Between 1876 and 1945, thousands of Japanese civilians—merchants, traders, prostitutes, journalists, teachers, and adventurers—left their homeland for a new life on the Korean peninsula. Although most migrants were guided primarily by personal profit and only secondarily by national interest, their mundane lives and the state’s ambitions were inextricably entwined in the rise of imperial Japan. Despite having formed one of the largest colonial communities in the twentieth century, these settlers and their empire-building activities have all but vanished from the public memory of Japan’s presence in Korea.

Drawing on previously unused materials in multi-language archives, Jun Uchida looks behind the official organs of state and military control to focus on the obscured history of these settlers, especially the first generation of “pioneers” between the 1910s and 1930s who actively mediated the colonial management of Korea as its grassroots movers and shakers. By uncovering the downplayed but dynamic role played by settler leaders who operated among multiple parties—between the settler community and the Government-General, between Japanese colonizer and Korean colonized, between colony and metropole—this study examines how these “brokers of empire” advanced their commercial and political interests while contributing to the expansionist project of imperial Japan.

Life at Brook Farm resembled an Arcadian adventure, in which the days began with the choir singing Mozart and Haydn and ended with drama and dancing. But how accurate is this image? In the first comprehensive examination of the famous utopian community in West Roxbury, Massachusetts, Sterling Delano reveals a surprisingly grim side to paradise as the Brook Farmers faced relentless financial pressures, a declining faith in their leaders, and smoldering class antagonisms.

Delano weaves through this remarkable story the voices of the Brook Farmers themselves, including their founder, George Ripley. Ripley founded Brook Farm in 1841 as an agrarian and pastoral society that would "insure a more natural union between intellectual and manual labor," yet he was surprisingly unprepared to lead it. Three years after its founding, Brook Farm was transformed into an industrial Phalanx. Longtime members departed, and key supporters withdrew. A smallpox scare, a financial lawsuit filed by Nathaniel Hawthorne, and a devastating fire all contributed to the community's ultimate demise. Despite its failure, however, the Brook Farmers recalled only its positive aspects, including the opportunities there for women and its progressive educational program.

In his wonderfully evocative account, Delano gives us a more complete picture than ever before of Brook Farm, and vividly chronicles the spirit of the Transcendental age.

Described as a “fascinating journey upstream into the past to understand where the current will bring the future of Korean pop music,” (Busan Ilbo Review, 2009) Brother Is a Street Musician does not deal with contemporary K-Pop; rather, it visits the first chapter of Korea’s popular music history, which coincided with Japanese colonization in the first half of the 20th century. Combining archival research with a critical analysis of the earliest popular songs, the early recording industry, the first modern era musicians and composers, and the first formation of the consumer masses, Korean popular music scholar and musician Zhang Eujeong seeks to address the essential question: how did a colonized people construct their own, unique form of popular culture? 

Today, popular music from Korea has established itself as a formidable, global cultural phenomenon, garnering the interest of not only the power players in the global music industry, but also scholars across many disciplines. As an academic inquiry into the first moment of Korean popular music history, this English translation by Seulbin Han will be an essential resource in today’s lively conversations around the emerging field of Korean popular music.

From the time the first tracks were laid in the early nineteenth century, the railroad has occupied a crucial place in America's historical imagination. Now, for the first time, Eric Arnesen gives us an untold piece of that vital American institution—the story of African Americans on the railroad.

African Americans have been a part of the railroad from its inception, but today they are largely remembered as Pullman porters and track layers. The real history is far richer, a tale of endless struggle, perseverance, and partial victory. In a sweeping narrative, Arnesen re-creates the heroic efforts by black locomotive firemen, brakemen, porters, dining car waiters, and redcaps to fight a pervasive system of racism and job discrimination fostered by their employers, white co-workers, and the unions that legally represented them even while barring them from membership.

Decades before the rise of the modern civil rights movement in the mid-1950s, black railroaders forged their own brand of civil rights activism, organizing their own associations, challenging white trade unions, and pursuing legal redress through state and federal courts. In recapturing black railroaders' voices, aspirations, and challenges, Arnesen helps to recast the history of black protest and American labor in the twentieth century.

Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.

Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.

This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.

