Horsefly Dress is a meditation on the experience and beauty of suffering, questioning its triggers and ultimate purpose through the lens of historical and contemporary interactions and complications of Séliš, Qĺispé, and Christian beliefs. Heather Cahoon’s collection explores dark truths about the world through first-person experiences, as well as the experiences of her family and larger tribal community. As a member of the Confederated Salish and Kootenai Tribes, Cahoon crafts poems that recount traditional stories and confront Coyote’s transformation of the world, including his decision to leave certain evils present, such as cruelty, greed, hunger, and death.

By weaving together stories of Cahoon’s family and tribal community with those of Coyote and his family, especially Coyote’s daughter, Horsefly Dress, the interactions and shared experiences show the continued relevance of traditional Séliš and Qĺispé culture to contemporary life. Rich in the imagery of autumnal foliage, migrating birds, and frozen landscapes, Horsefly Dress calls forth the sensory experience of grief and transformation. As the stories and poems reveal, the transformative powers associated with the human experience of loss belong to the past, present, and future, as do the traditional Salish-Pend d’Oreille stories that create the backbone of this intricate collection.

Wherever cattle have been raised on a large scale horsemen have been there to handle them; and wherever these horsemen have existed they have left an indelible mark upon the history of the land. Frequently they have been ignorant, violent, and brutal. Always they have been vigorous and individualistic. They have taken their herds into frontier areas, opened new country, fought and driven off earlier inhabitants, participated in revolutions, battled among themselves, and generally lived lives which, colorful and somewhat frightening to their contemporaries, have become robust legends to those who followed them.

Edward Larocque Tinker portrays the life of these people in the two Americas, the conditions which created them, and those that ultimately destroyed or transformed them.

"Ever since I was a small boy, when my parents returned from Mexico bringing me a charro outfit complete with saddle and bridle, Latin America has beckoned with the finger of romance," Mr. Tinker recalls. "As soon as I was old enough, I made many trips to Mexico and, in the days of Porfirio Díaz, learned to know it from the border to the Isthmus of Tehuantepec. During the Revolution I was with General Álvaro Obregón when he was a Teniente Coronel in his Sonora Campaign, and, although I was only a lawyer on a holiday, took care of his wounded in the battel of San Joaquín. Later, in Pancho Villa's train, I was present at Celaya when he was defeated by Obregón.

"Always an ardent horseman, I worked many a roundup with the vaqueros of Sonora and Chihuahua, and with the cowboys of our Southwest. . . .

"I saw the similarity between the American cowboy, the Argentine Gaucho, and the Vaquero of Mexico. They all received their gear and technique of cattle handling from Spain, and developed the same independence, courage, and hardihood. I thought if these qualities were better known they might serve as a bridge to closer understanding throughout the Americas."

From his study of the lives of these horsemen, Tinker proceeds to an examination of the literature that evolved among and then about them.

The first and largest part of the book deals with the gaucho of Argentina and Uruguay. The second and third sections examine the charro of Mexico and the cowboy of the United States.

Historians have long assumed that new industrial machines and power sources eliminated work animals from nineteenth-century America, yet a bird’s-eye view of nineteenth-century society would show millions of horses supplying the energy necessary for industrial development. Horses were ubiquitous in cities and on farms, providing power for transportation, construction, manufacturing, and agriculture. On Civil War battlefields, thousands of horses labored and died for the Union and the Confederacy hauling wagons and mechanized weaponry.

The innovations that brought machinery to the forefront of American society made horses the prime movers of these machines for most of the nineteenth century. Mechanization actually increased the need for horsepower by expanding the range of tasks requiring it. Indeed, the single most significant energy transition of the antebellum era may have been the dramatic expansion in the use of living, breathing horses as a power technology in the development of industrial America.

Ann Greene argues for recognition of horses’ critical contribution to the history of American energy and the rise of American industrial power, and a new understanding of the reasons for their replacement as prime movers. Rather than a result of “inevitable” technological change, it was Americans’ social and political choices about power consumption that sealed this animal’s fate. The rise and fall of the workhorse was defined by the kinds of choices that Americans made and would continue to make—choices that emphasized individual mobility and autonomy, and assumed, above all, abundant energy resources.

2021 Big Other Book Award Fiction Finalist

A visceral, stark, and deadpan collection of stories that brilliantly fuse humor with horror

Horses Dream of Money is a daring collection of tales, darkly humorous, that eerily channels the surreal and sinister mood of the times. Preoccupied with the fault lines between life and death, and veering often into horror, Angela Buck brings a raw energy and witty sobriety to these accounts of human life and connection with the intimacy of fireside-storytelling, gimlet-eyed revelry in bloodletting, and a masterful sleight of hand between the fantastical and the quotidian.
 
“The Solicitor” reinvents the coming-of-age story as a romance-for-hire between a girl and her “solicitor,” a man whose services are demanded by her mother and enforced by a cruel master. “Coffin-Testament” is a fabulous futuristic account of the extinction of human life on earth written 1,667 years later by a group of lady robots channeling Sir Thomas Browne to muse on their own mortality. “The Bears at Bedtime” documents a compound of cuddly kind worker-bears and their ruthless doings. “Bisquit” imagines today’s precariat as a lovable horse who is traded from one master to another until a horse race brings his maddeningly repetitive adventures to a violent conclusion.
 

The remarkable relationship between people and horses has been evoked in art from the beginning of the bond between them. In this beautifully illustrated book, Catherine Johns explores the horse in art from the ancient world to the modern era.

In early human history, horses were among the wild creatures hunted for meat; they were domesticated comparatively late, around 4000 B.C. As people developed from hunter-gatherers to farmers, the horse offered the potential for a revolution in power and transport—the ability to move farther and faster transformed society. Johns tells the story of the horse and highlights the key roles this animal has played in human warfare, travel, ceremony, hunting, racing, and in myth and symbolism.

