immortalized in folksong by Florence Reece and Aunt Molly Jackson, contemplated in prose by Theodore Dreiser and Sherwood Anderson, and long been obscured by popular myths and legends.

John W. Hevener separates the fact from the legend in his Weatherford Award-winning investigation of Harlan's civil strife, now available for the first time in paperback. In Which Side Are You On? Hevener attributes the violence–-including the deaths of thirteen union miners–-to more than just labor conflict, viewing Harlan's troubles as sectional economic conflict stemming from the county's rapid industrialization and social disorganization in the preceding decade.

Detailing the dimensions of unionization and the balance of power spawned by New Deal labor policy after government intervention, Which Side Are You On? is the definitive analysis of Harlan's bloody decade and a seminal contribution to American labor history.

The years from 1928 to 1937 were the “Nanking decade” when the Chinese Nationalist government strove to build a new China with Western assistance. This was an interval of hope between the turbulence of the warlord-ridden twenties and the eight-year war with Japan that began in 1937. James Thomson explores the ways in which Americans, both missionaries and foundation representatives, tried to help the Chinese government and Chinese reformers undertake a transformation of rural society. His is the first in-depth study of these efforts to produce radical change and at the same time avoid the chaos and violence of revolution.

Despite the conservatism of the right wing in the Kuomintang party dictatorship, this Nanking decade saw many promising beginnings. American missionaries—the largest group of Westerners in the Chinese hinterland—often took the initiative locally, and some rallied to support of China’s first modern-minded government. They assisted both in rural reconstruction programs and in efforts of at ideological reform. Thomson analyzes the work of the National Christian Council in an area of Kiangsi province recently recovered from Communist rule. He also traces the deepening involvement of missionaries and the Chinese Christian Church in the “New Life Movement,” sponsored by Chiang Kai-shek.

Unhappily aware of the sharpening polarization of Chinese politics, these American reformers struggled in vain to steer clear of too close an identification with the ruling party. Yet they found themselves increasingly identified with the Nanking regime and their reform efforts obstructed by its disinclination or inability to revolutionize the Chinese countryside. In this way, American reformers in Nationalist China were forerunners of subsequent American attempts, under government sponsorship, to find a middle path between revolution and reaction in other situations of national upheaval.

For this book, James Thomson has used hitherto unexplored archives that document the participation of American private citizens in the process of Chinese social, economic, and political change.

A surprising history of human hair in nineteenth-century America, where length, texture, color, and coiffure became powerful indicators of race, gender, and national belonging.

Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Sarah Gold McBride shows, hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide.

As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one’s social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities.

A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today.

When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson's classic concert anthem "Whiskey River," and singer of hits such as "You Gave Me a Mountain," "Undo the Right," "Jim, Jack and Rose," and "I'll Be There," Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin', hurtin', hard-drinkin' life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush's career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder that he combated for thirty years. But, survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians who crave the authenticity—the "pure D" country—that Johnny Bush has always had and that Nashville country music has lost.

In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor in Houston's Kashmere Gardens neighborhood and learning his chops in honky-tonks around Houston and San Antonio—places where chicken wire protected the bandstand and deadly fights broke out regularly. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson, including the booze, drugs, and one-night stands that fueled his songs but destroyed his first three marriages. He remembers the time in the early 1970s when he was hotter than Willie and on the fast track to superstardom—until spasmodic dysphonia forced his career into the slow lane. Bush describes his agonizing, but ultimately successful struggle to keep performing and rebuild his fan base, as well as the hard-won happiness he has found in his personal life.

Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. Johnny Bush has known almost all the great musicians, past and present, and he has wonderful stories to tell. Likewise, he offers shrewd observations on how the music business has changed since he started performing in the 1950s—and pulls no punches in saying how Nashville music has lost its country soul. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.

Beginning in the 1960s in California, erstwhile music producer Tony Alamo became interested in authoritarian religion and, along with his charismatic wife, Susan, began gathering followers. By the 1970s, Tony Alamo Christian Ministries had established particularly strong footholds in Arkansas, as well as maintaining outposts in California. The ministry gained a legion of followers, with branches not only in the USA but in places as diverse as Africa and Sri Lanka. Even through their leader’s eventual imprisonment under federal charges (related to transporting minors across state lines for sexual purposes), Alamo’s vision survived—and his community survives him today.

