For a Western world anxious to understand Islam and, in particular, Shi’ism, this book arrives with urgently needed information and critical analysis. Hamid Dabashi exposes the soul of Shi’ism as a religion of protest—successful only when in a warring position, and losing its legitimacy when in power.

Dabashi makes his case through a detailed discussion of the Shi’i doctrinal foundations, a panoramic view of its historical unfolding, a varied investigation into its visual and performing arts, and finally a focus on the three major sites of its contemporary contestations: Iran, Iraq, and Lebanon. In these states, Shi’ism seems to have ceased to be a sect within the larger context of Islam and has instead emerged to claim global political attention. Here we see Shi’ism in its combative mode—reminiscent of its traumatic birth in early Islamic history. Hezbollah in Lebanon claims Shi’ism, as do the militant insurgents in Iraq, the ruling Ayatollahs in Iran, and the masses of youthful demonstrators rebelling against their reign. All declare their active loyalties to a religion of protest that has defined them and their ancestry for almost fourteen hundred years.

Shi’sm: A Religion of Protest attends to the explosive conflicts in the Middle East with an abiding attention to historical facts, cultural forces, religious convictions, literary and artistic nuances, and metaphysical details. This timely book offers readers a bravely intelligent history of a world religion.

Western accounts of the Hajj, the ritual Muslim pilgrimage to Mecca, are rare, since access to Mecca is forbidden to non-Muslims. In the Muslim world, however, pilgrimage literature is a well-established genre, dating back to the earliest centuries of the Islamic era. A Shiʿite Pilgrimage to Mecca is taken from the original nineteenth-century Persian manuscript of the Safarnâmeh of Mirzâ Moḥammad Ḥosayn Farâhâni, a well-educated, keenly observant, Iranian Shiʿite gentleman.

This memoir holds a wealth of social and economic information about Czarist Russia, the Ottoman Empire, Egypt, Northern Iran, and Arabia. The author is a meticulous observer, recording details of distances, currencies, accommodations, modes of travel, and so on. He records the experiences encountered by pilgrims of his day: physical hardships, disease, generosity and compassion, banditry, hospitality, comradeship, and exaltation. And, without prejudice, he discusses the tensions between the Shiʿites and the Sunnites in the holy places—tensions that still exist and have erupted in bloody clashes during recent pilgrimages.

A Shiʿite Pilgrimage to Mecca will appeal to a wide audience of general readers, Middle Eastern scholars, anthropologists, and historians.

The last decades of the eighteenth century gave rise to an explosion of literary activity in Edo (now Tokyo) that lasted until the mid-nineteenth century, with an army of writers producing prodigious quantities of fiction. This study traces the life and literary career of Shikitei Sanba (1776-1822), a writer in the mainstream of that generation, the author of more than a hundred works of fiction, many in the comic vein.

This book-length critical treatment of a major writer of gesaku (playful compositions) is a welcome breakthrough, since Sanba's life, his era of literary activity, and the popular genres in which he worked have received scant treatment in English. Leutner describes Sanba as a representative writer within a literary scene shifting from amateur to professional and becoming increasingly commercial.

The text is enhanced by Leutner's translations of excerpts from Sanba's various writings. The Appendix encompasses two long passages in original translation, fully annotated, of Ukiyoburo, "The Bathhouse of the Floating World," one of Sanba's best-known works. In "The Men's Bath" and "The Women's Bath" readers will encounter an array of Edo types. Their informal conversations convey the quality of humor, the sociological characteristics, and much of the flavor of life in Sanba's Edo.

Originating from the Shinto tradition, shinzjj (wooden statues of kami) are among the finest wooden sculptures in Japan and have long commanded great reverence from the Japanese people. This comprehensive examination of the stylistic and iconographic evolution of shinzjj from the ninth through the fourteenth centuries is the first of its kind. Primary attention is given to images of Hachiman, which are the earliest surviving examples of Shinto deities depicted in anthropomorphic form. Focus on this lineage of forms provides a clear view of the development of Shinto aesthetic attitudes and their relationship to Buddhist influences.

