Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.

Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.

"A variety of approaches are brought to bear on fascinating repertoire, but with the underlying aim of better understanding some brilliant music. There’s nothing more exciting in music writing than something which entices you to listen to what’s familiar to you in a new way, and this collection brings such excitement in abundance."
---Allan Moore, author of Jethro Tull: Aqualung and Rock: The Primary Text

"These essays bring together a remarkable range of tools and perspectives to such diverse topics and contexts as the behind-the-scenes collaborations of composers, performers, arrangers, producers and engineers; pop culture; narratology; and race, politics and gender. The reader continuously benefits from a complementary lineup of sensitive ears that discover novelty in the familiar, exposing the heart of many rock and pop classics through imaginative and authoritative prose."
---Walter Everett, author of The Foundations of Rock and The Beatles as Musicians

The nine essays in Sounding Out Pop work together to map the myriad styles and genres of the pop-rock universe through detailed case studies that confront the music from a variety of engaging, thought-provoking perspectives---from historical to music-analytic, aesthetic to ethnographic, with several authors drawing liberally from ideas in other disciplines. The range of bands and artists covered is as vast and varied as the more than fifty-year history of pop and rock music, from the Coasters and Roy Orbison to Marvin Gaye, Bob Dylan, Radiohead, Beck, Genesis, Tori Amos, and the Police. Together these diverse essays cover a broad spectrum of studies ideally suited for classroom use and for other readers interested in gaining a deeper knowledge of the way popular music works.

Mark Spicer is Associate Professor and Director of Undergraduate Studies in Music at Hunter College and the Graduate Center, City University of New York. His writings have appeared in Contemporary Music Review, Gamut, Music Theory Online, twentieth-century music, and other scholarly journals and essay collections.

John Covach is Professor of Music at the University of Rochester and Professor of Theory at the Eastman School of Music. He is the author of the college textbook What's That Sound? An Introduction to Rock and Its History and the coeditor of Understanding Rock, American Rock and the Classical Music Tradition, and Traditions, Institutions, and American Popular Music.

Cover art credit: © iStockphoto.com/Aleksandar Dickov

These innovative essays probe the underlying unities that bound the early modern Atlantic world into a regional whole and trace some of the intellectual currents that flowed through the lives of the people of the four continents. Drawn together in a comprehensive Introduction by Bernard Bailyn, the essays include analyses of the climate and ecology that underlay the slave trade, pan-Atlantic networks of religion and of commerce, legal and illegal, inter-ethnic collaboration in the development of tropical medicine, science as a product of imperial relations, the Protestant international that linked Boston and pietist Germany, and the awareness and meaning of the Atlantic world in the mind of that preeminent intellectual and percipient observer, David Hume.

In his Introduction, Bailyn explains that the Atlantic world was never self-enclosed or isolated from the rest of the globe but suggests that experiences in the early modern Atlantic region were distinctive in ways that shaped the course of world history.

A sixty-year history of Afro–South Asian musical collaborations

From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s.

Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States.

The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar upsurge in consumerism, and the more complete fusion of popular music and consumption in the 1980s and after. The Sounds of Capitalism is the first book to tell truly the history of music used in advertising in the United States and is an original contribution to this little-studied part of our cultural history.  

Four decades have passed since reports of a mysterious “gay cancer” first appeared in US newspapers. In the ensuing years, the pandemic that would come to be called AIDS changed the world in innumerable ways. It also gave rise to one of the late twentieth century’s largest health-based empowerment movements. Scholars across diverse traditions have documented the rise of the AIDS activist movement, chronicling the impassioned echoes of protestors who took to the streets to demand “drugs into bodies.”

And yet not all activism creates echoes. Included among the ranks of 1980s and 1990s-era AIDS activists were individuals whose expressions of empowerment differed markedly from those demanding open access to mainstream pharmaceutical agents. Largely forgotten today, this activist tradition was comprised of individuals who embraced unorthodox approaches for conceptualizing and treating their condition. Rejecting biomedical expertise, they shared alternative clinical paradigms, created underground networks for distributing unorthodox nostrums, and endorsed etiological models that challenged the association between HIV and AIDS. The theatre of their protests was not the streets of New York City’s Greenwich Village but rather their bodies. And their language was not the riotous chants of public demonstration but the often-invisible embrace of contrarian systems for defining and treating their disease.

Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.

Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores.

As Sounds of the Citizens illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.

The two main aims of this book are to increase the general availability of classical contributions to animal biology and to present the development of thought in this field in the words of those who produced it.

