Sir Humphry Davy (1778-1829) was a leading and controversial member of the international scientific community. Davy's publications received all the publicity available to an early nineteenth-century scholar. For that reason the history of his publications is of interest not only for what it reveals of Davy but for what it tells about the fate of scientific news during this period.

For more than a century it was assumed that the nine-volume Collected Works of Sir Humphry Davy represented the definitive statement of his contributions. That collection does include the major works on which Davy's fame depends; however, many papers were omitted. This annotated bibliography lists Davy's published writings that appeared during his lifetime and posthumously.

Translations of Davy's papers and reports of his experimental findings printed prior to the official versions are included. Critical reviews in journals not exclusively devoted to scientific subjects have also been catalogued. These translations, reports, and reviews, which frequently forced Davy to further publication, round out the history of his publishing. Through a guide to the location of the first reports of Davy's papers, it is possible to trace the diffusion of scientific news and its reception on the Continent. Fullmer indicates the accuracy of the translations and shows how the changes made by continental editors often distorted Davy's views, and acerbated a scientific atmosphere already ripe with controversy.

That Sir Joshua Reynolds (1723–1792) became the most fashionable painter of his time was not simply due to his artistic gifts or good fortune. The art of pleasing, Richard Wendorf contends, was as much a part of Reynolds’s success—in his life and in his work—as the art of painting. The author’s examination of Reynolds’s life and career illuminates the nature of eighteenth-century English society in relation to the enterprise of portrait-painting. Conceived as an experiment in cultural criticism, written along the fault lines that separate (but also link) art history and literary studies, Sir Joshua Reynolds: The Painter in Society explores the ways in which portrait-painting is embedded in the social fabric of a given culture as well as in the social and professional transaction between the artist and his or her subject. In addition to providing a new view of Reynolds, Wendorf’s book develops a thoroughly new way of interpreting portraiture.

Wendorf takes us into Reynolds’s studio to show us the artist deploying his considerable social and theatrical skills in staging his sittings as carefully orchestrated performances. The painter’s difficult relationship with his sister Frances (also an artist and writer), his complicated maneuvering with patrons, the manner in which he set himself up as an artist and businessman, his highly politicized career as the first president of the Royal Academy of Arts: as each of these aspects of Reynolds’s practice comes under Wendorf’s scrutiny, a new picture of the painter emerges—more sharply defined and fully fleshed than the Reynolds of past portraits, and clearly delineating his capacity for provoking ambivalence among friends and colleagues, and among viewers and readers today.

This is the first biography of Sir Walter Mildmay, who dutifully served Queen Elizabeth I for thirty years as Chancellor of the Exchequer. Sir Walter Mildmay and Tudor Government, by Stanford E. Lehmberg, brings Mildmay into proper historical perspective alongside other prominent Tudor leaders.

Virtually none of Mildmay’s writings had been printed, and his activities had not been studied, partly because of the inaccessibility of necessary materials. In the mid-twentieth century, however, the Northamptonshire Record Office was able to acquire family papers, of which Lehmberg happily took advantage. These, together with materials in the British Museum and the Public Record Office, yield a detailed account of Mildmay’s contributions to English financial administration.

But Mildmay was not merely an Exchequer official. As a Member of Parliament he gained towering stature; his model orations and indefatigable work in committees provided invaluable leadership from 1576 to 1589. As a Privy Councillor he was twice sent on important embassies to Mary, Queen of Scots; he gave carefully considered advice about Scottish and Dutch affairs; and he was called on to examine numerous minor matters. As a trusted administrator he helped oversee the great recoinage of 1560. As a private citizen deeply concerned for good learning and true religion he founded Emmanuel College, Cambridge, and engaged in other philanthropic enterprises. By the time of his death in 1589 he had led a full and dedicated life serving his country and his Queen.

Into Lehmberg’s scholarly, readable volume have been blended aspects of Mildmay’s public life and his associations with historically famous contemporaries, discriminately selected segments of his speeches, elements of his personal philosophy, and the achievements and failures of his political life. Enhancing the value of this study are carefully annotated footnotes and a complementary bibliography. Tudor specialists as well as lay readers will undoubtedly profit from this significant biography.

Set in the late nineteenth century on a mythical island off the coast of Yemen, Radwa Ashour's Siraaj: An Arab Tale tells the poignant story of a mother and son as they are drawn inextricably into a revolt against their island's despotic sultan.

Amina, a baker in the sultan's palace, anxiously awaits her son's return from a long voyage at sea, fearful that the sea has claimed Saïd just as it did his father and grandfather. Saïd, left behind in Alexandria by his ship as the British navy begins an attack on the city, slowly begins to make his way home, witnessing British colonial oppression along the way.

Saïd's return brings Amina only a short-lived peace. The lessons he learned from the Egyptians' struggle against the British have radicalized him. When Saïd learns the island's slave population is planning a revolt against the sultan's tyrannical rule, both he and Amina are soon drawn in.