Three works are examined in detail: a ninth-century triad housed at Toji, Kyoto; a tenth-century triad made for Yakushiji, Nara; and a single statue carved by Kaikei in the thirteenth century for Todaiji, Nara. A less-detailed discussion of other portrayals of Hachiman and other deities amplifies the central focus. This authoritative text is enriched by the inclusion of 76 plates, many depicting hitherto unknown or seldom-seen sculptures. The book should be of great interest to scholars of art, religion, and history.

Civil War enthusiasts will welcome this concluding volume of Peter Cozzens's highly praised trilogy on the Civil War in the West.

The battle around Chattanooga in the late fall of 1863 were among the most decisive of the Civil War, opening the Deep South to the Union and setting the stage for the Atlanta campaign and the March to the Sea. After Chattanooga, the principal Confederate army in the West fought without spirit or hope of victory. Cozzens's comprehensive account details movements of individual regiments, even as it reveals the larger impact of the campaign on the outcome of the war.

In The Shipwreck of Their Hopes, Cozzens draws on his acclaimed storytelling skills and exhaustive research efforts to fully chronicle one of the South's most humiliating defeats. As in his earlier books, he brings to life the officers and enlisted men who fought the war.

The recurrent treatment of shipwrecks in the creative arts demonstrates an enduring fascination with this archetypal scene: a shipwreck survivor confronting the elements. It is remarkable, for example, that the characters in the 2004 television show Lost share so many features with those from Homer’s Odyssey and Shakespeare’s The Tempest.

For survivors who are stranded on an island for some period of time, shipwrecks often present the possibility of a change in political and social status—as well as romance and even paradise. In each of the major shipwreck narratives examined, the poet or novelist links the castaways’ arrival on a new shore with the possibility of a new sort of life. Readers will come to appreciate the shift in attitude toward the opportunities offered by shipwreck: older texts such as the Odyssey reveals a trajectory of returning to the previous order. In spite of enticing new temptations, Odysseus—and some of the survivors in The Tempest—revert to their previous lives, rejecting what many might consider paradise. Odysseus is reestablished as king; Prospero travels back to Milan. In such situations, we may more properly speak of potential transformations. In contrast, many recent shipwreck narratives instead embrace the possibility of a new sort of existence. That even now the shipwreck theme continues to be treated, in multiple media, testifies to its long-lasting appeal to a very wide audience.

Explores the untold impacts of colonialism in New England through diverse colonist lives, Indigenous encounters, and environmental legacies.

In The Shock of Colonialism in New England, archaeologist Meghan C. L. Howey uses excavations in the seventeenth-century colonial frontier of the Great Bay Estuary/P8bagok in today’s New Hampshire to trace the connection between European global colonialism and the planetary climate crises. Howey shows how this landscape holds forgotten stories of what it meant to live through the shock of colonialism.

These stories reveal an unexpected diversity and dynamism among English colonists, multifaceted encounters with Indigenous peoples, and lasting environmental damage from labor-intensive industries. Early Euro-American maps and stunning archaeological finds, such as a broken pickaxe embedded in a hearth, and a historical marker for the Oyster River “Massacre” of 1694 complicate our limited views of a shared past.

The reality of English colonialism in the dispossession of Indigenous lands and its wake is not commemorated. Howey’s work is a powerful corrective that traces the rise of intergenerational colonial wealth made possible by land commodified as property, the increased labor required to work newly opened land, the importation of indentured Scots and enslaved Africans to provide that labor, and the resulting degradation of the natural environment. Through Howey’s insights into the stories they tell, these fragments from a frontier can help contemporary readers better understand the past as they seek a more just and sustainable future.