Reviews of the Knopf edition:

"A wonderful book—fresh and intelligent. Broyles's eye for Vietnam, then and now, is unerring." —Peter Jennings

"[A] superbly written, often moving story of Broyles' journey back to the killing ground in Vietnam where he once served as a Marine lieutenant. A cool, clear meditation that stings the heart." —Kirkus Reviews

"A first-rate piece of work, infused with an ideal American common decency and common sense." —Kurt Vonnegut

"Exceptional and memorable." —Gay Talese

Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street—already a synonym for impoverished hack writers—before he became one of literary London’s most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers’ livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson’s “Club” and those far less fortunate “brothers of the quill” trapped in Grub Street.

Clarke emphasizes Goldsmith’s sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish émigrés: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface.

To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.

Brown bears are powerful symbols of wilderness, thriving in the vast, untamed ecosystems of Alaska’s remote national parks. Brown Bears in Alaska’s National Parks is a unique and thorough exploration of the conservation, ecology, and management of brown bears in these parks, including examinations of bear biology, human-bear interactions, population estimation methods, and the effects of climate change on bear populations. This lavishly illustrated volume offers fresh perspectives about the complex challenges that bears and humans face as they navigate coexistence in the evolving wilderness of Alaska.

Through park-specific chapters, the authors clearly present the current understanding of brown bear ecology across a wide range of ecosystems—from the sparse and frigid Gates of the Arctic, entirely above the Arctic Circle, to the bountiful coast of Katmai, where the marine and terrestrial systems converge. In Glacier Bay, bears roam newly exposed ecosystems shaped by retreating glaciers, while the interior landscapes of Lake Clark and Denali provide a mix of boreal forests, tundra, rivers, and towering mountains.

Brown bears—and the many species that share their habitats—face numerous challenges, with climate change among the greatest threats. The warming climate intensifies other pressures, such as industrial development, both within and around park boundaries. Management actions may also reduce native brown bear populations and, in turn, threaten healthy and naturally functioning ecosystems. The adaptability of brown bears, in concert with thoughtful and science-based management, is essential for the conservation of these majestic creatures and the wilderness landscapes on which they depend.

Written by the wildlife biologists and anthropologists who have dedicated their careers to studying brown (grizzly) bears and their relationship to people, Brown Bears in Alaska’s National Parks is a premier reference for bear enthusiasts, biologists, managers, and academics, as well as advocates for wild things and wild places.

Anuradha Bhowmik’s life as a Bangladeshi-born American girl growing up as a first-generation immigrant in the United States gives shape to this debut collection. Brown Girl Chromatography interrogates issues of race, class, gender, and sexuality in a post-9/11 America while navigating the poet’s millennial childhood, adolescence, and adulthood. The poems follow Bhowmik as she learns about the cruelties in both American and Bangladeshi worlds without any guidance or instruction on how to survive these conflicting spheres. Any visible traces of her Bangladeshi life result in racial ridicule from her peers, while participating and assimilating into American culture is met with violence and abuse at home. As language and memory intersect, Bhowmik draws on pop culture and free association to examine her displacement from many angles and make meaning out of hurt.

Winner, Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies, 2006

Popular fiction, with its capacity for diversion, can mask important cultural observations within a framework that is often overlooked in the academic world. Works thought to be merely "escapist" can often be more seriously mined for revelations regarding the worlds they portray, especially those of the disenfranchised. As detective fiction has slowly earned critical respect, more authors from minority groups have chosen it as their medium. Chicana/o authors, previously reluctant to write in an underestimated genre that might further marginalize them, have only entered the world of detective fiction in the past two decades.

In this book, the first comprehensive study of Chicano/a detective fiction, Ralph E. Rodriguez examines the recent contributions to the genre by writers such as Rudolfo Anaya, Lucha Corpi, Rolando Hinojosa, Michael Nava, and Manuel Ramos. Their works reveal the struggles of Chicanas/os with feminism, homosexuality, familia, masculinity, mysticism, the nationalist subject, and U.S.-Mexico border relations. He maintains that their novels register crucial new discourses of identity, politics, and cultural citizenship that cannot be understood apart from the historical instability following the demise of the nationalist politics of the Chicana/o movement of the 1960s and 1970s. In contrast to that time, when Chicanas/os sought a unified Chicano identity in order to effect social change, the 1980s, 1990s, and 2000s have seen a disengagement from these nationalist politics and a new trend toward a heterogeneous sense of self. The detective novel and its traditional focus on questions of knowledge and identity turned out to be the perfect medium in which to examine this new self.