The themes are presented in stunning four-color illustrations of British Museum objects that trace our perceptions of the horse through time and space, and convey the wide variety of images that have been created of this magnificent creature: in colossal and life-sized sculpture, in paintings, and in minuscule form on coins, gems, and jewelry; and from the world of ancient Greece and Rome to the arts of India, Africa, China, and Japan.

Horses appear in stone and metal, ceramic, wood, bone, ivory, and textiles. From the Horse of Selene and a gold model chariot from the Oxus treasure to Persian miniatures and prints by Duerer, Stubbs, and Hokusai, this book will inform, entertain, and delight horse lovers and all readers interested in this inspiring animal and its profound contribution to human culture.

The Arabs created one of the world's finest breeds of saddle horses, the Arabian, and they have long possessed an immense store of knowledge regarding the care, training, and breeding of this splendid horse. In the nineteenth century, General Melchior Joseph Eugene Daumas had access to their knowledge even though, as he pointed out, "it requires a great deal of patience and tact for a Christian to obtain from the Mohammedans even the most insignificant of details . . ." General Daumas was, because of his unique relationship with the Arabs, probably the first European to produce a comprehensive study of Arabian horses. And to add even greater value to The Horses of the Sahara, he was able to secure for the ninth edition, here translated, extended commentaries on all aspects of Arabian horsemanship by the Emir Abd-el-Kadar, one of the most important nineteenth-century Arab leaders and certainly one of the foremost authorities on the subject.

The Horses of the Sahara will be of interest not only to equestrians but also to historians and other scholars interested in the customs of the North African desert tribes and in the complex backgrounds of European–North African relations. General Daumas took part in the conquest of Algeria by France, so distinguishing himself that he was named Director of the Bureau of Algerian Affairs in the French Ministry of War. During the campaigns and the occupation that followed, he studied and attempted to understand the native peoples, with an objectivity and sympathy unusual among the colonialists of the period. His book provides fascinating sidelights on many aspects of Arab life, including customs, superstitions, religion, and family life.

Sheila M. Ohlendorf was uniquely suited to translate The Horses of the Sahara. An excellent rider herself, thoroughly experienced with the animals and the techniques being discussed, she also spoke fluent French, having received her B.A. degree in languages from Texas Western University (now the University of Texas at El Paso). As curator of the Hall of the Horsemen, the large collection at the University of Texas at Austin, she had access to a wide variety of supplementary authorities, which enriched both her translation and the notes that accompany the book.

Winner of the Pulitzer Prize for Drama for The Young Man from Atlanta and Academy Awards for the screen adaptation of To Kill a Mockingbird and the original screenplay Tender Mercies, as well as the recipient of an Academy Award nomination for the screenplay of The Trip to Bountiful and the William Inge Lifetime Achievement Award, Horton Foote is one of America's most respected writers for stage and screen. The deep compassion he shows for his characters, the moral vision that infuses his social commentary, and the kindness and humanity that Foote himself radiates have also made him one of our most revered artists—the father-figure who understands our longings for home, for human connections, and for certainty in a world largely bereft of these.

This literary biography thoroughly investigates how Horton Foote's life and worldview have shaped his works for stage, television, and film. Tracing the whole trajectory of Foote's career from his small-town Texas upbringing to the present day, Charles Watson demonstrates that Foote has created a fully imagined mythical world from the materials supplied by his own and his family's and friends' lives in Wharton, Texas, in the early twentieth century. Devoting attention to each of Foote's major works in turn, he shows how this world took shape in Foote's writing for the New York stage, Golden Age television, Hollywood films, and in his nine-play masterpiece, The Orphan's Home Cycle. Throughout, Watson's focus on Foote as a master playwright and his extensive use of the dramatist's unpublished correspondence make this literary biography required reading for all who admire the work of Horton Foote.

The book of Hosea is a labyrinth of juxtaposed images for God and God’s people, with such disparate metaphors as God the devouring lion and God the reviving dew. In Hosea’s God: A Metaphorical Theology, Mason D. Lancaster demonstrates that recent advances in metaphor theory help untangle these divergent portrayals of God. He analyzes fifteen metaphor clusters in Hosea 4–14 individually, then discerns patterns and reversals between the clusters. Finally, respecting the ancient value for emphasizing individual aspects of a depiction over a homogenized picture of the whole, the book identifies five characteristics of God prominent among the metaphors of Hosea. Based on this analysis, Lancaster asserts that Hosea’s metaphorical depiction of Yahweh ultimately derives from the primacy of Yahweh’s fidelity to Israel.

The cost of hospital care has grown so rapidly in the past thirty years that it is threatening to bend our economy completely out of shape. A hospital bed that cost $16 per day in 1950 cost $214 per day by 1978—an increase of more than 1200 per cent! What is the cause of this fantastic inflation, which has been far higher than for any other major good or service? In this pathbreaking book, Martin Feldstein sets forth a novel explanation, provides empirical support for it, and suggests some remedies for the problem.

Feldstein demonstrates a complex relationship between the growing sophistication of hospital care, physician and patient demand, third-party insurance payments, and the tax treatment of insurance premiums. This last, he argues, is the key to the problem in that government policies stimulate the purchase of excessive insurance by a tax deduction and exclusion that cost the Treasury about $10 billion a year. To mitigate the increasingly severe burden of hospital costs, Feldstein recommends that this preferential tax treatment be ended. In its place, he proposes a new national health insurance plan that would give incentives to physicians and their patients to economize on costs and at the same time provide adequate coverage for major illnesses.

This book is also freely available online as an open access digital edition here: https://bibliopen.org/9781644531792. The open access edition is funded by the National Endowment for the Humanities.

In sixteenth-century France, the level of jokes, irony, and ridicule found in pamphlets and plays became aggressively hostile. In Hostile Humor in Renaissance France, Bruce Hayes investigates this period leading up to the French Wars of Religion, when a deliberately harmful and destructive form of satire appeared.