The first of these aims is realized by assembling in one volume works previously scattered and, in some cases, rather rare.

The second object, that of tracing the principal patterns of development in the field, is made possible through the selection of appropriate materials and the inclusion of brief critical comments indicating the historical position of each work and its author.

The phenomenal growth of modern astronomy, including the invention of the coronagraph and major developments in telescope design and photographic technique, is unparalleled in many centuries. Theories of relativity, the concept and measurement of the expanding universe, the location of sun and planets far from the center of the Milky Way, the exploration of the interiors of stars, the pulsation theory of Cepheid variation, and investigations of interstellar space have profoundly altered the astronomer's approach.

These fundamental discoveries are reported in papers by such eminent scientists as Albert Einstein, Sir Arthur S. Eddington, Henry Norris Russell, Sir James Jeans, Meghnad Saha, Otto Struve, Fred L. Whipple, Bernard Lyot, Jan H. Oort, and George Ellery Hale. The Source Book's 69 contributions represent all fields of astronomy. For example, there are reports on the equivalence of mass and energy (E = mc²) of the special theory of relativity; building the 200-inch Palomar telescope; the scattering of galaxies suggesting a rapidly expanding universe; stellar evolution; and the Big Bang and Steady State theories of the universe's origin.

When at the beginning of this century, new instrumentation in astronomy came together with innovative concepts in physics, a science was born that has yielded not only staggering quantities of information about the universe but an elegant and useful conception of its origins and behavior. This volume in Harvard’s distinguished series of Source Books serves to record the achievements of this science and illuminate its brief history by bringing together the major contributions through the year 1975.

The volume is organized to trace the development of the basic ideas of astrophysics. The 132 selections document chronologically the changing answers to such fundamental questions as: How did the solar system originate? What makes the stars shine? What lies in the vacuous space between the stars? Are the spiral nebulae distant “island universes”? Will the universe expand forever? The articles range from Hale’s popular piece in Harper’s Magazine to the tensor calculus of Schwarzschild and Einstein. They include Chamberlain and Moulton’s account of the collision hypothesis; Edwin Hubble’s identification of the Crab Nebula with the supernova of 1054; Ralph Fowler’s work on the application of degenerate gas statistics to white dwarfs; and Jan Oort’s detection of galactic rotation. The complexity and richness of twentieth-century astrophysics is felt in these selections and a sense of discovery is provided in reading, in the words of the pioneer scientist, accounts of the first observations of the cosmic rays, the Van Allen belts, the Martian volcanoes and canyons, pulsars, interstellar hydrogen, cosmic magnetic fields, quasars and the remnant background of the primeval big bang.

About half of the papers are printed in their entirety and the others in careful abridgment. Editors Kenneth Lang and Owen Gingerich provide substantial commentary that describes related developments before, during and after the selected research. Works by Heinrich Vogt, Carl Friedrich von Weizsacker, Karl Schwarzschild, Albert Einstein, Aleksandr Friedman and many others appear for the first time in translation.

Government agencies and commissions, courts, and legislatures have during the past several decades produced reports, rendered decisions, and passed laws that have both defined the fundamental issues in the field of bioethics and established ways of managing them in our society. Providing a history of these key bioethical decisions, this Source Book in Bioethics is the first and only comprehensive collection of the critical public documents in biomedical ethics, including many hard-to-find or out-of-print materials.

Covering the period from 1947 to 1995, this volume brings together core legislative documents, court briefs, and reports by professional organizations, public bodies, and governments around the world. Sections on human experimentation, care of the terminally ill, genetics, human reproduction, and emerging areas in bioethics include such pivotal works as "The Nuremberg Code," "The Tuskegee Report," and "In the Matter of Baby M," as well less readily available documents as "The Declaration of Inuyama," the Council for International Organizations of Medical Sciences statement on genetic engineering, and "The Warnock Committee Report" on reproductive technologies from the United Kingdom. Three eminent scholars in the field provide brief introductions to each document explaining the significance of these classic sources.

This historical volume will be a standard text for courses in bioethics, health policy, and death and dying, and a primary reference for anyone interested in this increasingly relevant field.

The growing interdependence of the sciences was one of the outstanding characteristics of the first half of the twentieth century. "Inevitably," Dr. Leicester points out, "this expanded vision led to closer contacts among chemists of every speciality, and also with scientists in other fields. Physics and physical chemistry were applied to organic compounds, and new substances that could not have been foreseen by the older theories were prepared. Reaction mechanisms were generalized. New borderline sciences sprang up. Chemical physics and biochemistry became sciences in their own right. Chemistry thus became a link between physics and biology."