From the vantage point of the United States or Western Europe, the 1970s was a time of troubles: economic “stagflation,” political scandal, and global turmoil. Yet from an international perspective it was a seminal decade, one that brought the reintegration of the world after the great divisions of the mid-twentieth century. It was the 1970s that introduced the world to the phenomenon of “globalization,” as networks of interdependence bound peoples and societies in new and original ways.

The 1970s saw the breakdown of the postwar economic order and the advent of floating currencies and free capital movements. Non-state actors rose to prominence while the authority of the superpowers diminished. Transnational issues such as environmental protection, population control, and human rights attracted unprecedented attention. The decade transformed international politics, ending the era of bipolarity and launching two great revolutions that would have repercussions in the twenty-first century: the Iranian theocratic revolution and the Chinese market revolution.

The Shock of the Global examines the large-scale structural upheaval of the 1970s by transcending the standard frameworks of national borders and superpower relations. It reveals for the first time an international system in the throes of enduring transformations.

ONE OF THE WALL STREET JOURNAL'S 10 BEST BOOKS OF 2024

How inflation and deflation fears shape American democracy.

Many foundational moments in American economic history—the establishment of paper money, wartime price controls, the rise of the modern Federal Reserve—occurred during financial panics as prices either inflated or deflated sharply. The government’s decisions in these moments, intended to control price fluctuations, have produced both lasting effects and some of the most contentious debates in the nation’s history.

A sweeping history of the United States’ economy and politics, Shock Values reveals how the American state has been shaped by a massive, ever-evolving effort to insulate its economy from the real and perceived dangers of price fluctuations. Carola Binder narrates how the pains of rising and falling prices have brought lasting changes for every generation of Americans. And with each brush with price instability, the United States has been reinvented—not as a more perfect union, but as a reflection of its most recent failures.

Shock Values tells the untold story of prices and price stabilization in the United States. Expansive and enlightening, Binder recounts the interest-group politics, legal battles, and economic ideas that have shaped a nation from the dawn of the republic to the present.

Arai Hakuseki, advisor to the sixth and seventh Tokugawa shogun, played an important role in politics between 1709 and 1716, during an era of large changes in the bakufu. He participated in major policy decisions on currency, foreign trade, and local administration, while simultaneously trying to enhance the shogun's authority both within the bakufu and as a national ruler. The following shogun retained Hakuseki's fiscal and trade policies, but promptly reversed those measures designed to make the shogun a king-like figure.

Nakai examines these successes and failures against the background of the time, especially the bifurcated and ambiguous distribution of authority between the Tokugawa shogun and the tenno in Kyoto. She also traces the influence of Confucian political theory on Hakuseki's program and on his defense of that program in the face of criticism. Nakai draws upon Hakuseki's autobiography anddiary and the reportorial letters of a contemporary for Hakuseki's political activities, and on Hakuseki's historical works and memorials for the theoretical basis for his programs, rooted in Confucianism.

Illustrative and lively translations from Hakuseki enrich the book, helping to portray a multi-faceted personality who managed to blend practical politics and Confucian idealism within the complicated and dynamic environment of the early-eighteenth-century bakufu.

Vietnam still haunts the American conscience. Not only did nearly 58,000 Americans die there, but--by some estimates--1.5 million veterans returned with war-induced Post-Traumatic Stress Disorder (PTSD). This psychological syndrome, responsible for anxiety, depression, and a wide array of social pathologies, has never before been placed in historical context. Eric Dean does just that as he relates the psychological problems of veterans of the Vietnam War to the mental and readjustment problems experienced by veterans of the Civil War.

Employing a multidisciplinary approach that merges military, medical, and social history, Dean draws on individual case analyses and quantitative methods to trace the reactions of Civil War veterans to combat and death. He seeks to determine whether exuberant parades in the North and sectional adulation in the South helped to wash away memories of violence for the Civil War veteran. His extensive study reveals that Civil War veterans experienced severe persistent psychological problems such as depression, anxiety, and flashbacks with resulting behaviors such as suicide, alcoholism, and domestic violence. By comparing Civil War and Vietnam veterans, Dean demonstrates that Vietnam vets did not suffer exceptionally in the number and degree of their psychiatric illnesses. The politics and culture of the times, Dean argues, were responsible for the claims of singularity for the suffering Vietnam veterans as well as for the development of the modern concept of PTSD.