This study examines both pamphlets and plays to show how this new form of humor emerged that attacked religious practices and people in ways that forever changed the nature of satire and religious debate in France. Hayes explores this phenomenon in the context of the Catholic and Protestant conflict to reveal new insights about the society that both exploited and vilified this kind of satire.

How did menopause change from being a natural (and often welcome) end to a woman's childbearing years to a deficiency disease in need of medical and pharmacological intervention? As she traces the medicalization of menopause over the last 100 years, historian Judith Houck challenges some widely held assumptions. Physicians hardly foisted hormones on reluctant female patients; rather, physicians themselves were often reluctant to claim menopause as a medical problem and resisted the widespread use of hormone therapy for what was, after all, a normal transition in a woman's lifespan. Houck argues that the medical and popular understandings of menopause at any given time depended on both pharmacological options and cultural ideas and anxieties of the moment. As women delayed marriage and motherhood and entered the workforce in greater numbers, the medical understanding, cultural meaning, and experience of menopause changed. By examining the history of menopause over the course of the twentieth century, Houck shows how the experience and representation of menopause has been profoundly influenced by biomedical developments and by changing roles for women and the changing definition of womanhood.

This book analyses the causes of armed conflicts in Southern Africa during the Cold War. It examines the influence of the various external forces in the region during this period and their relationship to local movements and governments.

The book focuses on states experiencing violent internal conflict and foreign intervention, that is Angola, Mozambique, Namibia , South Africa and Zimbabwe.

The author provides an unique history of the key part that the Soviet Union played in these developments. Spanning 30 years, the book explores how each country struggled for genuine independence against colonialism and apartheid and their place in the wider conflicts encompassed by the Cold War.

Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh

Bernd Heinrich's widely praised Bumblebee Economics set a high standard for scientifically accurate yet gracefully articulate writing about nature's ingenious patterns, specifically thermoregulation. Hot-Blooded Insects takes a giant step forward by presenting an overview of what is now known about thermoregulation in all of the major insect groups, offering new insights on physiology, ecology, and evolution.

The book is richly illustrated by the author's exquisite sketches. By describing the environmental opportunities and challenges faced by moths and butterflies, grasshoppers and locusts, dungball rollers and other beetles, a wide range of bees, and other insects, Heinrich explains their dazzling variety of physiological and behavioral adaptations to what, for them, is a world of violent extremes of temperature. These mechanisms are apparent only through precise observations, but the small body size of insects poses large technical difficulties in whole-animal experiments, engendering controversy about the reliability of the data thus derived. Emphasizing an experimental approach, Heinrich pinpoints where he believes studies have gone astray, describing in detail both groundbreaking experiments and those which leave a reasonable doubt about the mechanism being interpreted. He reviews relevant work on the major taxa to show the underlying patterns that draw diversity together, opines on current controversies, and identifies questions that call for further study.

Physiologists, ecologists, entomologists, and zoologists—in fact, all biologists—will be stimulated and challenged to further research by this masterly synthesis of a new field; it will also appeal to informed readers interested in general science.

Adamshick’s poems are characteristically accessible and navigable. From the political to the erotic and everywhere in between, these poems take us on a sometimes sober, sometimes raunchy ride.

A specter, haunting the edges of society: because neoliberalism insists there are no social classes, thus, there is no working class, the main subject of Hotel Oblivion, a working class subject, does not exist. With no access to a past, she has no home, no history, no memory. And yet, despite all this, she will not assimilate. Instead, this book chronicles the subject’s repeated attempts at locating an exit from capitalist society via acts of negative freedom and through engagement with the death drive, whose aim is complete destruction in order to begin all over again. In the end, of course, the only true exit and only possibility for emancipation for the working class subject is through a return to one’s self. In Hotel Oblivion, through a series of fragments and interrelated poems, Cruz resists invisibilizing forces, undergoing numerous attempts at transfiguration in a concerted effort to escape her fate.

Houghton Library—the primary repository for Harvard University’s rare books, manuscripts, and much more—celebrates its 75th anniversary in 2017. Houghton’s holdings span nearly the entire history of the written word, from papyrus to the laptop. This anniversary volume presents a snapshot of the unique items that fill the library’s shelves.

From miniature books composed by a teenage Charlotte Brontë to a massive medieval manuscript hymnbook; from the plays of Shakespeare to costume designs for Star Trek; and from the discoveries of Copernicus to the laptops of twenty-first century writers, the selections celebrate great achievements in many and diverse fields of human endeavor. For the first time, readers will be able to tour the Houghton Library collection—which draws thousands of visitors from around the world each year—from home, with full-color illustrations.

A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants’ lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era.

As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artifact and the artifacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants’ social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.

During the later half of the nineteenth century, a majority of Brazilian women worked, most as domestic servants, either slave or free. House and Street re-creates the working and personal lives of these women, drawing on a wealth of documentation from archival, court, and church records.

Lauderdale Graham traces the intricate and ambivalent relations that existed between masters and servants. She shows how for servants the house could be a place of protection—as well as oppression—while the street could be dangerous—but also more autonomous. She integrates her discoveries with larger events taking place in Rio de Janeiro during the period, including the epidemics of the 1850s, the abolition of slavery, the demolition of slums, and major improvements in sanitation during the first decade of the 1900s.

There exists a rich literature on the workings of the United States Congress, but The House at Work is the first book to focus on the institutional performance of the House of Representatives. A complete overview of the complex functioning and dynamics of Congress is presented by distinguished contributors, drawing upon both real-life experience and organization theory.

Each essay presents material on activities central to legislative work in the House, including the internal operations of member and committee offices, the administrative support system of the House, the impact of organizational structure and information resources on individual decision making, the expanding application of computer technology, the character of the personnel system, and the processing of constituent casework.