A continuation of A Source Book in Chemistry, 1400-1900 (HUP, 1952), this volume contains selections from ninety classic papers in all branches of chemistry -- papers upon which contemporary research and practices are based.

The topics include such chemical techniques as microanalysis, polarography, hydrogen ion concentration, chromatography, electrophoresis, and the use of the ultramicroscope, the ultracentrifuge, and radioactive tracers; modern structural theories, with emphasis on crystal structure, radioactive decay, isotopes, molecular structure, the applications of quantum mechanics to chemistry, thermodynamics, electrolytes, and kinetics; the more recent studies on artificial radioactivity and the transuranium elements; organic chemistry, with reference to general synthetic methods, polymers, the structure of proteins, nucleic acids, alkaloids, steroids, and carotenoids; and biochemistry, including the concept of hormones and vitamins, separation of enzymes and viruses, metabolism of fats, proteins and carbohydrates, and energy production.

The Source Book serves as an introduction to present-day chemistry and can also be used as supplementary reading in general chemistry courses, since, in many instances, the papers explain the circumstances under which a particular discovery was made--information that is customarily lacking in textbooks. Although the selections are classified into the usual branches of the science, it will be apparent to the reader how the discoveries in any one branch were taken up and incorporated into others.

An understanding of the developments in classical analysis during the nineteenth century is vital to a full appreciation of the history of twentieth-century mathematical thought. It was during the nineteenth century that the diverse mathematical formulae of the eighteenth century were systematized and the properties of functions of real and complex variables clearly distinguished; and it was then that the calculus matured into the rigorous discipline of today, becoming in the process a dominant influence on mathematics and mathematical physics.

This Source Book, a sequel to D. J. Struik’s Source Book in Mathematics, 1200–1800, draws together more than eighty selections from the writings of the most influential mathematicians of the period. Thirteen chapters, each with an introduction by the editor, highlight the major developments in mathematical thinking over the century. All material is in English, and great care has been taken to maintain a high standard of accuracy both in translation and in transcription. Of particular value to historians and philosophers of science, the Source Book should serve as a vital reference to anyone seeking to understand the roots of twentieth-century mathematical thought.

This remarkable volume presents a panorama of geographical writings from Hesiod to Humboldt, from the beginnings of geographical thought in the Western world to the emergence of topical specialization. It includes a wealth of material from non-Western sources, particularly Moslem and Chinese, that has not been collected before.

The selections are arranged chronologically, and contain geographical theory, descriptions of terrestrial phenomena by early observers, and excerpts from major voyages of discovery. Some are obvious classics: Socrates on the nature of the Earth, Ezekiel’s description of the commerce of Tyre, Columbus’s first glimpse of the West Indies, Buffon on the history of the Earth, and Kant’s geographical lectures. Yet more commonly, George Kish provides a sense of the discovery with such finds as the ambassador’s report to the Caliph of Baghdad on the lands and customs of the Norsemen, the study of the Tartar Empire by John of Monte Corvino, Archbishop of Peking, and Jefferson’s private memo to Alexander von Humboldt seeking information on the American West.

Each section is highlighted by a brief but engagingly written introduction by the editor. Throughout, the unique cultural and professional perspective of Kish is very much in evidence.

Since 1900, the science of geology has grown in a spectacular fashion. Not only have field studies been undertaken throughout vast areas of the earth’s surface previously unexplored or only superficially surveyed, but recent discoveries in physics, chemistry, and biology have provided geologists with new techniques of observation and experimentation, and radically new concepts and theories have been developed. This book presents source literature for the most important contributions to this remarkable expansion of geological knowledge. One of the world’s most distinguished geologists provides excerpts from sixty-five articles by sixty-three authors, selected with the advice of more than a score of leading scientists from all parts of the globe. Among the subjects discussed in this comprehensive volume are the constitution of the earth’s interior, the causes of earthquakes, radioactive timekeepers, the interpretation of submarine features and deep-sea cores, the origin and entrapment of petroleum, and crystal structure. Included are articles which led directly to the development of theories of paleomagnetism, metamorphism, cryopedology, and isostasy.

Source Book in Geology, 1900–1950 makes available several papers previously to be found in the libraries of only a few universities, and eight articles translated into English for the first time, of which four are by leading Soviet geologists.

Covering the general fields of mathematics, astronomy, mathematical geography, physics, chemistry and chemical technology, geology and meteorology, biology, medicine, and physiological psychology, the present collection surveys the field of Greek scientific achievement over a thousand-year period.