Beautifully rendered from Arabic into English by Barbara Romaine, Radwa Ashour's novella speaks of the unity that develops among varied peoples as they struggle against a common oppressor and illuminates the rich cultures of both the Arab and African inhabitants of the island. Sub-Saharan African culture is a subject addressed by few Arabic novelists, and Radwa Ashour's novella does much to fill that void.

Octavio Paz has long been known for his brilliant essays as well as for his poetry. Through the essays, he has sought to confront the tensions inherent in the conflict between art and society and to achieve a unity of their polarities. The Siren and the Seashell is a collection of Paz’s essays, focusing on individual poets and on poetry in general. The first five poets he treats are Latin American: Sor Juana Inés de la Cruz, Rubén Darío, José Juan Tablada, Ramón López Velarde, and Alfonso Reyes. Then there are essays on Robert Frost, e. e. cummings, Saint-John Perse, Antonio Machado, and Jorge Guillén. Finally, there are Paz’s reflections on the poetry of solitude and communion and the literature of Latin America. Each essay is more than Paz’s impressions of one person or issue; each is the occasion for a wider discussion of cultural, historical, psychological, and philosophical themes. The essays were selected from Paz’s writing between 1942 and 1965 and provide an overview of the development of his thinking and an exploration of the ideas central in his works.

2003 — Honorable Mention, Myers Outstanding Book Award – The Gustavus Myers Center for the Study of Bigotry and Human Rights in North America

The demand of white, affluent society that all Americans should speak, read, and write "proper" English causes many people who are not white and/or middle class to attempt to "talk in a way that feel peculiar to [their] mind," as a character in Alice Walker's The Color Purple puts it. In this book, Sonja Lanehart explores how this valorization of "proper" English has affected the language, literacy, educational achievements, and self-image of five African American women—her grandmother, mother, aunt, sister, and herself.

Through interviews and written statements by each woman, Lanehart draws out the life stories of these women and their attitudes toward and use of language. Making comparisons and contrasts among them, she shows how, even within a single family, differences in age, educational opportunities, and social circumstances can lead to widely different abilities and comfort in using language to navigate daily life. Her research also adds a new dimension to our understanding of African American English, which has been little studied in relation to women.

In a new work anticipating the bicentennial of the French Revolution, Patrice Higonnet demonstrates why the American and French Revolutions, although roughly contemporaneous and inspired by many of the same ideals, followed utterly different trajectories: the Americans proceeded to stabilize and build upon their revolution, while the French stumbled from bloodbath to republic to empire to monarchy again.

Eighteenth-century American society, individualistic to a degree, nevertheless managed to ground its politics in communitarian philosophy and to deny the existence of social cleavages, thus creating a pluralist ideology that successfully balanced the two strains. In contrast, argues Higonnet, individualistic politics in France collapsed in 1791 for lack of a foundation, and French society drifted toward terrorism as the rival claims of libertarian and communitarian principles struggled on the national scene. Higonnet works out these ideas in a learned and persuasive new perspective on the two major democratic revolutions of the eighteenth century.

This is a book for serious readers of history that can also refresh college courses in American history, French history, the history of revolutions, comparative studies, intellectual history, and the history of the eighteenth century in the Western world.

The sibling relationship, as any parent with two or more children knows, is an extraordinarily intense one: young brothers and sisters love and hate, play and fight, tease and mock each other with a devastating lack of inhibition.

Why do some siblings get along harmoniously and affectionately, while others constantly squabble? To what extent are parents responsible for differences in siblings' personalities, and how can they ease the tensions?

In this timely and unusual glimpse into the world of the child, Judy Dunn argues that in fighting, bullying, or comforting, very young sisters and brothers possess a far deeper understanding of others than psychologists have supposed. She challenges the usual assumptions that birth order, age gap, and gender are the most crucial factors in explaining dramatic differences between siblings within a family, and suggests that siblings themselves have an important influence on each other's development. She shows that by studying children with their brothers and sisters, rather than in unfamiliar situations, we gain a new and illuminating picture of how growing up with siblings affects children's personalities, their intelligence, their ways of thinking and talking, and their perceptions of themselves, their families, and their friends.

Full of practical advice for coping with the daily trials of parenting two or more children, this warm and accessible book, based on new research, gives a fresh perception of a relationship which for many people lasts longer than any other in life.

Spanning two thousand years of Christian religious women's quest for spiritual and vocational fulfillment, Sisters in Arms is the first definitive history of Catholic nuns in the Western world. Unfolding century by century, this epic drama encompasses every period from the dawn of Christianity to the present.

History has until recently minimized the role of nuns over the centuries. In this volume, their rich lives, their work, and their importance to the Church are finally acknowledged. Jo Ann Kay McNamara introduces us to women scholars, mystics, artists, political activists, healers, and teachers--individuals whose religious vocation enabled them to pursue goals beyond traditional gender roles. They range from Thecla, the legendary companion of Paul, who baptized herself in preparation for facing the lions in the Roman arena, to Hildegard of Bingen, whose visions unlocked her extraordinary talents for music, medicine, and moral teaching in the twelfth century. They also include Sister Mary Theresa Kane, who stood before the pope--and an American television audience-in 1979 and urged him to consider the ordination of women.