Nearly all contributors were professional staff members of the U.S. House Commission on Administrative Review in 1976 and 1977, whose analysis of the internal operations of the House was acomprehensive investigation. Their academic training, buttressed by significant practical experience on Capitol Hill, makes this book of great value to both students and scholars of the legislative process. In addition to the editors, the contributors include Glenn R. Parker, Thomas E. Cavanagh, Allan J. Katz, John R. Johannes, Thomas J. O'Donnell, David W. Brady, Louis Sandy Maisel, Susan Webb Hammond, Jarold A. Kieffer, James A. Thurber, and Jeffrey A. Goldberg.

• Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST)
• Recipient of the 2022 Jane Jacobs Urban Communication Book Award
• Winner of the 2023 American Journalism Historians Association Book of the Year
• Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award
• Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society
• Winner of the 2023 BAAS Book Prize (British Association for American Studies)
• Winner of a 2023 The Brinck Book Award and Lecture series (University of New Mexico School of Architecture + Planning)
• Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals)

Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint.

Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.

A bold account of property reform during the French Revolution, arguing that the lofty democratic ideals enshrined by revolutionary leaders were rarely secured in practice—with lasting consequences.

Property reform was at the heart of the French Revolution. As lawmakers proclaimed at the time, and as historians have long echoed, the Revolution created modern property rights. Under the new regime, property was redefined as an individual right to which all citizens were entitled. Yet as the state seized assets and prepared them for sale, administrators quickly found that realizing the dream of democratic property rights was far more complicated than simply rewriting laws.

H. B. Callaway sifts through records on Parisian émigrés who fled the country during the Revolution, leaving behind property that the state tried to confiscate. Immediately, officials faced difficult questions about what constituted property, how to prove ownership, and how to navigate the complexities of credit arrangements and family lineage. Mothers fought to protect the inheritances of their children, tenants angled to avoid rent payments, and creditors sought their dues. In attempting to execute policy, administrators regularly exercised their own judgment on the validity of claims. Their records reveal far more continuity between the Old Regime and revolutionary practices than the law proclaimed. Property ownership continued to depend on webs of connections beyond the citizen-state relationship, reinforced by customary law and inheritance traditions. The resulting property system was a product of contingent, on-the-ground negotiations as much as revolutionary law.

The House in the Rue Saint-Fiacre takes stock of the contradictions on which modern property rights were founded. As Callaway shows, the property confiscations of Parisian émigrés are a powerful, clarifying lens on the idea of ownership even as it exists today.

Founded in a working-class neighborhood in southeast Houston in 1941, Gold Star/SugarHill Recording Studios is a major independent studio that has produced a multitude of influential hit records in an astonishingly diverse range of genres. Its roster of recorded musicians includes Lightnin' Hopkins, George Jones, Willie Nelson, Bobby "Blue" Bland, Junior Parker, Clifton Chenier, Sir Douglas Quintet, 13th Floor Elevators, Freddy Fender, Kinky Friedman, Ray Benson, Guy Clark, Lucinda Williams, Beyoncé and Destiny's Child, and many, many more.

In House of Hits, Andy Bradley and Roger Wood chronicle the fascinating history of Gold Star/SugarHill, telling a story that effectively covers the postwar popular music industry. They describe how Houston's lack of zoning ordinances allowed founder Bill Quinn's house studio to grow into a large studio complex, just as SugarHill's willingness to transcend musical boundaries transformed it into of one of the most storied recording enterprises in America. The authors offer behind-the-scenes accounts of numerous hit recordings, spiced with anecdotes from studio insiders and musicians who recorded at SugarHill. Bradley and Wood also place significant emphasis on the role of technology in shaping the music and the evolution of the music business. They include in-depth biographies of regional stars and analysis of the various styles of music they represent, as well as a list of all of Gold Star/SugarHill's recordings that made the Billboard charts and extensive selected historical discographies of the studio's recordings.

Employing the trope of architecture, Jane Sutton envisions the relationship between women and rhetoric as a house: a structure erected in ancient Greece by men that, historically, has made room for women but has also denied them the authority and agency to speak from within. Sutton’s central argument is that all attempts to include women in rhetoric exclude them from meaningful authority in due course, and this exclusion has been built into the foundations of rhetoric.

Drawing on personal experience, the spatial tropes of ancient Greek architecture, and the study of women who attained significant places in the house of rhetoric, Sutton highlights a number of decisive turns where women were able to increase their rhetorical access but were not able to achieve full authority, among them the work of Frances Wright, Lucy Stone, and suffragists Mott, Anthony, and Stanton; a visit to the 1893 World’s Columbian Exposition in Chicago, where the busts that became the Portrait Monument were displayed in the Woman’s Building (a sideshow, in essence); and a study of working-class women employed as telephone operators in New York in 1919.

With all the undeniable successes—socially, politically, and financially— of modern women, it appears that women are now populating the house of rhetoric as never before. But getting in the house and having public authority once inside are not the same thing. Sutton argues that women “can only act as far as the house permits.” Sojourn calls for a fundamental change in the very foundations of rhetoric.

Violet Crown Award, Writers League of Texas, 2007
Citation, San Antonio Conservation Society, 2009

Scarred by the deaths of his mother and sisters and the failure of his father's business, a young man dreamed of making enough money to retire early and retreat into the secure world that his childhood tragedies had torn from him. But Harry Luby refused to be a robber baron. Turning totally against the tide of avaricious capitalism, he determined to make a fortune by doing good. Starting with that unlikely, even naive, ambition in 1911, Harry Luby founded a cafeteria empire that by the 1980s had revenues second only to McDonald's. So successfully did Luby and his heirs satisfy the tastes of America that Luby's became the country's largest cafeteria chain, creating more millionaires per capita among its employees than any other corporation of its size. Even more surprising, the company stayed true to Harry Luby's vision for eight decades, making money by treating its customers and employees exceptionally well.

