 Multimodal Composing and Writing Transfer
Kara Poe Alexander
Utah State University Press, 2024 Multimodal Composing and Writing Transfer explores transfer across various contexts of multimodal composing, extending the early conversations connecting multimodality to writing. Contributors address how writing transfer theories intersect with multimodal composing and present methods for facilitating transfer across modes and media, offering insight into how writers can learn to compose when they encounter familiar modes in new contexts.
Over the past two decades the concepts of multimodal composing and writing transfer have grown and reshaped the nature of writing studies, but rarely have the ways in which these areas overlap been studied. This collection shows how this shift in writing studies has been mutually informative, covering a wider range of contexts for multimodality and writing transfer than just in first-year composition courses. It places composition teaching practices and multimodal research in conversation with learning transfer theory to provide an in-depth examination of how they influence one another.
Multimodal Composing and Writing Transfer develops these intersections to connect multimodal composition and writing practices across a wide array of fields and contexts. Scholars across disciplines, postsecondary writing teachers, writing program administrators, writing center directors, and graduate students will find this collection indispensable.
 Multimodal Composing: Strategies for Twenty-First-Century Writing Consultations
Lindsay A. Sabatino
Utah State University Press, 2019 Multimodal Composing provides strategies for writing center directors and consultants working with writers whose texts are visual, technological, creative, and performative—texts they may be unaccustomed to reading, producing, or tutoring. This book is a focused conversation on how rhetorical, design, and multimodal principles inform consultation strategies, especially when working with genres that are less familiar or traditional.
Multimodal Composing explores the relationship between rhetorical choices, design thinking, accessibility, and technological awareness in the writing center. Each chapter deepens consultants’ understanding of multimodal composing by introducing them to important features and practices in a variety of multimodal texts. The chapters’ activities provide consultants with an experience that familiarizes them with design thinking and multimodal projects, and a companion website (www.multimodalwritingcenter.org) offers access to additional resources that are difficult to reproduce in print (and includes updated links to resources and tools).
Multimodal projects are becoming the norm across disciplines, and writers expect consultants to have a working knowledge of how to answer their questions. Multimodal Composing introduces consultants to key elements in design, technology, audio, and visual media and explains how these elements relate to the rhetorical and expressive nature of written, visual, and spoken communication. Peer, graduate student, professional tutors and writing center directors will benefit from the activities and strategies presented in this guide.
Contributors:
Patrick Anderson, Shawn Apostel, Jarrod Barben, Brandy Ball Blake, Sarah Blazer, Brenta Blevins, Russell Carpenter, Florence Davies, Kate Flom Derrick, Lauri Dietz, Clint Gardner, Karen J. Head, Alyse Knorr, Jarret Krone, Sohui Lee, Joe McCormick, Courtnie Morin, Alice Johnston Myatt, Molly Schoen, James C. W. Truman
 Multimodal Literacies and Emerging Genres
Tracey Bowen
University of Pittsburgh Press, 2013 A student’s avatar navigates a virtual world and communicates the desires, emotions, and fears of its creator. Yet, how can her writing instructor interpret this form
of meaningmaking?
Today, multiple modes of communication and information technology are challenging pedagogies in composition and across the disciplines. Writing instructors grapple with incorporating new forms into their curriculums and relating them to established literary practices. Administrators confront the application of new technologies to the restructuring of courses and the classroom itself.
Multimodal Literacies and Emerging Genres examines the possibilities, challenges, and realities of mutimodal composition as an effective means of communication. The chapters view the ways that writing instructors and their students are exploring the spaces where communication occurs, while also asking “what else is possible.” The genres of film, audio, photography, graphics, speeches, storyboards, PowerPoint presentations, virtual environments, written works, and others are investigated to discern both their capabilities and limitations. The contributors highlight the responsibility of instructors to guide students in the consideration of their audience and ethical responsibility, while also maintaining the ability to “speak well.” Additionally, they focus on the need for programmatic changes and a shift in institutional philosophy to close a possible “digital divide” and remain relevant in digital and global economies.
Embracing and advancing multimodal communication is essential to both higher education and students. The contributors therefore call for the examination of how writing programs, faculty, and administrators are responding to change, and how the many purposes writing serves can effectively converge within composition curricula.
Multinational Corporations and Local Firms in Emerging Economies
Edited by Eric Rugraff and Michael W. Hansen
Amsterdam University Press, 2011
In order for foreign direct investment to have deep and lasting positive effects on host countries, it is essential that multinational corporations have close direct and indirect interaction with local firms. A valuable addition to the emerging literature on multinational-local firm interfaces, this book provides a number of case studies from emerging economies that examine such mutually beneficial business relationships and the policy measures necessary to support them.
Multi-Party Politics in Kenya: The Kenyatta and Moi States and the Triumph of the System in the 1992 Election
David Throup
Ohio University Press, 1997 This book uses the Kenyan political system to address issues relevant to recent political developments throughout Africa. The authors analyze the construction of the Moi state since 1978. They show the marginalization of Kikuyu interests as the political economy of Kenya has been reconstructed to benefit President Moi’s Kalenjin people and their allies. Mounting Kikuyu dissatisfaction led to the growth of demands for multi-party democracy. The book places contemporary Kenyan politics and the 1992 election in their historical context, contrasting the present multi-party era with the previous one during the sixties. The authors question the hopes for a “second independence” in Africa by demonstrating the problems faced by fledgling opposition parties in weak civil societies.
Multiphase Permanent Magnet Synchronous Machines and Drives: Principles, design, and control
Zi Qiang Zhu
The Institution of Engineering and Technology, 2025 The electrification of the economy entails the development and optimization of efficient electrical machines. Permanent magnet machines use permanent magnets, rather than windings, for field excitation. They are more efficient than other electrical machine technologies for high-efficiency applications. Multiphase machines, as compared to 3-phase machines, have advantages including lower torque pulsation, higher power density, and better fault tolerance.
Multiple Exposures: Chronicles of the Radiation Age
Catherine Caufield
University of Chicago Press, 1990 "Catherine Caufield has written an important book on an important topic:
the history behind the safety standards limiting the effects of high energy
radiation on human beings. . . . Provides an immense amount of information
in a very readable form."—W. Alan Runciman, Prometheus
"From fallout and radon to radioactive smoke detectors and dental X-rays,
Caufield traces the proliferation of the uses of radiation in medicine,
industry and the military, and in generating energy. An intelligent,
non-alarmist history."—Publishers Weekly
 Multiple InJustices: Indigenous Women, Law, and Political Struggle in Latin America
R. Aída Hernández Castillo
University of Arizona Press, 2016 The last two decades have witnessed two political transformations that have deeply affected the lives of the indigenous peoples of Latin America. First, a discourse on indigeneity has emerged that links local struggles across the continent with transnational movements whose core issues are racism and political and cultural rights. Second, recent constitutional reforms in several countries recognize the multicultural character of Latin American countries and the legal pluralism that necessarily follows.
Multiple InJustices synthesizes R. Aída Hernández Castillo’s twenty-four years of activism and research among indigenous women’s organizations in Latin America. As both feminist and critical anthropologist, Hernández Castillo analyzes the context of legal pluralism wherein the indigenous women of Mexico, Guatemala, and Colombia struggle for justice. Through ethnographical research in community, state, and international justice, she reflects on the possibilities and limitations of customary, national, and international law for indigenous women.
Colonialism, racism, and patriarchal violence have been fundamental elements for the reproduction of capitalism, Hernández Castillo asserts. Only a social policy that offers economic alternatives based on distribution of wealth and a real recognition of cultural and political rights of indigenous peoples can counter the damage of outside forces such as drug cartels on indigenous lands.
She concludes that the theories of indigenous women on culture, tradition, and gender equity—as expressed in political documents, event reports, public discourse, and their intellectual writings—are key factors in the decolonization of Latin American feminisms and social justice for all.
 Multiple Liminalities of Lay Buddhism in Contemporary China: Modalities, Material Culture, and Politics
Kai Shmushko
Leiden University Press, 2025 In the past decades, various forms of Buddhism have emerged in-between, above, and beyond conventional conceptions of religious and spiritual life in China. This book is a qualitative study exploring manifestations of the massive revival of Buddhism among non-monastic people and communities. The book wishes to answer the central question: How do Chinese groups and individuals practice Buddhism under the socio-political and cultural circumstances of contemporary China? This inquiry is based on a sample of case studies from the People’s Republic of China (PRC) and the Republic of China (Taiwan, ROC), exploring Buddhist communities, individual practitioners, materials, spaces, practice modalities and relationships. Each chapter examines a significant paradigm that plays a role in the revival of Buddhism in China, highlighting how lay practitioners negotiate their spaces, resources, moral and ethical beliefs, and values, in the face of rapid societal changes. The research reveals how state policies, economic shifts, local trends, and global developments, such as environmental concerns and technological advances impact and transform older Buddhist traditions. Overall, the author argues for the concept of multiple liminalities as a framework to describe the contemporary predicament of lay Buddhism in Chinese societies. Accordingly, lay Buddhist actors occupy liminal positions or operate across ambiguous boundaries where realms of in-betweenness, serve as avenues for religious responses to the complex challenges Buddhism in China faces.
 Multiple Meanings of Gender Equality: A critical frame analysis of gender policies in Europe
Mieke Verloo
Central European University Press, 2007 This book aims to map the diversity of meanings of gender equality across Europe and reflects on the contested concept of gender equality. In its exploration of the diverse meanings of gender equality it not only takes into account the existence of different visions of gender equality, and the way in which different political and theoretical debates crosscut these visions, but also reflects upon the geographical contexts in which visions and debates over gender equality are located. The contextual locations where these visions and debates take place include the European Union and member states such as Austria, the Netherlands, Hungary, Slovenia, Greece, and Spain. In all of these settings, the different meanings of gender equality are explored comparatively in relation to the issues of family policies, domestic violence, and gender inequality in politics, while specific national contexts discuss the issues of prostitution (Austria, Slovenia), migration (the Netherlands), homosexual rights (Spain), and antidiscrimination (Hungary). The multiple meanings of gender equality are studied through Critical Frame Analysis, a methodology that builds on social movement theory and that was refined further with elements of gender and political theory within the context of the MAGEEQ research project
Multiple Modernities: Cinemas & Popular Media In Transcultural East Asia
Jenny Lau
Temple University Press, 2002 Multiple Modernities explores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, the contributors examines popular culture—most notable cinema and television—to see how modernization, as both a response to the West and as a process that is unique in its own right in the region, operates on a mass level.Included in this collection are significant explorations of popular culture in East Asia, including Chinese new cinema and rock music, Korean cinema, Taiwanese television, as well as discussions of alternative arts in general.While each essay focuses on specific nations or cinemas, the collected effect of reading them is to offer a comprehensive, in-depth picture of how popular culture in East Asia operates to both generate and reflect the immense change this significant region of the world is undergoing.
 Multiple Paths of Midlife Development
Edited by Margie E. Lachman and Jacquelyn Boone James
University of Chicago Press, 1997 In this collection, twenty-four leading researchers analyze the middle years of the lifespan, paying close attention to the many different facets of adult development. They study the various changes that middle-aged adults experience—from children moving in and out to going back to work and dealing with promotions, firing, and topping out. This work explains how these different experiences interrelate and how a better understanding of them can foster successful midlife development.
Much of the past work on midlife has been limited by its use of cross-sectional data, its focus on clinical populations, and the analysis of only one target group. Using a diverse set of longitudinal data, this volume provides a broader perspective by examining the similarities and differences in the midlife experience as a function of gender, social class, and birth cohort.
Of interest to scholars as well as to those interested in the midlife period for clinical or personal reasons, this volume informs us of the enormous potential and promise amid the gains and losses of the middle years.
Multiples in Pre-Modern Art
Edited by Walter Cupperi
Diaphanes, 2014 In the art world, replicas are typically thought to be of low value. However skillfully created, they remain in the eyes of many mere copies, pointing toward an original of greater significance. In recent years, however, replicas and multiples have come to occupy a more central position in discussions about ancient, medieval, and early modern art.
Multiples in Pre-Modern Art looks at the production and reception of replicas and multiples before the nineteenth century. A wide variety of media are considered, including metal, marble, terra cotta, textiles, plaster, porcelain, canvas, wood, and wax. Through a series of questions—What happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?—many of the works are reappraised as significant art forms in their own right.
 Multiplicity in Unity: Plant Subindividual Variation and Interactions with Animals
Carlos M. Herrera
University of Chicago Press, 2009 Plants produce a considerable number of structures of one kind, like leaves, flowers, fruits, and seeds, and this reiteration is a quintessential feature of the body plan of higher plants. But since not all structures of the same kind produced by a plant are identical—for instance, different branches on a plant may be male or female, leaf sizes in the sun differ from those in the shade, and fruit sizes can vary depending on patterns of physiological allocation among branches—a single plant genotype generally produces a multiplicity of phenotypic versions of the same organ. Multiplicity in Unity uses this subindividual variation to deepen our understanding of the ecological and evolutionary factors involved in plant-animal interactions. On one hand, phenotypic variation at the subindividual scale has diverse ecological implications for animals that eat plants. On the other hand, by choosing which plants to consume, these animals may constrain or modify plant ontogenetic patterns, developmental stability, and the extent to which feasible phenotypic variants are expressed by individuals. An innovative study of the ecology, morphology, and evolution of modular organisms, Multiplicity in Unity addresses a topic central to our understanding of the diversity of life and the ways in which organisms have coevolved to cope with variable environments.
 Multiplicity: On Constraint and Agency in Contemporary Architecture
Edited by Pari Riahi, Laure Katsaros, and Michael T. Davis
University of Massachusetts Press, 2024 Today, the field of architecture faces a reckoning. While there is no longer consensus on what defines an architectural work, theorists, historians, and practitioners are grappling with urgent issues—among them the impact of climate change, the dynamics of power and race in relation with the built environment, and the technological, practical, and ethical dimensions of architecture. As established practices, academic objectives, and professional expectations come under scrutiny, architecture is in search of new definitions, identities, and voices.
Inspired by Italo Calvino’s memos about literature in the twenty-first century, this volume—the second in a series— situates architecture within a broad framework, exploring its complex interactions with environmental, cultural, political, social, artistic, and technological forces. The editors’ objective is to spur conversation across the boundaries that divide architecture’s theorists and historians from practitioners. In addition to the editors, the contributors include Sanford Kwinter, Aleksandra Jaeschke, Jennifer Mack, Rahul Mehrotra, Charles Waldheim, Kristi Cheramie, Jesse Reiser, Julian Harake, Jenny E. Sabin, Charles Davis, Esra Akcan, and David Karmon.
Multipolarity: The Promise of Disharmony
Edited by Peter W. Schulze
Campus Verlag, 2018 The global order that has held sway in world political affairs for decades—dominated by the United States, Russia, China, and the European Union—is now in an uneasy period of instability and turmoil, driven as much by failures of governance as by the rise of smaller powers. Multipolarity explores both the causes of this decline in power—from Brexit and Trump to the rise of autocratic strongmen in Europe and Asia—along with a number of possibilities for a more decentralized world, among them a Russian pivot to the east and the rise of African influence worldwide. The authors examine the diffusion of power among newly emerging leaders on the world stage, offering a multitude of potential roadmaps for creating security and stability in a changing world.
Multiregionalism and Multilateralism: Asian-European Relations in a Global Context
Edited by Sebastian Bersick, Wim Stokhof, and Paul van der Velde
Amsterdam University Press, 2006 The sovereign power of the nation-state has been steadily eroding for decades under the pressure of multilateral organizations such as the United Nations and multiregional organizations such as the European Union. The increasing prominence of non-governmental organizations such as Greenpeace and Human Rights Watch in times of crisis has also contributed, since the problems such groups address often extend beyond national borders and are thus difficult for national governments to manage alone. Multiregionalism and Multilateralism investigates these forces as they factor into political and economic relations between Asia and Europe.
The Multisensory Film Experience: A Cognitive Model of Experiental Film Aesthetics
Luis Rocha Antunes
Intellect Books, 2016 When the lights dim in a movie theater and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyzes temperature, pain, and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant, and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.
 Multisituated: Ethnography as Diasporic Praxis
Kaushik Sunder Rajan
Duke University Press, 2021 In Multisituated Kaushik Sunder Rajan evaluates the promises and potentials of multisited ethnography with regard to contemporary debates around decolonizing anthropology and the university. He observes that at the current moment, anthropology is increasingly peopled by diasporic students and researchers, all of whom are accountable to multiple communities beyond the discipline. In this light, Sunder Rajan draws on his pedagogical experience and dialogues to reconceptualize ethnography as a multisituated practice of knowledge production, ethical interlocution, and political intervention. Such a multisituated ethnography responds to contemporary anthropology’s myriad commitments as it privileges attention to questions of scale, comparison, and the politics of ethnographic encounters. Foregrounding the conditions of possibility and difficulty for those doing and teaching ethnography in the twenty-first-century, Sunder Rajan gestures toward an ethos and praxis of ethnography that would open new forms of engagement and research.
 Multisolving: Creating Systems Change in a Fractured World
Elizabeth Sawin
Island Press, 2024 For most of Elizabeth Sawin’s career, she was not a multisolver. Instead, she worked on a single, albeit immensely important problem: climate change. Despite tremendous effort—long hours of teaching, attending conferences, publicizing analysis—at the end of the day, she felt like she was chasing her tail. Unless people began to recognize the multitude of unexpected benefits from ratcheting down emissions, climate change would remain a losing political issue.
That experience, along with the guidance of leaders in systems thinking and racial justice, convinced her that the world’s thorniest problems may be easier to tackle together than one by one. That’s multisolving: using a single investment of time or money to solve many problems at the same time. (Reduced fossil fuel use = improvements in climate, health, equity, economics, and more.) While the idea of killing two birds with one stone (or “filling two needs with one deed”) is age-old, and the notion of co-benefits in policy-making has been around for years, Multisolving addresses the current mismatch between complex, deeply intertwined societal issues and our siloed approach to them.
This unique resource is for local school boards that need revenue for their students but don’t want to overtax low-income seniors. It is for nonprofits working to reduce food waste and combat the root causes of hunger while increasing racial justice. It is for seaside communities that can protect themselves from flooding while also improving biodiversity with a living coastline. It may also be for you: doing the work you know is imperative but that is sometimes overwhelming, a tiny drop in a swirling ocean.
Multisolving can’t promise a list of “fifty simple things to make everything OK.” What it does offer are strategies to build solidarity between diverse groups, overcome powerful interests, and create lasting change that benefits us all.
Multispecies Dialogues: Doing Philosophy with Animals, Children, the Sea and Others
Eva Meijer
Amsterdam University Press, 2025 In Multispecies Dialogues Eva Meijer develops a new understanding of the concept ‘dialogue’, which includes embodied, material and spatial interaction. Meijer does not do this alone: each chapter of the book is devoted to a dialogue, or set of dialogues – with street dog Olli, a community of former lab mice, amphibian neighbours, the North Sea, and many other beings. Taking multispecies dialogues seriously is a way to do justice to more-than-human agency and to become more worldly in a time dominated by humans. Rethinking the model of the dialogue also opens up new ways of doing philosophy in multispecies world, which is urgently needed to address the ecological, political and philosophical problems of our time.