This remarkable and moving book uncovers a hidden chapter of Civil War history and gives new meaning to the Vietnam War.

Winner of the John Collier Jr. Award for Still Photography

As a young Fulbright scholar in Bogotá determined to democratize the photographic gaze and bring new visions and voices to public debate about Colombia’s armed conflict, Alexander L. Fattal founded Disparando Cámaras para la Paz (Shooting Cameras for Peace). The project taught photography to young people in El Progreso, a neighborhood on the city’s outskirts that was home to families displaced by violence in the countryside. Cameras in hand, the youth had a chance to record and reimagine their daily existence.

Shooting Cameras for Peace / Disparando Cámaras para la Paz is a penetrating look at one of Latin America’s most dynamic participatory media projects. The haunting and exuberant photographs made under its auspices testify to young people’s will to play, to dream, and to survive. The images bear witness to the resilience and creativity of lives marked by a war that refuses to die.

With text in English and Spanish, Shooting Cameras for Peace / Disparando Cámaras para la Paz makes vital contributions to studies of collaborative media, photographic activism, and peace and conflict in Colombia. Fattal’s insightful text offers critical reflection on the genre of participatory photography and the structural challenges faced by similar media projects.

Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women.

Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.

How women in turn-of-the-century Chicago used their consumer power to challenge male domination of public spaces and stake their own claim to downtown.

Popular culture assumes that women are born to shop and that cities welcome their trade. But for a long time America’s downtowns were hardly welcoming to women. Emily Remus turns to Chicago at the turn of the twentieth century to chronicle a largely unheralded revolution in women’s rights that took place not at the ballot box but in the streets and stores of the business district.

After the city’s Great Fire, Chicago’s downtown rose like a phoenix to become a center of urban capitalism. Moneyed women explored the newly built department stores, theaters, and restaurants that invited their patronage and encouraged them to indulge their fancies. Yet their presence and purchasing power were not universally appreciated. City officials, clergymen, and influential industrialists condemned these women’s conspicuous new habits as they took their place on crowded streets in a business district once dominated by men.

A Shoppers’ Paradise reveals crucial points of conflict as consuming women accessed the city center: the nature of urban commerce, the place of women, the morality of consumer pleasure. The social, economic, and legal clashes that ensued, and their outcome, reshaped the downtown environment for everyone and established women’s new rights to consumption, mobility, and freedom.

To the casual visitor, the Gulf of Mexico shores offer mainly sun, sand, and sea. Even the standard field guides, focused on one group of animals or plants, barely hint at the wealth and diversity of habitats and species along Gulf shores. Shore Ecology of the Gulf of Mexico, using a “whole habitat” approach, breaks new ground in describing all the conspicuous vascular plants, algae, birds, mammals, mollusks, crustaceans, and other invertebrates for each marine habitat. The area covered begins west of the Mississippi delta in Louisiana and follows the shores west and south to the Yucatan Peninsula in Mexico.

Transitions between habitats also receive detailed treatment. The authors discuss changes in flora and fauna that result from differences in climate, shore geology, and patterns of precipitation in the succeeding habitats along the Gulf rim. They include discussion of more than 1,000 species of plants and animals, both on shore and in the near-shore subtidal zone, to give a virtually complete picture of western Gulf coast ecosystems. Excellent line drawings and photographs of over 800 species complement the text.

For marine scientists, students, and knowledgeable beachcombers, this is a thorough source on Gulf coast marine life.

Writing in Life magazine in February 1941, Henry Luce memorably announced the arrival of “The American Century.” The phrase caught on, as did the belief that America’s moment was at hand. Yet as Andrew J. Bacevich makes clear, that century has now ended, the victim of strategic miscalculation, military misadventures, and economic decline. To take stock of the short American Century and place it in historical perspective, Bacevich has assembled a richly provocative range of perspectives.