By entering the convent, McNamara shows, nuns gained a community that allowed them to evolve spiritually, intellectually, and emotionally; but the convent was never a perfect refuge. Women's struggles continued against the male church hierarchy, the broader lay community, and the larger cultural and historical forces of change.

The history of nuns is an important part of the larger story of western women whose gender provoked resistance to their claims to autonomy and power. As we enter the third millennium, this groundbreaking work pays fitting tribute to the sisters who have labored with prayer and service for two thousand years, who have struggled to achieve greater recognition and authority, and who have forged opportunities for all women while holding true to the teachings of the Gospel.

More than any other profession women entered in the nineteenth century, law was the most rigidly engendered. Access to courts, bar associations, and law schools was controlled by men, while the very act of gaining admission to practice law demanded that women reinterpret the male-constructed jurisprudence that excluded them. This history of women lawyers--from the 1860s to the 1930s--defines the contours of women's integration into the modern legal profession.

Nineteenth-century women built a women lawyers' movement through which they fought to gain entrance to law schools and bar associations, joined the campaign for women suffrage, and sought to balance marriage and career. By the twentieth century, most institutional barriers crumbled and younger women entered the law confident that equal opportunity had replaced sexual discrimination. Their optimism was misplaced as many women lawyers continued to encounter discrimination, faced limited opportunities for professional advancement, and struggled to balance gender and professional identity.

Based on rich and diverse archival sources, this book is the landmark study of the history of women lawyers in America.

Three sisters who forged intertwined paths to empowerment

A real-life Little Women, Sisters of Influence is the untold story of three extraordinary sisters who defied Victorian-era expectations to leave their marks on history. Andrea Friederici Ross breathes new life into the fascinating stories of Zina, Amy, and Rose Fay, intertwining their narratives into a captivating family biography.

Born into modest circumstances as daughters of an Episcopal rector and a poet, the seven Fay siblings’ upbringing in small-town Vermont was shaped by financial struggles, rare educational opportunities, and the early loss of their mother. While their sisters pursued traditional paths and their brother Norman helped them all, Zina, Amy, and Rose boldly charted their own courses, becoming trailblazers in music, writing, and women’s advocacy.

Zina Fay Peirce envisioned a life of intellectual partnership with her husband, philosopher Charles Sanders Peirce, only to find her dreams frustrated by domestic expectations. Undeterred, she became a writer and a conservative feminist, championing improved education for women and pioneering cooperative housekeeping initiatives. Despite challenges, Zina’s vision for women’s empowerment laid a foundation for future reform.

Amy Fay, a gifted pianist, pursued music studies abroad, including under the tutelage of Franz Liszt. Her letters home, filled with vivid accounts of her experiences in Europe, were edited into a memoir by Zina and published to critical acclaim. As a concert pianist, music teacher, and advocate for women in music, Amy inspired generations of women to follow their artistic passions.

Rose Fay Thomas, initially a quiet supporter of her sisters, emerged as a formidable force in her own right, becoming a founder of the Anti-Cruelty Society. Her leadership in Chicago’s Amateur Musical Club and the National Federation of Music Clubs helped shape the American classical music scene. As the wife of conductor Theodore Thomas, Rose played a pivotal role in establishing the Chicago Symphony Orchestra. Her later writings on gardening and her husband’s life further solidified her legacy.

Through her exploration of the Fay sisters’ lives, Ross illuminates the shifting roles of women during a transformative era. From advocating for women’s education to advancing the arts and social reform, Zina, Amy, and Rose exemplify the resilience and determination that bridged the restrictive norms of the Victorian age and the activism of the Progressive Era. Their remarkable journeys will inspire readers to reimagine the possibilities of women’s contributions to history and culture.

Although the Paris Commune of 1871 has been the subject of voluminous writing, especially on the place of the uprising in the development of socialist thought and practice, little was previously done on provincial communal movements.

First published in 1971, this book offers an exploration of the insurrection as part of the nationwide struggle for municipal and departmental liberties, bringing to the fore the Commune's relationship to the broader historical problem of the consolidation and future character of the Third Republic, especially in the provinces. Greenberg thus sees the event as part of a long developing effort to decentralize political power in France.

A professor of communication and strategy reveals deep lessons from life in the African bush.

Sitting with Elephants is a heartfelt memoir that follows a middle-aged American professor and his wife as they trade suburban life for a remote bush house in South Africa. What begins as a spontaneous decision becomes a life-changing experience—one shaped by lions at the backdoor, baboons in the rafters, and above all, a herd of elephants who frequent their yard like neighbors.

Told through a series of emails to their adult children and brought to life by vivid illustrations from Abbey Ndlovu, Ronald Dulek’s narrative explores the profound lessons nature teaches: patience, humility, and deep respect for the wild. As the couple learns to communicate with elephants and navigate the rhythms of bush life, they also reflect on the unexpected beauty of slowing down and embracing the unknown.