 The Multispecies Salon
Eben Kirksey
Duke University Press, 2014 A new approach to writing culture has arrived: multispecies ethnography. Plants, animals, fungi, and microbes appear alongside humans in this singular book about natural and cultural history. Anthropologists have collaborated with artists and biological scientists to illuminate how diverse organisms are entangled in political, economic, and cultural systems. Contributions from influential writers and scholars, such as Dorion Sagan, Karen Barad, Donna Haraway, and Anna Lowenhaupt Tsing, are featured along with essays by emergent artists and cultural anthropologists. Delectable mushrooms flourishing in the aftermath of ecological disaster, microbial cultures enlivening the politics and value of food, and nascent life forms running wild in the age of biotechnology all figure in this curated collection of essays and artifacts. Recipes provide instructions on how to cook acorn mush, make cheese out of human milk, and enliven forests after they have been clear-cut. The Multispecies Salon investigates messianic dreams, environmental nightmares, and modest sites of biocultural hope. For additional materials see the companion website: www.multispecies-salon.org/Contributors. Karen Barad, Caitlin Berrigan, Karin Bolender, Maria Brodine, Brandon Costelloe-Kuehn, David S. Edmunds, Christine Hamilton, Donna J. Haraway, Stefan Helmreich, Angela James, Lindsay Kelley, Eben Kirksey, Linda Noel, Heather Paxson, Nathan Rich, Anna Rodriguez, Dorion Sagan, Craig Schuetze, Nicholas Shapiro, Miriam Simun, Kim TallBear, Anna Lowenhaupt Tsing
 Multispecies Studies
Thom van Dooren, Ursula Münster, Eben Kirksey, Deborah Bird Rose, Matthew Chrulew, and Anna Tsing, special issue editors
Duke University Press, 2016 A special issue of Environmental Humanities The emerging field of multispecies studies, grounded in passionate immersion in the lives of fungi, microorganisms, animals, plants, and others, is opening up novel ways of engaging with worlds around us. This issue brings together some of the leading scholars in this field to explore what is at stake—epistemologically, politically, ethically—for different forms of life caught up in diverse relationships of knowing and living together. The collection takes us into the worlds of sheep and shepherds; of stones, worms, salmon, and forest-devouring beetles; of viruses and their elephants; of seals, crows, and lava flows in Hawaii; and finally of frogs-as-pregnancy-tests and possible agents of pathogenic fungal spread. Each of the contributors explores what difference curious and careful attention to others might make in our efforts to inhabit and coconstitute flourishing worlds in these difficult times. Contributors Matthew Chrulew, Vinciane Despret, Dehlia Hannah, Eben Kirksey, Jamie Lorimer, Charlie Lotterman, Celia Lowe, Michel Meuret, Lisa Jean Moore, Ursula Münster, Hugo Reinert, Deborah Bird Rose, Anna Tsing, Thom van Dooren, Maria Whiteman, Cary Wolfe This issue is freely available online at environmentalhumanities.org; a print version is available for purchase.
Multistatic Passive Radar Target Detection: A detection theory framework
Amir Zaimbashi
The Institution of Engineering and Technology, 2023 This book is devoted to target detection in a class of radar systems referred to as passive multistatic radar. This system is of great interest in both civilian and military scenarios due to many advantages. First, this system is substantially smaller and less expensive compared to an active radar system. Second, the multistatic configuration improves its detection and classification capabilities. Finally, there are many signals available for passive sensing making them hard to avoid.
Multitextuality in the Homeric Iliad: The Witness of Ptolemaic Papyri
Graeme D. Bird
Harvard University Press, 2010 Graeme D. Bird examines a small group of early papyrus manuscripts of Homer’s Iliad, known as the Ptolemaic papyri, which, although fragmentary, are the oldest surviving physical evidence of the text of the Iliad, dating from the third to the first centuries BCE.
These papyri have been described as “eccentric” or even “wild” by some scholars. They differ significantly from the usual text of the Iliad, sometimes showing lines with different wording, at other times including so-called “interpolated” lines that are completely absent from our more familiar version.
Whereas some scholars denigrate these papyri because of their “eccentricity,” this book analyzes their unusual readings and shows that in fact they present authentic variations on the Homeric text, based on the variability characteristic of oral performance.
 Multnomah: The Tumultuous Story of Oregon's Most Populous County
Jewel Lansing and Fred Leeson
Oregon State University Press, 2012 Covering people and events from 1854 to the present day, this definitive history of Multnomah County provides compelling details about public works triumphs and political scandals. Founded as a convenience so residents of the fast-growing city of Portland wouldn’t have to ride by horseback to Hillsboro, Oregon’s tiniest county geographically soon grew to be the state’s most populous. Through nearly sixteen decades, Multnomah County’s history seldom has been calm and peaceful. From hangings that turned into grim public spectacles in the nineteenth century to a glaring failure to deal with urban growth in the middle of the twentieth, the county survived several attempts to revamp its structure or merge with Portland’s better-known municipal government. Highlighted episodes include the construction of the iconic Columbia River Highway between 1914 and 1918, the tragic flooding of Vanport City in 1948, the employee strike of 1980, the library scandal of 1989-1990, and the same-sex marriage license debacle of 2004. Historian Jewel Lansing and journalist Fred Leeson make effective use of archival sources, oral histories, newspaper articles, and personal interviews to create the definitive reference on Multnomah County history, politics, and policy. History buffs and informed Portland citizens will be particularly engaged by the regional trivia and narrative details.
 Mumbai To Mecca: A Pilgrimage to the Holy Sites of Islam
Ilija Trojanow
Haus Publishing, 2017 ‘”From the very first moment they realize that the Hajj—the pilgrimage to Mecca—is among the duties of each and every Muslim, the faithful long to go.”
This book presents Ilija Trojanow’s journey from Mumbai to Mecca in the tradition of the rihla, one of the oldest genres of classical Arabic literature, describing the Hajj, the pilgrimage to the holy sites of Islam. Every Muslim, regardless of geographical location, is implored by tradition to undertake the Hajj at least once in their life if they are able. Trojanow, with the help of his friends, donned the ihram, the traditional garb of the pilgrim, and joined the hundreds of thousands of Muslims who each year go on the Hajj. Over the course of a mere three weeks he experienced a tradition dating back over a thousand years. This personal and enlightening account will provide insights not only for Muslims who have yet to embark on the Hajj, but for those who have already made the journey and want to see a different perspective on it. Mumbai to Mecca also presents a unique glimpse into this pivotal tradition for those non-Muslims who remain barred from the most holy Muslim sites.
the pilgrimage to the holy sites of Islam, through the eyes of a Westener, but with the heart of a Muslim.
 Mummies and Mortuary Monuments: A Postprocessual Prehistory of Central Andean Social Organization
By William H. Isbell
University of Texas Press, 1997 Since prehistoric times, Andean societies have been organized around the ayllu, a grouping of real or ceremonial kinspeople who share labor, resources, and ritual obligations. Many Andean scholars believe that the ayllu is as ancient as Andean culture itself, possibly dating back as far as 6000 B.C., and that it arose to alleviate the hardships of farming in the mountainous Andean environment. In this boldly revisionist book, however, William Isbell persuasively argues that the ayllu developed during the latter half of the Early Intermediate Period (around A.D. 200) as a means of resistance to the process of state formation. Drawing on archaeological evidence, as well as records of Inca life taken from the chroniclers, Isbell asserts that prehistoric ayllus were organized around the veneration of deceased ancestors, whose mummified bodies were housed in open sepulchers, or challups, where they could be visited by descendants seeking approval and favors. By charting the temporal and spatial distribution of chullpa ruins, Isbell offers a convincing new explanation of where, when, and why the ayllu developed.
 Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project
Marie Svoboda
J. Paul Getty Trust, The, 2020 This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections.
Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how.
An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.
The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
 Mummy Portraits of Roman Egypt, Volume 2: Emerging Research from the APPEAR Project
Marie Svoboda
J. Paul Getty Trust, The, 2026 This open-access publication presents new research on ancient Romano-Egyptian mummy portraits, including examinations of artifacts never previously studied.
Nearly a thousand funerary portraits from Roman Egypt, once interred with mummified remains, survive in museums around the world. These fascinating paintings offer the unparalleled opportunity for viewers to come face-to-face with people who lived and died some two thousand years ago.
The international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and gather research findings in a shared database. This second volume of Mummy Portraits of Roman Egypt compiles seventeen scholarly papers from the APPEAR conference hosted in October 2022 at the Allard Pierson Museum, Amsterdam. Conservators, scientists, and curators presented new research on topics such as technical imaging; nondestructive analytical techniques; provenance and collecting; treatment histories; connoisseurship and forgeries; comparisons of works across institutions; and scientific studies of woods, pigments, coatings, binders, and supports. This volume will be a valuable resource to conservators, scientists, curators, and collectors.
The free online edition of this open-access publication is available at getty.edu/publications/mummy-portraits-2/ and includes zoomable illustrations and graphs. Also available are free PDF and EPUB downloads of the book.
 Muncie, India(na): Middletown and Asian America
Himanee Gupta-Carlson
University of Illinois Press, 2018 Muncie, Indiana, remains the epitome of an American town. Yet scholars built the image of so-called typical communities across the United States on an illusion. Their decades of studies ignored the racial, ethnic, and religious diversity and tensions woven into the American communities that Muncie supposedly embodied. Himanee Gupta-Carlson puts forth an essential question: what do nonwhites, non-Christians, and/or non-natives mean when they call themselves American? A daughter in one of Muncie's first Indian American families, Gupta-Carlson merges personal experience, the life histories of others, and critical analysis to explore the answers. Her stories of members of Muncie's South Asian communities unearth the silences imposed by past studies while challenging the body of scholarship in fundamental ways. At the same time, Gupta-Carlson shares personal memories and experiences that illuminate her place within the historical, political, and socio-cultural currents she engages in her work. It also reveals how that work informs and transforms her as a scholar and a person. As meditative as it is insightful, Muncie, India(na) invites readers to feel the truth of the fascinating stories behind one woman's revised portrait of an American community.
Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890–1914
Peter Jelavich
Harvard University Press, 1985 This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siècle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism’s artistic revolt against the classical and realistic modes of nineteenth-century drama.
 Murder: A Tale of Modern American Life
Sara L. Knox
Duke University Press, 1998 What exactly is it about murder that claims such a powerful hold on the American imagination? In this book, Sara L. Knox examines postwar America’s preoccupation with this act of violence. Demonstrating how American culture both consumes and produces tales of murder, Knox examines numerous relevant narratives—news stories, psychiatric testimony, legal transcripts, fictional accounts, and examples from the thriving literary genre of true crime.
In her approach to the telling of this cultural phenomenon, Knox draws on historical analysis and original research. She discusses such subjects as the continuing existence of capital punishment, the “sensational” American murderers Martha Beck and Ray Fernandez (aka the Honeymoon Killers), the connection between true crime books and romance narratives, and pulp murder novels of the 1930s and 1940s. Analyzing widespread interest in forensic psychiatry, sexuality, mortality, and the relation of gender to society’s reactions to murder, Knox refers to the early work of David Brion Davis, Bill Ellis, and Joel Black. While demonstrating how society’s focus has shifted from the act itself to the psychology of the murderer to the broader social forces at work, she discusses the writings of Willard Motley, William March, Curtis Bok, James Baldwin, and Kate Millett, among others.
Full of anecdotes and insights, Murder is a lively meditation on American culture that includes not only close critical readings of individual texts but also everyday matters of murder’s meaning. It will interest those involved with American studies, cultural studies, and true crime accounts.
 Murder and Its Consequences: Essays on Capital Punishment in America
Leigh B Bienen
Northwestern University Press, 2010 The essays in Murder and Its Consequences span several periods in the history of capital punishment in America and the professional career of Leigh Bienen, a leading researcher on the death penalty. “A Good Murder” describes the subtle relationship between high-profile murders and the death penalty, while “The Proportionality Review of Capital Cases” places the well-known study of proportionality in New Jersey within a nationwide context.
“Anomalies” suggests that the arcane protocols written for lethal injection have little to do with insuring humane executions, but rather are concerned with protecting the sensibilities of witnesses and the liability of corrections officials. Other essays address the groundbreaking developments surrounding the death penalty in Illinois, and take a retrospective look at the evolution of her own and the country’s thinking about this complex, divisive topic.
 Murder and Masculinity: Violent Fictions of Twentieth-Century Latin America
Rebecca E. Biron
Vanderbilt University Press, 2000 Rebecca Biron breaks new ground in this study of masculinity, violence, and the strategic construction of collective political identities in twentieth-century Latin American fiction. By engaging current sociological, psychoanalytic, and feminist theories, Murder and Masculinity analyzes the cliche of proving virility through violence against women. Biron develops her argument through close readings of five works: Jorge Luis Borges's "La intrusa," Armonia Somer's "El despojo," Clarice Lispector's A Maca no Escuro, Manuel Puig's The Buenos Aires Affair, and Reinaldo Arenas's El Asalto. Although men murdering women is often interpreted as nothing more than machista misogyny, Biron argues that the five narratives addressed in this book show that healed masculinities are essential to the achievement of cultural identity and political autonomy in Latin America.
The introduction to this study deftly situates Biron's work in relation to previous theoretical arguments on the social and political dimensions of Latin American writing. The five subsequent chapters offer superb analyses of the individual texts. Like their male protagonists who experiment with the psychological and legal extremes of gender division, these narratives risk nonconformity to the laws of genre in their quest for liberation from violent social and literary conventions. In combining elements of detective stories, crime narratives, psychological case studies, and magical or grotesque realism, they offer metafictional commentary on a network of discourses that confuses images of masculinity, national identity, and political autonomy in postcolonial Latin America.
 Murder and the Death Penalty in Massachusetts
Alan Rogers
University of Massachusetts Press, 2008 For more than 300 years Massachusetts executed men and women convicted of murder, but with a sharp eye on "due proceeding" and against the backdrop of popular ambivalence about the death penalty's morality, cruelty, efficacy, and constitutionality. In this authoritative book, Alan Rogers offers a comprehensive account of how the efforts of reformers and abolitionists and the Supreme Judicial Court's commitment to the rule of law ultimately converged to end the death penalty in Massachusetts.
In the seventeenth century, Governor John Winthrop and the Massachusetts General Court understood murder to be a sin and a threat to the colony's well-being, but the Puritans also drastically reduced the crimes for which death was the prescribed penalty and expanded a capital defendant's rights. Following the Revolution, Americans denounced the death penalty as "British and brutish" and the state's Supreme Judicial Court embraced its role as protector of the rights extended to all men by the Massachusetts Constitution. In the 1830s popular opposition nearly stopped the machinery of death and a vote in the Massachusetts House fell just short of abolishing capital punishment.
A post–Civil War effort extending civil rights to all men also stimulated significant changes in criminal procedure. A "monster petition" begging the governor to spare the life of a murderer convicted on slight circumstantial evidence and the grim prospect of executing nine Chinese men found guilty of murder fueled a passionate debate about the death penalty in the decade before World War I.
The trials and executions of Sacco and Vanzetti focused unwanted international and national attention on Massachusetts. This was a turning point. Sara Ehrmann took charge of the newly formed Massachusetts Council Against the Death Penalty, relentlessly lobbied the legislature, and convinced a string of governors not to sign death warrants. In the 1970s the focus shifted to the courts, and eventually, in 1980, the Supreme Judicial Court abolished the death penalty on the grounds that it violated the Massachusetts Constitution.
 Murder by Accident: Medieval Theater, Modern Media, Critical Intentions
Jody Enders
University of Chicago Press, 2009 Over fifty years ago, it became unfashionable—even forbidden—for students of literature to talk about an author’s intentions for a given work. In Murder by Accident, Jody Enders boldly resurrects the long-disgraced concept of intentionality, especially as it relates to the theater. Drawing on four fascinating medieval events in which a theatrical performance precipitated deadly consequences, Enders contends that the marginalization of intention in critical discourse is a mirror for the marginalization—and misunderstanding—of theater. Murder by Accident revisits the legal, moral, ethical, and aesthetic limits of the living arts of the past, pairing them with examples from the present, whether they be reality television, snuff films, the “accidental” live broadcast of a suicide on a Los Angeles freeway, or an actor who jokingly fired a stage revolver at his temple, causing his eventual death. This book will force scholars and students to rethink their assumptions about theory, intention, and performance, both past and present.
 Murder by Sacrament: Another Toom Taggart Mystery
Paul M. Edwards
Signature Books, 2014 Murder in the bucolic town of Independence, Missouri, is not everyday news. Especially when it occurs in the temple owned by the Reorganized Mormons. Once again, philosophy instructor and amateur sleuth Toom Taggart becomes embroiled in a homicide investigation. In this second novel, Edwards re-acquaints readers with the likeable, curmudgeonly professor who shocks fellow Latter Day Saints by drinking coffee. By coincidence, Taggart is called to oversee the Church’s education department, just as the author himself was some years ago. This gives Taggart even more reason to explore the inner offices at Church headquarters—places and hushed conversations are not meant for outsiders—all of which the author describes with a wink and a nod.
Taggart is annoyed at having to navigate the political structure of the bureaucracy, but he cannot bring himself to leave. He is able to teach, and he likes his proximity to Church archives, local bookstores, and the woman who, according to fate, is still seeing the policeman from The Angel Acronym. All the major characters are back, and Taggart’s romantic rival is given the new murder case, meaning that he has to rely once again on Taggart for his knowledge of the Church’s secrets. This gives both men a reason to keep an eye on the other, making for entertaining situations in a funny, insider send-up of the RLDS community.
 Murder, Courts, and the Press: Issues in Free Press/Fair Trial
Peter E. Kane. Foreword by Franklyn S. Haiman
Southern Illinois University Press, 1992
When murder is the crime, the clash in the courts is likely to be between two constitutionally enshrined rights—freedom of speech and the right to a fair trial.
Peter E. Kane shows what happened in seven famous court cases when First Amendment rights (concerning freedom of speech) conflicted with Sixth Amendment rights (concerning fair trial). He reports the circumstances of each crime, the court proceedings, and the conduct of the press in the trials of Sam Sheppard, Charles Manson and his followers, John Paul Stevenson, Claus von Bülow, and Arthur Shawcross and the cases involving the Kellie family and the Wayne Clapp murders. Kane’s narrative and analytical approach illuminates legal principles and shows the roles of actual human beings underlying the abstractions of court opinions.
In this revised and expanded edition, Kane considers two new topics stemming from recent court cases: cameras in the courtroom and a code of ethics for crime reporting. Kane explores the issue of cameras through the famous Claus von Bülow retrial, which featured live television broadcasts; regarding a journalistic code, Kane examines the massive pretrial reporting of the serial murders of Arthur Shawcross. Kane notes that sensational crime stories serve the interests of many people: the public wants to read them; journalists want to write them because they can make a reporter’s fortune and reputation; and editors and publishers want to sell papers. The sensational crime story serves everyone’s purpose except that of the accused.