Common conceptions permeating U.S. ethnic queer theory tend to confuse aesthetics with real-world acts and politics. Often Chicano/a representations of gay and lesbian experiences in literature and film are analyzed simply as propaganda. The cognitive, emotional, and narrational ingredients (that is, the subject matter and the formal traits) of those representations are frequently reduced to a priori agendas that emphasize a politics of difference.

In this book, Frederick Luis Aldama follows an entirely different approach. He investigates the ways in which race and gay/lesbian sexuality intersect and operate in Chicano/a literature and film while taking into full account their imaginative nature and therefore the specific kind of work invested in them. Also, Aldama frames his analyses within today's larger (globalized) context of postcolonial literary and filmic canons that seek to normalize heterosexual identity and experience. Throughout the book, Aldama applies his innovative approach to throw new light on the work of authors Arturo Islas, Richard Rodriguez, John Rechy, Ana Castillo, and Sheila Ortiz Taylor, as well as that of film director Edward James Olmos. In doing so, Aldama aims to integrate and deepen Chicano literary and filmic studies within a comparative perspective. Aldama's unusual juxtapositions of narrative materials and cultural personae, and his premise that literature and film produce fictional examples of a social and historical reality concerned with ethnic and sexual issues largely unresolved, make this book relevant to a wide range of readers.

In this unprecedented study, Hamid Dabashi provides a critical examination of the role that immigrant "comprador intellectuals" play in facilitating the global domination of American imperialism.  

In his pioneering book about the relationship between race and colonialism, Black Skin, White Masks, Frantz Fanon explored the traumatic consequences of the sense of inferiority that colonized people felt, and how this often led them to identify with the ideology of the colonial agency. Brown Skin, White Masks picks up where Frantz Fanon left off. Dabashi extends Fanon’s insights as they apply to today's world.

Dabashi shows how intellectuals who migrate to the West are often used by the imperial powers to misrepresent their home countries. Just as many Iraqi exiles were used to justify the invasion of Iraq, Dabashi demonstrates that this is a common phenomenon, and examines why and how so many immigrant intellectuals help to sustain imperialism.

The book radically alters Edward Said’s notion of the “intellectual exile,” in order to show the negative impact of intellectual migration. Dabashi examines the ideology of cultural superiority, and provides a passionate account of how these immigrant intellectuals—rootless compradors, and guns for hire–continue to betray any notion of home or country in order to manufacture consent for imperial projects.

2002 – Best Book on Ethnic and Racial Political Ideology and/or Political Theory – Organized Section on Race, Ethnicity, and Politics of the American Political Science Association

"...awash under a brown tide...the relentless flow of immigrants..like waves on a beach, these human flows are remaking the face of America...." Since 1993, metaphorical language such as this has permeated mainstream media reporting on the United States' growing Latino population. In this groundbreaking book, Otto Santa Ana argues that far from being mere figures of speech, such metaphors produce and sustain negative public perceptions of the Latino community and its place in American society, precluding the view that Latinos are vested with the same rights and privileges as other citizens.

Applying the insights of cognitive metaphor theory to an extensive natural language data set drawn from hundreds of articles in the Los Angeles Times and other media, Santa Ana reveals how metaphorical language portrays Latinos as invaders, outsiders, burdens, parasites, diseases, animals, and weeds. He convincingly demonstrates that three anti-Latino referenda passed in California because of such imagery, particularly the infamous anti-immigrant measure, Proposition 187. Santa Ana illustrates how Proposition 209 organizers broadcast compelling new metaphors about racism to persuade an electorate that had previously supported affirmative action to ban it. He also shows how Proposition 227 supporters used antiquated metaphors for learning, school, and language to blame Latino children's speech—rather than gross structural inequity—for their schools' failure to educate them. Santa Ana concludes by calling for the creation of insurgent metaphors to contest oppressive U.S. public discourse about minority communities.

Honorable Mention for the National Women’s Studies Association's 2021 Gloria E. Anzaldúa Book Prize
2021 Finalist Best LGBTQ+ Themed Book, International Latino Book Awards
2022 John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular Culture Association
The Alan Bray Memorial Book Prize, GL/Q Caucus, Modern Language Association (MLA)
2022 AAHHE Book of the Year Award, American Association of Hispanics in Higher Education

Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences.