Blending lighthearted anecdotes with moments of quiet insight, Sitting with Elephants invites readers into a story of transformation—both personal and environmental. This second edition includes expanded content with new stories and reflections, offering a deeper look into the couple’s unforgettable time in the African bush.

Yancey and Weiser bring together thirty-one writing teachers from diverse levels of instruction, institutional settings, and regions to create a stimulating volume on the current practice in portfolio writing assessment. Contributors reflect on the explosion in portfolio practice over the last decade, why it happened, what comes next; discuss portfolios in hypertext, the web, and other electronic spaces; and consider emerging trends and issues that are involving portfolios in teacher assessment, faculty development, and graduate student experience.

Contributors: Peter Elbow, Pat Belanoff, Gail Hawisher, Cynthia Selfe, Brian Huot, Sandra Murphy, William Condon

“A beautiful and necessary book...as brisk as it is insightful.”—Choice

South Africa’s most celebrated artist on art, colonialism, and studio practice.

Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio.

Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.”

Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.

A Financial Times Best Book of the Year
A Fortune Best Book of the Year
A ProMarket Best Political Economy Book of the Year

An essential guide to the intractable public debates about the virtues and vices of economic globalization, cutting through the complexity to reveal the fault lines that divide us and the points of agreement that might bring us together.

Globalization has lifted millions out of poverty. Globalization is a weapon the rich use to exploit the poor. Globalization builds bridges across national boundaries. Globalization fuels the populism and great-power competition that is tearing the world apart.

When it comes to the politics of free trade and open borders, the camps are dug in, producing a kaleidoscope of claims and counterclaims, unlikely alliances, and unexpected foes. But what exactly are we fighting about? And how might we approach these issues more productively? Anthea Roberts and Nicolas Lamp cut through the confusion with an indispensable survey of the interests, logics, and ideologies driving these intractable debates, which lie at the heart of so much political dispute and decision making. The authors expertly guide us through six competing narratives about the virtues and vices of globalization: the old establishment view that globalization benefits everyone (win-win), the pessimistic belief that it threatens us all with pandemics and climate change (lose-lose), along with various rival accounts that focus on specific winners and losers, from China to America’s Rust Belt.

Instead of picking sides, Six Faces of Globalization gives all these positions their due, showing how each deploys sophisticated arguments and compelling evidence. Both globalization’s boosters and detractors will come away with their eyes opened. By isolating the fundamental value conflicts—growth versus sustainability, efficiency versus social stability—driving disagreement and showing where rival narratives converge, Roberts and Lamp provide a holistic framework for understanding current debates. In doing so, they showcase a more integrative way of thinking about complex problems.

A Financial Times Book of the Year
A Fortune Book of the Year

“This book compels us to change our position, move out of our comfort zone, and see the world differently.”—Branko Milanovic, author of Capitalism, Alone

“A very smart book…not just about globalization, but also about the power and importance of narrative…Highly recommended.”—Anne-Marie Slaughter, CEO, New America

“An indispensable guide to how and why many people have abandoned the old, time-tested ways of thinking about politics and the economy. This is the book the world needs to read now.”—Richard Baldwin, author of The Great Convergence

When it comes to the politics of free trade and open borders, the camps are clear, producing a kaleidoscope of claims and counterclaims. But what exactly are we fighting about? Anthea Roberts and Nicolas Lamp cut through the confusion and mudslinging with an indispensable survey of the interests, logics, and ideologies driving these seemingly intractable arguments.

Instead of picking sides, Six Faces of Globalization guides us through six competing narratives about the virtues and vices of globalization, giving each position its due and showing how each deploys sophisticated arguments and compelling evidence. Both globalization’s boosters and detractors will come away with their eyes opened. By isolating the fundamental value conflicts driving disagreement—growth versus sustainability, efficiency versus social stability—and showing where rival narratives converge, this book provides an invaluable framework for understanding ongoing debates and finding a way forward.

Italo Calvino, one of the world's best storytellers, died on the eve of his departure for Harvard, where he was to deliver the Charles Eliot Norton Lectures in 1985-86. Reticent by nature, he was always reluctant to talk about himself, but he welcomed the opportunity to talk about the making of literature. In the process of devising his lectures--his wife recalls that they were an "obsession" for the last year of his life--he could not avoid mention of his own work, his methods, intentions, and hopes. This book, then, is Calvino's legacy to us: those universal values he pinpoints for future generations to cherish become the watchword for our appreciation of Calvino himself.

What about writing should be cherished? Calvino, in a wonderfully simple scheme, devotes one lecture (a memo for his reader) to each of five indispensable literary values. First there is "lightness" (leggerezza), and Calvino cites Lucretius, Ovid, Boccaccio, Cavalcanti, Leopardi, and Kundera--among others, as always--to show what he means: the gravity of existence has to be borne lightly if it is to be borne at all. There must be "quickness," a deftness in combining action (Mercury) with contemplation (Saturn). Next is "exactitude," precision and clarity of language. The fourth lecture is on "visibility," the visual imagination as an instrument for knowing the world and oneself. Then there is a tour de force on "multiplicity," where Calvino brilliantly describes the eccentrics of literature (Elaubert, Gadda, Musil, Perec, himself) and their attempt to convey the painful but exhilarating infinitude of possibilities open to humankind.