In addition to exploring journalistic ethics and the proper procedures for trial judges in guaranteeing a fair trial, these cases also provide an introduction to the operation of the courts in criminal justice. "The trial court is the arena in which the conflicts between a free press and a fair trial are played out," Kane writes. "This play is described here as are the subsequent evaluations of that play by the appellate courts. Thus the legal process is considered from its beginning with the original crime to the final resolution of the case in the United States Supreme Court."
 Murder, Honor, and Law: 4 Virginia Homicides from Reconstruction to the Great Depression
Richard F. Hamm
University of Virginia Press, 2003 "Hamm's idea of looking at four murders across seventy years to better understand perceptions of the South in the national imagination is brilliant. The scholarship is impressive, logically organized, and well written and makes a real contribution to the historiography."
--Christopher Waldrep, San Francisco State University, author of The Many Faces of Judge Lynch: Extralegal Violence and Punishment in America
In 1868 a scion of one of the leading families of Richmond, Virginia, ambushed and killed the city's most controversial journalist over an article that had dishonored the killer's family. In 1892 a Democratic politician killed a crusading Danville minister after a dispute at the polls. In 1907 a former judge shot to death the son of the Nelson County sheriff for an alleged rape, and in 1935 an Appalachian schoolteacher stood accused of killing her father by beating him with a shoe. All of these killers stood trial; two were convicted and two were acquitted. These cases attracted extensive press coverage, and journalists became not only recorders of the stories but integral parts of them, constructing the meaning of the events as they occurred and blurring the lines between reporter and reported.
Journalists from outside the state in their coverage of these cases provoked Virginians, and especially the press, to explain the interaction of their social values and legal system. In Murder, Honor, and Law, Richard F. Hamm explores the contrasts between how and to what effect national, particularly northern, newspapers perceived and portrayed Virginia law and custom versus how local papers covered the same events. In each of the cases Hamm shows the interplay of national media and culture with southern law, values, and culture and highlights how newspapers accepted, produced, altered, and disseminated ideas of southern exceptionalism, especially ideas about honor and chivalry. By focusing on the evolving press coverage of a number of crimes and trials over seventy years, Hamm illuminates the shift in southerners' defenses against northern criticism from a position of pride in a society in which honor could trump law to claims that the South was just as law-abiding as the rest of the nation. He thus illustrates some key aspects for transformations of southern exceptionalism.
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Richard F. Hamm, Associate Professor of History at the University at Albany, State University of New York, is the author of Shaping the Eighteenth Amendment: Temperance Reform, Legal Culture, and the Polity, 1880-1920, winner of the 1996 Henry Adams Prize from the Society for History in the Federal Government.
Murder in Ancient China: Two Judge Dee Mysteries
Robert van Gulik
University of Chicago Press, 2013 Judge Dee—Confucian Imperial magistrate, inquisitor, and public avenger, based on a famous statesman—was Dutch diplomat and Chinese cultural historian Robert van Gulik’s (1910–67) lasting invention. A welcome addition to the elite canon of fictional detectives, the Judge steps in to investigate homicide, theft, and treason and restores order to the golden age of the Tang Dynasty. In Murder in Ancient China’s first story, we watch as Judge Dee attempts to solve the mystery of an elderly poet murdered by moonlight in his garden pavilion; in the second, set on the eve of the Chinese New Year, the Judge makes two rare mistakes—will peril result?
Murder in Canton: A Judge Dee Mystery
Robert van Gulik
University of Chicago Press, 1966 A delightfully complicated mystery that could only be unraveled by the beloved detective Judge Dee, whom the Los Angeles Times ranked with Sherlock Holmes
Murder in Canton takes place in the year 680, as Judge Dee, recently promoted to lord chief justice, is sent incognito to Canton to investigate the disappearance of a court censor. With the help of his trusted lieutenants Chiao Tai and Tao Gan, and that of a clever blind girl who collects crickets, Dee solves a complex puzzle of political intrigue and murder through the three separate subplots "the vanished censor," "the Smaragdine dancer," and "the Golden Bell."
 Murder in Hollywood: Solving a Silent Screen Mystery
Charles Higham
University of Wisconsin Press, 2004 For more than eighty years, the famous unsolved murder of William Desmond Taylor, the legendary bisexual film director, has generated debate and controversy. Now, best-selling author Charles Higham has solved the crime. Higham uncovers the corruption and intrigue of Los Angeles in the Roaring Twenties—and the film industry moguls’ complete domination of the city’s authorities.
When it was discovered that a famous star of the day had probably killed Taylor, a massive cover-up began—from the removal of crucial evidence to the naming of innocent people as killers—which has continued until now to protect the truth. Murder in Hollywood goes beyond the killing to unearth unknown details about the life of Taylor before his arrival in Hollywood, as well as the stories and histories buried by the crooked authorities and criminals involved the case. The author’s exclusive interviews with the culpable star, his unique possession of long-vanished police records, and the support of the present-day Los Angeles county coroner—who examined the evidence as if the murder had taken place now—have ensured a hair-raising thriller.
Charles Higham successfully presents the most plausible and convincing solution yet to the mystery. In the process he paints a vivid portrait of Hollywood in the 1920s—from its major stars to its bisexual subculture. The result is a compelling answer to a long-standing mystery and a fascinating study of a place, and an industry that, as today, let people reinvent themselves. Murder in Hollywood is more extraordinary than any crime of fiction and more exciting than any action adventure movie.
 Murder in Lascaux
Betsy Draine and Michael Hinden
University of Wisconsin Press, 2014 The cave of Lascaux may be closed to the public, but five scholars a day are allowed inside, and Nora Barnes has finagled an appointment. True, she may have fudged a bit in her letter to the authorities, but she does teach art history, and she isn’t about to miss her chance to see the world’s most famous prehistoric paintings. Nora and her high-spirited husband, Toby, are visiting the Dordogne, in the southern French region of the Aquitaine. Aware that the Dordogne’s renown for cave art is matched only by its reputation for delicious cuisine, the couple has also signed up for a cooking class at a nearby château, but they soon find that more than food is on their minds.
During their tour of the cave, another visitor is murdered. When the local inspector pegs Nora and Toby as suspects, they embark on a mission to solve the crime, tracing strange links between a Cro-Magnon symbol and a thirteenth-century religious cult. As they match wits with the crusty inspector, Nora finds herself immersed in the notebooks of a forgotten artist who once lived in the château. In sifting through the artist’s papers and uncovering old secrets, she begins to piece together the motives for the murder. But has she cooked up more trouble than she can handle?
Best Books for General Audiences, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers
Murder in Montauk
Judy Soloway Kay
University of Michigan Press, 2005 Charlie Anderson, a reporter on leave from the Boston Globe, becomes entangled in an unusual mystery when he stumbles upon a news article about his own death. Confused and still very much alive, Charlie travels to Montauk, Long Island, to learn more about the deceased man and learns more about himself in the process.
The MICHIGAN Reading Plus Readers are original fiction written for students who wish to improve their reading skills. The MICHIGAN Reading Plus Readers support the need for extensive reading on topics of interest to today's students. The Readers offer students books in the genres of mystery, science-fiction, and romance. Activities that practice vocabulary and reading skills are provided on the companion website.
 Murder in New Orleans: The Creation of Jim Crow Policing
Jeffrey S. Adler
University of Chicago Press, 2019 New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.
Murder in Their Hearts: The Fall Creek Massacre
David Thomas Murphy
Indiana Historical Society Press, 2010 In March 1824 a group of angry and intoxicated settlers brutally murdered nine Indians camped along a tributary of Fall Creek. The carnage was recounted in lurid detail in the contemporary press, and the events that followed sparked a national sensation. Murder in Their Hearts: The Fall Creek Massacre tells that, although violence between settlers and Native Americans was not unusual during the early nineteenth century, in this particular incident the white men responsible for the murders were singled out and hunted down, brought to trial, convicted by a jury of their neighbors, and, for the first time under American law, sentenced to death and executed for the murder of Native Americans.
 A Murder in Wellesley: The Inside Story of an Ivy-League Doctor’s Double Life, His Slain Wife, and the Trial That Gripped the Nation
Tom Farmer and Marty Foley
University Press of New England, 2017 On Halloween morning in 1999, Mabel Greineder was savagely murdered along a wooded trail in the well-heeled community of Wellesley, Massachusetts. As the shock following the brutal killing slowly subsided, the community was further shaken when the focus of the investigation turned to her husband, Dirk Greineder, a prominent physician and family man who was soon revealed to be leading a secret double life involving prostitutes, pornography, and trysts solicited through the Internet. A Murder in Wellesley takes the reader far beyond the headlines and national news coverage spawned by “May” Greineder’s killing and tells the untold story of the meticulous investigation led by Marty Foley, the lead State Police detective on the case, from the morning of the murder through Dirk Greineder’s ultimate conviction. Exhaustive interviews with key figures in the case, including many who have not talked publicly until now, contribute to an unprecedented behind-the-scenes account of how investigators methodically built their case against Greineder and how the sides taken by Dirk and May’s relatives aided the investigation but bitterly divided their families. A fascinating true-crime procedural that is also a deeply unsettling tale of the psychopath you thought you knew, of deceptions and double lives, and of families torn apart by an unthinkable crime. Culminating in one of the most dramatic courtroom spectacles in recent memory (aired nationally on Court TV), A Murder in Wellesley reveals the truth behind the murder that gripped a nation.
 Murder Most Foul: The Killer and the American Gothic Imagination
Karen Halttunen
Harvard University Press, 1998 Confronting murder in the newspaper, on screen, and in sensational trials, we often feel the killer is fundamentally incomprehensible and morally alien. But this was not always the popular response to murder. In Murder Most Foul, Karen Halttunen explores the changing view of murder from early New England sermons read at the public execution of murderers, through the nineteenth century, when secular and sensational accounts replaced the sacred treatment of the crime, to today's true crime literature and tabloid reports.
The early narratives were shaped by a strong belief in original sin and spiritual redemption, by the idea that all murders were natural manifestations of the innate depravity of humankind. In a dramatic departure from that view, the Gothic imagination--with its central conventions of the fundamental horror and mystery of the crime--seized upon the murderer as a moral monster, separated from the normal majority by an impassable gulf. Halttunen shows how this perception helped shape the modern response to criminal transgression, mandating criminal incarceration, and informing a social-scientific model of criminal deviance.
The Gothic expression of horror and inhumanity is the predominant response to radical evil today; it has provided a set of conventions surrounding tales of murder that appear to be natural and instinctive, when in fact they are rooted in the nineteenth century. Halttunen's penetrating insight into her extraordinary treasure trove of creepy popular crime literature reveals how our stories have failed to make sense of the killer and how that failure has constrained our understanding and treatment of criminality today.
 Murder Most Modern: Detective Fiction and Japanese Culture
Sari Kawana
University of Minnesota Press, 2008 The quintessential international genre, detective fiction often works under the guise of popular entertainment to expose its extensive readership to complex moral questions and timely ethical dilemmas. The first book-length study of interwar Japanese detective fiction, Murder Most Modern considers the important role of detective fiction in defining the country’s emergence as a modern nation-state. Kawana explores the interactions between the popular genre and broader discourses of modernity, nation, and ethics that circulated at this pivotal moment in Japanese history. The author contrasts Japanese works by Edogawa Ranpo, Unno Juza, Oguri Mushitaro, and others with English-language works by Edgar Allan Poe, Dashiell Hammett, and Agatha Christie to show how Japanese writers of detective fiction used the genre to disseminate their ideas on some of the most startling aspects of modern life: the growth of urbanization, the protection and violation of privacy, the criminalization of abnormal sexuality, the dehumanization of scientific research, and the horrors of total war. Kawana’s comparative approach reveals how Japanese authors of the genre emphasized the vital social issues that captured the attention of thrill-seeking readers-while eluding the eyes of government censors. Sari Kawana is assistant professor of Japanese at the University of Massachusetts, Boston.
 Murder Most Queer: The Homicidal Homosexual in the American Theater
Jordan Schildcrout
University of Michigan Press, 2014 The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists—and for the most part LGBT theater artists—have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect queer lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.
 Murder Most Queer: The Homicidal Homosexual in the American Theater
Jordan Schildcrout
University of Michigan Press, 2014 The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists—and for the most part LGBT theater artists—have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect queer lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.
 The Murder of Joe White: Ojibwe Leadership and Colonialism in Wisconsin
Erik M. Redix
Michigan State University Press, 2014 In 1894 Wisconsin game wardens Horace Martin and Josiah Hicks were dispatched to arrest Joe White, an Ojibwe ogimaa (chief), for hunting deer out of season and off-reservation. Martin and Hicks found White and made an effort to arrest him. When White showed reluctance to go with the wardens, they started beating him; he attempted to flee, and the wardens shot him in the back, fatally wounding him. Both Martin and Hicks were charged with manslaughter in local county court, and they were tried by an all-white jury. A gripping historical study, The Murder of Joe White contextualizes this event within decades of struggle of White’s community at Rice Lake to resist removal to the Lac Courte Oreilles Reservation, created in 1854 at the Treaty of La Pointe. While many studies portray American colonialism as defined by federal policy, The Murder of Joe White seeks a much broader understanding of colonialism, including the complex role of state and local governments as well as corporations. All of these facets of American colonialism shaped the events that led to the death of Joe White and the struggle of the Ojibwe to resist removal to the reservation.
 The Murder of Regilla: A Case of Domestic Violence in Antiquity
Sarah B. Pomeroy
Harvard University Press, 2010 From an acclaimed author comes a fascinating story of the life, marriage, and death of an all but forgotten Roman woman. Born to an illustrious Roman family in 125 CE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek who championed his country's values at a time when Rome ruled.
Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes' freedman. Regilla's brother charged Herodes with murder, but a Roman court (at the urging of Marcus Aurelius) acquitted him. Sarah Pomeroy's investigation suggests that despite Herodes' erection of numerous monuments to his deceased wife, he was in fact guilty of the crime.
A pioneer in the study of ancient women, Pomeroy gathers a broad, unique array of evidence, from political and family history to Greco-Roman writings and archaeology, to re-create the life and death of Regilla. Teasing out the tensions of class, gender, and ethnicity that gird this story of marriage and murder, Pomeroy exposes the intimate life and tragedy of an elite Roman couple. Part archaeological investigation, part historical re-creation, and part detective story, The Murder of Regilla will appeal to all those interested in the private lives of the classical world and in a universal and compelling story of women and family in the distant past.
The Murder of the Jews in Latvia 1941-1945
Bernhard Press
Northwestern University Press, 2000 At the end of June 1941, Latvia fell into the hands of the Germans. This book is an account of life and death during the subsequent Nazi reign of terror. Press describes his escape from the Riga ghetto, his three years in hiding, and the trials that awaited the surviving Jews of Riga after it was "liberated" by the Red Army. Recounting his own harrowing experience and detailing the plight of Eastern European Jews faced with the anti-Semitism of their homelands, the Germans, and the Soviets, Press recovers a lost chapter in the history of the Holocaust.
 Murder on Shades Mountain: The Legal Lynching of Willie Peterson and the Struggle for Justice in Jim Crow Birmingham
Melanie S. Morrison
Duke University Press, 2018 One August night in 1931, on a secluded mountain ridge overlooking Birmingham, Alabama, three young white women were brutally attacked. The sole survivor, Nell Williams, age eighteen, said a black man had held the women captive for four hours before shooting them and disappearing into the woods. That same night, a reign of terror was unleashed on Birmingham's black community: black businesses were set ablaze, posses of armed white men roamed the streets, and dozens of black men were arrested in the largest manhunt in Jefferson County history. Weeks later, Nell identified Willie Peterson as the attacker who killed her sister Augusta and their friend Jennie Wood. With the exception of being black, Peterson bore little resemblance to the description Nell gave the police. An all-white jury convicted Peterson of murder and sentenced him to death.
In Murder on Shades Mountain Melanie S. Morrison tells the gripping and tragic story of the attack and its aftermath—events that shook Birmingham to its core. Having first heard the story from her father—who dated Nell's youngest sister when he was a teenager—Morrison scoured the historical archives and documented the black-led campaigns that sought to overturn Peterson's unjust conviction, spearheaded by the NAACP and the Communist Party. The travesty of justice suffered by Peterson reveals how the judicial system could function as a lynch mob in the Jim Crow South. Murder on Shades Mountain also sheds new light on the struggle for justice in Depression-era Birmingham. This riveting narrative is a testament to the courageous predecessors of present-day movements that demand an end to racial profiling, police brutality, and the criminalization of black men.
 Murder on the Mountain: Crime, Passion, and Punishment in Gilded Age New Jersey
Peter J. Wosh
Rutgers University Press, 2022 Margaret Klem and John Meierhofer were Bavarian immigrants who arrived in New Jersey in the 1850s, got married, and started a small farm in West Orange. When John returned from the Civil War, he was a changed man, neglecting his work and beating his wife. Margaret was left to manage the farm and endure the suspicion of neighbors, who gossiped about her alleged affairs. Then one day in 1879, John turned up dead with a bullet in the back of his head. Margaret and her farmhand, Dutch immigrant Frank Lammens, were accused of the crime, and both went to the gallows, making Margaret the last woman to be executed by the state of New Jersey.
Was Margaret the calculating murderess and adulteress portrayed by the press? Or was she a battered wife pushed to the edge? Or was she, as she claimed to the end, innocent? Murder on the Mountain considers all sides of this fascinating and mysterious true crime story. In turn, it examines why this murder trial became front-page news, as it resonated with public discussions about capital punishment, mental health, anti-immigrant sentiment, domestic violence, and women’s independence. This is a gripping and thought-provoking study of a murder that shocked the nation.
 Murder on the Reservation: American Indian Crime Fiction
Ray B. Browne
University of Wisconsin Press, 2004 In Murder on the Reservation, Ray B. Browne surveys the work of several of the best-known writers of crime fiction involving Indian characters and references virtually every book that qualifies as an Indian-related mystery. Browne believes that within the genre of crime fiction all people are equal, and the increasing role of Indian characters in criminal fiction proves what an important role this genre plays as a powerful democratizing force in American society. He endeavors to both analyze and evaluate the individual work of the authors, and at the same time, provide a commentary on the various attitudes towards race relations in the United States that each author presents. Some Indian fiction is intended to right the wrongs the authors feel have been leveled against Indians. Other authors use Indian lore and Indian locales as exotic elements and locations for the entertaining and commercially successful stories they want to write. Browne’s analysis includes authors and works of all backgrounds, with mysteries of first-class murder both on and off the reservation.
 Murder Scenes: Normality, Deviance, and Criminal Violence in Weimar Berlin
Sace Elder
University of Michigan Press, 2010 "Sace Elder has exhaustively researched both newspaper and other popular and professional treatments of murder cases and archival sources of police investigations and trials in Berlin between 1919 and 1931. Murder Scenes is an innovative and insightful exploration of the ways in which these investigations and trials, and the publicity surrounding them, reflected and shaped changing notions of normality and deviance in Weimar-era Berlin."