Brown Trans Figurations presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana feminist works, and explores how issues such as transgender politics can be imagined as part of Chicanx and Latinx political movements. This book considers the contexts in which brown trans narratives appear, how they circulate, and how they are reproduced in politics, sexual cultures, and racialized economies.

This will stand as the definitive account of Robert Browning's development to maturity as a man and poet. Drawing on all available material, including important new manuscript findings, John Maynard reconstructs the circumstances of Browning's youth—his ancestry, his attractive and eccentric family, life in the new suburban London, his early understanding of himself and the world around him, his rich cultural education at home and with his teachers and friends and gives us a warm and convincing picture of Browning's boyhood and growth. Maynard traces Browning's early efforts to define his role as a poet, providing a full critical interpretation of his relation to the Romantics, especially the peculiarly powerful influence Shelley exerted on his early work.

The development of Browning's mind is examined in his response to his early schooling and private tutoring at home, his year at the new London University, and his decision to drop out of the university and all conventional career plans. The history concludes with a survey of Browning's reading in the period of self-education that initiated his mature work as a major poet of our modern era. Maynard's intention throughout is not to provide a day-to-day account of a boy and young man's life, but to flesh out the larger epic of a gifted child's formation in his environment, and the emergence of his own direction out of the context of his family, society, and literary culture. In so doing he has achieved a model case study of the development of a young man's mind and of a young poet's sense of identity as a creative artist. And he has recaptured the social, physical, and cultural ambiance of middle-class London in the early nineteenth century. It is a story told with grace and critical good sense.

Although he served as an apostle in the Church of Jesus Christ of Latter-day Saints for only twelve and a half years, Bruce R. McConkie’s twenty-six years’ service in the First Council of Seventy had already made him a household name within the church. Called to full-time church service at age thirty-one, McConkie quickly gained a reputation as a theologian and doctrinal teacher. He became a prolific writer, and his controversial book, Mormon Doctrine, remained a bestseller for decades. His writing style, dogmatic approach, and quickness to reprimand others he believed in error made him many enemies, while others endeared themselves to him because of those very traits.

McConkie the man was far more complex than the serious and focused general authority most church members saw and heard at the pulpit. Those who knew him best experienced his profound sense of humor. His passion for jogging, rock hounding, and jewelry making occupied much of his free time. Those who witnessed his final address delivered days before his death felt compassion toward him, no matter how they had always viewed him as a writer, speaker, or leader. Truly, to understand Bruce R. McConkie one must look closely at the entire picture.

Bruno Latour, the French sociologist, anthropologist and long-established superstar in the social sciences is revisited in this pioneering account of his ever-evolving political philosophy. Breaking from the traditional focus on his metaphysics, most recently seen in Harman’s book Prince of Networks, the author instead begins with the Hobbesian and even Machiavellian underpinnings of Latour’s early period encountering his shift towards Carl Schmitt then finishing with his final development into the Lippmann / Dewey debate. Harman brings these twists and turns into sharp focus in terms of Latour’s personal political thinking.

Along with Latour’s most important articles on political themes, the book chooses three works as exemplary of the distinct periods in Latour’s thinking: The Pasteurization of France, Politics of Nature, and the recently published An Inquiry Into Modes of Existence, as his conception of politics evolves from a global power struggle between individuals, to the fabrication of fragile parliamentary networks, to just one mode of existence among many others.

French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris.

Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.

This book presents the first large-scale study of lobbying strategies and outcomes in the United States and the European Union, two of the most powerful political systems in the world. Every day, tens of thousands of lobbyists in Washington and Brussels are working to protect and promote their interests in the policymaking process. Policies emanating from these two spheres have global impacts—they set global standards, they influence global markets, and they determine global politics. Armed with extensive new data, Christine Mahoney challenges the conventional stereotypes that attribute any differences between the two systems to cultural ones—the American, a partisan and combative approach, and the European, a consensus-based one.

Mahoney draws from 149 interviews involving 47 issues to detail how institutional structures, the nature of specific issues, and characteristics of the interest groups combine to determine decisions about how to approach a political fight, what arguments to use, and how to frame an issue. She looks at how lobbyists choose lobbying tactics, public relations strategies, and networking and coalition activities. Her analysis demonstrates that advocacy can be better understood when we study the lobbying of interest groups in their institutional and issue context. This book offers new insights into how the process of lobbying works on both sides of the Atlantic.