Whispering in the Daylight: The Children of Tony Alamo Christian Ministries and Their Journey to Freedom is based on numerous interviews from group members and, more importantly, on interviews with the children—second and third-generation followers. Author Debby Schriver chronicles how this group was formed, documenting its many abuses and its gradual adoption of cult-like behaviors and practices. Like many cult leaders, Tony Alamo had different faces. The public saw him as a somewhat self-important but harmless music promoter and designer of bedazzling denim jackets. Schriver chronicles firsthand the condemnation, rejection, and torment that the second-generation survivors of Tony Alamo’s abuses experienced. Schriver’s interviews, particularly those with children, illuminate the real horrors of the Alamos’ behavior, ranging from economic exploitation, extreme forced fasts, and beatings, that resulted in permanent injury.

Schriver’s extensive research—including interviews with Tony Alamo himself, harrowing visits to Alamo compounds, and witnessing gut-wrenching confrontations between freed children and their unreformed parents—tells the story of a closed group whose origins and history are unlikely ever to be definitively unraveled.

Society needs whistleblowers, yet to speak up and expose wrongdoing often results in professional and personal ruin. Kate Kenny draws on the stories of whistleblowers to explain why this is, and what must be done to protect those who have the courage to expose the truth.

Despite their substantial contribution to society, whistleblowers are considered martyrs more than heroes. When people expose serious wrongdoing in their organizations, they are often punished or ignored. Many end up isolated by colleagues, their professional careers destroyed. The financial industry, rife with scandals, is the focus of Kate Kenny’s penetrating global study. Introducing whistleblowers from the United States, the United Kingdom, Switzerland, and Ireland working at companies like Wachovia, Halifax Bank of Scotland, and Countrywide–Bank of America, Whistleblowing suggests practices that would make it less perilous to hold the powerful to account and would leave us all better off.

Kenny interviewed the men and women who reported unethical and illegal conduct at major corporations in the run up to the 2008 financial crisis. Many were compliance officers working in influential organizations that claimed to follow the rules. Using the concept of affective recognition to explain how the norms at work powerfully influence our understandings of right and wrong, she reframes whistleblowing as a collective phenomenon, not just a personal choice but a vital public service.

The long and pernicious relationship between fast food restaurants and the African American community

• James Beard Foundation: James Beard Media Award for Reference, History, and Scholarship — Winner
• Urban Affairs Association Best Book in Urban Affairs — Winner
• Association for Humanist Sociology Betty and McClung Lee Book Award — Winner
• Black Caucus of the American Library Association — Honor, Nonfiction category
• Museum of African American History Stone Book Award — Shortlist
• Business History Conference: Hagley Prize — Finalist
• Association for the Study of Food and Society: ASFS Book Award — Winner
• Society for the Study of Social Problems: Eduardo Bonilla-Silva Outstanding Book Award — Winner
• Foreword: INDIES — Silver winner, History category

Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through trgeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In White Burgers, Black Cash, Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities.

Fast food has historically been tied to the country’s self-image as the land of opportunity and is marketed as one of life’s simple pleasures, but a more insidious history lies at the industry’s core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food’s racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald’s, and more.

Deeply researched, compellingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in America’s popular national food tradition.

This is the only comprehensive and critical account, in a single volume, of the leukocytes. It cuts across scientific and clinical disciplines to provide a unified review of granulocytes, monocytes, and lymphocytes, both as individual cell types and as they form an integrated system of defense against the body's foreign invaders. Sections on each cell type discuss first normal and then abnormal aspects of morphogenesis and morphology, the kinetics of production, distribution, life span, metabolism and function. Specific disease states are reviewed in the context of pathophysiological mechanisms.

Readable, and beautifully illustrated with photomicrographs, electron micrographs, diagrams and drawings, this book will serve a broad audience of physicians and scientists as well as students seeking a basic grounding in the field. More than 6,000 references are cited; the reader will find a perspective on the historical development of leukocyte biology as well as a current summary of a rapidly changing field. Not only hematologists, but workers in the basic disciplines of immunology and cell biology, and in the clinical fields of oncology, genetics, infectious disease, surgery, and related areas, will turn to this book as the fundamental teaching and reference work on white cells.