---Kenneth Ledford, Case Western Reserve University Using police reports, witness statements, newspaper accounts, and professional publications, Murder Scenes examines public and private responses to homicidal violence in Berlin during the tumultuous years of the Weimar era. Criminology and police science, both of which became increasingly professionalized over the period, sought to control and contain the blurring of these boundaries but could only do so by relying on a public that was willing to participate in the project. These Weimar developments in police practice in Berlin had important implications for what Elder identifies as an emerging culture of mutual surveillance that was successful both because and in spite of the incompleteness of the system police sought to construct, a culture that in many ways anticipated the culture of denunciation in the Nazi period. In addition to historians of Weimar, modern Germany, and modern Europe, German studies and criminal justice scholars will find this book of interest. Sace Elder is Associate Professor of History at Eastern Illinois University.
Murder She Wrote: A Study of Agatha Christie's Detective Fiction
Patricia D. Maida
University of Wisconsin Press, 1982
This book explores the inter-relationships between Agatha Christie and her works to seek the wholeness in the Christie experience. The authors perceive an integration in personal experience and moral and aesthetic values between the woman and her art.
 Murder Town, USA: Homicide, Structural Violence, and Activism in Wilmington
Yasser Arafat Payne
Rutgers University Press, 2023 James Short Senior Scholar Award from the American Society of Criminology
Far too many poor Black communities struggle with gun violence and homicide. The result has been the unnatural contortion of Black families and the inter-generational perpetuation of social chaos and untimely death. Young people are repeatedly ripped away from life by violence, while many men are locked away in prisons. In neighborhoods like those of Wilmington, Delaware, residents routinely face the pressures of violence, death, and incarceration. Murder Town, USA is thus a timely ethnography with an innovative structure: the authors helped organize fifteen residents formerly involved with the streets and/or the criminal justice system to document the relationship between structural opportunity and experiences with violence in Wilmington's Eastside and Southbridge neighborhoods.
Earlier scholars offered rich cultural analysis of violence in low-income Black communities, and yet this literature has mostly conceptualized violence through frameworks of personal responsibility or individual accountability. And even if acknowledging the pressure of structural inequality, most earlier researchers describe violence as the ultimate result of some moral failing, a propensity for crime, and the notion of helplessness. Instead, in Murder Town USA, Payne, Hitchens, and Chamber, along with their collaborative team of street ethnographers, instead offer a radical re-conceptualization of violence in low-income Black communities by describing the penchant for violence and involvement in crime overall to be a logical, "resilient" response to the perverse context of structural inequality.
 Murder Unpunished: How the Aryan Brotherhood Murdered Waymond Small and Got Away with It
Thornton W. Price
University of Arizona Press, 2005 In November of 1977, Terry Lee Farmer, a white inmate at Arizona State Prison in Florence, walked up to black prisoner Waymond Small in front of sixty witnesses and stabbed him in the heart with a shank. Small had agreed to testify before the state legislature about gang violence inside Arizona State Prison and was murdered the day before his scheduled appearance. This murder proved the catalyst for an all-out war between the State of Arizona and the Aryan Brotherhood. Through five trials, Farmer claimed self-defense and the jurors acquitted all ten of his co-conspirators. Thornton Price, one of the defense attorneys, now tells how Farmer and Small became cannon fodder in this war to reclaim Arizona’s prisons from rival gangs. These gangs—the Aryan Brotherhood, the Mau Maus, and the Mexican Mafia—were suspected of committing more than a dozen murders over the previous two years, motivating politicians to crack down after the violence could no longer be ignored or contained. To reconstruct the case, Price reviewed 16,000 pages of court records and conducted interviews with key participants to piece together an insider’s account of the crime and the politics behind its investigation. Prison murders should be easy to solve, but investigators quickly learned that the convicts’ code of silence makes these cases often impossible to win in court. Price focuses on the special problems posed by prison crime by getting inside the skins of men like murderer Terry "Crazy" Farmer and William "Red Dog" Howard, one of the Florence Eleven and a founder of the Aryan Brotherhood. He also presents the perspectives of state investigators and reveals how they calculated to pit black witnesses against white killers until one black would break the code of silence and provoke feuding within the Brotherhood. Murder Unpunished tells how society’s most outrageous criminals ran the prison through gang violence as outside the walls Arizona struggled to outgrow its Wild West past. Like few other books, it reveals how prisons incubate predatory criminals and gangs, and it exposes the unique difficulties of prosecuting prison crimes. It is a gripping account that cuts to the heart of our penal system and a cautionary tale for citizens who prefer to keep prisons out of sight, out of mind.
 Murder Was Not a Crime: Homicide and Power in the Roman Republic
By Judy E. Gaughan
University of Texas Press, 2009 Embarking on a unique study of Roman criminal law, Judy Gaughan has developed a novel understanding of the nature of social and political power dynamics in republican government. Revealing the significant relationship between political power and attitudes toward homicide in the Roman republic, Murder Was Not a Crime describes a legal system through which families (rather than the government) were given the power to mete out punishment for murder. With implications that could modify the most fundamental beliefs about the Roman republic, Gaughan's research maintains that Roman criminal law did not contain a specific enactment against murder, although it had done so prior to the overthrow of the monarchy. While kings felt an imperative to hold monopoly over the power to kill, Gaughan argues, the republic phase ushered in a form of decentralized government that did not see itself as vulnerable to challenge by an act of murder. And the power possessed by individual families ensured that the government would not attain the responsibility for punishing homicidal violence. Drawing on surviving Roman laws and literary sources, Murder Was Not a Crime also explores the dictator Sulla's "murder law," arguing that it lacked any government concept of murder and was instead simply a collection of earlier statutes repressing poisoning, arson, and the carrying of weapons. Reinterpreting a spectrum of scenarios, Gaughan makes new distinctions between the paternal head of household and his power over life and death, versus the power of consuls and praetors to command and kill.
Murdered in Jersey: Expanded Edition
Gerald Tomlinson
Rutgers University Press, 1994 The Lindbergh kidnapping, the Dutch Schultz murder, the Hurricane Carter case, the Edgard Smith affair involving William F. Buckley, Jr., the slaying of the List family, the shooting of Trooper Philip Lamonaco, the contract killing of Maria Marshall, and the kidnapping and murder of Exxon executive Sidney Reso-all America followed with fascination these terrible crimes committed in New Jersey. These famous New Jersey cases--and fifty-two others, all front-page news in their day--are presented colorfully and concisely in Gerald Tomlinson's Murdered in Jersey, an illustrated look at homicide in the Garden State. For all true crime buffs in and out of New Jersey.
The Murderer’s Mother
Mahasweta Devi
Seagull Books, 2023 A tense sociopolitical novel exploring power, violence, and morality in 1970s India.
The Murderer’s Mother takes readers to the late 1970s in the Indian state of West Bengal, where the Communist Party–led Left Front has just been voted into power. It tells the story of Tapan, who has been installed as a gang leader by the most powerful man in the locality in order to kill “unwanted obstacles,” which he does, one after another. Tapan knows there is no other way he can earn a living, but at the same time, he is desperate to protect his family. He tries to stop petty crime and assaults on women, even as he protects his patron’s interests. Through the dissonance, he becomes both a feared and revered figure, but his patron’s game becomes clear: now the murderer, too, must be eliminated.
Murdoch's Politics: How One Man's Thirst For Wealth and Power Shapes our World
David McKnight
Pluto Press, 2013 Rupert Murdoch's News Corporation is the most powerful media organisation in the world. Murdoch's commercial success is obvious, but less well understood is his successful pursuit of political goals, using News Corporation as his vehicle.
In Murdoch's Politics David McKnight tracks Murdoch's influence, from his support for Reagan and Thatcher, his deal with Tony Blair and attacks on Barack Obama. He examines the secretive corporate culture of News Corporation: its private political seminars for editors, its support for think tanks and its global campaigns on issues like Iraq and climate change.
Including analysis of the phone hacking crisis, possible bribery charges and Murdoch's appearance at the Leveson enquiry, this book is a highly topical study of one of the most influential and controversial figures of the modern age.
 The Muridiyya on the Move: Islam, Migration, and Place Making
Cheikh Anta Babou
Ohio University Press, 2021 Highlights the role of transnational space making in the construction of diasporic Muridiyya identity. The construction of collective identity among the Muridiyya abroad is a communal but contested endeavor. Differing conceptions of what should be the mission of Muridiyya institutions in the diaspora reveal disciples’ conflicting politics and challenge the notion of the order’s homogeneity. While some insist on the universal dimension of Ahmadu Bamba Mbakke’s calling and emphasize dawa (proselytizing), others prioritize preserving Muridiyya identity abroad by consolidating the linkages with the leadership in Senegal. Diasporic reimaginings of the Muridiyya abroad, in turn, inspire cultural reconfigurations at home. Drawing from a wide array of oral and archival sources in multiple languages collected in five countries, The Muridiyya on the Move reconstructs over half a century of the order’s history, focusing on mobility and cultural transformations in urban settings. In this groundbreaking work, Babou highlights the importance of the dahira (urban prayer circle) as he charts the continuities and ruptures between Muridiyya migrations. Throughout, he delineates the economic, socio-political, and other forces that powered these population movements, including colonial rule, the economic crises of the postcolonial era, and natural disasters.
 Muriel Rukeyser's the Book of the Dead
Tim Dayton
University of Missouri Press, 2003 The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.
 Muriel Spark: The Biography
Martin Stannard
Northwestern University Press, 2011 Born in 1918 into a working-class Edinburgh family, Muriel Spark became the epitome of literary chic and one of the great writers of the twentieth century. Her autobiography, Curriculum Vitae: A Volume of Autobiography, recorded her early years but politely blurred her darker moments: troubled relations with her family, a terrifying period of hallucinations, and disastrous affairs with the men she loved. At the age of nineteen, Spark left Scotland to get married in southern Rhodesia, only to divorce and escape back to Britain in 1944. After converting to Catholicism in 1954, she began writing novels that propelled her into the literary stratosphere. These came to include Memento Mori, The Girls of Slender Means, and A Far Cry from Kensington.
Spark achieved international celebrity with The Prime of Miss Jean Brodie (1961), later adapted into a successful play and film. John Updike, Tennessee Williams, Evelyn Waugh, and Graham Greene, among others, applauded her work. She lived part-time in New York City, had an office at the New Yorker, and became friends with Shirley Hazzard and W. H. Auden. Spark ultimately settled in Italy, where for more than thirty years—until her death in 2006—she shared a house with the artist Penelope Jardine. Spark gave Martin Stannard full access to her papers. He interviewed her many times as well as speaking to her colleagues, friends, and family members. The result is an indelible portrait of one of the most significant and emotionally complicated writers of the twentieth century, full of strong feeling, sharp wit, and unabashed ambition.
Murmur
Cameron Barnett
Autumn House Press, 2024 A poetry collection that explores the complexity of race and the body for a Black man in contemporary America.
The second book by NAACP Image Award finalist Cameron Barnett, Murmur considers the question of how we become who we are. The answers Barnett offers in these poems are neither safe nor easy, as he traces a Black man’s lineage through time and space in contemporary America, navigating personal experiences, political hypocrisies, pop culture, social history, astronomy, and language. Barnett synthesizes unexpected connections and contradictions, exploring the Tulsa Race Massacre of 1921 and the death of Terence Crutcher in 2016 and searching both the stars of Andromeda and a plantation in South Carolina. A diagnosis from the poet’s infancy haunts the poet as he wonders, “like too many Black men,” if “a heart is not enough to keep me alive.”
 A Murmuration of Starlings
Jake Adam York
Southern Illinois University Press, 2008 A Murmuration of Starlings elegizes the martyrs of the civil rights movement, whose names are inscribed on the stone table of the Civil Rights Memorial in Montgomery, Alabama. Individually, Jake Adam York’s poems are elegies for individuals; collectively, they consider the violence of a racist culture and the determination to resist that racism. York follows Sun Ra, a Birmingham jazz musician whose response to racial violence was to secede from planet Earth, considers the testimony in the trial of J. W. Milam and Roy Bryant for the murder of Emmet Till in 1955, and recreates events of Selma, Alabama, in 1965. Throughout the collection, an invasion of starlings imagesthe racial hatred and bloodshed. While the 1950s spawned violence, the movement in the early 1960s transformed the language of brutality and turned the violence against the violent, says York. So, the starlings, first produced by violence, become instruments of resistance. York’s collection responds to and participates inrecent movements to find and punish the perpetrators of the crimes that defined the civil rights movement. A Murmuration of Starlings participates in the search for justice, satisfaction, and closure.
 Murphy Station: A Memoir from the American South
David Donovan
University of Tennessee Press, 2010
“Murphy Station is a well-told coming-of-age story. It conveys a deep sense of place, and articulates the everyday ways in which the etiquette of Jim Crow was learned and enacted, and eventually questioned and even challenged.”
—Jason Sokol, author of There Goes My Everything: White Southerners in the Age of Civil Rights, 1945–1975
In the southern Georgia of 1950, Murphy Station is a community marked only by two country stores, two Baptist churches, and a graveyard. Farming is the way of life, and segregation is in full force. Welcome to Deep Dixie.
David Donovan is a young white boy growing up in Murphy Station where even the best farmers are cash poor, and those who work for them, usually blacks, are poorer still. In adult conversation, the main topics are weather, crops, and politics. Within the last category, it’s agreed that the main threats facing America are two: communism and integration. So far as young Dave knows, this isn’t unusual, but already there are changes afoot. In this richly detailed memoir, laced with both humor and tragedy, we see how those changes affect Dave in subtle but ultimately profound ways.
Coming of age in a world with the axiom “no boy a chicken, no man a coward,” Dave has the sorts of boyhood adventures common to the rural South: exploits with firearms, encounters with angry animals, challenges from friends, and a growing interest in girls. As he has these adventures, he also works in the field alongside black farmhands, some of whom teach him vital lessons about the realities of their lives—lessons that begin to challenge the prejudices and preconceptions of his time and place.
By the late 1950s the civil rights movement has become a major force in the South; yet, as David enters high school in 1960 the customs of segregation still hold sway, persisting even when he leaves for college. In his first year away from home, he witnesses the national trauma of the Kennedy assassination, which blunts the promises of Camelot. In Vietnam a few years later, he sees those promises collapse entirely. Returning in 1970 to a Murphy Station much changed from what it was twenty years earlier, David Donovan finds himself transformed as well.
David Donovan is the pseudonym of Terry Turner, professor emeritus of urology at the University of Virginia. He is the author of more than 120 basic science articles on male reproductive biology and of a previous book, Once a Warrior King: Memoirs of an Officer in Vietnam.
 Murray Springs: A Clovis Site with Multiple Activity Areas in the San Pedro Valley, Arizona
Edited by C. Vance Haynes, Jr., and Bruce B. Huckell
University of Arizona Press, 2007 The Murray Springs Site in the upper San Pedro River Valley of southeast Arizona is one of the most significant Clovis sites ever found. It contained a multiple bison kill, a mammoth kill, and possibly a horse kill in a deeply stratified sedimentary context. Scattered across the buried occupation surface with the bones of late Pleistocene animals were several thousand stone tools and waste flakes from their manufacture and repair. Because of the unique occurrence of an algal black mat that buried the Clovis-age surface immediately after abandonment, the distributional integrity of the artifacts and debitage clusters is exceptional for Paleoindian sites. Excavation of the Clovis hunters’ camp 50 to 150 meters south of the kills revealed artifactual evidence typical of hunting camp activity, including hide working and weapons repair. Impact flakes conjoining with Clovis points clearly tied the camp to the bison kill. The unique nature of the site and this comprehensive study of the excavated material constitute one of the most important contributions to our knowledge of Paleoindian hunters in the New World.
 Musashino in Tuscany: Japanese Overseas Travel Literature, 1860–1912
Susanna Fessler
University of Michigan Press, 2004 By the late Meiji period Japanese were venturing abroad in great numbers, and some of those who traveled kept diaries and wrote formal travelogues. These travelogues reflected a changing view of the West and changing artistic sensibilities in the long-standing Japanese literary tradition of travel writing (kikoōbungaku). This book shows that overseas Meiji-period travel writers struck out to create a dynamic new type of travel literature, one that had a solid foundation in traditional Japanese kikōbungaku yet also displayed influence from the West. Musashino in Tuscany specifically examines the poetic imagery and allusion in these travelogues and reveals that when Japanese traveled to the West in the mid-nineteenth century, the images they wrote about tended to be associated not with places initially discovered by the Japanese traveler but with places that already existed in Western fame and lore. And unlike imagery from Japanese traveling in Japan, which was predominantly nature based, Japanese overseas travel imagery was often associated with the manmade world.
 Muscadine
A. H. Jerriod Avant
Four Way Books, 2023 A. H. Jerriod Avant’s debut collection, Muscadine, cultivates the vine of familial memory, eulogizing our collective losses while exalting the succor of this human life, how the native grape’s “thick skin [that] teeth / pierce breaks to pour // sweetly across the tongue.” Throughout these pages, a deeply Southern sensibility balances an environmental awareness of deficit and bounty — appetite pains the stomach and delights the palette. In all seasons, the tongue’s subversive intelligence sculpts this masterwork of love, grace, conflict, and grief. This book tastes summer and the “ruins of / an afternoon” at once; it explores the language that testifies to loss while illuminating the abundance that loss obscures. Avant accentuates the sonic joys that Black Southern voices bring to bear on memorializing the present and commemorating the past. Don’t forget, he tells us. “Look how I hunger where // there is no hunger.” See how the weather changes swiftly and forever: “Look / how pops left before we // thought he was done.” But notice, too, how an echo sounds remembrance: “Listen, / how the voice of a dead man // can live.” He commands us to take the brief blooms with us, says, “Pack me a bag / I can fit in my heart.”
 Muscadine
A. H. Jerriod Avant
Four Way Books, 2023 A. H. Jerriod Avant’s debut collection, Muscadine, cultivates the vine of familial memory, eulogizing our collective losses while exalting the succor of this human life, how the native grape’s “thick skin [that] teeth / pierce breaks to pour // sweetly across the tongue.” Throughout these pages, a deeply Southern sensibility balances an environmental awareness of deficit and bounty — appetite pains the stomach and delights the palette. In all seasons, the tongue’s subversive intelligence sculpts this masterwork of love, grace, conflict, and grief. This book tastes summer and the “ruins of / an afternoon” at once; it explores the language that testifies to loss while illuminating the abundance that loss obscures. Avant accentuates the sonic joys that Black Southern voices bring to bear on memorializing the present and commemorating the past. Don’t forget, he tells us. “Look how I hunger where // there is no hunger.” See how the weather changes swiftly and forever: “Look / how pops left before we // thought he was done.” But notice, too, how an echo sounds remembrance: “Listen, / how the voice of a dead man // can live.” He commands us to take the brief blooms with us, says, “Pack me a bag / I can fit in my heart.”