Written with the sweep and drama of a novel, House of Plenty tells the engrossing story of Luby's founding and phenomenal growth, its long run as America's favorite family restaurant during the post-World War II decades, its financial failure during the greed-driven 1990s when non-family leadership jettisoned the company's proven business model, and its recent struggle back to solvency. Carol Dawson and Carol Johnston draw on insider stories and company records to recapture the forces that propelled the company to its greatest heights, including its unprecedented practices of allowing store managers to keep 40 percent of net profits and issuing stock to all employees, which allowed thousands of Luby's workers to achieve the American dream of honestly earned prosperity. The authors also plumb the depths of the Luby's drama, including a hushed-up theft that split the family for decades; the 1991 mass shooting at the Killeen Luby's, which splattered the company's good name across headlines nationwide; and the rapacious over-expansion that more than doubled the company's size in nine years (1987-1996), pushed it into bankruptcy, and drove president and CEO John Edward Curtis Jr. to violent suicide.

Disproving F. Scott Fitzgerald's adage that "there are no second acts in American lives," House of Plenty tells the epic story of an iconic American institution that has risen, fallen, and found redemption—with no curtain call in sight.

Following on the heels of The Scarlet Letter, The House of the Seven Gables was intended to be a far sunnier book than its predecessor and one that would illustrate “the folly” of tumbling down on posterity “an avalanche of ill-gotten gold, or real estate.” Many critics have faulted the novel for its explaining away of hereditary guilt or its contradictory denial of it. Denis Donoghue instructs the reader in a fresh appreciation of the novel.

The John Harvard Library edition reproduces the authoritative text of The House of the Seven Gables in the Centenary Edition of the Works of Nathaniel Hawthorne.

A young girl reckons with the demolition of a Black Saint Paul neighborhood to make way for the Interstate in the early 1960s

When thirteen-year-old Zenobia has to leave her friends and spend the summer at Grandma’s while Mama recovers from a stroke, life seems so unfair. But then the eviction letters start arriving throughout her grandparents’ neighborhood, and white men chalk arrows to mark the gas and water lines, and a new world of unfairness unfolds before her. It’s 1963, and Zenobia’s grandparents’ house on Rondo Avenue in Saint Paul—like all the homes in this thriving Black community—is targeted for demolition to make way for the new Interstate Highway 94.

As Zenobia gradually learns about what’s planned for the Rondo neighborhood and what this means for everyone who lives there, she discovers how her story is intertwined with the history of her family, all the way back to Great Grandma Zenobia and the secrets Grandma Essie held close about the reason for her light skin. With the destruction of the neighborhood looming, Zenobia takes a stand on behalf of her community, joining her no-nonsense neighbor, onetime cowgirl Mrs. Ruby Pearl, in a protest and ultimately getting arrested. Though Zenobia is grounded for a month, her punishment seems of little consequence in comparison to what is happening all around her. Even though the demolition continues, she is proud to discover the power and connection in protesting injustice.

The House on Rondo captures the heartbreak, resistance, and resilience that marks a community sacrificed in the name of progress—a “progress” that never seems to favor Black families and neighborhoods and that haunts cities like Saint Paul to this day. As Zenobia learns what can be destroyed and what cannot, her story teaches us that joy, community, and love persist, even amid violence and loss.

Like waves ebbing and flowing, love surges and subsides among four friends who share a vacation at the house on the beach. As they navigate the seas of love and friendship, jealousy and unfaithfulness, Elena, Marta, Eduardo, and Rafael are swept up in the opposing currents that flow between security and personal freedom, marriage and sexual liberation, family and work, provincial and city life, and traditional and unconventional gender roles.

This deceptively simple novel, published in Mexico in 1966 as La casa en la playa and here translated into English for the first time, is an important work by one of Mexico's, and indeed Latin America's, major writers of the twentieth century. Juan García Ponce helped Mexican arts and letters break out of the ossified styles and themes of the post-Revolutionary "Mexican School" with works that explore the conflict between individual desire and the demands of family and work. Written at a turning point in his career, The House on the Beach foreshadows his embrace of the erotic encounter as a means of undermining rigid, socially constructed personal identity. It supports feminist views and probes deeply into the contradictions, backwardness, and progress of modern Mexican society.

Historic houses adorned with plaques populate New England like nowhere else in the country. These plaques note the construction year and original owner of the house, but they tell nothing about the rich lives of the people who lived there. In House Stories, Beth Luey takes readers on a virtual walking tour of several historic houses in Fairhaven, Massachusetts, a small New England coastal town, inviting us in to learn each house's secrets.

Through letters and diaries, church and business records, newspaper accounts, legal documents, and the recollections of neighbors who knew them, Luey introduces the diverse cast of historical characters who lived in these houses at various times from 1800 to the 2000s, including a Japanese castaway and his rescuer, a self-made millionaire, a seagoing adventurer, a religious pioneer, and an entrepreneurial immigrant. All of the houses are still standing and all but a lighthouse are still called home. In House Stories, Luey asks readers to join her as she considers the multiple meanings of “home” for these people and their families.

Veteran reporter Ray Long draws on four decades of observing state government to provide the definitive political analysis of Michael Madigan. Secretive, intimidating, shrewd, power-hungry--Madigan mesmerized his admirers and often left his opponents too beaten down to oppose him. Long vividly recreates the battles that defined the Madigan era, from stunning James Thompson with a lightning-strike tax increase, to pressing for a pension overhaul that ultimately failed in the courts, to steering the House toward the Rod Blagojevich impeachment. Long also shines a light on the machinery that kept the Speaker in power. Head of a patronage army, Madigan ruthlessly used his influence and fundraising prowess to reward loyalists and aid his daughter’s electoral fortunes. At the same time, he reshaped bills to guarantee he and his Democratic troops shared in the partisan spoils of his legislative victories. Yet Madigan’s position as the state’s seemingly invulnerable power broker could not survive scandals among his close associates and the widespread belief that his time as Speaker had finally reached its end.

Unsparing and authoritative, The House That Madigan Built is the page-turning account of one the most powerful politicians in Illinois history.