The sixth and final lecture - worked out but unwritten - was to be called "Consistency." Perhaps surprised at first, we are left to ponder how Calvino would have made that statement, and, as always with him, the pondering leads to more. With this book Calvino gives us the most eloquent, least defensive "defense of literature" scripted in our century - a fitting gift for the next millennium.

Esther Calvino has supervised the preparation of this book. She is Italo Calvino's Argentinian-born wife and a translator for several international organizations. Among Calvino's best-known works of fiction are Invisible Cities, Cosmicomics, The Baron in the Trees, if on a winter's night a traveler, and Mr. Palomar.

A thief-turned-saint, killed by an insult. A rabbi burning down his world in order to save it. A man who lost his sanity while trying to fathom the origin of the universe. A beautiful woman battling her brother’s and her husband’s egos to preserve their family. Stories such as these enliven the pages of the Talmud, the great repository of ancient wisdom that is one of the sacred texts of the Jewish people. Comprised of the Mishnah, the oral law of the Torah, and the Gemara, a multigenerational metacommentary on the Mishnah dating from between 3950 and 4235 (190 and 475 CE), the Talmud presents a formidable challenge to understand without scholarly training and study. But what if one approaches it as a collection of tales with surprising relevance for contemporary readers?

In Six Memos from the Last Millennium, critically acclaimed novelist Joseph Skibell reads some of the Talmud’s tales with a storyteller’s insight, concentrating on the lives of the legendary rabbis depicted in its pages to uncover the wisdom they can still impart to our modern age. He unifies strands of stories that are scattered throughout the Talmud into coherent narratives or “memos,” which he then analyzes and interprets from his perspective as a novelist. In Skibell’s imaginative and personal readings, this sacred literature frequently defies our conventional notions of piety. Sometimes wild, rude, and even bawdy, these memos from the last millennium pursue a livable transcendence, a way of fusing the mundane hours of earthly life with a cosmic sense of holiness and wonder.

Six Plays for Children by Aurand Harris brings together a variety of dramatic forms that have enormously enriched the literature of children's theatre in this country and around the world. These works by this respected children's theatre playwright show Harris's great versatility: in the commedia dell'arte of Androcles and the Lion; the musical melodrama Rags to Riches; the sober, absurd comedy Punch and Judy; the realistic historical drama Steal Away Home; the farce Peck's Bad Boy; and the musical review Yankee Doodle. Each of the six plays exhibits a vital theatricality which is sure to win a child's attention and response.

Editor Coleman A. Jennings traces Harris's development as a playwright in a biographical study based on interviews with Harris. This enlightening section treats Harris's philosophy and teaching methods, as well as his creative process.

“Erudite, wide-ranging, and slyly humorous.”
—The Atlantic

One of the great novelists and public intellectuals of our time gives a master class on the philosophy of fiction.

Umberto Eco was fond of pointing out that all writing is narrative. He published his famed debut novel The Name of the Rose when he was forty-eight years old, yet he believed that everything he had written to that point—from treatises on semiotics to essays on mass culture—took the form of a story. To Eco, scholarship, much like fiction, was shaped by narrative. It was the stuff of life itself.

Six Walks in the Fictional Woods, a collection of essays based on Eco’s 1992–1993 Norton Lectures at Harvard, illuminates fiction’s porous boundaries—in particular, the myriad ways that literary works conscript readers’ experiences and expectations. Fiction, says Eco, can offer metaphysical comfort by appealing to our desire for a smaller, more legible world, one that gives a definitive answer to the question of “whodunnit?” But it also makes demands of us, presupposing a model reader who possesses the cultural knowledge necessary to interpret the text, as well as a willingness to follow the never-quite-specified rules of the literary game.

Whether he is dissecting grammatical ambiguities in Gérard de Nerval’s nineteenth-century romantic masterpiece Sylvie, studying the rhythms of Ian Fleming’s James Bond novels, or tracing the web of fraud and misattribution that produced the antisemitic conspiracy theory of The Protocols of the Elders of Zion, this is Eco at his very best: intellectually omnivorous, endlessly fascinated by hoaxes, and always an adept navigator of the narrative forests that surround us.

How six groundbreaking women redefined American food—what we eat, how we eat it, and why it matters.

From wartime nutrition science to modern food activism, Six Women Who Shaped What Americans Eat examines the pivotal roles six women played in rewriting the rules of American cuisine. Michelle Mart offers a rich and accessible narrative that connects dietary trends, food marketing, and public health movements to the voices of the women who helped drive them.