 Muscle Works: Physical Culture and the Performance of Masculinity
Broderick D. V. Chow
Northwestern University Press, 2024 Men’s fitness as a performance—from nineteenth-century theatrical exhibitions to health and wellness practices today
This book recounts the story of fitness culture from its beginnings as spectacles of strongmen, weightlifters, acrobats, and wrestlers to its legitimization in the twentieth-century in the form of competitive sports and health and wellness practices. Broderick D. V. Chow shows how these modes of display contribute to the construction and deconstruction of definitions of masculinity.
Attending to its theatrical origins, Chow argues for a more nuanced understanding of fitness culture, one informed by the legacies of self-described Strongest Man in the World Eugen Sandow and the history of fakery in strongman performance; the philosophy of weightlifter George Hackenschmidt and the performances of martial artist Bruce Lee; and the intersections of fatigue, resistance training, and whiteness. Muscle Works: Physical Culture and the Performance of Masculinity moves beyond the gym and across the archive, working out techniques, poses, and performances to consider how, as gendered subjects, we inhabit and make worlds through our bodies.
Muscles in the Movies: Perfecting the Art of Illusion
John D. Fair
University of Missouri Press, 2020 John Fair and David Chapman tell the story of how filmmakers use and manipulate the appearance and performances of muscular men and women to enhance the appeal of their productions. The authors show how this practice, deeply rooted in western epistemological traditions, evolved from the art of photography through magic lantern and stage shows into the motion picture industry, arguing that the sight of muscles in action induced a higher degree of viewer entertainment. From Eugen Sandow to Dwayne “The Rock” Johnson, muscular actors appear capable of performing the miraculous, and with the aid of stuntmen and filming contrivances, they do. By such means, muscles are used to perfect the art of illusion, inherent in movie-making from its earliest days.
Muscular Christianity: Manhood and Sports in Protestant America, 1880-1920
Clifford Putney
Harvard University Press, 2001 Dissatisfied with a Victorian culture focused on domesticity and threatened by physical decline in sedentary office jobs, American men in the late nineteenth century sought masculine company in fraternal lodges and engaged in exercise to invigorate their bodies. One form of this new manly culture, developed out of the Protestant churches, was known as muscular Christianity. In this fascinating study, Clifford Putney details how Protestant leaders promoted competitive sports and physical education to create an ideal of Christian manliness.
Muse
Susan Aizenberg
Southern Illinois University Press, 2002 Muse, the first full-length collection from poet Susan Aizenberg, brings together poems of personal history, elegy, and the complex lives of artists, writers, and “ordinary” people, in an exploration of the relationship between art and life, esthetics and ethics. She is sharp-eyed in purpose, trying to understand “what love is” in a continual shifting between loss and knowledge. While “there is no other world than this one” for Aizenberg, nevertheless she finds a world of affirmation. Aizenberg sings elegant blues, keeps a perfect balance between elaboration and restraint with formal skill that is both impressive and consoling, reminding us that poetry is a form of intelligence in which music creates a world full of mystery and depth.
 Muse Found in a Colonized Body
Yesenia Montilla
Four Way Books, 2022 In the book's eponymous poem, Yesenia Montilla writes, “How do you not love yourself when you / constantly survive your undoing just by being precious?" Muse Found in a Colonized Body answers this rhetorical question by populating itself with poems that range far and wide in content — observing pop culture, interrogating history, resisting contemporary injustice — but that share the spinal cord of unflinching love. As Rachel Eliza Griffiths notes, Montilla’s “powers orbit and intuit the lives of Philando Castile, Captain America, Christian Cooper, Karl Marx, Ahmaud Arbery, Eartha Kitt, and many more while stitching our wounded identities, memories, and histories in defiant poems of revision and joyous reclamation.” The vertebral odes of this collection at turns uplift desire, affirm life, celebrate protest, and condemn the violent greed of imperial usurpation that has produced the U.S. as we know it. Both in its criticism and its admiration, Muse Found in a Colonized Body calls upon its readers to rise to the occasion of these lyrics’ profound care.
 The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950
Bone, Robert
Rutgers University Press, 2011 The Muse in Bronzeville, a dynamic reappraisal of a neglected period in African American cultural history, is the first comprehensive critical study of the creative awakening that occurred on Chicago's South Side from the early 1930s to the cold war. Coming of age during the hard Depression years and in the wake of the Great Migration, this generation of Black creative artists produced works of literature, music, and visual art fully comparable in distinction and scope to the achievements of the Harlem Renaissance. This highly informative and accessible work, enhanced with reproductions of paintings of the same period, examines Black Chicago's "Renaissance" through richly anecdotal profiles of such figures as Richard Wright, Gwendolyn Brooks, Margaret Walker, Charles White, Gordon Parks, Horace Cayton, Muddy Waters, Mahalia Jackson, and Katherine Dunham. Robert Bone and Richard A. Courage make a powerful case for moving Chicago's Bronzeville, long overshadowed by New York's Harlem, from a peripheral to a central position within African American and American studies.
The Muse in Mexico: A Mid-Century Miscellany
Edited by Thomas Mabry Cranfill and George D. Schade
University of Texas Press, 1959 This volume, originally published as a supplement to The Texas Quarterly in 1959, contains a collection of Mexican fiction, poetry, and art from the mid-twentieth century.
 MUSE IN THE MACHINE: AMERICAN FICTION AND MASS PUBLICITY
MARK CONROY
Ohio State University Press, 2004 A writer who simply panders to the public is seldom taken for an artist. An artist who cannot publish is seldom granted a career. This dilemma, the subject of Muse in the Machine, has been home to many authors of serious fiction since the eighteenth century. But it is especially pointed for American writers, since the United States never fostered a sustainable elite culture readership. Its writers have always been reliant on mass publicity’s machinery to survive; and when they depict that machinery, they also depict that reliance and the desire to transcend its banal formulas. This book looks at artist tales from Henry James to Don DeLillo’s Mao II, but also engages more indirect expressions of this tension between Romantic individualism and commercial requirements in Nathanael West, Vladimir Nabokov, and Thomas Pynchon. It covers the twentieth century, but its focus is not another rehearsal of “media theory” or word versus image. Rather, it aims to show how various novels “about” publicity culture also enact their authors’ own dramas: how they both need and try to critique the “machine.” In subject as well as approach, this study questions the current impasse between those who say that the aesthetic aspires to its own pure realm, and those who insist that it partakes of everyday practicality. Both sides are right; this book examines the consequences of that reality.
 The Muse is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word
Meta DuEwa Jones
University of Illinois Press, 2013 This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.
 The Muse of History: The Ancient Greeks from the Enlightenment to the Present
Oswyn Murray
Harvard University Press, 2024 A Times Literary Supplement Best Book of the Year
How the modern world understood the ancient Greeks and why they matter today.
“This majestic book by Oswyn Murray has been long and eagerly awaited…and its quality and scope exceed expectations.” —Edith Hall, BBC History Magazine
The study of ancient Greece has been central to Western conceptions of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation in the last three centuries, in which successive generations have reinterpreted the Greeks in the light of their contemporary worlds. Thus, in the eighteenth century, the conflict between Athens and Sparta became a touchstone in the development of republicanism, and in the nineteenth, Athens came to represent the democratic ideal. Amid the ideological conflicts of the twentieth century, the Greeks were imagined in an age of suffering, inspiring defenses against nationalism, Nazism, communism, and capitalism.
Oswyn Murray draws powerful conclusions from this historiography, using the ever-changing narrative of ancient Greece to illuminate grand theories of human society. Analyzing the influence of historians and philosophers including Hegel, Burckhardt, Nietzsche, and Braudel, Murray also considers how coming generations might perceive the Greeks. Along the way, The Muse of History offers rare behind-the-scenes glimpses of figures who shaped the study of ancient Greece, some devotedly cited to this day and others forgotten. We sit in on a class with Arnaldo Momigliano; meet Moses Finley after his arrival in England; eavesdrop on Paul Veyne, Jean-Pierre Vernant, and Pierre Vidal-Naquet; and rediscover Michel Foucault.
A thrilling work that rewrites established scholarly traditions and locates important ideas in unexpected places, The Muse of History reminds us that the meaning of the past is always made in and for the present.
 The Muse of History: The Ancient Greeks from the Enlightenment to the Present
Oswyn Murray
Harvard University Press A Times Literary Supplement Best Book of the Year
From “one of the most thoughtful ancient historians in Britain over more than half a century” (Mary Beard) comes a powerful look at how the modern world has understood the ancient Greeks and why their legacy still matters today.
“This majestic book by Oswyn Murray has been long and eagerly awaited . . . and its quality and scope exceed expectations.” —Edith Hall, BBC History Magazine
The study of ancient Greece has been central to Western conceptions of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation, as successive generations reinterpreted the Greeks in light of their contemporary worlds. Thus, in the eighteenth century, the conflict between Athens and Sparta became a touchstone in the development of republicanism, and in the nineteenth, Athens came to represent the democratic ideal. Amid the twentieth century’s ideological conflicts, Greek suffering inspired defenses against nationalism, Nazism, communism, and capitalism.
Oswyn Murray draws powerful conclusions from the ever-changing narrative of ancient Greece, in the process illuminating grand theories of human society articulated by the likes of Hegel, Burckhardt, Nietzsche, and Braudel. Along the way, The Muse of History offers behind-the-scenes glimpses of figures who shaped the study of ancient Greece. We sit in on a class with Arnaldo Momigliano; meet Moses Finley after his arrival in England; eavesdrop on Paul Veyne, Jean-Pierre Vernant, and Pierre Vidal-Naquet; and rediscover Michel Foucault.
A thrilling work of historiography, The Muse of History reminds us that the meaning of the past is always made in and for the present.
Museum Archives: Practice, Issues, and Advocacy
Susan Hernandez
Society of American Archivists, 2022 Museum archives are a central component of and contributor to a museum's mission, and they require
sustained advocacy in order to thrive. In this comprehensive guide, twenty-seven archivists share examples and practical advice for applying archival fundamentals to museum contexts and exploring strategies for negotiating for resources to successfully carry out an archival mission.
 The Museum as Experience: Learning, Connection, and Shared Space
Susan Shifrin
Arc Humanities Press, 2024 Museums have long been viewed as exclusive, excluding, and as antiseptic to intimacy. In the past few decades, however, humanized experiences—cultivated by curators, educators, artists, activists, and marketers alike—have emerged as the reason for being for these cornerstones of community. Such experiences are often possible only in museum settings, where cultural exploration, probing conversation, and safe risk-taking can occur in spaces now becoming sacred through inclusiveness. This book brings together an interdisciplinary collection of essays examining the kinds of human experiences and interactions that have converted the once-sterile museum into a space of enlivenment and enrichment, as well as physical and emotional well-being. The essays focus for the first time on the uniquely human and humanizing experiences to be found in the collections, programs, exhibitions, and spaces of today’s museums.
 Museum Diplomacy: Transnational Public History and the U.S. Department of State
Richard J. W. Harker
University of Massachusetts Press, 2020 The Museums Connect program stands at the intersection of transnational public history and international diplomacy. Sponsored by the U.S. Department of State and administered by the American Alliance of Museums, this program partners U.S. museums and non-U.S. museums in projects designed to foster community collaboration and engagement. Museum Diplomacy focuses on three Museums Connect projects arranged between the United States and South Africa, Morocco, and Afghanistan, respectively. Utilizing a diverse range of oral interviews, Richard J. W. Harker explores how museums negotiate national boundaries, institutional and local histories, and post-9/11 geopolitical interests. Working in different political and professional contexts, museum partners have built community-driven collaborative exhibitions and projects that tell transnational stories.
As more historic sites and museums seek to surmount social, cultural, and economic barriers between themselves and their communities in their exhibitions and programming, the Museums Connect program provides important lessons on how to overcome entrenched hierarchies of power in public history.
 Museum Frictions: Public Cultures/Global Transformations
Ivan Karp, Corinne A. Kratz, Lynn Szwaja, and Tomás Ybarra-Frausto With Gustavo Buntinx, Barbara Kirshenblatt-Gimblett, and Ciraj Rassool, eds.
Duke University Press, 2006 Museum Frictions is the third volume in a bestselling series on culture, society, and museums. The first two volumes in the series, Exhibiting Cultures and Museums and Communities, have become defining books for those interested in the politics of museum display and heritage sites. Another classic in the making, Museum Frictions is a lavishly illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors—scholars, artists, and curators—present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies. Contributors. Tony Bennett, David Bunn, Gustavo Buntinx, Cuauhtémoc Camarena, Andrea Fraser, Martin Hall, Ivan Karp, Barbara Kirshenblatt-Gimblett, Corinne A. Kratz, Christine Mullen Kreamer, Joseph Masco, Teresa Morales, Howard Morphy, Ingrid Muan, Fred Myers, Ciraj Rassool, Vicente Razo, Fath Davis Ruffins, Lynn Szwaja, Krista A. Thompson, Leslie Witz, Tomás Ybarra-Frausto
 The Museum in the Cultural Sciences: Collecting, Displaying, and Interpreting Material Culture in the Twentieth Century
Edited by Peter N. Miller
Bard Graduate Center, 2021 In early twentieth-century Berlin, Wilhelm von Bode sparked a controversy with his sweeping proposal to reorganize a group of the city’s museums. Debates about the role and structure of museums played out in 1907 and 1910 with two striking series of articles that appeared in the journal Museumskunde: Journal for the Administration and Technology of Public and Private Collections. The first was a six-part essay by Otto Lauffer on history museums, and the second was a ten-part piece by Oswald Richter regarding ethnographic museums. Together, they initiated a century of significant dialogue.
The Museum in the Cultural Sciences offers the first full English translations of these articles, which remain influential in conversations about the implications of art, historical, and ethnographic museums. They show how sophisticated the discussion of museums and museum display was in the early twentieth century and how much could be gained from revisiting these reflections today. Accompanied by short commentaries from museum professionals, these articles offer an intervention into and intensification of the current debate about the function and purpose of museums.
Museum Lighting: A Guide for Conservators and Curators
David Saunders
J. Paul Getty Trust, The, 2020 This indispensable guide to museum lighting, written by distinguished conservation scientist David Saunders, is the first new volume of its kind in over thirty years.
Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics.
With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections.
 Museum Matters: Making and Unmaking Mexico’s National Collections
Edited by Miruna Achim, Susan Deans-Smith, Sandra Rozental
University of Arizona Press, 2021 This is a book about objects. Stones, ruins, bones, mummies, mannequins, statues, photographs, fakes, instruments, and natural history specimens all formed part of Mexico’s National Museum complex at different moments across two centuries of collecting and display.
Museum Matters traces the emergence, consolidation, and dispersal of this national museum complex by telling the stories of its objects. Objects that have been separated over time are brought back together in this book in order to shed light on the interactions and processes that have forged things into symbols of science, aesthetics, and politics. The contributors to this volume illuminate how collections came into being or ceased to exist over time, or how objects moved in and out of collections and museum spaces. They explore what it means to move things physically and spatially, as well as conceptually and symbolically.
Museum Matters unravels the concept of the national museum. By unmaking the spaces, frameworks, and structures that form the complicated landscape of national museums, this volume brings a new way to understand the storage, displays, and claims about the Mexican nation’s collections today.
Contributors
Miruna Achim, Christina Bueno, Laura Cházaro, Susan Deans-Smith, Frida Gorbach, Haydeé López Hernández, Carlos Mondragón, Bertina Olmedo Vera, Sandra Rozental, Mario Rufer
A Museum Miscellany
Claire Cock-Starkey
Bodleian Library Publishing, 2019 Which are the oldest museums in the world? What is a cabinet of curiosity? What is on the FBI’s list of stolen art?
A Museum Miscellany celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum ghosts, dangerous museum objects, and conservation beetles to treasure troves, museum heists and the Museum of London’s fatberg.
Bursting with quirky facts, intriguing statistics, and legendary curators, this book is the perfect gift for museum aficionados and collectors alike.
 Museum Object Lessons for the Digital Age
Haidy Geismar
University College London, 2018 Among the challenges museums face when displaying digital objects are widely held assumptions about the nature of these objects and the material, social, and political foundations of digital art practices.
Museum Object Lessons for the Digital Age urges readers to question their assumptions through four wide-ranging chapters, each focused on a single object—a box, a pen, an effigy, and a cloak. The book begins with an introduction exploring the legacies of older forms of media and earlier museum practices of collection and then offers a critical analysis of contending theories of knowledge production in museums as it relates to digital projects. From there, Haidy Geismar guides readers in lively, accessible prose through a range of objects, from ethnographic and decorative arts collections, bespoke digital experiments, and even the Google Art Project, revealing what these objects can tell us about both the past and the future of digital collection and display.
Museum of the Soon to Depart
Andy Young
Carnegie Mellon University Press, 2024 A poetic exploration of life amid intimate losses.
In Museum of the Soon to Depart, poet Andy Young searches for her place in history as it unfolds around her through revolution, plague, and natural disaster. As curator of her museum, she navigates her own and others’ suffering through intense observation, from the inner mechanisms of grief and illness to the solace of distance provided by photography. The material of the poet’s own life and events on the world stage intertwine, resulting in poems with a staggering range, inhabiting language in ways that ultimately point to its limits.
Museum of the Weird
Amelia Gray
University of Alabama Press, 2010 Winner of FC2’s American Book Review/Ronald Sukenick Innovative Fiction Prize
A stunning collection of stories that reveal wondrous play and surreal humor A monogrammed cube appears in your town. Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate—a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray’s stunning collection of stories: Museum of the Weird. Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weird invites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own.
Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery
James A. W. Heffernan
University of Chicago Press, 1993 Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures.
In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.
 The Museum on the Roof of the World: Art, Politics, and the Representation of Tibet
Clare E. Harris
University of Chicago Press, 2012 For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
 Museum Politics: Power Plays At The Exhibition
Timothy W. Luke
University of Minnesota Press, 2002 The first sustained critique of the ways museum exhibits shape cultural assumptions and political values Each year the more than seven thousand museums in the United States attract more attendees than either movies or sports. Yet until recently, museums have escaped serious political analysis. The past decade, however, has witnessed a series of unusually acrimonious debates about the social, political, and moral implications of museum exhibitions as varied as the Enola Gay display at the Smithsonian’s Air and Space Museum and the Sensation exhibit at the Brooklyn Museum of Art. In this important volume, Timothy W. Luke explores museums’s power to shape collective values and social understandings, and argues persuasively that museum exhibitions have a profound effect on the body politic. Through discussions of topics ranging from how the National Holocaust Museum and the Museum of Tolerance in Los Angeles have interpreted the Holocaust to the ways in which the American Museum of Natural History, the Missouri Botanical Gardens, and Tucson’s Arizona-Sonora Desert Museum have depicted the natural world, Luke exposes the processes through which museums challenge but more often affirm key cultural and social realities.