What did this age of reputed American preeminence signify? What caused its premature demise? What legacy remains in its wake? Distinguished historians Jeffry Frieden, Akira Iriye, David Kennedy, Walter LaFeber, Jackson Lears, Eugene McCarraher, Emily Rosenberg, and Nikhil Pal Singh offer illuminating answers to these questions. Achievement and failure, wisdom and folly, calculation and confusion all make their appearance in essays that touch on topics as varied as internationalism and empire, race and religion, consumerism and globalization.

As the United States grapples with protracted wars, daunting economic uncertainty, and pressing questions about exactly what role it should play in a rapidly changing world, understanding where the nation has been and how it got where it is today is critical. What did the forging of the American Century—with its considerable achievements but also its ample disappointments and missed opportunities—ultimately yield? That is the question this important volume answers.

Distributive justice in its modern sense calls on the state to guarantee that everyone is supplied with a certain level of material means. Samuel Fleischacker argues that guaranteeing aid to the poor is a modern idea, developed only in the last two centuries.

Earlier notions of justice, including Aristotle’s, were concerned with the distribution of political office, not of property. It was only in the eighteenth century, in the work of philosophers such as Adam Smith and Immanuel Kant, that justice began to be applied to the problem of poverty. To attribute a longer pedigree to distributive justice is to fail to distinguish between justice and charity.

Fleischacker explains how confusing these principles has created misconceptions about the historical development of the welfare state. Socialists, for instance, often claim that modern economics obliterated ancient ideals of equality and social justice. Free-market promoters agree but applaud the apparent triumph of skepticism and social-scientific rigor. Both interpretations overlook the gradual changes in thinking that yielded our current assumption that justice calls for everyone, if possible, to be lifted out of poverty. By examining major writings in ancient, medieval, and modern political philosophy, Fleischacker shows how we arrived at the contemporary meaning of distributive justice.

A Short History of European Law brings to life 2,500 years of legal history, tying current norms to the circumstances of their conception. Tamar Herzog describes how successive legal systems built upon one another, from ancient times through the European Union. Roman law formed the backbone of each configuration, though the way it was used and reshaped varied dramatically from one century and place to the next. Only by considering Continental civil law and English common law together do we see how they drew from and enriched this shared tradition.

“A remarkable achievement, sure to become a go-to text for scholars and students alike… A must-read for anyone eager to understand the origins of core legal concepts and institution—like due process and rule of law—that profoundly shape the societies in which we live today.”
—Amalia D. Kessler, Stanford University

“A fundamental and timely contribution to the understanding of Europe as seen through its legal systems. Herzog masterfully shows the profound unity of legal thinking and practices across the Continent and in England.”
—Federico Varese, Oxford University

“Required reading for Americanists North and South, and indeed, for all of us inhabiting a postcolonial world deeply marked by the millennia of legal imaginings whose dynamic transformations it so lucidly charts.”
—David Nirenberg, University of Chicago

As the twentieth century drew to a close, computers, the Internet, and nanotechnology were central to modern American life. Yet the advances in physics underlying these applications are poorly understood and widely underappreciated by U.S. citizens today. In this concise overview, David C. Cassidy sharpens our perspective on modern physics by viewing this foundational science through the lens of America's engagement with the political events of a tumultuous century.

American physics first stirred in the 1890s-around the time x-rays and radioactivity were discovered in Germany-with the founding of graduate schools on the German model. Yet American research lagged behind the great European laboratories until highly effective domestic policies, together with the exodus of physicists from fascist countries, brought the nation into the first ranks of world research in the 1930s. The creation of the atomic bomb and radar during World War II ensured lavish government support for particle physics, along with computation, solid-state physics, and military communication. These advances facilitated space exploration and led to the global expansion of the Internet.