Part one highlights Hazel Stiebeling’s development of dietary guidelines and RDAs, Poppy Cannon’s promotion of processed foods for convenience and gourmet meals, and Julia Child’s introduction of French cuisine with an emphasis on fresh ingredients and culinary techniques. Part two shifts the focus to women who challenged the food system itself: Frances Moore Lappé’s advocacy for vegetarianism and sustainable practices, Marion Nestle’s exposure of food corporations’ manipulative practices, and Alice Waters’s emphasis on locally sourced, organic ingredients and sustainable food systems. Thoughtful and timely, this book explores how culture, politics, and personal vision collided in the kitchens and campaigns of six food pioneers—leaving a lasting imprint on what America eats today.

Gallup’s 2019 State of the American Workplace Report found that 70 percent of employees are disengaged at work. Why is worker engagement so important? Engaged workers lead to engaged libraries — vibrant institutions that nurture their workers’ dedication, creativity, and innovation so they can serve their communities most effectively. This guide walks library managers and administrators through concrete steps to change their organization’s culture so that it fosters worker engagement, using first-hand accounts from library staff to illustrate both successes and failures. Readers will discover

• why libraries often fall short at hiring good leadership and ways to develop better recruitment strategies moving forward;
• how lack of trust pushes workplace culture towards incivility, hostility, and lower morale, and what library leaders can do to rebuild it;
• methods for using recognition and praise as tools for sustaining a positive work environment;
• the rationale for eliminating annual performance reviews in favor of less formal one-on-one conversations and “just in time” continuous feedback;
• the secrets behind high performing teams, strategies to support dysfunctional teams, and tips on how to develop remote teamwork; and
• why viewing diversity, equity, and inclusion (DEI) as separate from workplace culture is counterproductive, since it is actually the positive result of a strong foundation, with advice on combating the factors that contribute to low retention rates of BIPOC librarians.

A richly illustrated architectural “biography” of one of DC’s most important boulevards

Sixteenth Street NW in Washington, DC, has been called the Avenue of the Presidents, Executive Avenue, and the Avenue of Churches. From the front door of the White House, this north-south artery runs through the middle of the District and extends just past its border with Maryland. The street is as central to the cityscape as it is to DC’s history and culture.

In Sixteenth Street NW: Washington, DC’s Avenue of Ambitions, John DeFerrari and Douglas Peter Sefton depict the social and architectural history of the street and immediate neighborhoods, inviting readers to explore how the push and pull between ordinary Washingtonians and powerful elites has shaped the corridor—and the city. This highly illustrated book features notable buildings along Sixteenth Street and recounts colorful stories of those who lived, worked, and worshipped there. Maps offer readers an opportunity to create self-guided tours of the places and people that have defined this main thoroughfare over time.

What readers will find is that both then and now, Sixteenth Street NW has been shaped by a diverse array of people and communities. The street, and the book, feature a range of sites—from Black Lives Matter Plaza to the White House, from mansions and rowhomes to apartment buildings, from Meridian Hill (Malcolm X) Park with its drum circles to Rock Creek Park with its tennis tournaments, and from hotels to houses of worship. Sixteenth Street, NW reveals a cross section of Washington, DC, that shows the vibrant makeup of our nation’s capital.

“If you remember the Sixties,” quipped Robin Williams, “you weren’t there.” That was, of course, an oblique reference to the mind-bending drugs that clouded perception—yet time has proven an equally effective hallucinogen. This book revisits the Sixties we forgot or somehow failed to witness. In a kaleidoscopic global tour of the decade, Gerard DeGroot reminds us that the “Ballad of the Green Beret” outsold “Give Peace a Chance,” that the Students for a Democratic Society were outnumbered by Young Americans for Freedom, that revolution was always a pipe dream, and that the Sixties belong to Reagan and de Gaulle more than to Kennedy and Dubcek.

The Sixties Unplugged shows how opportunity was squandered, and why nostalgia for the decade has obscured sordidness and futility. DeGroot returns us to a time in which idealism, tolerance, and creativity gave way to cynicism, chauvinism, and materialism. He presents the Sixties as a drama acted out on stages around the world, a theater of the absurd in which China’s Cultural Revolution proved to be the worst atrocity of the twentieth century, the Six-Day War a disaster for every nation in the Middle East, and a million slaughtered Indonesians martyrs to greed.

The Sixties Unplugged restores to an era the prevalent disorder and inconvenient truths that longing, wistfulness, and distance have obscured. In an impressionistic journey through a tumultuous decade, DeGroot offers an object lesson in the distortions nostalgia can create as it strives to impose order on memory and value on mayhem.

The late James M. Cain was a newspaperman, playwright, and novelist. Although best known for his controversial novels (The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, Serenade, The Butterfly, and Past All Dishonor), Cain always considered himself a journalist, a "newpaperman who wrote yarns on the side." The book includes some of Cain's best articles and essays. The material is sometimes serious, sometimes humorous and provides a unique look at 60 years of history.

“Siya Nga!” is a Filipino expression of wonder and, thus, of openness to possibilities. It is an expression of epiphany and eureka! This book offers the readers short reflections by Jose Ramon T. Villarin, SJ on fifty-two “familiar” terms in the Christian faith — terms that the author and editor deem significant in the life and living of those who share the Christian faith, either by religious affiliation or by spiritual aspiration.