 Museum Processes in China: The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region
Chui-fun Selina Ho
Amsterdam University Press, 2020 This book challenges the museum enterprise in China as a state monopoly and considers it as a new cultural agency that has emerged in the early twenty-first century. Following a constructive and multi-perspectival approach, it discusses the roles of political and cultural-economic agents, museum intermediaries, and museum publics in the interlinked processes of regulation, cultural production and consumption, and the issues of identity and representation faced by the art museums in the Greater Pearl River Delta Region. It broadly traces the art museum from its origin as a tool of nationalism and adoption as a vehicle of modernization in both nationalist and early communist periods, until its role in the present, as it reflects the contested and alternative representations, diverse publics, and fissured identities of the post-economic reform period of China.
 Museum Skepticism: A History of the Display of Art in Public Galleries
David Carrier
Duke University Press, 2006 In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies. Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier’s learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.
 Museums and American Intellectual Life, 1876-1926
Steven Conn
University of Chicago Press, 1998 During the last half of the nineteenth century, many of the country's most celebrated museums were built. In this original and daring study, Steven Conn argues that Americans, endowed with the belief that knowledge resided in objects themselves, built these institutions with the confidence that they could collect, organize, and display the sum of the world's knowledge. Conn discovers how museums gave definition to different bodies of knowledge and how these various museums helped to shape America's intellectual history.
"Conn is an enthusiastic advocate for his subject, an appealing thinker, an imaginative researcher, a scholar at ease with theory and with empirical evidence." —Ann Fabian, Reviews in American History
"Steven Conn's masterly study of late-nineteenth century American museums transports the reader to a strange and wonderful intellectual universe. . . . At the end of the day, Conn reminds us, objects still have the power to fascinate, attract, evoke, and, in the right context, explain." —Christopher Clarke-Hazlett, Journal of American History
 Museums and Memory
Margaret Wilson Huber
University of Tennessee Press, 2012
This volume brings together contributions from a variety of anthropologists working in a variety of fields, including archaeology, cultural anthropology, linguistics, and ethnohistory, in order to reflect on the importance of memory and its public presentation. The intense interest surrounding the 400th anniversary of Jamestown in 2007 was the immediate occasion for this theme, and the volume has several chapters on issues devoted to memory in the U.S. South. While museums often present themselves as neutral settings for the interpretation of artifacts, they are deeply embedded in cultural, political, and social situations that anthropologists are in a unique position to evaluate. Moreover, the volume is noteworthy for including analyses of more informal sites of memory, including oral history, that connect local pasts and futures. A sophisticated, multilayered examination of a now trendy topic in anthropology, this work seeks to question widely held notions about collective memory, always reminding us that museums and monuments inform each of us of the past in some particular way and insist that we add it to our consciousness—that we remember it.
Margaret Williamson Huber is Professor Emerita of Anthropology at the University of Mary Washington. She is the author of Powhatan Lord of Life and Death: Command and Consent in Seventeenth-Century Virginia.
Southern Anthropological Society Proceedings, no. 39
Museums in a Digital Culture: How Art and Heritage Become Meaningful
Edited by Chiel van den Akker and Susan Legêne
Amsterdam University Press, 2016 The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
 Museums Matter: In Praise of the Encyclopedic Museum
James Cuno
University of Chicago Press, 2011 The concept of an encyclopedic museum was born of the Enlightenment, a manifestation of society’s growing belief that the spread of knowledge and the promotion of intellectual inquiry were crucial to human development and the future of a rational society. But in recent years, museums have been under attack, with critics arguing that they are little more than relics and promoters of imperialism. Could it be that the encyclopedic museum has outlived its usefulness?
With Museums Matter, James Cuno, president and director of the Art Institute of Chicago, replies with a resounding “No!” He takes us on a brief tour of the modern museum, from the creation of the British Museum—the archetypal encyclopedic collection—to the present, when major museums host millions of visitors annually and play a major role in the cultural lives of their cities. Along the way, Cuno acknowledges the legitimate questions about the role of museums in nation-building and imperialism, but he argues strenuously that even a truly national museum like the Louvre can’t help but open visitors’ eyes and minds to the wide diversity of world cultures and the stunning art that is our common heritage. Engaging with thinkers such as Edward Said and Martha Nussbaum, and drawing on examples from the politics of India to the destruction of the Bramiyan Buddhas to the history of trade and travel, Cuno makes a case for the encyclopedic museum as a truly cosmopolitan institution, promoting tolerance, understanding, and a shared sense of history—values that are essential in our ever more globalized age.
Powerful, passionate, and to the point, Museums Matter is the product of a lifetime of working in and thinking about museums; no museumgoer should miss it.
 Museums, Monuments, and National Parks: Toward a New Genealogy of Public History
Denise D. Meringolo
University of Massachusetts Press, 2012 The rapid expansion of the field of public history since the 1970s has led many to believe that it is a relatively new profession. In this book, Denise D. Meringolo shows that the roots of public history actually reach back to the nineteenth century, when the federal government entered into the work of collecting and preserving the nation's natural and cultural resources. Scientists conducting research and gathering specimens became key figures in a broader effort to protect and interpret the nation's landscape. Their collaboration with entrepreneurs, academics, curators, and bureaucrats alike helped pave the way for other governmental initiatives, from the Smithsonian Institution to the parks and monuments today managed by the National Park Service.
All of these developments included interpretive activities that shaped public understanding of the past. Yet it was not until the emergence of the education-oriented National Park Service history program in the 1920s and 1930s that public history found an institutional home that grounded professional practice simultaneously in the values of the emerging discipline and in government service. Even thereafter, tensions between administrators in Washington and practitioners on the ground at National Parks, monuments, and museums continued to define and redefine the scope and substance of the field. The process of definition persists to this day, according to Meringolo, as public historians establish a growing presence in major universities throughout the United States and abroad.
Musho!: Zulu Popular Praises
Liz Gunner
Michigan State University Press, 1991 In Musho! Zulu Popular Praises Elizabeth Gunner, an authority on Zulu literature at the School of Oriental and African Studies at the University of London, and Mafika Gwala, a South African teacher and poet, have translated, transcribed, and annotated a wide variety of Zulu izibongo poetry. In so doing, they have revealed the incredible breadth of this traditional genre, which is usually equated with nineteenth-century epic traditions that celebrate the deeds of Shaka and the successor kings of his Zulu monarchy. Musho!, with its extensive historical introduction, and literary commentary on Zulu poetry, is a major contribution to the field.
 Mushroom Day: A Story of 24 Hours and 24 Fungal Lives
Alison Pouliot
University of Chicago Press, 2025 An hourly guide that spotlights twenty-four fungus species as they spread spores, find food, and adapt to a changing planet.
On this mushroom-filled day, ecologist Alison Pouliot tours the world to introduce readers to a fascinating variety of fungi. Each chapter of Mushroom Day introduces a single fungus during a single hour, highlighting twenty-four different species.
In the dark of the night, the green glow of the ghost fungus guides us into the forest to learn about the mysteries of bioluminescence. At dawn, we awaken to find a fairy ring of mushrooms that has appeared overnight like something out of folklore. But we don’t have much time to linger, as we must reach the Italian forest before other porcino hunters forage the morning’s fattest and finest. In the heat of the afternoon, the ripe stench of the stinkhorn might send us out of the woods, while the enticing aroma of the aniseed funnel lures us back in. Late in the evening we spy a fungus known as the witches cauldron and wonder what it might tell us about the future. By the end of our mushroom day, we’ll have glimpsed the diversity of this unique kingdom, met fungus friends that feed and fascinate, and learned how humans can encourage their flourishing.
For each hour, celebrated artist Stuart Patience has depicted these scenes with evocative pen and ink illustrations. Working together to narrate and illustrate these unique moments in time, Pouliot and Patience have created an engaging read that is a perfect way to spend an hour or two—and a true gift for foragers, mycophiles, and anyone who wants to stop and appreciate fungi.
 The Mushroom Gatherer
Viktorie Hanišová
Seagull Books, 2025 In a forest where every step is familiar, Sára searches for mushrooms—but what she unearths instead are the long-buried truths of her own life.
Nestled deep in the Bohemian Forest, Sára’s world is quiet and bound to the rhythms of nature. She has wandered the same wooded trails for seven years, filling her basket with mushrooms, her pockets with memories, and her thoughts with the past she cannot quite escape. The solitude suits her—until the death of her mother forces her to confront the tangled roots of family and the wounds that never fully healed. As Sára meticulously sorts through chanterelles and boletes, she also sorts through childhood recollections and the uneasy inheritance of trauma. The forest offers refuge, but it also holds secrets, and as the seasons shift, so does Sára’s understanding of herself and the complicated bonds that tether her to the world.
With melodic prose and an acute sensitivity to how landscapes shape lives, Viktorie Hanišová crafts a novel of quiet intensity and deep introspection. The Mushroom Gatherer is a haunting meditation on loss and the delicate balance between isolation and connection, perfect for readers drawn to atmospheric fiction.
 Mushrooms and Other Fungi of the Midcontinental United States
Donald M. Huffman
University of Iowa Press, 2008 This completely revised second edition provides all the information necessary to identify mushrooms in the ?eld in the midcontinental region of Iowa, Illinois, Nebraska, Missouri, Minnesota, South Dakota, and Wisconsin: the tallgrass prairies and the western parts of the eastern deciduous forests. The first edition has been improved in significant ways. The authors have updated scientific names, added photos where there were none and replaced poor photos with better ones, improved the keys, added some species and deleted others, added a section on truffles, and annotated the bibliography. There were originally 224 species; now there are 248. Some of the new photos-125 in all-serve as a second photo for a species, where it is helpful to show details that cannot be viewed in a single photo. The authors describe each species' cap, gills, stalk, annulus, and season when it is most likely to be seen as well as such characteristics as edibility and toxicity. In their detailed and lively introduction they discuss the economic and environmental aspects of fungi, basic mushroom biology, nomenclature, edibility and toxicity, and habitats and time of fruiting. Most important are the keys, which lead the dedicated reader to the major groups of fungi included in this guide. The section on mushrooms includes keys to their genera in addition to the species within each family discussed, and each of the subsequent sections has a key to the genera and species except where so few species are discussed that a key is not necessary. The volume also includes a glossary and two bibliographies, one with general and one with technical references. Through their detailed technical descriptions and captivating color photos the authors convey their passionate fondness for these diverse and colorful organisms, whose mysterious appearances and disappearances have long made them objects of fascination.
 Mushrooms and Truffles of the Southwest
Jack S. States
University of Arizona Press, 1990 The American Southwest is not usually thought of as a habitat for mushrooms, yet its various life zones are home to a surprising number of fungi and related species. This first book on the region's mushrooms and truffles provides descriptions and color illustrations for 156 major species and additional descriptive references for 155 more. Also included are selected slime molds and lichens, which, like truffles, usually are not covered in mushroom guides at all. The book's range is Arizona, New Mexico, and parts of Colorado, Utah, Nevada, California, and northern Mexico. It is designed to help fungiphiles not only identify mushrooms but also find them. The author describes the life zones where fungi can be found in association with characteristic plant communities and provides maps--with major landmarks indicated--designating conifer forests on public land where mushrooms are most often found. The major classifications covered are Club Fungi (Basidiomycetes), Stomach Fungi (Gasteromycetes), Sac Fungi (Ascomycetes), and Tuberlike Ascomycetes and Basidiomycetes. A special feature of the guide is the provision of cross references to other field guides, reinforcing the need to confirm identification before consuming mushrooms. Notations on toxicity and edibility are provided.
 Mushrooms in Your Pocket: A Guide to the Mushrooms of Iowa
Donald M. And Lois H. Huffman & Tiffany
University of Iowa Press, 2004 In addition to crocuses and robins, springtime in Iowa brings out another harbinger of warmer weather: mushrooms. Melting snow and warmer temperatures provide optimal opportunity for mushroom enthusiasts; people of all ages can be found wandering the woods, clutching bags and hoping to spot a clump of elusive morels. Now, for budding naturalists, beginning mushroom hunters, and professionals outside of the area of mycology, Donald Huffman and Lois Tiffany have provided this laminated guide to the most common mushrooms of Iowa. The guide illustrates forty-three species of Iowa mushrooms using color photos that show the fungi in the wild, from the yellow morel to the destroying angel to the pear-shaped puffball. Huffman and Tiffany give common and scientific names, descriptions of caps and stalks, descriptions of where the mushrooms can be found (on the ground in woods, in clusters on fallen logs, etc.), the season when they are most likely to be seen, plus information on edibility from the “choice edible” yellow morel, much coveted by generations of mushroom hunters, to the poisonous false morel. Mushrooms’ diverse forms and variety of colors, along with their seemingly mysterious appearances and disappearances, have long made them objects of fascination. Mushrooms in Your Pocket will be an invaluable companion for finding and identifying these unusual and interesting organisms.
 Mushrooms of the Gulf Coast States: A Field Guide to Texas, Louisiana, Mississippi, Alabama, and Florida
By Alan E. Bessette, Arleen F. Bessette, and David P. Lewis
University of Texas Press, 2019 The weather patterns and topography of America's Gulf Coast create favorable growing conditions for thousands of species of mushrooms, but the complete region has generally gone uncharted when it comes to mycology. Mushrooms of the Gulf Coast States at last delivers an in-depth, high-quality, user-friendly field guide, featuring more than 1,000 common and lesser-known species—some of which are being illustrated in color for the first time. Using easily identifiable characteristics and a color key, the authors enable anyone, whether amateur mushroom hunter or professional mycologist, to discern and learn about the numerous species of mushrooms encountered in Texas, Louisiana, Mississippi, Alabama, and Florida. Wild-food enthusiasts will appreciate the information on edibility or toxicity that accompanies each description, and they will also find the book’s detailed instructions for collecting, cleaning, testing, preserving, and cooking wild mushrooms to be of great interest. Providing encyclopedic knowledge in a handy format that fits in a backpack, Mushrooms of the Gulf Coast States is a must-have for any mushroom lover.
 Mushrooms of the Midwest
Michael Kuo and Andrew S. Methven
University of Illinois Press, 2014 Fusing general interest in mushrooming with serious scholarship, Mushrooms of the Midwest describes and illustrates over five hundred of the region's mushroom species. From the cold conifer bogs of northern Michigan to the steamy oak forests of Missouri, the book offers a broad cross-section of the fungi, edible and not, that can be found growing in the Midwest’s diverse ecosystems. With hundreds of color illustrations, Mushrooms of the Midwest is ideal for amateur and expert mushroomers alike. Michael Kuo and Andrew Methven provide identification keys and thorough descriptions. The authors discuss the DNA revolution in mycology and its consequences for classification and identification, as well as the need for well-documented contemporary collections of mushrooms. Unlike most field guides, Mushrooms of the Midwest includes an extensive introduction to the use of a microscope in mushroom identification. In addition, Kuo and Methven give recommendations for scientific mushroom collecting, with special focus on ecological data and guidelines for preserving specimens. Lists of amateur mycological associations and herbaria of the Midwest are also included. A must-have for all mushroom enthusiasts!
Musial: From Stash to Stan the Man
James N. Giglio
University of Missouri Press, 2001 In the most comprehensive assessment of baseball legend Stan Musial's life and career to date, James N. Giglio places the St. Louis Cardinal star within the context of the times-the Great Depression and wartime and postwar America-and the issues then prevalent in professional baseball, particularly race and the changing economics of the game. Giglio illuminates how the times shaped Musial and delves further into his popular image as a warm, unfailingly gracious role model known for good sportsmanship and devotion to family.
Music: A View from Delft. Selected Essays
Edward T. Cone
University of Chicago Press, 1989 Included in these eighteen essays by Cone are his never-before-published essay, "The World of Opera and Its Inhabitants," the unabridged version of "Music: A View from Delft," an introduction to this collection by the author himself, and a complete bibliography of his published writings.
"This selection of [Cone's] writings includes all the most incandescent and influential articles. We should have had such a book long ago."—Joseph Kerman, University of California at Berkeley
Winner of the ASCAP-Deems Taylor Award for 1990
 Music and Capitalism: A History of the Present
Timothy D. Taylor
University of Chicago Press, 2015 iTunes. Spotify. Pandora. With these brief words one can map the landscape of music today, but these aren’t musicians, songs, or anything else actually musical—they are products and brands. In this book, Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry’s shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries.
Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why.
 Music and Conflict
Edited by John Morgan O'Connell and Salwa El-Shawan Castello-Branco
University of Illinois Press, 2010 This volume charts a new frontier of applied ethnomusicology by highlighting the role of music in both inciting and resolving a spectrum of social and political conflicts in the contemporary world. Examining the materials and practices of music-making, contributors detail how music and performance are deployed to critique power structures and to nurture cultural awareness among communities in conflict. The essays here range from musicological studies to ethnographic analyses to accounts of practical interventions that could serve as models for conflict resolution. Music and Conflict reveals how musical texts are manipulated by opposing groups to promote conflict and how music can be utilized to advance conflict resolution. Speaking to the cultural implications of globalization and pointing out how music can promote a shared musical heritage across borders, the essays discuss the music of Albania, Azerbaijan, Brazil, Egypt, Germany, Indonesia, Iran, Ireland, North and South Korea, Uganda, the United States, and the former Yugoslavia. The volume also includes dozens of illustrations, including photos, maps, and musical scores. Contributors are Samuel Araujo, William Beeman, Stephen Blum, Salwa El-Shawan Castelo-Branco, David Cooper, Keith Howard, Inna Naroditskaya, John Morgan O'Connell, Svanibor Pettan, Anne K. Rasmussen, Adelaida Reyes, Anthony Seeger, Jane C. Sugarman, and Britta Sweers.
 Music and Cultural Rights
Edited by Andrew N. Weintraub and Bell Yung
University of Illinois Press, 2009 Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil. Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.
Music and Culture in Eighteenth-Century Europe: A Source Book
Enrico Fubini
University of Chicago Press, 1994 This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe.
Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time.
With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.
 Music and Digital Media: A Planetary Anthropology
Edited by Georgina Born
University College London, 2022 The first comparative ethnographic study on the impact of digital media on worldwide music.
Offering a radically new theoretical framework for understanding digital media through music, this volume redresses anthropology’s frequent oversight of music as a topic of study. By positioning music as an expansive subject for digital anthropology, Georgina Born demonstrates how the field can build interdisciplinary links to music and sound studies, digital media studies, and science and technology studies. Music and Digital Media includes five original ethnographies spanning pop, folk, and crossover musical genres throughout Kenya, Argentina, India, Canada, and the UK. A further three chapters engage experimentally with the platforms of music-making and distribution, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max MSP.
 Music and Gender
Edited by Pirkko Moisala and Beverley DiamondForeword by Ellen Koskoff
University of Illinois Press, 2000 Through the experiences of performers, composers, and ethnomusicologists working in Africa, Europe, the Middle East, and North America, Music and Gender explores how the uses and descriptions of music shift in response to rapid political, economic, or technological change.