    Among the countless gangster films produced by Hollywood, few are as haunting, complex, or ingeniously crafted as White Heat (1948). Students of film history and screen writing will appreciate this treatment—an engaging study of teh various artistic elements that turned what might have been just another gangster film into an innovative classic of the genre and a model of cooperative filmmaking at its best.
    Crucial to White Heat's success, McGilligan stresses, was the rare manner in which every aspect of production coalesced: studio, script, cast, crew, and director.

The relation of White House assistants to the president, their appropriate role in the governmental process, and the most effective means for organizing and managing the White House have been subjects of both public concern and academic dispute. White House Operations addresses these and related questions by providing the first thorough analysis of how the thirty-sixth president managed his staff. By grounding their study in original documents from the Lyndon B. Johnson Presidential Library, the authors lift the veil of secrecy that clouds the inner workings of the White House. The result is an insightful elaboration of the complex, extensive, and diverse roles of White House aides—and av fascinating look at such key White House figures as McGeorge Bundy, Joseph Califano, Bill Moyers, George Reedy, Walt Rostow, Lawrence O’Brien, and Johnson himself.

This exploration of Johnson’s highly personalized White House operations provides far-reaching implications for the nature of effective presidential management. The comprehensive analysis of the range of work done under Johnson and the unique nature of White House assistance leads the authors to a strong and vigorous assertion for a positive role for the White House staff that clashes sharply with the thrust of many recommendations for reorganizing the presidency. Redford and McCulley convincingly demonstrate that management of the White House staff and other parts of the president’s advisory system will remain crucial for successful presidential performance.

The book is the fifth volume in a series designed to provide a comprehensive administrative history of the Johnson presidency. The book will be of interest to the informed general reader, presidential scholars, political scientists, U.S. historians, and students of public management and will be an important addition to academic library collections.

The study of white ethnicities is becoming increasingly important in the social sciences. This book provides a critical introduction to the topic.

Whiteness has traditionally been seen as "ethnically transparent" - the marker against which other ethnicities are measured. This analysis is clearly incorrect, but only recently have many race and ethnicity scholars moved away from focusing on ethnic minorities and instead oriented their studies around the construction of white identities. Simon Clarke and Steve Garner's book is designed to guide students as they explore how white identities are forged using both sociological and psycho-social ideas.

Including an excellent survey of the existing literature and original research from the UK, this book will be an invaluable guide for sociology students taking modules in race and ethnicity.

The reign of Emperor Jiaqing (1796–1820 CE) has long occupied an awkward position in studies of China’s last dynasty, the Qing (1644–1911 CE). Conveniently marking a watershed between the prosperous eighteenth century and the tragic post–Opium War era, this quarter century has nevertheless been glossed over as an unremarkable interlude separating two well-studied epochs of great transformation. White Lotus Rebels and South China Pirates presents a major reassessment of this misunderstood period by examining how the emperors, bureaucrats, and foreigners responded to the two crises that shaped the transition from the Qianlong to the Jiaqing reign.

Wensheng Wang argues that the dramatic combination of internal uprising and transnational piracy, rather than being a hallmark of inexorable dynastic decline, propelled the Manchu court to reorganize itself through a series of modifications in policymaking and bureaucratic structure. The resulting Jiaqing reforms initiated a process of state retreat that pulled the Qing Empire out of a cycle of aggressive overextension and resistance, and back onto a more sustainable track of development. Although this pragmatic striving for political sustainability was unable to save the dynasty from ultimate collapse, it represented a durable and constructive approach to the compounding problems facing the late Qing regime and helped sustain it for another century. As one of the most comprehensive accounts of the Jiaqing reign, White Lotus Rebels and South China Pirates provides a fresh understanding of this significant turning point in China’s long imperial history.