Many Greek scientific treatises were written and read by cultivated people who did not regard themselves as specialists. These works should appeal today to those readers who wish to understand not only the foundations of modern science, but also a vital element of the humanistic tradition.

The Source Book contains 75 excerpts from the writings of Western mathematics from the thirteenth to the end of the eighteenth century. The selection has been confined to pure mathematics or to those fields of applied mathematics that had a direct bearing on the development of pure mathematics.

The authors range from Al-Khwarizmi (a Latin translation of whose work was much used in Europe), Viète, and Oresme, to Newton, Euler, and Lagrange. The selections are grouped in chapters on arithmetic, algebra, geometry, and analysis. All the excerpts are translated into English. Some of the translations have been newly made by Mr. and Mrs. Struik; if a translation was already available it has been used, but in every such case it has been checked against the original and amended or corrected where it seemed necessary. The editor has taken considerable pains to put each selection in context by means of introductory comments and has explained obscure or doubtful points in footnote wherever necessary.

The Source Book should be particularly valuable to historians of science, but all who are concerned with the origins and growth of mathematics will find it interesting and useful.

Modern scholarship has exposed the intrinsic importance of medieval science and confirmed its role in preserving and transmitting Greek and Arabic achievements. This Source Book offers a rare opportunity to explore more than ten centuries of European scientific thought. In it are approximately 190 selections by about 85 authors, most of them from the Latin West. Nearly half of the selections appear here for the first time in any vernacular translation.

The readings, a number of them complete treatises, have been chosen to represent “science” in a medieval rather than a modern sense. Thus, insofar as they are relevant to medieval science, selections have been drawn from works on alchemy, astrology, logic, and theology. Most of the book, however, reflects medieval understanding of, and achievements in, the mathematical, physical, and biological sciences. Critical commentary and annotation accompany the selections. An appendix contains brief biographies of all authors.

This book will be an indispensable resource for students and scholars in the history of science.

This is a source book unique in its scope, clarity, and general interest. Its 116 excerpts range in time from Epicurus (ca. 300 B.C.) to the turn of the present century and sometimes, when continuity requires, a little beyond (as to K. S. Lashley, 1929). It includes excerpts from Kepler (1604) on the inverted retinal image, Descartes (1650) on the soul's interaction with the machine of the body, Newton (1675) on the seven colors of the spectrum, Locke (1700) on association of ideas, Whytt (1751) on the spinal reflex, Weber (1834) on Weber's law, Darwin (1859) on evolution, Sechenov (1863) on reflexology, Hughlings Jackson (1884) on nervous dissolution, William James (1890) on associationism, Thorndike, Pavlov, Wertheimer, Watson, and 70 other great figures in the history of psychology.

Arranged by topic rather than in the usual strict chronological order, each of the first fourteen chapters traces the development of one important subject in experimental and quantitative psychology. The final chapter discusses the history of thinking about the nature of psychology itself. The editors provide an introduction to each chapter and each excerpt, indicating the significance of the content to follow and establishing historical continuity.

In this collection JoAnn Scurlock assembles and translates medical texts that provided instructions for ancient doctors and pharmacists. Scurlock unpacks the difficult, technical vocabulary that describes signs and symptoms as well as procedures and plants used in treatments. This fascinating material shines light on the development of medicine in the ancient Near East, yet these tablets were essentially inaccessible to anyone without an expertise in cuneiform. Scurlock’s work fills this gap by providing a key resource for teaching and research.

Features:

• Accessible translations and transliterations for both specialists and non-specialists
• Texts include a range of historical periods and regions
• Therapeutic, pharmacological, and diagnostic texts

Technological advance is the key driving force behind economic growth, argues Richard Nelson. Investments in physical and human capital contribute to growth largely as handmaidens to technological advance. Technological advance needs to be understood as an evolutionary process, depending much more on ex post selection and learning than on ex ante calculation. That is why it proceeds much more rapidly under conditions of competition than under monopoly or oligopoly.

Nelson also argues that an adequate theory of economic growth must incorporate institutional change explicitly. Drawing on a deep knowledge of economic and technological history as well as the tools of economic analysis, Nelson exposes the intimate connections among government policies, science-based universities, and the growth of technology. He compares national innovation systems, and explores both the rise of the United States as the world’s premier technological power during the first two-thirds of the twentieth century and the diminishing of that lead as other countries have largely caught up.

Lucid, wide-ranging, and accessible, the book examines the secrets of economic growth and why the U.S. economy has been anemic since the early 1970s.