The statesman on the history and practice of Roman oratory.

Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician, and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.

The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

During the seventeenth century, sea raiders known as buccaneers controlled the Caribbean. Buccaneers were not pirates but privateers, licensed to attack the Spanish by the governments of England, France, and Holland. Jon Latimer charts the exploits of these men who followed few rules as they forged new empires.

Lacking effective naval power, the English, French, and Dutch developed privateering as the means of protecting their young New World colonies. They developed a form of semi-legal private warfare, often carried out regardless of political developments on the other side of the Atlantic, but usually with tacit approval from London, Paris, and Amsterdam. Drawing on letters, diaries, and memoirs of such figures as William Dampier, Sieur Raveneau de Lussan, Alexander Oliver Exquemelin, and Basil Ringrose, Jon Latimer portrays a world of madcap adventurers, daredevil seafarers, and dangerous rogues.

Piet Hein of the Dutch West India Company captured, off the coast of Cuba, the Spanish treasure fleet, laden with American silver, and funded the Dutch for eight months in their fight against Spain. The switch from tobacco to sugar transformed the Caribbean, and everyone scrambled for a quick profit in the slave trade. Oliver Cromwell’s ludicrous Western Design—a grand scheme to conquer Central America—fizzled spectacularly, while the surprising prosperity of Jamaica set England solidly on the road to empire. The infamous Henry Morgan conducted a dramatic raid through the tropical jungle of Panama that ended in the burning of Panama City.

From the crash of gunfire to the billowing sail on the horizon, Latimer brilliantly evokes the dramatic age of the buccaneers.

Every fall close to one million hunters enter Pennsylvania’s forests and mountains in quest of the white-tailed deer.  Some are seeking sport and companionship; others are stocking their larders for winter; many are conservationists who regard hunting as the most humane way of reducing overpopulated deer herds.  They all face the increasing activism of animal rights advocates who are opposed to hunting in principle and who frequently picket and harass hunters.

This controversial subject is explored in depth by Mike Sajna, the outdoors columnist for Pittsburgh Magazine and a twenty-year veteran of Pennsylvania’s “pumpkin army,” the orange-clad throng that invades the woods every season.  To explain the ethos and traditions of hunting he takes the reader to a typical deer camp in Warren County, in the rugged terrain of the Allegheny High Plateau.  Starting with the trek north from their homes around Pittsburgh, he captures the sights and sounds, thoughts and feelings of three generations of hunters.  With humor, affection, and insight he recounts the hunting lore, the camaraderie, the physical testing that make deer camp a unique experience.

For 1,400 years, two colossal figures of the Buddha overlooked the fertile Bamiyan Valley on the Silk Road in Afghanistan. Witness to a melting pot of passing monks, merchants, and armies, the Buddhas embodied the intersection of East and West, and their destruction by the Taliban in 2001 provoked international outrage. Llewelyn Morgan excavates the layers of meaning these vanished wonders hold for a fractured Afghanistan.

Carved in the sixth and seventh centuries, the Buddhas represented a confluence of religious and artistic traditions from India, China, Central Asia, and Iran, and even an echo of Greek influence brought by Alexander the Great’s armies. By the time Genghis Khan destroyed the town of Bamiyan six centuries later, Islam had replaced Buddhism as the local religion, and the Buddhas were celebrated as wonders of the Islamic world. Not until the nineteenth century did these figures come to the attention of Westerners. That is also the historical moment when the ground was laid for many of Afghanistan’s current problems, including the rise of the Taliban and the oppression of the Hazara people of Bamiyan. In a strange twist, the Hazaras—descendants of the conquering Mongol hordes who stormed Bamiyan in the thirteenth century—had come to venerate the Buddhas that once dominated their valley as symbols of their very different religious identity.

Incorporating the voices of the holy men, adventurers, and hostages throughout history who set eyes on the Bamiyan Buddhas, Morgan tells the history of this region of paradox and heartache.

The Buddha as man, animal, and god on the path to enlightenment.