Well into the 1960s, physicists bolstered the United States' international status, and the nation repaid the favor through massive outlays of federal, military, and philanthropic funding. But gradually America relinquished its postwar commitment to scientific leadership, and the nation found itself struggling to maintain a competitive edge in science education and research. Today, American physicists, relying primarily on industrial funding, must compete with smaller, scrappier nations intent on writing their own brief history of physics in the twenty-first century.

The historian John Lukacs offers a concise history of the twentieth century—its two world wars and cold war, its nations and leaders. The great themes woven through this spirited narrative are inseparable from the author’s own intellectual preoccupations: the fading of liberalism, the rise of populism and nationalism, the achievements and dangers of technology, and the continuing democratization of the globe.

The historical twentieth century began with the First World War in 1914 and ended seventy-five years later with the collapse of the Soviet Empire in 1989. The short century saw the end of European dominance and the rise of American power and influence throughout the world. The twentieth century was an American century—perhaps the American century. Lukacs explores in detail the phenomenon of national socialism (national socialist parties, he reminds us, have outlived the century), Hitler’s sole responsibility for the Second World War, and the crucial roles played by his determined opponents Churchill and Roosevelt. Between 1939 and 1942 Germany came closer to winning than many people suppose.

Lukacs casts a hard eye at the consequences of the Second World War—the often misunderstood Soviet-American cold war—and at the shifting social and political developments in the Far and Middle East and elsewhere. In an eloquent closing meditation on the passing of the twentieth century, he reflects on the advance of democracy throughout the world and the limitations of human knowledge.

A Short Reference Grammar of Iraqi Arabic is the only volume of its kind, reflecting Iraqi Arabic as spoken by Muslims in Baghdad. With all the Arabic transcribed, it is written for beginners as well as Arabic speakers wanting to learn the dialect. It covers the phonology, morphology (word formation of nouns, verbs, pronouns, adjectives, and numerals, achieved by adding prefixes and suffixes to roots), and syntax, teaching the reader how to make the sounds, form words, and construct sentences.

Conceived to be a practical reference grammar for those who may have basic skills in Moroccan Arabic, this classic volume teaches the phonology, morphology, and syntax of the dialect. Originally published in 1962, A Short Reference Grammar of Moroccan Arabic features the spoken language of the urban speakers of the northwestern part of Morocco, especially Fez, Rabat, and Casablanca. The Arabic has been transcribed for the English-speaking student.

The accompanying audio files, keyed to the text, demonstrate the pronunciation of the Arabic transcribed in the book. These mp3 files are available for free online at www.press.georgetown.edu.

An innovative new edition of nine classic short stories from one of the greatest writers of the Victorian era.

“I cannot think other than in stories,” Oscar Wilde once confessed to his friend André Gide. In this new selection of his short fiction, Wilde’s gifts as a storyteller are on full display, accompanied by informative facing-page annotations from Wilde biographer and scholar Nicholas Frankel. A wide-ranging introduction brings readers into the world from which the author drew inspiration.

Each story in the collection brims with Wilde’s trademark wit, style, and sharp social criticism. Many are reputed to have been written for children, although Wilde insisted this was not true and that his stories would appeal to all “those who have kept the childlike faculties of wonder and joy.” “Lord Arthur Savile’s Crime” stands alongside Wilde’s comic masterpiece The Importance of Being Earnest, while other stories—including “The Happy Prince,” the tale of a young ruler who had never known sorrow, and “The Nightingale and the Rose,” the story of a nightingale who sacrifices herself for true love—embrace the theme of tragic, forbidden love and are driven by an undercurrent of seriousness, even despair, at the repressive social and sexual values of Wilde’s day. Like his later writings, Wilde’s stories are a sweeping indictment of the society that would imprison him for his homosexuality in 1895, five years before his death at the age of forty-six.

Published here in the form in which Victorian readers first encountered them, Wilde’s short stories contain much that appeals to modern readers of vastly different ages and temperaments. They are the perfect distillation of one of the Victorian era’s most remarkable writers.