How can human beings, who are liable to error, possess knowledge? The skeptic finds this question impossible to answer. If we can err, then it seems the grounds on which we believe do not rule out that we are wrong. Most contemporary epistemologists agree with the skeptic that we can never believe on grounds that exclude error. Sources of Knowledge moves beyond this predicament by demonstrating that some major problems of contemporary philosophy have their roots in the lack of a metaphysical category that is fundamental to our self-understanding: the category of a rational capacity for knowledge.

Andrea Kern argues that we can disarm skeptical doubt by conceiving knowledge as an act of a ratio­nal capacity. This enables us to appreciate human fallibility without falling into skepticism, for it allows us to understand how we can form beliefs about the world on grounds that exclude error. Knowledge is a fundamental capacity of the human mind. Human beings, as such, are knowers. In this way, Sources of Knowledge seeks to understand knowledge from within our self-understanding as knowers. It develops a metaphysics of the human mind as existing through knowledge of itself, which knowledge—as the human being is finite—takes the form of a capacity.

Regaining the concept of a rational capacity for knowledge, Kern makes a powerful and original contribution to philosophy that reinvigorates the tradition of Aristotle and Kant—thinkers whose relevance for contemporary epistemology has yet to be fully appreciated.

“Taylor has taken on the most delicate and exacting of philosophical questions, the question of who we are and how we should live…and he has made this an adventure of self-discovery for his reader.” —Martha Nussbaum, New Republic

In this extensive inquiry into the sources of modern selfhood, Charles Taylor demonstrates just how rich and precious those resources are. The modern turn to subjectivity, with its attendant rejection of an objective order of reason, has led—it seems to many—to mere subjectivism at the mildest and to sheer nihilism at the worst. Many critics believe that the modern order has no moral backbone and has proved corrosive to all that might foster human good. Taylor rejects this view. He argues that, properly understood, our modern notion of the self provides a framework that more than compensates for the abandonment of substantive notions of rationality.

The major insight of Sources of the Self is that modern subjectivity, in all its epistemological, aesthetic, and political ramifications, has its roots in ideas of human good. After first arguing that contemporary philosophers have ignored how self and good connect, the author defines the modern identity by describing its genesis. His effort to uncover and map our moral sources leads to novel interpretations of most of the figures and movements in the modern tradition. Taylor shows that the modern turn inward is not disastrous but is in fact the result of our long efforts to define and reach the good. At the heart of this definition he finds what he calls the affirmation of ordinary life, a value which has decisively if not completely replaced an older conception of reason as connected to a hierarchy based on birth and wealth. In telling the story of a revolution whose proponents have been Augustine, Montaigne, Luther, and a host of others, Taylor’s goal is in part to make sure we do not lose sight of their goal and endanger all that has been achieved. Sources of the Self provides a decisive defense of the modern order and a sharp rebuff to its critics.

For most of our existence, humans have manipulated stone into tools that are essential for survival. Generally resistant to degradation, stone tools comprise a large portion of the material culture found at archaeological sites worldwide. Recovery of stone tools during archaeological excavation indicates the location where they were discarded, often tied to where they were used. “Sourcing” refers to attempts to determine the origin of the raw materials used to produce these tools. Knowing the beginning and end points of a tool’s use-life, as well as the likely paths it took between those two locations, can offer insight into trade and procurement patterns. The scholars gathered in this volume employ a variety of unique approaches to real-life contexts in multiple geographic regions. These studies illustrate the numerous, robust options available to archaeologists and researchers today, as well as the problems that must be faced and resolved.

Part 1 of the book explores technological approaches to sourcing in conjunction with innovative survey strategies. The chapters describe a particular method while often offering suggestions for improving the chemical analysis. Part 2 focuses on region-specific and methodological sourcing applications. In a concluding review, Michael D. Glascock critiques each of the chapters and presents his views, developed across 40 years of work in the field, on sourcing raw materials. Broadly, these contributions demonstrate how knowledge of lithic sources, geologic processes, the nature of variation, and regional availability can provide a more thorough understanding of past peoples.

Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.

This book fills the crucial need for a single volume that gives broad coverage and synthesizes findings for both the general reader and the specialist. This collection of twenty-two essays from fifteen well-known scholars presents linguistic research on the indigenous languages of South America, surveying past research, providing data and analysis gathered from past and current research, and suggesting prospects for future investigation.