In a state assumed to have a constitutionally weak governor, the Speaker of the Texas House wields enormous power, with the ability to almost single-handedly dictate the legislative agenda. The House Will Come to Order charts the evolution of the Speaker's role from a relatively obscure office to one of the most powerful in the state. This fascinating account, drawn from the Briscoe Center's oral history project on the former Speakers, is the story of transition, modernization, and power struggles.

Weaving a compelling story of scandal, service, and opportunity, Patrick Cox and Michael Phillips describe the divisions within the traditional Democratic Party, the ascendance of Republicans, and how Texas business, agriculture, and media shaped perceptions of officeholders. While the governor and lieutenant governor wielded their power, the authors show how the modern Texas House Speaker built an office of equal power as the state became more complex and diverse. The authors also explore how race, class, and gender affected this transition as they explain the importance of the office in Texas and the impact the state's Speakers have had on national politics.

At the apex of its power, the Texas House Speaker's role at last receives the critical consideration it deserves.

A witch, a ward, and a houseboat adrift in time—where beauty and terror share the helm.

The mysterious houseboat Veronica motors across a postapocalyptic freshwater lake, inhabited by a black-haired witch and her young male ward. They explore an unfolding world of shape-shifting moons, vampire moths, and submerged witch cemeteries—a world where voluntary imprisonment holds its own appeal and the heart yearns for the delicate dance between blood and power, beauty and terror.

Neither a pirate nor a mere witch, she is an artist, a master of water and time who shapes reality with her baffling powers. This lyrical and compelling novel beckons readers to explore the enigmatic depths of its prose, inviting them to traverse the waters of wonder and bewilderment. Embrace the bewitching allure of The Houseboat Veronica and lose yourself in its enchanting embrace.

Household Economy at Wall Ridge tells the story of a Native American household that occupied a lodge on the eastern Plains border during the early 1300s AD. Contributors use cutting-edge methods and the site’s unparalleled archaeological record to shed light on the daily technological, subsistence, and dietary aspects of the occupants’ lives. This work represents the first comprehensive study of a prehistoric Central Plains household in over half a century.

The research covers archaeobotany, zooarchaeology, dating, ceramics, lithics, bone and shell tools, diet, climate, ecology, and more. The study of plant and animal usage from the lodge stands as a tour de force of analytical methods, including stable isotope data that permit the discovery of dietary items missed by traditional studies. Many of these items have never been reported before from Central Plains sites. The book firmly sets the site’s occupancy at AD 1305, with a margin of error of only a few years. This result, based on high-precision dating methods, exceeds in accuracy all previously dated Plains lodges and provides a temporal backdrop for evaluating household activities.

As direct descendants of the great courtier-poets Fujiwara no Shunzei (1114–1204) and his son Teika (1162–1244), the heirs of the noble Reizei house can claim an unbroken literary lineage that spans over eight hundred years. During all that time, their primary goal has been to sustain the poetic enterprise, or michi (way), of the house and to safeguard its literary assets.

Steven D. Carter weaves together strands of family history, literary criticism, and historical research into a coherent narrative about the evolution of the Reizei Way. What emerges from this innovative approach is an elegant portrait of the Reizei poets as participants in a collective institution devoted more to the continuity of family poetic practices and ideals than to the concept of individual expression that is so central to more modern poetic culture.

In addition to the narrative chapters, the book also features an extensive appendix of one hundred poems from over the centuries, by poets who were affiliated with the Reizei house. Carter’s annotations provide essential critical context for this selection of poems, and his deft translations underscore the rich contributions of the Reizei family and their many disciples to the Japanese poetic tradition.

Set in a small village in the Egyptian Delta, El-Bisatie's finely tuned novella illustrates the social and sexual tensions in a community in which nothing is secret and where people's pasts haunt their present.

When Mussad catches the butcher's son Amer with his wife, the whole village knows and waits with bated breath for Mussad to exact his revenge. But something goes wrong. Mussad's ill-planned schemes are choked by an opaque veil of history—his wife's sexual past, the war-torn lives of their families, and the personal allegiances of his friends and enemies. The village women relive private desires and inner fears as the men take sides in the struggle, either to protect Amer from Mussad's wrath or to help Mussad track down and confront his nemesis.

In the words of Denys Johnson-Davies, "El-Bisatie is a writer's writer, which is to say a writer who makes no concession to the lazy reader. El-Bisatie stands back from his canvas and sketches his characters and events with a studied detachment. While there is drama in his stories it is never highlighted. The menace lurks almost unseen between the lines."

This book assesses the effects of spatially concentrated programs for housing and neighborhood improvement. These programs provide direct assistance to low–income property owners in an attempt to arrest neighborhood decline and encourage revitalization.

The authors used the Harvard Urban Development Simulation Model (HUDS) in evaluating these programs. HUDS, a large–scale computer model, represents the process of housing rehabilitation, the production and consumption of housing services, household moving decisions, and other determinant of neighborhood change. The model simulates the behavior of approximately 80,000 individual households in two hundred residential neighborhoods of various quality levels. Unlike more aggregate models of urban development, HUDS has the capacity to identify how specific housing policies affect individual households as well as particular neighborhoods.

Since program evaluations are no better than the models on which they are based, the authors provide sufficient detail to permit those readers primarily interested in the policy analysis to assess the methodology and to understandhow the policies are represented in the model; a more technical discussion of the model is then presented in appendixes.

Although the simulations focus on policies that induce central–city property owners to upgrade their properties and thus stimulate revitalization, many of the authors' findings are relevant to larger issues of urban development. For example, the analysis of how housing rehabilitation subsidies affect the investment behavior of nonsubsidized property owners provides insights about the link between initial upgrading and sustained neighborhood improvement. The analysis also demonstrates how differences in location, household, and housing stock characteristics affect a particular neighborhood’s responsiveness to a common policy initiative.