A cross-section of case studies from the Central African Republic, Finland, and Turkey addresses issues of how performance reflects gender and furthers other social goals, such as negotiating identity and transforming consciousness. Articles on Croatian and Serbian popular music and on the changing circumstances of women musicians in war-torn Ethiopia and post-Soviet Estonia consider the fate of fragile constructions of gender and nationhood in times of war or crisis. Other essays consider the relationship of gender to digital sound technology--in terms of access to the field, interactions among musicians, and aesthetic decisions--and gender issues in writing the musical lives of women composers and performers.
Articulating a theoretical agenda that encompasses perspectives from vastly different musical cultures, this important collection shows how music can help bridge the radical transformations of individuals, groups, and nations.
 Music and Gender: Perspectives from the Mediterranean
Edited by Tullia Magrini
University of Chicago Press, 2003 Although scholars have long been aware of the crucial roles that gender plays in music, and vice versa, the contributors to this volume are among the first to systematically examine the interactions between the two. This book is also the first to explore the diverse, yet often strikingly similar, musics of the areas bordering the Mediterranean from comparative anthropological perspectives.
From Spanish flamenco to Algerian raï, Greek rebetika to Turkish pop music, Sephardi and Berber songs to Egyptian belly dancers, the contributors cover an exceedingly wide range of geographic and musical territories. Individual essays examine musical behavior as representation, assertion, and sometimes transgression of gender identities; compare men's and women's roles in specific musical practices and their historical evolution; and explore how music and gender relate to such issues as ethnicity, nationality, and religion. Anyone studying the musics or cultures of the Mediterranean, or more generally the relations between gender and the arts, will welcome this book.
Contributors:
Caroline Bithell, Joaquina Labajo, Jane C. Sugarman, Carol Silverman, Goffredo Plastino, Gail Holst-Warhaft, Edwin Seroussi, Marie Virolle, Terry Brint Joseph, Deborah Kapchan, Karin van Nieuwkerk, Svanibor Pettan, Martin Stokes, Philip V. Bohlman
 Music and German National Identity
Celia Applegate and Pamela Potter
University of Chicago Press, 2002 Is it merely a coincidence that the three "Bs" of classical music—Bach, Beethoven, Brahms—are all German composers? Why do concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire? Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music.
This book explores the questions of how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated as "the most German art." Drawing on the expertise of leading scholars in German history, musicology, and German literature, the essays assembled here examine philosophy, literature, politics, and social currents, as well as the creation and performance of folk music, art music, church music, jazz, and pop to explore the ways in which music has continued to play a central role in the German national imagination and in shaping German identity.
Music and Imagination
Aaron Copland
Harvard University Press One of the most forthright and talented of American composers writes here of the part played by the freely imaginative mind in composing, performing, and listening to music. He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives.
The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book.
 Music and Levels of Narration in Film: Steps across the Border
Guido Heldt
Intellect Books, 2013 Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music—or music that is not understood as part of a film’s “story world”—Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to “focalizations” of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.
Music and Maestros: The Story of the Minneapolis Symphony Orchestra
John K. Sherman
University of Minnesota Press, 1952 Music and Maestros was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Music lovers all over the United States as well as in other countries have heard the music of the Minneapolis Symphony Orchestra under the direction of such noted conductors as Dimitri Mitropoulos and Eugene Ormandy. Now they can enjoy the story behind those concerts, records, and radio broadcasts through this intimate history of the men and music that have made the orchestra famous. The story begins with the lively musical activities of a frontier town, the antecedents of the symphony orchestra that took shape at the turn of the century. From the early years of the organization under the batons of Emil Oberhoffer and Henri Verbrugghen, the chronicle rises to the period of the great contemporaries, Ormandy, Mitropoulos, and Antal Dorati. There is a wealth of detail on the career of Mitropoulos, the renowned New York Philharmonic conductor who reached his present stature during his leadership of the Minneapolis orchestra.The extensive concert tours that have earned for the Minneapolis symphony the nickname of "orchestra on wheels" are recalled in anecdotes that will evoke many a chuckle and plenty of amazement. Accounts of early recording sessions offer fascinating sidelights on this aspect of musical history. A complete list of the works performed by the orchestra during the past fifty years provides a significant record of changing trends in musical tastes. A roster of al the players who have been members of the orchestra is given, and the reference section also includes a complete list of out-of-town engagements and a list of the orchestra's recordings which are available.
Music and Meaning
Elizabeth Robinson Woods
Harvard University Press Among technical scholars the greatest confusion prevails regarding the problem of meaning. Mrs. Woods has accordingly attempted a simplification through a comparison and synthesis of the divergent discussions of aestheticians, psychologists, and logicians. Through her more direct approach she finds logical and aesthetic meaning to be fundamentally identical in so far as both are instances of that structure which is a condition of all conscious experience. At the same time, she aims not only to define but to suggest what the status of meaning may be in relation to a wider metaphysical pattern. The relation of art, in particular of music, to science, logic, morality, and religion is discussed; as well as the relation of meaning to denotation, to value, and to substance.
 Music and Musical Thought in Early India
Lewis Rowell
University of Chicago Press, 1992 Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage.
In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
 Music and Mystique in Muscle Shoals
Christopher M. Reali
University of Illinois Press, 2022 A No Depression Most Memorable Music Book of 2022 The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals reveals the people, place, and events behind one of the most legendary recording scenes in American history.
 Music and Social Change in South Africa: Maskanda Past and Present
Kathryn Olsen
Temple University Press, 2014 Music and Social Change in South Africa looks at contemporary maskanda-a folk musical genre distinguished by fast guitar picking and blues-style vocal intonation-against the backdrop of South Africa's history. A performance practice that emerged in the early decades of the twentieth century among Zulu migrant workers, maskanda is strongly associated with young Zulu men's experiences of repression and dislocation during imperial and, more particularly, apartheid rule.
Working closely with translated song lyrics and musical notation-and applying musical and socio-political analysis to this music and its cultural context-Olsen argues that maskanda offers insight into how the post-apartheid ideal of social transformation is experienced by those who were marginalized for most of the twentieth century.
Drawing on a decade of research, Olsen strives to demystify the Zulu part of contemporary experience in South Africa and to reveal some of the complexities of the social, economic, and political landscape of contemporary South Africa.
Music and the Historical Imagination
Leo Treitler
Harvard University Press, 1989 Leo Treitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical analysis. In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be. His aim is an understanding of the music of the past not only in its own historical context but also as we apprehend it now, and as we assimilate it to our current interests and concerns. He elucidates his views through unique new interpretations of major works from the fifteenth through the twentieth centuries.
 Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula
Edited by Matthew Machin-Autenrieth, Salwa el-Shawan Castelo-Branco, and Samuel Llano
University of Illinois Press, 2023 How music embodies and contributes to historical and contemporary nationalism What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music’s role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO’s Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music. Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sánchez-Carretero, José Hugo Pires Castro, Paulo Ferreira de Castro, Fernán del Val, Héctor Fouce, Diego García-Peinazo, Leonor Losa, Josep Martí, Eva Moreda Rodríguez, Pedro Russo Moreira, Cristina Cruces Roldán, and Igor Contreras Zubillaga
 Music and the New Global Culture: From the Great Exhibitions to the Jazz Age
Harry Liebersohn
University of Chicago Press, 2019 Music listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
 Music and the Racial Imagination
Edited by Ronald M. Radano and Philip V. Bohlman
University of Chicago Press, 2001 "A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself.
Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
 Music and the Southern Belle: From Accomplished Lady to Confederate Composer
Candace Bailey
Southern Illinois University Press, 2010 Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
 Music and the Wesleys
Edited by Nicholas Temperley and Stephen Banfield
University of Illinois Press, 2010 Providing new insight into the Wesley family, the fundamental importance of music in the development of Methodism, and the history of art music in Britain, Music and the Wesleys examines more than 150 years of a rich music-making tradition in England. John Wesley and his brother Charles, founders of the Methodist movement, considered music to be a vital part of religion, while Charles's sons Charles and Samuel and grandson Samuel Sebastian were among the most important English composers of their time. This book explores the conflicts faced by the Wesleys but also celebrates their triumphs: John's determination to elevate the singing of his flock; the poetry of Charles's hymns and their musical treatment in both Britain and America; the controversial family concerts by which Charles launched his sons on their careers; the prolific output of Charles the younger; Samuel's range and rugged individuality as a composer; the oracular boldness of Sebastian's religious music and its reception around the English-speaking world. Exploring British concert life, sacred music forms, and hymnology, the contributors analyze the political, cultural, and social history of the Wesleys' enormous influence on English culture and religious practices. Contributors are Stephen Banfield, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.
Music and Theater in Minnesota History
John K. Sherman
University of Minnesota Press, 1958 Music and Theater in Minnesota History was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
 Music and Trance: A Theory of the Relations Between Music and Possession
Gilbert Rouget
University of Chicago Press, 1985 Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context.
Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ecstasy, shamanism and spirit possession, and communal and emotional trance. Music is analyzed in terms of performers, practices, instruments, and associations with dance. Each kind of trance draws strength from music in different ways at different points in a ritual, Rouget concludes. In possession trance, music induces the adept to identify himself with his deity and allows him to express this identification through dance.
Forcefully rejecting pseudo-science and reductionism, Rouget demystifies the so-called theory of the neurophysiological effects of drumming on trance. He concludes that music's physiological and emotional effects are inseparable from patterns of collective representations and behavior, and that music and trance are linked in as many ways as there are cultural structures.
 Music as Biology: The Tones We Like and Why
Dale Purves
Harvard University Press, 2017 The universality of musical tones has long fascinated philosophers, scientists, musicians, and ordinary listeners. Why do human beings worldwide find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out of the billions that are possible? Why do differently organized scales elicit different emotions? Why are there so few notes in scales? In Music as Biology, Dale Purves argues that biology offers answers to these and other questions on which conventional music theory is silent.
When people and animals vocalize, they generate tonal sounds—periodic pressure changes at the ear which, when combined, can be heard as melodies and harmonies. Human beings have evolved a sense of tonality, Purves explains, because of the behavioral advantages that arise from recognizing and attending to human voices. The result is subjective responses to tone combinations that are best understood in terms of their contribution to biological success over evolutionary and individual history. Purves summarizes evidence that the intervals defining Western and other scales are those with the greatest collective similarity to the human voice; that major and minor scales are heard as happy or sad because they mimic the subdued and excited speech of these emotional states; and that the character of a culture’s speech influences the tonal palette of its traditional music.
Rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.
 Music as Mao's Weapon: Remembering the Cultural Revolution
Lei X. Ouyang
University of Illinois Press, 2022 A Choice Outstanding Academic Title for 2022 China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon, including: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time? Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism.
Music as Metaphor: The Elements of Expression
Donald N. Ferguson
University of Minnesota Press, 1960 Music as Metaphor was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. A professor of music for many years, Mr. Ferguson here sets forth his theories on how music conveys meaning to its listeners. He identifies and discusses the elements of musical expression - tonal stress and rhythm - and correlates them with the nervous tensions and motor impulses which characterize human emotion. Through this correlation, he shows how music portrays universally understood emotional states and ideas. He relates these principles to music criticism, proposing a new system for such criticism.
 Music as Social Life: The Politics of Participation
Thomas Turino
University of Chicago Press, 2008 People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences.
Turino begins by developing tools to think about the special properties of music and dance that make them fundamental resources for connecting with our own lives, our communities, and the environment. These concepts are then put into practice as he analyzes various musical examples among indigenous Peruvians, rural and urban Zimbabweans, and American old-time musicians and dancers. To examine the divergent ways that music can fuel social and political movements, Turino looks at its use by the Nazi Party and by the American civil rights movement. Wide-ranging, accessible to anyone with an interest in music’s role in society, and accompanied by a compact disc, Music as Social Life is an illuminating initiation into the power of music.
 Music at Midnight: The Life and Poetry of George Herbert
John Drury
University of Chicago Press, 2014 Though he never published any of his English poems during his lifetime, George Herbert (1593–1633) is recognized as possibly the greatest religious poet in the language. Few English poets of his age still inspire such intense devotion today. In this richly perceptive biography, John Drury for the first time integrates Herbert’s poems fully into his life, enriching our understanding of both the poet’s mind and his work.
As Drury writes in his preface, Herbert lived “a quiet life with a crisis in the middle of it.” Drury follows Herbert from his academic success as a young man, seemingly destined for a career at court, through his abandonment of those hopes, his devotion to the restoration of a church in Huntingdonshire, and his final years as a country parson. Because Herbert’s work was only published posthumously, it has always been difficult to know when or in what context Herbert wrote his poems. But Drury skillfully places readings of the poems into his narrative at biographically credible moments, allowing us to appreciate not only Herbert’s frame of mind while writing, but also the society that produced it. A sensitive critic of Herbert’s poems as well as a theologian, Drury does full justice to the spiritual dimension of Herbert’s work. In addition, he reveals the occasions of sorrow, happiness, regret, and hope that Herbert captured in his poetry and that led T. S. Eliot to write, “What we can confidently believe is that every poem . . . is true to the poet’s experience.”
Painting a picture of a man torn between worldly ambition and spiritual life, Music at Midnight is an eloquent biography that breathes new life into some of the greatest English poems ever written.
 The Music between Us: Is Music a Universal Language?
Kathleen Marie Higgins
University of Chicago Press, 2012 From our first social bonding as infants to the funeral rites that mark our passing, music plays an important role in our lives, bringing us closer to one another. In The Music between Us, philosopher Kathleen Marie Higgins investigates this role, examining the features of human perception that enable music’s uncanny ability to provoke, despite its myriad forms across continents and throughout centuries, the sense of a shared human experience. Drawing on disciplines such as philosophy, psychology, musicology, linguistics, and anthropology, Higgins’s richly researched study showcases the ways music is used in rituals, education, work, healing, and as a source of security and—perhaps most importantly—joy. By participating so integrally in such meaningful facets of society, Higgins argues, music situates itself as one of the most fundamental bridges between people, a truly cross-cultural form of communication that can create solidarity across political divides. Moving beyond the well-worn takes on music’s universality, The Music between Us provides a new understanding of what it means to be musical and, in turn, human.
Music by Numbers: The Use and Abuse of Statistics in the Music Industry
Edited by Richard Osborne and Dave Laing
Intellect Books, 2021 An edited volume that examines the data and statistics that are key to the music industry.
The music industries are fueled by statistics: sales targets, breakeven points, success ratios, royalty splits, website hits, ticket revenues, listener figures, piracy abuses, and big data. Statistics are of consequence. They influence the music that consumers get to hear, they determine the revenues of music makers, and they shape the policies of governments and legislators. Yet many of these statistics are generated by the music industries themselves, and their accuracy can be questioned. Music by Numbers sets out to explore this shadowy terrain.
This edited collection provides the first in-depth examination of the use and abuse of statistics in the music industry. Written by noted music business scholars and practitioners in the field, the book addresses five key areas in which numbers are employed: sales and awards; music industry policy; live music; music piracy; and digital solutions. The authors address these subjects from a range of perspectives: some of them test the veracity of this data and explore its tactical use by music businesses; others help to generate these numbers by developing surveys and online projects and offering candid observations.
The aim of this collection is to expose the culture and politics of data. Music industry statistics are pervasive, but despite this ubiquity they are underexplored. This book offers a corrective by providing new ways by which to learn music by numbers.
 Music, Culture, and Experience: Selected Papers of John Blacking
John Blacking
University of Chicago Press, 1995 One of the most important ethnomusicologists of the century, John Blacking achieved international recognition for his book, How Musical Is Man? Known for his interest in the relationship of music to biology, psychology, dance, and politics, Blacking was deeply committed to the idea that music-making is a fundamental and universal attribute of the human species. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions, and how it can be used to improve the quality of human life.
This volume brings together in one convenient source eight of Blacking's most important theoretical papers along with an extensive introduction by the editor. Drawing heavily on his fieldwork among the Venda people of South Africa, these essays reveal his most important theoretical themes such as the innateness of musical ability, the properties of music as a symbolic or quasi-linguistic system, the complex relation between music and social institutions, and the relation between scientific musical analysis and cultural understanding.
 Music, Disability, and Society
Authored by Alex Lubet
Temple University Press, 2010 Musical talent in Western culture is regarded as an extraordinary combination of technical proficiency and interpretative sensitivity. In Music, Disability, and Society, Alex Lubet challenges the rigid view of technical skill and writes about music in relation to disability studies. He addresses the ways in which people with disabilities are denied the opportunity to participate in music. Elaborating on the theory of "social confluence," Lubet provides a variety of encounters between disability and music to observe radical transformations of identity. Considering hand-injured and one-handed pianists; the impairments of jazz luminaries Django Reinhardt, Horace Parlan, and "Little" Jimmy Scott; and the "Blind Orchestra" of Cairo, he shows how the cultural world of classical music contrasts sharply with that of jazz and how musicality itself is regarded a disability in some religious contexts. Music, Disability, and Society also explains how language difference can become a disability for Asian students in American schools of music, limiting their education and careers. Lubet offers pungent criticism of the biases in music education and the music profession, going so far as to say that culture disables some performers by adhering to rigid notions of what a musician must look like, how music must be played, who may play it, and what (if any) is the legitimate place of music in society. In Music, Disability, and Society, he convincingly argues that where music is concerned, disability is a matter of culture, not physical impairment.
 Music, Discipline, and Arms in Early Modern France
Kate van Orden
University of Chicago Press, 2005 In this groundbreaking new study, Kate van Orden examines noble education in the arts to show how music contributed to cultural and social transformation in early modern French society. She constructs a fresh account of music's importance in promoting the absolutism that the French monarchy would fully embrace under Louis XIV, uncovering many hitherto unpublished ballets and royal ceremonial performances.
The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets. Far from being construed as effeminizing, such combinations of music and the martial arts were at once refined and masculine-a perfect way to display military prowess. The incursion of music into riding schools and infantry drills contributed materially to disciplinary order, enabling the larger and more effective armies of the seventeenth century. This book is a history of the development of these musical spheres and how they brought forth new cultural priorities of civility, military discipline, and political harmony. Music, Discipline, and Arms in Early Modern France effectively illustrates the seminal role music played in mediating between the cultural spheres of letters and arms.
The Music Diva Spectacle: Camp, Female Performers and Queer Audiences in the Arena Tour Show
Constantine Chatzipapatheodoridis
Intellect Books, 2021 Divas and the praxis of camp in relation to queer audiences.
In this original new work, Constantine Chatzipapatheodoridis pulls back the curtain on the production of camp as a queer praxis that constantly feeds the diva-queer culture relationship. By examining the iconography and theatrics of the diva tour show, the author presents a performance studies reading of camp and the culture-sharing process of production and audience reception. Detailed case studies take a close look at popular contemporary performers like Madonna, Kylie Minogue, Beyoncé, and Lady Gaga, and a final section analyzes audience drag in the arena space. Chatzipapatheodoridis also investigates the relationship between camp theory as an academic subject and the figure of the diva as an expression of camp.
A rich and insightful revival of the question of camp in contemporary queer performance, The Music Diva Spectacle seeks to establish how camp is appropriated by the diva and explores how this affects—and is in turn appropriated by—the audience.