Of interest not only to linguists but also to anthropologists, historians, and geographers, South American Indian Languages offers a wide perspective, both temporal and regional, on an area noted for its enormous linguistic diversity and for the lack of knowledge of its indigenous languages. An invaluable source book and reference tool, its appearance is especially timely when exploitation of the rich natural resources in a number of areas in South America must surely result in the demise and/or acculturation of some indigenous groups.

This classic report originally appeared as a series of articles in the Nation between July 8, 1865, and April 11, 1866. Dennett traveled in seven states—Virginia, North Carolina, South Carolina, Georgia, Alabama, Louisiana, and Mississippi—at the very beginning of Reconstruction. His remarkably prophetic account of the recently defeated South is a major source for the history of this transition.

These Texas stories are among the best produced by the state's writers in the mid-twentieth century. Selected above all for their artistic excellence and their narrative mastery, they also present a vital picture of the Southwest in microcosm, as revealed in its largest state.

Texas and Texas writing moved from a Southern orientation in the 1940s—reflected here in works by William Goyen, William Humphrey, and others—to the strong Southwestern flavor of stories by such authors as Larry McMurtry and A. C. Greene to, finally, urban or Sunbelt Texas, mirrored in the edgy, sometimes experimental prose of Doug Crowell, William Harrison, and Peter LaSalle.

Here are stories by such celebrated authors as Paul Horgan and William A. Owens, as well as startling, in some cases previously unpublished work by writers like Harryette Mullen, Naomi Shihab Nye, Pat Ellis Taylor, and Thomas Zigal. A few stories may already be favorites—Larry McMurtry's "There Will Be Peace in Korea," Amado Muro's "Cecilia Rosas." Many others have become classics, such as Vassar Miller's poignantly autobiographical "Pact," Hughes Rudd's hilarious record of grade school fieldtrips, R. E. Smith's gripping story of a Houstonian's life-changing encounter with nature, and Dave Hickey's astonishing account of an old cowboy's imprisonment . . . in a bathtub.

Bill Brett, James Crumley, Linda West Eckhardt, Robert Flynn, Mary Gray Hughes, Carolyn Osborn—all are represented here by stories guaranteed to banish stereotypes and boredom and to enlarge one's vision of the Lone Star State. Anyone who thinks that oil wells and big hair define Texas will find out differently in the dazzling short fiction presented in South by Southwest.

South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music. 

South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston’s music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars. 

With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book. 

A New York TimesBook Review Editors’ Choice

A Shelf Awareness Best Book of the Year

Hudson Booksellers Book of the Year

One of the New York Post’s Best Books of the Summer

One of The Millions’s Most Anticipated Books of the Year

IndieNext Pick

A Time Magazine “What to Read Now” Selection

A wry novel set at the edge of the earth about the courage it takes to band together, even as everything around you falls apart

Unmoored by a recent family tragedy, Cooper Gosling is adrift at thirty and on the verge of ruining her career. So when the opportunity arises to join the National Science Foundation’s Artists & Writers Program in Antarctica, she jumps at the chance—and finds herself in the company of others who are just abnormal enough for Polar life, a group of eccentrics motivated by desires as ambiguous as her own. When they are joined by a fringe scientist who claims climate change is a hoax, the Polies’ already-imbalanced community is rattled, bringing them to the center of a global controversy and threatening the ancient ice chip they call home.

Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created.

A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.

Archaeologists are continually faced with a pervasive problem: How can cultures, and the interactions among cultures, be differentiated in the archaeological record? This issue is especially difficult in peripheral areas, such as El Salvador, Honduras, and southern Guatemala in the New World. Encompassing zones that are clearly Mayan in language and culture, especially during the Classic period, this area also includes zones that seem to be non-Mayan. The Southeast Maya Periphery examines both aspects of this territory. For the Maya, emphasis is on two sites: Quirigua, Guatemala, and Copan, Honduras. For the non-Maya zone, information is presented on a variety of sites and subregions—the Lower Motagua Valley in Guatemala; the Naco, Sula, and Comayagua valleys and the site of Playa de los Muertos in Honduras; and the Zapotitan Valley and the sites of Cihuatan and Santa Leticia in El Salvador.

Spanning over two thousand years of prehistory, from the Middle Preclassic through the Classic and the poorly understood Postclassic, the essays in this volume address such topics as epigraphy and iconography, architecture, site planning, settlement patterns, and ceramics and include basic information on chronology. Copan and Quirigua are treated both individually and in comparative perspective.