The Housing Act of 1949 called for a “decent home and suitable living environment” for every American. The progress toward this goal over the last fifty years is generally a story of success. Kent Colton documents the remarkable progress in the areas of housing production, homeownership, and rental housing, the transformation of the nation’s housing finance system, the role of government, and the place of housing in the economy. However, significant challenges remain and new issues have arisen.

This work looks to the future using case studies developed during the author’s fifteen-year tenure as head of the National Association of Home Builders and includes discussions of real-world problems and the people involved. Highlighting the process of developing and implementing housing policy given the great challenges of working with many diverse interests, the author outlines a housing policy framework based on a set of principles for achieving common ground.

2025 Most Significant Scholarly Book, Texas Institute of Letters

A history of racism and segregation in twentieth-century Houston and beyond.

Through the 1950s and beyond, the Supreme Court issued decisions that appeared to provide immediate civil rights protections to racial minorities as it relegated Jim Crow to the past. For black Houstonians who had been hoping and actively fighting for what they called a “raceless democracy,” these postwar decades were often seen as decades of promise. In Houston and the Permanence of Segregation, David Ponton argues that these were instead “decades of capture”: times in which people were captured and constrained by gender and race, by faith in the law, by antiblack violence, and even by the narrative structures of conventional histories. Bringing the insights of Black studies and Afropessimism to the field of urban history, Ponton explores how gender roles constrained thought in black freedom movements, how the “rule of law” compelled black Houstonians to view injustice as a sign of progress, and how antiblack terror undermined Houston’s narrative of itself as a “heavenly” place.

Today, Houston is one of the most racially diverse cities in the United States, and at the same time it remains one of the most starkly segregated. Ponton’s study demonstrates how and why segregation has become a permanent feature in our cities and offers powerful tools for imagining the world otherwise.

Winner, San Antonio Conservation Society Citation, 2011
Good Brick Award, Greater Houston Preservation Alliance, 2011
Julia Ideson Award, Friends of the Texas Room, 2011

Driven by an almost fanatical desire for whatever is new, "modern," and likely to make money, Houston is constantly in the process of remaking itself. Few structures remain from the nineteenth century, and even much of the twentieth-century built environment has fallen before the wrecking ball of "progress." Indeed, the demolition of older buildings in Houston can be compared to the destruction of cityscapes such as Berlin, Warsaw, and Tokyo in World War II. But because this wholesale restructuring of Houston's built environment has happened in peacetime, historically minded people have only recently sounded an alarm over what is being lost and the toll this destruction is taking on Houstonians' sense of place.

Houston Lost and Unbuilt presents an extensive catalogue of twentieth-century public and commercial buildings that have been lost forever, as well as an intriguing selection of buildings that never made it off the drawing board. The lost buildings (or lost interiors of buildings) span a wide range, from civic gathering places such as the Houston Municipal Auditorium and the Astrodome to commercial enterprises such as the Foley Brothers, Sears Roebuck, and Sakowitz department stores to "Theatre Row" downtown to neighborhoods such as Fourth Ward/Freedmen's Town. Steven Strom's introductions and photo captions describe each significant building's contribution to the civic life of Houston. The "unbuilt" section of the book includes numerous previously unpublished architectural renderings of proposed projects such as a multi-building city center, monorail, and people mover system, all which reflect Houston's fascination with the future and optimism that technology will solve all of the city's problems.

Houston completely transformed itself during the twentieth century, burgeoning from a regional hub into a world-class international powerhouse. This remarkable metamorphosis is captured in the Bob Bailey Studios Photographic Archive, an unparalleled visual record of Houston life from the 1930s to the early 1990s. Founded by the commercial photographer Bob Bailey in 1929, the Bailey Studios produced more than 500,000 photographs and fifty-two 16 mm films, making its archive the largest and most comprehensive collection of images ever taken in and around Houston. The Bob Bailey Studios Archive is now owned by the Dolph Briscoe Center for American History at the University of Texas at Austin.

Houston on the Move presents over two hundred of the Bailey archive’s most memorable and important photographs with extended captions that detail the photos’ subjects and the reasons for their significance. These images, most never before published, document everything from key events in Houston’s modern history—World War II; the Texas City Disaster; the building of the Astrodome; and the development of the Ship Channel, Medical Center, and Johnson Space Center—to nostalgic scenes of daily life. Bob Bailey’s expertly composed photographs reveal a great city in the making: a downtown striving to be the best, biggest, and tallest; birthday parties, snow days, celebrations, and rodeos; opulent department stores; Hollywood stars and political leaders; rapid industrial and commercial growth; and the inexorable march of the suburbs. An irresistible “remember that?” book for long-time Houstonians, Houston on the Move will also be an essential reference for historians, photographers, designers, and city planners.

The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes.

This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.”

How a Century of War Changed the Lives of Women looks at the remarkable impact of war on women in Britain. It shows how conflict has changed women’s lives and how those changes have put women at the centre of peace campaigning.

Lindsey German, one of the UK's leading anti-war activists and commentators, shows how women have played a central role in anti-war and peace movements, including the recent wars in Afghanistan and Iraq. The women themselves talk about how they overcame prejudice and difficulty to become active. The book integrates this experience with a historical overview, analysing the two world wars as catalysts of social change for women. It looks at how the changing nature of war, especially the involvement of civilians, increasingly involves significant numbers of women.

As well as providing an inspiring account of women's opposition to war, the book also tackles key contemporary developments, challenging negative assumptions about Muslim women and showing how anti-war movements are feeding into a broader desire to change society.

Explore how American conditions and Jewish circumstances collided in the nineteenth and early twentieth centuries

In this new book award-winning author Hasia R. Diner explores the issues behind why European Jews overwhelmingly chose to move to the United States between the 1820s and 1920s. Unlike books that tend to romanticize American freedom as the force behind this period of migration or that tend to focus on Jewish contributions to America or that concentrate on how Jewish traditions of literacy and self-help made it possible for them to succeed, Diner instead focuses on aspects of American life and history that made it the preferred destination for 90 percent of European Jews.