 Music Education in the United States: Contemporary Issues
J. Terry Gates
University of Alabama Press, 1988 Reflects the current issues in music education and the ongoing attempt to overcome obstacles to excellence in teaching music
This solid collection of essays, written by outstanding American music educators, reflects the current issues in music education and the ongoing attempt to overcome obstacles to excellence in teaching music. It stands as the most important and far-ranging professional overview of the discipline since the publication of the landmark Basic Concepts in Music Education in 1958, and early reviews indicate that it will generate both critical discussion and acclaim.
Several themes recur:(1) that music and, therefore, music education exist in a variety of social and cultural contexts, even when examined in controlled situations; (2) that music teaching has not yet freed itself from its traditional over-reliance on technical training, in spite of attention to aesthetic education; and (3) that there is a remarkable undercurrent of agreement among this diverse group of authors concerning the profession’s basic obligation to expand and refine the musical sensitivity of all age group of Americans. This book reflects some advanced thinking about these themes, which establishes new foundations for next generation theorizing and research.
Music for a Wedding
Lauren Clark
University of Pittsburgh Press, 2017 Winner of the 2016 Donald Hall Prize in Poetry
Lauren Clark’s poems move lucidly, depicting beautiful struggles of distrust, dream, grief, and intimacy. They show such conflicts through entrancing narrative drive and song-like abandon. In their unpredictable, unforgettable language, they make pain a tonic for pleasure, sorrow ground for revelation. This is a book that is celebratory, gentle, and queer.
Music for Cittern
Anthony Holborne
Harvard University Press Scholars and lovers of Renaissance music will welcome this volume of music for the cittern, an instrument of the guitar family which used to be played by customers of English barbershops while they waited. One of the few extant sources for this instrument, Anthony Holborne’s Cittharn Schoole of 1597, is reproduced in this edition along with other cittern pieces by the same composer which are known today. Each of the pieces in the volume appears in the original tablature and in modern staff notation.
 Music For Exile
Nehassaiu deGannes
Tupelo Press, 2021 Trekking from the U.S. to the Caribbean and Canada— wind at their back, ear to the ground, listening for “the logos of what trembles underfoot”— the poems in Music For Exile syncretize a host of lyrical, received and invented forms to beckon a “mythic assemblage,” an aggregation of personal and historical losses, intimate and en masse. From walking up Canefield River to hearing a thief on the stairs in Philadelphia, from dredging the voices of New England’s enslaved to confronting familial grief, these poems trouble the ache, that “ironic hunger for home” when home is itself a vortex of violence. In poems of place, poems of encounter, domestic epics and epistolary calls, deGannes allows both the narrative and associative to limn the caesurae in one immigrant woman’s arc. The poems trace and retrace, they crossover, they “draw poison out” they “fissure desire” and proclaim “no one can say gone is gone,” enacting and inviting an expansive reckoning of all that has brought us here. From this, might be salvaged a radical sense of belonging, Glissant’s “knowledge of the Whole, greater for having been at the abyss.” Music For Exile is Nehassaiu deGannes’ first book-length collection of poems.
Music for Lute and Bandora
Anthony Holborne
Harvard University Press This is the first modern edition of the complete lute and bandora works of the sixteenth-century English composer, Anthony Holborne. Holborne’s lute music is equal in quality to that of his more famous contemporary, John Dowland, and he was one of the few Elizabethans to write works for the bandora. Each of the seventy-one pieces in this volume appears in two forms: the original tablature notation and a transcription into modern notation. The editor’s Introduction presents all that is known of Holborne’s life, and his notes give valuable information about the printed and manuscript sources of each piece.
 Music for the Melodramatic Theatre in Nineteenth-Century London and New York
Michael V. Pisani
University of Iowa Press, 2014 Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds.
Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays.
The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe.
Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
music from behind a stone wall
Steven Rood
Omnidawn, 2024 A collection expressing musical experience and daily life through poetry.
The poems in Steven Rood’s newest collection take on a musical sensibility as they flow from the poet’s sixty years as a classical guitarist who remains preoccupied with the tonalities of daily life. Each poem in music from behind a stone wall comes together to build a multi-layered symphony that reveals the delights and travails of family life and moments of intimate connection with animals and plants. At the core of the book are poems considering the overwhelming task of trying to communicate the essence of musical experience via the written word. This is a book of grief and joy sung with lyric acuity, vivid images, and formal variation.
Music Generations in the Digital Age: Social Practices of Listening and Idols in Japan
Rafal Zaborowski
Amsterdam University Press, 2024 What do we do when we listen? The act of engagement with music in everyday life may seem simple on the surface but participation, interpretation, circulation and cultural production in the digital age are more complex and entangled than ever before. It is especially so in Japan, with its vast multimedia idol and vocaloid industries. This unique ethnographic work at the intersection of cultural, media and music studies covers a wide spectrum of music-related activities embedded in the daily lives of two Japanese cohorts. The varied case studies, including teen idol groups and virtual idols, aid the detailed examination of the relation between music, generation, and society.
 Music Grooves: Essays and Dialogues
Charles Keil and Steven Feld
University of Chicago Press, 1994 A collaboration between two of the most interesting voices in ethnomusicology, this volume explores two powerful themes: the "groove" of firsthand experience and participation in music and the "groove" of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns, and reveal connections. This format signals the authors' desire for a more reflexive, experimental discourse on music and society and invites readers to join their conversations.
Music Grooves ranges from jazz, blues, polka, soul, rock, world beat, rap, karaoke, and other familiar genres to major scholarly debates in music theory, ethnomusicology, and popular culture studies. The authors develop and create links between the fields of ethnomusicology and popular culture studies and relate the contents of musics from America, Greece, Cuba, Africa, and Papua New Guinea to artists as diverse as James Brown, Aretha Franklin, L'il Wally Jagiello, Bo Diddley, Walt Solek, Madonna, Paul Simon, Miles Davis, Thelonious Monk, and Billie Holiday.
Keil and Feld offer a fascinating view of the shaping of central ideas and terms in ethnomusicology such as "engendered feeling," "interpretive moves," "participatory discrepancies," "iconicity of style," "people's music," "schizophonia," and "lift-up-over sounding." From Keil's critique of Leonard Meyer's musicological approach to Feld's recent work on world beat, this volume covers an array of vital issues in media studies, musicology and ethnomusicology, popular culture, anthropology, and sociology. It will interest anyone concerned with the nature and meaning of music in the modern world.
 Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture
Barry J. Faulk
Ohio University Press, 2004 The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.” In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated. Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.
Music, History, and Ideas
Hugo Leichtentritt
Harvard University Press Professor Leichtentritt here does for music what has often been done for literature: that is, he has traced the development of western music from the time of the Greeks to the twentieth century, against the background of the social, economic, and cultural life of various periods. In discussing early mediaeval music, for instance, he draws an illuminating comparison between Gregorian chant and Romanesque architecture. In discussing the seventeenth century, he shows how the many new musical forms of the period were but another expression of the spirit that was also shown in baroque art and architecture. One aspect of the intellectual tendencies of eighteenth century life is seen in the music of Bach and Handel; and the humanitarian influences of the late eighteenth century and of the Napoleonic age, in the works of Beethoven. Much attention is devoted to twentieth century composers, such as Richard Strauss, Sibelius, Stravinsky, Hindemith, Schonberg, and so on. Musical art is thus shown to be in all ages as valid an expression of contemporary life as literature or painting or architecture.
Music, Image, and Gesture, Volume 104
Bryan Gilliam , ed.
Duke University Press This special issue of South Atlantic Quarterly focuses on music—be it a film score, incidental music for a play, or music for pantomime or dance—as a nonautonomous phenomenon. The result is a broad-based discussion where the cultural, the social, and the political are not considered peripheral contexts that shape music but rather are framed as integral components of the works at hand. Contributors. Annegret Fauser, Bryan Gilliam, Linda Hutcheon, Michael Hutcheon, Kim H. Kowalke, Neil Lerner, Tamara Levitz, Elizabeth Paley
 Music in American Crime Prevention and Punishment
Lily E. Hirsch
University of Michigan Press, 2014 Although the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention and Punishment, Lily E. Hirsch explores the related terrain at the intersection of music and law, demonstrating the ways in which music has become a tool of law enforcement and justice through: police and community leaders’ use of classical music in crime deterrence and punishment; the use of rap lyrics as prosecutorial evidence; allegations of music as incitement to violence; and the role of music in U.S. prisons and in detention centers in Guantanamo, Iraq, and Afghanistan. In the course of her study, Hirsch asks several questions: How does the law treat music? When and why does music participate in the law? How does music influence the legal process? How does the legal process influence music? And how do these appropriations affect the Romantic ideals underlying our view of music?
 Music in Black American Life, 1600-1945: A University of Illinois Press Anthology
Compiled by Laurie Matheson. Introduction by Sandra Jean Graham
University of Illinois Press, 2022 This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600–1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe
 Music in Black American Life, 1945-2020: A University of Illinois Press Anthology
Compiled by Laurie Matheson. Introduction by Tammy L. Kernodle
University of Illinois Press, 2022 This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu that folded many forms of black expressive culture into rap; and explain Hamilton's massive success as part of the "tanning" of American culture that began when Black music entered the mainstream. Part sourcebook and part survey of historic music scholarship, Music in Black American Life, 1945–2020 collects groundbreaking work that redefines our view of Black music and its place in American music history. Contributors: Nelson George, Wayne Everett Goins, Claudrena N. Harold, Eileen M. Hayes, Loren Kajikawa, Robin D. G. Kelley, Tammy L. Kernodle, Cheryl L. Keyes, Gwendolyn Pough, Bernice Johnson Reagon, Mark Tucker, and Sherrie Tucker
Music In Cuba
Alejo Carpentier
University of Minnesota Press, 2002
 Music in German Philosophy: An Introduction
Edited by Stefan Lorenz Sorgner and Oliver Fürbeth
University of Chicago Press, 2011 Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno.
Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.
 Music in Golden-Age Florence, 1250–1750: From the Priorate of the Guilds to the End of the Medici Grand Duchy
Anthony M. Cummings
University of Chicago Press, 2023 A comprehensive account of music in Florence from the late Middle Ages until the end of the Medici dynasty in the mid-eighteenth century.
Florence is justly celebrated as one of the world’s most important cities. It enjoys mythic status and occupies an enviable place in the historical imagination. But its musico-historical importance is not as well understood as it should be. If Florence was the city of Dante, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. Music in Golden-Age Florence, 1250–1750 recounts Florence’s principal contributions to music and the history of how music was heard and cultivated in the city, from civic and religious institutions to private patronage and the academies. This book is an invaluable complement to studies of the art, literature, and political thought of the late-medieval and early-modern eras and the quasi-legendary figures in the Florentine cultural pantheon.
 Music in Lubavitcher Life
Ellen Koskoff
University of Illinois Press, 2001 Drawing on twenty years of close study, Ellen Koskoff illuminates the world of the Lubavitcher Hasidim, a community of ultra-orthodox Jews centered in the Crown Heights section of Brooklyn, New York. Her classic ethnography offers an unprecedented look at nigunim, a body of paraliturgical, folk, and popular melodies that Lubavitchers regard as a primary form of spiritual communication with the divine. Along with vivid descriptions of musical performance in religious contexts and private gatherings, Koskoff details the musical sounds and structures that symbolize Lubavitcher social relations. In particular, she examines the differences between Lubavitcher women's and men's music making and the underlying beliefs and assumptions that give rise to gendered musical behaviors, such as the dictum that prohibits men from hearing a woman sing. Insightful and distinctive, Music in Lubavitcher Life combines anecdotes with history and musical analysis to reveal music making among the Lubavitchers as a gateway to their ideas about the nature of human spirituality, human social interaction, and God.
 Music in Renaissance Magic: Toward a Historiography of Others
Gary Tomlinson
University of Chicago Press, 1994 Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences.
In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion.
"A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice
"An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES
"Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
 Music in the Age of Anxiety: American Music in the Fifties
James Wierzbicki
University of Illinois Press, 2016 Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds. Moving across genres established--pop, country, opera--and transfigured--experimental, rock, jazz--Wierzbicki delves into the social dynamics that caused forms to emerge or recede, thrive or fade away. Red scares and white flight, sexual politics and racial tensions, technological progress and demographic upheaval--the influence of each rooted the music of this volatile period to its specific place and time. Yet Wierzbicki also reveals the host of underlying connections linking that most apprehensive of times to our own uneasy present.
Music in the Castle: Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries
F. Alberto Gallo
University of Chicago Press, 1996 Written by one of Italy's most eminent scholars of music, this book explores music's place in the cultural, artistic, and literary life of medieval Italian courts, paying particular attention to the influence of French culture on Italian artistic and musical traditions.
In the first of three elegant essays, Gallo examines the troubadours who traveled to northern Italian courts from Provence during the thirteenth century. He discusses their performance practices, the verbal and musical sophistication of their songs, and their role in the daily life of courtiers at Genoa, Ferrara, and Monferrato. The second essay concerns the now dispersed collection of the Visconti library at Pavia. Here, Gallo examines how this collection expressed the tastes of the fourteenth-century court of Giangaleazzo Visconti, how French arts were imported and imitated at Pavia, and the effects this had on music heard at the court. In the final essay, Gallo looks at the fifteenth-century tradition of improvised music, and especially the virtuoso lute player Pietrobono. Mythologized in literary circles of his day, Pietrobono becomes a point of departure for a discussion of the entire vision of music of Italian humanists, from Guarino Veronese to Aurelio Brandolini.
Music in the Culture of the Renaissance and Other Essays
Edward E. Lowinsky
University of Chicago Press, 1989 The writings gathered here finally make available in one place Lowinsky's major essays—including four previously unpublished ones—in two volumes that are lavishly provided with musical examples and illustrations.
"Professor Lowinsky's method is the only kind of 'writing about music' that I value."—Igor Stravinsky
 Music in the Flesh: An Early Modern Musical Physiology
Bettina Varwig
University of Chicago Press, 2023 A corporeal history of music-making in early modern Europe.
Music in the Flesh reimagines the lived experiences of music-making subjects—composers, performers, listeners—in the long seventeenth century. There are countless historical testimonies of the powerful effects of music upon the early modern body; it is described as moving, ravishing, painful, dangerous, curative, and miraculous while affecting “the circulation of the humors, the purification of the blood, the dilation of the vessels and pores.”
How were these early modern European bodies constituted that music generated such potent bodily-spiritual effects? Bettina Varwig argues that early modern music-making practices challenge our modern understanding of human nature as a mind-body dichotomy. Instead, they persistently affirm a more integrated anthropology, in which body, soul, and spirit remain inextricably entangled. Moving with ease across repertories and regions, sacred and vernacular musics, and domestic and public settings, Varwig sketches a “musical physiology” that is as historically illuminating as it is relevant for present-day performance. This book makes a significant contribution not just to the history of music, but also to the history of the body, the senses, and the emotions, revealing music as a unique access point for reimagining early modern modes of being-in-the-world.
Music In The Market
Don Cusic
University of Wisconsin Press, 1996 Cusic examines the music business in the context of popular culture, the ways that popular music is disseminated in the American commercial market, the money flow, talent acquisition and development, artwork and promotion, and the strategies of multinational recording companies as they market music to consumers through media and retailers. He also discusses the marketing of specialty music—classical, gospel, jazz, bluegrass, rap, and folk, by small independent labels.
 Music in the Old Bones: Jezebel Through the Ages
Janet Howe Gaines
Southern Illinois University Press, 1999
An alien, a polytheist from Phoenicia, the biblical Queen Jezebel posed a serious threat to the stability of the Israelites' single male deity. So powerful was this threat that writers through the ages have portrayed her as the incarnation of feminine evil, and her name has become synonymous with the misogynist view of women as seductresses.
Janet Howe Gaines argues that the bride of the Israelite king Ahab became a convenient scapegoat for biblical writers who portrayed her as the primary force behind their nation's apostasy. The biblical account presents the queen as a murderer, as a disruptive force for evil. Despised, the strong-willed Jezebel is still one of the most intriguing women of the Bible.
Music in the Old Bones is a guide to the eternal Jezebel story. The first part of this illustrated study is a detailed analysis that explores the biblical tale from traditional and feminist points of view. Gaines then analyzes the ways authors through the centuries have treated Jezebel. Her unburied bones became misogynist relics for generations of writers who retold her story as a warning about the dangers of rebelling against patriarchal society. From the sermons of John Knox to the novels of Margaret Atwood, from the poetry of Percy Shelley to the ballads of Boyz II Men, from the drama of Racine to the Academy Award-winning film starring Bette Davis, Jezebel has long been the subject of artistic inquiry. Her image as the bad girl of the Bible is still useful to writers. Most exploit her name and evil reputation to enhance their admonitions to women, but a few break away from tradition and openly admire Jezebel's courage and vigor.
Placing the biblical account of Jezebel's doomed reign in the context of its xenophobic writers, Gaines proposes a new and more sympathetic reading of the murdered queen whose body was left to rot in the streets and whose reputation suffered a fate even more egregious. Rather than providing a decent burial for the mangled bones of Jezebel, Gaines seeks to flesh them out and revivify them because, as she demonstrates, "there's music in the old bones yet."
 Music in the Present Tense: Rossini’s Italian Operas in Their Time
Emanuele Senici
University of Chicago Press, 2019 In the early 1800s, Rossini’s operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation.
Emanuele Senici’s new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer’s works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini’s dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini’s Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality.
 Music in the World: Selected Essays
Timothy D. Taylor
University of Chicago Press, 2017 In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music in the World is a collection of some of Taylor’s most recent writings—essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades.
In addition to chapters on music, capitalism, and globalization, Music in the World includes previously unpublished essays on the continuing utility of the concept of culture in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor’s essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives.
 Music Is My Life: Louis Armstrong, Autobiography, and American Jazz
Daniel Stein
University of Michigan Press, 2012 Music Is My Life is the first comprehensive analysis of Louis Armstrong's autobiographical writings (including his books, essays, and letters) and their relation to his musical and visual performances. Combining approaches from autobiography theory, literary criticism, intermedia studies, cultural history, and musicology, Daniel Stein reconstructs Armstrong's performances of his life story across various media and for different audiences, complicating the monolithic and hagiographic views of the musician. The book will appeal to academic readers with an interest in African American studies, jazz studies, musicology, and popular culture, as well as general readers interested in Armstrong's life and music, jazz, and twentieth-century entertainment. While not a biography, it provides a key to understanding Armstrong's oeuvre as well as his complicated place in American history and twentieth-century media culture.
 Music Is Power: Popular Songs, Social Justice, and the Will to Change
Brad Schreiber
Rutgers University Press, 2024 Honorable Mention, 2019 Foreword INDIES Awards - Performing Arts & Music Honorable Mention, Graphis 2021 Design Annual Competition Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction, and so many other crucial issues. Music Is Power takes us on a guided tour through the past one hundred years of politically conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk, and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority—to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, the Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley. Supplemental material (Artist and Title List): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2020/07/24001955/Music_Is_Power_Supplementary_Artist_Title_List.doc
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