This significant study was the first to attempt to deal with the Periphery as a coherent unit. Unique in its comparative presentation of Copan and Quirigua and in the breadth of information on non-Maya sites in the area, The Southeast Maya Periphery consists largely of previously unpublished data. Offering a variety of approaches to both old and new problems, this volume attempts, among other things, to reassess the relationships between Copan and Quirigua and between Highland and Lowland ceramic traditions, to analyze ceramics by neutron activation, and to define the nature of the apparently non-Mayan cultures in the region. This book will be of major interest not only to Mayanists and Mesoamerican archaeologists but also to others interested in the processes of ethnic group boundary formation and maintenance.

Interweaving group biography and intellectual history, Conkin traces how these young intellectuals came to write their classic manifesto, I'll Take My Stand, relates their political advocacy to the earlier Fugitive movement in poetry, and follows their careers after the Agrarian crusade fell apart. More than any other historian or critic, Conkin takes seriously the economic and political beliefs of these southern writers.

Hewitt emphasizes the process by which women forged and reformulated their activist identities from Reconstruction through the U.S. declaration of war against Spain in April 1898, the industrywide cigar strike of 1901, and the emergence of progressive reform and labor militancy. She also recasts our understanding of southern history by demonstrating how Tampa's triracial networks alternately challenged and re-inscribed the South's biracial social and political order.

Southern Footprints celebrates more than fifty years of archaeological research along the Gulf Coast by the University of South Alabama and the Center for Archaeological Studies. Archaeologists Gregory A. Waselkov and Philip J. Carr, the former and current directors of the center, present the “greatest hits” that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Each archaeological site, from surface collections to premiere archaeological preserves, such as Old Mobile and Holy Ground, offers clues to the past.

The chapters in this collection are arranged chronologically and survey the history and archaeology of a wide range of significant sites, including the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge.

Waselkov and Carr take care to acknowledge in these stories populations who have been historically underdocumented, now recognizing the contributions of Native Americans and African Americans that have been uncovered through archaeology. The authors reveal the dire impacts of climate change, environmental disasters, development, and neglect—and convey their urgency to protect these areas of shared history—as a result of the meticulous excavation, analysis, and preservation of artifacts from these sites. Color photographs showcase the archaeology as it unfolds, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf Coast heritage for all to appreciate.

When the first European explorers reached the southern shores of North America in the early seventeenth century, they faced a solid forest that stretched all the way from the Atlantic coast to eastern Texas and Oklahoma. The ways in which they and their descendants used—and abused—the forest over the next nearly four hundred years form the subject of The Southern Forest.

In chapters on the explorers, pioneers, lumbermen, boatbuilders, and foresters, Laurence Walker chronicles the constant demands that people have made on forest resources in the South. He shows how the land's very abundance became its greatest liability, as people overhunted the animals, clearcut the forests, and wore out the soil with unwise farming practices—all in a mistaken belief that the forest's bounty (including new ground to be broken) was inexhaustible.

With the advent of professional forestry in the twentieth century, however, the southern forest has made a comeback. A professional forester himself, Walker speaks from experience of the difficulties that foresters face in balancing competing interests in the forest. How, for example, does one reconcile the country's growing demand for paper products with the insistence of environmental groups that no trees be cut? Should national forests be strictly recreational areas, or can they support some industrial logging? How do foresters avoid using chemical pesticides when the public protests such natural management practices as prescribed burning and tree cutting?

This personal view of the southern forest adds a new dimension to the study of southern history and culture. The primeval southern forest is gone, but, with careful husbandry on the part of all users, the regenerated southern forest may indeed prove to be the inexhaustible resource of which our ancestors dreamed.

This book offers a systematic, comprehensive analysis of the rise and partial decline of racial segregation as an issue in southern electoral politics throughout the entire South over the third quarter of the twentieth century. The first comparative examination of a white political elite, the study draws upon an extraordinary breadth of data: 80 governorships, over 250 candidates, six “waves” of elections for each of the eleven southern states from 1950 to 1973.

By classifying candidates for the southern governorships according to their campaign stances on racial segregation, Earl Black maps out the changing racial attitudes of white office seekers over a critical period in southern history—the time now referred to as the Second Reconstruction. He shows that, largely because of Federal pressures, segregationist orientations have increasingly been replaced by nonsegregationist perspectives, and that the decline of segregationist rhetoric has been more evident in the peripheral south than in the deep south. Specific areas include: the segregation issue in the early 1950s; state-by-state summaries of the segregation issue after 1954; and the relationship between the candidates' campaign platform on race and their ability to run successfully at consecutive stages of the electoral process.

Black's conclusion that “stateways” can alter “folkways” is well-reasoned and persuasive. Accessible to all readers interested in public affairs, Southern Governors and Civil Rights makes a significant contribution to the literature on the consequences of national intervention to change southern racial attitudes.