Winner, T. R. Fehrenbach Award, Texas Historical Commission, 2007

From the nineteenth century until today, the power brokers of Dallas have always portrayed their city as a progressive, pro-business, racially harmonious community that has avoided the racial, ethnic, and class strife that roiled other Southern cities. But does this image of Dallas match the historical reality? In this book, Michael Phillips delves deeply into Dallas's racial and religious past and uncovers a complicated history of resistance, collaboration, and assimilation between the city's African American, Mexican American, and Jewish communities and its white power elite.

Exploring more than 150 years of Dallas history, Phillips reveals how white business leaders created both a white racial identity and a Southwestern regional identity that excluded African Americans from power and required Mexican Americans and Jews to adopt Anglo-Saxon norms to achieve what limited positions of power they held. He also demonstrates how the concept of whiteness kept these groups from allying with each other, and with working- and middle-class whites, to build a greater power base and end elite control of the city. Comparing the Dallas racial experience with that of Houston and Atlanta, Phillips identifies how Dallas fits into regional patterns of race relations and illuminates the unique forces that have kept its racial history hidden until the publication of this book.

By the thousands they came, the gold-seekers of 1897, pouring through Alaska's White and Chilkoot passes on their way to the Klondike and to fortune. Fast behind them came the entrepreneurs, the bunco artists, and before long, the engineers and financiers whose driving ambition was to build a railway through the White Pass's rocky precipices. This is the epic northern adventure of the men who rushed for gold, the workers who toiled in winter storms and thaw-time muck, carving the grade and laying rail, and the ingenious characters who dreamed, schemed, promoted, and finally built the White Pass and Yukon Railway.

At the age of six, Ume Tsuda (1865-1929) was sent on a mission by the Japanese government to the United States with four other girls. Their task was first to educate themselves in modern ways and Western learning, and then return to bring that gift to their sisters in Japan. When Ume finally did return, ready to carry out her duty, she found a new government quite unprepared to make use of her skills. Undaunted, she devoted the rest of her life to seeking a way to achieve the goal of making modern higher education available to Japanese women for the first time. Eventually she founded her own Tsuda College, which has remained one of the bastions of women’s education in Japan to this day.

Winner, Society for American Archaeology Book Award, 2017
San Antonio Conservation Society Publication Award, 2019

The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time—making it possibly the oldest pictorial creation narrative in North America.

Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.

The White Tattoo is a smart, always surprising collection of American stories. William J. Cobb knows and loves his character and places. His first collection of short stories, The White Tattoo, revels in the undeniable allure of the physical world even as it is juxtaposed with the twists and kinks of psychological and emotional pain. At one extreme is the tense, torturous psychology of “Motel Ice,” whose narrative voice emerges from the mind of a mentally disturbed Jehovah’s Witness gazing out on a world of temptation and redemption. Similarly hyperdramatic in its conclusion and its arc of betrayal and violent aftermath, “For All You Dorks, Blah Blah Blah” conjures up a sleepwalking, murderous father who is less culpable in the harm he causes but all the while most destructive.

Stylistically, the stories crackle, snap, and zing. Several of them, including “The Wishes,” “The Atmosphere of Vienna,” and “Dark Matter,” use an idiosyncratic, Tilt-O-Whirl narrative marked by a swirling, shifting focus and point of view, trying to create a multifaceted, complex vision of the world by dipping in and out of the consciousness of various characters.

An enigmatic woman wanders from a pleasure mansion to a backyard wedding, upending the lives of everyone present

No one knows the woman at the wedding. Not the caterer, an easy target, succumbing to her advances. Not the pregnant bride or her tangled family, trying to spin a fairytale wedding under a melting hot summer sun. Not even the bride’s stepsister, Charlotte, who, in the middle of the night and despite her better judgment, allows this wandering wedding crasher into her car.
 
Crusted in dried blood and other bodily fluids, the woman exists in layers of sense and story, a nesting doll of pornographic tales in which fantasy and banality collide and blur. In this novel that is at once visceral, vivid, and spare, the uninvited guest gives each of those she meets what they want, whether they like it or not.
 
Here writhe distinct bodies in distinct ecstasies, echoing and defying inherited American narratives about gender, shame, and pleasure. With an edge of humor and horror, Woods explores if —and how—we consent to our own desires.
 

American Sociological Association’s Jessie Bernard Book Award winner

Gustavus Myers Center for the Study of Human Rights’s Outstanding Book Award winner