This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock.

It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums.

And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier.

For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities.

To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message.

The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans.

Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous.

Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.

Hardly a place exists on earth that has not been shaped in some way by human beings. Every day we modify and even sweep away natural landscapes as we build places to live and work. But why we react and interact as social beings intent on exercising ecological dominance poses an endlessly compelling puzzle for everyone from novelists to geographers.

In Showing Off, distinguished geographer Philip L. Wagner offers a persuasive hypothesis. Drawing on a lifetime of inquiry, travel, and teaching, he asserts that the strive for Geltung—personal standing, recognition, acceptance, esteem, and influence—shapes all of our interactions and defines the unique social character of human beings.

Wagner applies the Geltung hypothesis to a wide range of human activities from falling in love and spreading gossip to buying goods and making war. His examples demonstrate how communication and display—"showing off"—impel geographic change, as they reveal how and why people with the most Geltung tend to occupy the most desirable places.

This broad vision draws insights from many fields. A major contribution to cultural geography, the book also sheds new light on individual psychology and psychopathology and suggests new themes for cognitive science and even philosophy. Sure to stir lively debate in many circles, it will be provocative reading for everyone fascinated by the continuum between people and places.

In this compelling story about one of the nineteenth century's most famous Americans, Benjamin Reiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman who was said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history.

In piecing together the fragmentary and conflicting evidence of the event, Reiss paints a picture of people looking at history, at the human body, at social class, at slavery, at performance, at death, and always--if obliquely--at themselves. At the same time, he reveals how deeply an obsession with race penetrated different facets of American life, from public memory to private fantasy. Concluding the book is a piece of historical detective work in which Reiss attempts to solve the puzzle of Heth's real identity before she met Barnum. His search yields a tantalizing connection between early mass culture and a slave's subtle mockery of her master.

A berserk elephant gunned down in the heart of London, a machine for composing Latin hexameters, and the original rock band (1841)—these are but three of the sights that London curiosity–seekers from every walk of life paid to see from the Elizabethan era to the mid–Victorian period. Examining hundreds of the wonderfully varied exhibitions that culminated in the Crystal Palace of 1851, this generously illustrated book sheds light on a vast and colorful expanse of English social history that has thus far remained wholly unsurveyed.

Drawing on a wealth of never-before-used information, Mr. Altick traces London exhibitions as they evolved from the display of relics in pre-Reformation churches, through the collections of eighteenth-century virtuosi, to the first science museums and public art galleries. He also narrates for the first time the history of the panorama and diorama as an influential genre of nineteenth-century popular art. At every point, the London shows are linked to the prevailing intellectual atmosphere and to trends in public taste.

The material is fresh and fascinating; the range--from freaks to popular science, from the funeral effigies at Westminster Abbey to Madame Tussaud's waxworks--impressive. Like the exhibitions that best served the Victorian ideal of mass culture, The Shows of London is both entertaining and informative.

Shrines to Living Men in the Ming Political Cosmos, the first book focusing on premortem shrines in any era of Chinese history, places the institution at the intersection of politics and religion. When a local official left his post, grateful subjects housed an image of him in a temple, requiting his grace: that was the ideal model. By Ming times, the “living shrine” was legal, old, and justified by readings of the classics.

Sarah Schneewind argues that the institution could invite and pressure officials to serve local interests; the policies that had earned a man commemoration were carved into stone beside the shrine. Since everyone recognized that elite men might honor living officials just to further their own careers, premortem shrine rhetoric stressed the role of commoners, who embraced the opportunity by initiating many living shrines. This legitimate, institutionalized political voice for commoners expands a scholarly understanding of “public opinion” in late imperial China, aligning it with the efficacy of deities to create a nascent political conception Schneewind calls the “minor Mandate of Heaven.” Her exploration of premortem shrine theory and practice illuminates Ming thought and politics, including the Donglin Party’s battle with eunuch dictator Wei Zhongxian and Gu Yanwu’s theories.