Between 1880 and 1930, close to 200 women were murdered by lynch mobs in the American South. Many more were tarred and feathered, burned, whipped, or raped. In this brutal world of white supremacist politics and patriarchy, a world violently divided by race, gender, and class, black and white women defended themselves and challenged the male power brokers. Crystal Feimster breaks new ground in her story of the racial politics of the postbellum South by focusing on the volatile issue of sexual violence.

Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women.

Southern Horrors provides a startling view into the Jim Crow South where the precarious and subordinate position of women linked black and white anti-rape activists together in fragile political alliances. It is a story that reveals how the complex drama of political power, race, and sex played out in the lives of Southern women.

The ultimate resource for sport fishing in southern Illinois

Southern Illinois’s many waterways teem with an incredible variety of fish species, and award-winning fisherman and journalist Colby Simms knows exactly where and how to catch them all.

Within these pages, Simms shares the secrets he’s gleaned from years of hard-won experience: colossal catfish dominate the Mississippi River; monstrous muskies rule over Kinkaid Lake. Rend gives up record crappie and bowfin, while Crab Orchard produces excellent largemouth bass fishing and Cedar offers huge striped bass. Whether you’re powerboating a large lake or paddling an out-of-the-way oxbow, the region presents countless opportunities for different styles of fishing. Wondering which bait and tackle will produce the best results, or how seasonal weather affects fish migration patterns? Simms has already conferred with fellow fishing pros as well as biologists, outdoor sports media figures, and other experts to bring you the most current, site-specific information possible. From fishing fundamentals to the most advanced, cutting-edge techniques, he presents a battle plan for attacking the waters, big and small, of the lower Prairie State, which will benefit all anglers—from beginners to seasoned tournament competitors. 

Nestled between the critical information and detailed instructions, you’ll find stories from Simms and additional professional anglers, state fisheries staff, recreational fishers, and others. You’ll find encouragement and motivation to put away life’s modern distractions and get back to nature. Southern Illinois Fishing brims with enthusiasm, humor, and heart, and is sure to educate and inspire readers to lose themselves in the ancient tradition and modern sport of fishing.

On September 28, 1863, the Galveston Tri-Weekly News caught its readers' attention with an item headlined "A Yankee Note-Book." It was the first installment of a diary confiscated from U.S. Marine Henry O. Gusley, who had been captured at the Battle of Sabine Pass. Gusley's diary proved so popular with readers that they clamored for more, causing the newspaper to run each excerpt twice until the whole diary was published. For many in Gusley's Confederate readership, his diary provided a rare glimpse into the opinions and feelings of an ordinary Yankee—an enemy whom, they quickly discovered, it would be easy to regard as a friend.

This book contains the complete text of Henry Gusley's Civil War diary, expertly annotated and introduced by Edward Cotham. One of the few journals that have survived from U.S. Marines who served along the Gulf Coast, it records some of the most important naval campaigns of the Civil War, including the spectacular Union success at New Orleans and the embarrassing defeats at Galveston and Sabine Pass. It also offers an unmatched portrait of daily life aboard ship. Accompanying the diary entries are previously unpublished drawings by Daniel Nestell, a doctor who served in the same flotilla and eventually on the same ship as Gusley, which depict many of the locales and events that Gusley describes.

Together, Gusley's diary and Nestell's drawings are like picture postcards from the Civil War—vivid, literary, often moving dispatches from one of "Uncle Sam's nephews in the Gulf."

Southern out-migration drew millions of southern workers to the steel mills, automobile factories, and even agricultural fields and orchards of Ohio, Indiana, Michigan, and Illinois. Through vivid oral histories, Chad Berry explores the conflict between migrants' economic success and their "spiritual exile" in the North. He documents the tension between factory owners who welcomed cheap, naive southern laborers and local "native" workers who greeted migrants with suspicion and hostility. He examines the phenomenon of "shuttle migration," in which migrants came north to work during the winter and returned home to plant spring crops on their southern farms. He also explores the impact of southern traditions--especially the southern evangelical church and "hillbilly" music--brought north by migrants.

Berry argues that in spite of being scorned by midwesterners for violence, fecundity, intoxication, laziness, and squalor, the vast majority of southern whites who moved to the Midwest found the economic prosperity they were seeking. By allowing southern migrants to assess their own experiences and tell their own stories, Southern Migrants, Northern Exiles refutes persistent stereotypes about migrants' clannishness, life-style, work ethic, and success in the North.