The reflections are elucidated by images of eighty artworks by fifty-four Filipino artists. The reflections seek to make these terms of faith —Incarnation, Trinity, Word, Freedom, even Christmas, for example — once again unfamiliar. In that way, and in Fr. Villarin's own words, “the newness of God will never grow old, and the bigness of his love ... will never grow small.” Reflection, etymologically speaking, means “bending back.” The bending back of perspectives allows readers to dwell once more on Christian wonder, openness, possibility, and epiphany. 

The landscape of this novel in stories—Joseph Cardinale’s first book-length work of fiction—is as familiar as childhood yet beguilingly surreal. The question of whether or not the child in the first fiction and the man in the last story are the same person—and whether any person is the same from one moment to the next—is perhaps the book’s main question.

In prose as spare as it is meticulous, The Size of the Universe conjures an elegant labyrinth of time, space, and memory, in which a wavering self, a self on the verge of becoming nothing, seeks a safe haven from the throes of near-religious ecstasy. It is a debut work that is inviting, perplexing, and bold.

An eminent pioneer of modern protein chemistry looks back on six decades in biochemical research and education to advance stimulating thoughts about science—how it is practiced, how it is explained, and how its history is written. Taking the title of his book from Robert Boyle’s classic, The Sceptical Chymist (1661), and Joseph Needham’s The Sceptical Biologist (1929), Joseph Fruton brings his own skeptical vision to bear on how chemistry and biology interact to describe living systems.

Scientists, philosophers, historians, and sociologists will seize upon the questions Fruton raises: What is the nature of the tension between the chemical and the biological sciences? What are the roots and future direction of molecular biology? What is the proper place of expert scientists in the historiography of science? How does the “scientific method” really work in practice? These and many other topics are fair game for this author’s wise critiques. In a stimulating final chapter, Fruton analyzes the evolution of key terms and symbols—the conceptual underpinnings used in the biochemical literature.

A lively report of travels in early nineteenth-century Texas and Louisiana and a fascinating account of the discovery, exploration, and settlement of those areas is presented in the work of this ebullient young French dramatist and journalist who traveled to Louisiana in 1837 and to Texas in 1839.

Frédéric Gaillardet, an alert and talented writer of the romantic school, was lured away for a decade from a successful career in Paris to satisfy his wanderlust and to seek inspiration on the American frontier. During that time he visited the American Southwest, and he talked with many personages there—men like Sam Houston, Mirabeau B. Lamar, and Achille Murat. His character sketches of these men add zest to the book, as do the facets of Gaillardet's own personality and life displayed in these pages.

Gaillardet's reports of his travels were published in various French-language newspapers of the time; a few were incorporated into the author's posthumous memoirs. His opinions, as recorded in his writings, exerted undeniable influence in the French decision to recognize Texas; one of his theses was that the Republic of Texas might become a curb, rather than a stepping stone, to an expanding United States. Despite Gaillardet's historical importance, however, none of these chapters has ever appeared before in English translation.

This collection was gathered from several sources: the Journal des Débats, the Constitutionnel, the Courrier des États-Unis, and Gaillardet's memoirs, entitled L'Aristocratie en Amérique.

The latter chapters concentrate on the career of a prominent Louisiana lawyer, politician, and diplomat, Pierre Soulé, whose much maligned name Gaillardet repeatedly and stoutly defended. A less favorable treatment of Soulé, contained in Fanny Calderón de la Barca's Attaché in Madrid, is reprinted in the appendix to aid the reader in judging the accuracy of Gaillardet's analysis of this arresting figure.

Copious footnotes to clarify the text have been added by the translator. His introduction presents a biographical sketch of Gaillardet, together with a careful analysis of the book, which has been translated lucidly and vividly.

This book is the first anthology of the autobiographical writings of Peter Randolph, a prominent nineteenth-century former slave who became a black abolitionist, pastor, and community leader.

Randolph’s story is unique because he was freed and relocated from Virginia to Boston, along with his entire plantation cohort. A lawsuit launched by Randolph against his former master’s estate left legal documents that corroborate his autobiographies.

Randolph's writings give us a window into a different experience of slavery and freedom than other narratives currently available and will be of interest to students and scholars of African American literature, history, and religious studies, as well as those with an interest in Virginia history and mid-Atlantic slavery. 

Now in paperback: a writer and former ski jumper facing a terminal diagnosis takes one more leap—into a past of soaring flights and broken family bonds

A brilliant ski jumper has to be fearless—Jon Bargaard remembers this well. His memories of daring leaps and risks might be the key to the book he’s always wanted to write: a novel about his family, beginning with Pops, once a champion ski jumper himself, who also took Jon and his younger brother Anton to the heights. But Jon has never been able to get past the next, ruinous episode of their history, and now that he has received a terrible diagnosis, he’s afraid he never will.