Features:

• Examination of the realities of race, immigration, color, money, economic development, politics, and religion in America
• Exploration of an America agenda that sought out white immigrants to help stoke economic development and that valued religion as a force for morality

Was the first white European blues singer an Irish woman? What links The Rolling Stones to the birth of the Northern Ireland civil rights movement? Did the state suppress the work of a key countercultural director because his film was shot in Belfast in 1965?

This book provides the answers in an engaging and dynamic reconsideration of Belfast’s long-ignored contributions to the popular music and cultural politics of the 1960s. In an expansive socio-cultural history, Noel McLaughlin and Joanna Braniff explore how popular music engaged with and influenced the global cultural and political currents of the decade.

The popular history of Northern Ireland has been overshadowed by the violence of the Troubles. But How Belfast Got the Blues offers a corrective, reconsidering the period before 1969 and arguing that popular music in Northern Ireland was central to the politics of the time, in ways not previously understood or explored. In addition to big names like Van Morrison and Rory Gallagher, the authors highlight lesser-known artists—notably Ottilie Patterson, Ireland's first blues singer—and restore them to music history. By intertwining politics, culture, and key personalities, the authors reexamine this radical decade and the complex but essential relationship between music and identity in a place where it could mean the difference between life and death.

Do cities work anymore? How did they get to be such sprawling conglomerations of lookalike subdivisions, megafreeways, and "big box" superstores surrounded by acres of parking lots? And why, most of all, don't they feel like real communities? These are the questions that Alex Marshall tackles in this hard-hitting, highly readable look at what makes cities work.

Marshall argues that urban life has broken down because of our basic ignorance of the real forces that shape cities—transportation systems, industry and business, and political decision making. He explores how these forces have built four very different urban environments—the decentralized sprawl of California's Silicon Valley, the crowded streets of New York City's Jackson Heights neighborhood, the controlled growth of Portland, Oregon, and the stage-set facades of Disney's planned community, Celebration, Florida.

To build better cities, Marshall asserts, we must understand and intelligently direct the forces that shape them. Without prescribing any one solution, he defines the key issues facing all concerned citizens who are trying to control urban sprawl and build real communities. His timely book will be important reading for a wide public and professional audience.

A Chronicle of Higher Education “Top 10 Books on Teaching” Selection
Winner of the Virginia and Warren Stone Prize

Constrained by shrinking budgets, can colleges do more to improve the quality of education? And can students get more out of college without paying higher tuition? Daniel Chambliss and Christopher Takacs conclude that the limited resources of colleges and students need not diminish the undergraduate experience. How College Works reveals the surprisingly decisive role that personal relationships play in determining a student's collegiate success, and puts forward a set of small, inexpensive interventions that yield substantial improvements in educational outcomes.

“The book shares the narrative of the student experience, what happens to students as they move through their educations, all the way from arrival to graduation. This is an important distinction. [Chambliss and Takacs] do not try to measure what students have learned, but what it is like to live through college, and what those experiences mean both during the time at school, as well as going forward.”
—John Warner, Inside Higher Ed

In this book, a group of leading scholars analyzes the functioning of modern democracies by focusing on two basic principles: political representation and policy congruence. Drawing on recent survey data from a variety of national and international research projects, they demonstrate how political representation works and mostly leads to a fair degree of policy congruence between citizens and their representatives. They also present new insights on the sources of satisfaction with democracy and the impact of the economy on elections and political trust.

 This book is published on the occasion of the retirement of Jacques Thomassen as distinguished professor of political science at the University of Twente. The contributors include Russell Dalton, Hans‐Dieter Klingemann, Pippa Norris, Ola Listhaug, Hanne Marthe Narud, Jan van Deth, Peter Mair, Cees van der Eijk, Hermann Schmitt, Sören Holmberg and Rudy Andeweg.

 
Martin Rosema, Bas Denters and Kees Aarts are affiliated with the Centre for the Study of Democracy (CSD) and the Institute for Innovation and Governance Studies (IGS) at the University of Twente.

The classical period in France presents a particularly lively battleground for the transition between oral-visual culture, on the one hand, and print culture on the other. The former depended on learning from sources of knowledge directly, in their presence, in a manner analogous to theatrical experience. The latter became characterized by the distance and abstraction of reading. How Do I Know Thee? explores the ways in which literature, philosophy, and psychology approach social cognition, or how we come to know others. Richard E. Goodkin describes a central opposition between what he calls “theatrical cognition” and “narrative cognition,” drawing both on scholarship on literary genre and mode, and also on the work of a number of philosophers and psychologists, in particular Descartes’s theory of cognition, Freudian psychoanalysis, mid‑twentieth‑century behaviorism, and the field of cognitive science. The result is a study that will be of interest not only to students of the classical period but also to those in the corresponding disciplines.
 

This book offers a new, interpretive way of understanding organizations and policy by analyzing how they convey meaning through symbolic language, objects, and act. Yanow argues that contested facts in policy often reflect different policy meanings, which are often known tacitly and communicated through the symbols used by an implementing organization.

Yanow argues that policy and organizational actions are often as expressive of group or national identity as they are instrumentally oriented. Drawing on the Israel Corporation of Community Centers as an extended illustration of her arguments, she shows how policy meanings may be communicated to multiple audiences through the agency's actions. Using language, physical artifacts, and acts, Yanow explores how one vision of Israeli identity was communicated tacitly, at a time when Jewish Israeli "ethnicity" was publicly undiscussable. In reading public policies and administrative practices as ways in which a polity constructs and narrates its identity, Yanow shows how the case example raises questions of what it means to be a "good" Israeli.

Unlike most policy studies which consider organizations within a void, How Does a Policy Mean? puts policy in a societal context. Yanow's interpretation of the policy process extends beyond the field of public policy to examine the way organizations establish identity and image for themselves and for the wider public. Her analysis will be of value to those involved in political science, public administration, and organizational studies.