In a bravura performance, Peter Geye follows Jon deep into the past he tried so hard to leave behind, telling the story he spent his life escaping. It begins with a flourish, his father and his hard-won sweetheart fleeing Chicago, and a notoriously ruthless gangster, to land in North Minneapolis. That, at least, was the tale Jon heard, one that becomes more and more suspect as he revisits the events that eventually tore the family in two, sending his father to prison, his mother to the state hospital, and placing himself, a teenager, in charge of thirteen-year-old Anton. Traveling back and forth in time, Jon tells his family’s story—perhaps his last chance to share it—to his beloved wife Ingrid, circling ever closer to the truth about those events and his own part in them, and revealing the perhaps unforgivable violence done to the brothers’ bond.

The dream of ski jumping haunts Jon as his tale unfolds, daring time to stop just long enough to stick the landing. As thrilling as those soaring flights, as precarious as the Bargaard family’s complicated love, as tender as Jon’s backward gaze while disease takes him inexorably forward, Peter Geye’s gorgeous prose brings the brothers to the precipice of their relationship, where they have to choose: each other, or the secrets they’ve held so tightly for so long.

Cover alt text: Lightly gradiented periwinkle sky background with white cloud in upper right corner and snow in lower left. At top, a cutout black-and-white image of a ski jumper appears and is cut off at the neck. Foreground: Book title in all-caps red, with author name beneath in all-caps white and “A Novel” beneath in all-cap dark grey. All text reads at a motion slant.

Students are reading on screens more than ever—how can we teach them to be better digital readers?

Smartphones, laptops, tablets: college students are reading on-screen all the time, and digital devices shape students’ understanding of and experiences with reading. In higher education, however, teachers rarely consider how digital reading experiences may have an impact on learning abilities, unless they’re lamenting students’ attention spans or the distractions available to students when they’re learning online.

Skim, Dive, Surface offers a corrective to these conversations—an invitation to focus not on losses to student learning but on the spectrum of affordances available within digital learning environments. It is designed to help college instructors across the curriculum teach digital reading in their classes, whether they teach face-to-face, fully online, or somewhere in between. Placing research from cognitive psychology, neuroscience, learning science, and composition in dialogue with insight from the scholarship of teaching and learning, Jenae Cohn shows how teachers can better frame, scaffold, and implement effective digital reading assignments. She positions digital reading as part of a cluster of literacies that students should develop in order to communicate effectively in a digital environment.

How does the notion of colorblind equality fit with the social and economic realities of black Americans? Challenging the increasingly popular argument that blacks should settle down, stop whining, and get jobs, Skin Trade insists that racism remains America's premier national story and its grossest national product. From Aunt Jemima Pancakes to ethnic Barbie dolls, corporate America peddles racial and gender stereotypes, packaging and selling them to us as breakfast food or toys for our kids.

Moving from the realm of child's play through the academy and the justice system, Ann duCille draws on icons of popular culture to demonstrate that it isn't just race and gender that matter in America but race and gender as reducible to skin color, body structure, and other visible signs of difference. She reveals that Mattel, Inc., uses stereotypes of gender, race, and cultural difference to mark--and market--its Barbie dolls as female, white, black, Asian, and Hispanic. The popularity of these dolls suggests the degree to which we have internalized dominant definitions of self and other.

In a similar move, Skin Trade interrogates the popular discourse surrounding the trial of O. J. Simpson, arguing that much of the mainstream coverage of the case was a racially coded message equally dependent on stereotypes. Focusing on Newsweek and Time in particular, duCille shows how the former All-American was depicted as un-American. She explores other collusions and collisions among race, gender, and capital as well. Especially concerned with superficial distinctions perpetuated within the academic community, the author argues that the academy indulges in its own skin trade in which both race and gender are hot properties.

By turns biting, humorous, and hopeful, Skin Trade is always riveting, full of strange connections and unexpected insights.

When Philadelphia naturalist Samuel George Morton died in 1851, no one cut off his head, boiled away its flesh, and added his grinning skull to a collection of crania. It would have been strange, but perhaps fitting, had Morton’s skull wound up in a collector’s cabinet, for Morton himself had collected hundreds of skulls over the course of a long career. Friends, diplomats, doctors, soldiers, and fellow naturalists sent him skulls they gathered from battlefields and burial grounds across America and around the world.

With The Skull Collectors, eminent historian Ann Fabian resurrects that popular and scientific movement, telling the strange—and at times gruesome—story of Morton, his contemporaries, and their search for a scientific foundation for racial difference. From cranial measurements and museum shelves to heads on stakes, bloody battlefields, and the “rascally pleasure” of grave robbing, Fabian paints a lively picture of scientific inquiry in service of an agenda of racial superiority, and of a society coming to grips with both the deadly implications of manifest destiny and the mass slaughter of the Civil War. Even as she vividly recreates the past, Fabian also deftly traces the continuing implications of this history, from lingering traces of scientific racism to debates over the return of the remains of Native Americans that are held by museums to this day.

Full of anecdotes, oddities, and insights, The Skull Collectors takes readers on a darkly fascinating trip down a little-visited but surprisingly important byway of American history.