According to ancient traditions, it takes countless lifetimes to become a Buddha. The Buddha’s own path to complete awakening was chronicled in five hundred and forty-seven stories known as the jātakas, which underwent numerous adaptations in the centuries after the Buddha’s lifetime. In the fifth or sixth century CE, in the region known as present-day Sri Lanka, an anonymous author wrote an introduction to these, recounting the history of a vow that prompted this great quest. This narrative, titled Jātakanidāna in Pali, preserves the oral traditions about the Bodhisatta, the one destined to become a Buddha in his final life. The text also functioned for centuries as a gateway to other early Buddhist teachings, offering valuable insights into the Buddha's journey toward enlightenment.

The story begins when, in one of his lives as an ascetic named Sumedha, the Buddha vows to delay his own awakening until he can guide others toward their release from the cycle of rebirth. This vow sets him on a long series of lives—as man, animal, and god. At the culmination of his spiritual journey, he recalls his past lives, his teachings, and the establishment of the monastic community that would preserve and spread these teachings.
The Buddha’s Path to Awakening has become one of the most significant biographical works in the Buddhist tradition. This volume presents a new, authoritative translation, accompanied by the original Pali text.

Buddhism under Mao shows what kind of a problem Buddhism presented to the Chinese Communists and how they solved it. Relying largely on materials from the Mainland press, Holmes Welch has made what is probably the most detailed study so far available of the fate of a world religion in a Communist country. He describes how Buddhist institutions were controlled, protected, utilized, and suppressed; and explains why the larger needs of foreign and domestic policy dictated the Communists’ approach to the institutions. Over eighty photographs illustrate the activities of monks, laymen, and foreign visitors.

Welch worked for over a decade on the trilogy here completed. The preceding volumes, The Practice of Chinese Buddhism, 1900–1950 and The Buddhist Revival in China, dealt with Buddhism in the years before the Communist victory. Buddhism under Mao ends with a discussion of the possibility of the survival of certain elements of Buddhism in new forms.

In the late 1800s, as Japanese leaders mulled over the usefulness of religion in modernizing their country, they chose to invite Unitarian missionaries to Japan. This book spotlights one facet of debates sparked by the subsequent encounter between Unitarianism and Buddhism—an intersection that has been largely neglected in the scholarly literature. Focusing on the cascade of events triggered by the missionary presence of the American Unitarian Association on Japanese soil between 1887 and 1922, Michel Mohr’s study sheds new light on this formative time in Japanese religious and intellectual history.

Drawing on the wealth of information contained in correspondence sent and received by Unitarian missionaries in Japan, as well as periodicals, archival materials, and Japanese sources, Mohr shows how this missionary presence elicited unprecedented debates on “universality” and how the ambiguous idea of “universal truth” was utilized by missionaries to promote their own cultural and ethnocentric agendas. At the turn of the twentieth century this notion was appropriated and reformulated by Japanese intellectuals and religious leaders, often to suit new political and nationalistic ambitions.

This important collection moves beyond the largely text—and doctrine—centered approaches characterizing an earlier generation of Buddhist scholarship and expands its treatment of death to include ritual, devotional, and material culture.

Of all the world's major religions, Chinese Buddhism has probably experienced the most traumatic modernization. The establishment of a communist state quickly emerged from the self-contained Manchu Empire. The consequences are described in this book. Holmes Welch offers the first detailed account of the careers of recent Buddhist leaders and of the diverse organization they started. Eighteen Chinese Buddhist associations are identified as the author traces the struggle for national leadership. The role of T'ai-hsü, the leader best known to Western readers but not, it is shown, among Buddhists, is given a controversial reassessment.

After examining the main features of the revival, Welch puts them into a larger political framework. In the process, he offers copious evidence that our picture of Chinese Buddhism has been distorted. What has been termed a "revival" was actually a secular reorientation. The author's conclusion is that this secularization, vigorous as it was, in reality foreshadowed the decline of Chinese Buddhism as a living religion.

As budgetary concerns have come to dominate Congressional action, the design and implementation of welfare programs have come under greater scrutiny. This book focuses on the food stamp program to examine how the growing integration of welfare and budgeting has affected both politics and people.

Applying insightful analysis to this important policy topic, Ronald F. King looks at the effects on welfare transfers of the kinds of budgetary rules adopted by Congress: discretion, entitlement, and expenditure caps. King uses models based on these forms to interpret the events in the history of the food stamp program up to the welfare reform of 1996, and he shows how these different budget rules have affected political strategies among key actors and policy outcomes.

King analyzes tensions in the program between budgetary concerns and entitlement, revealing that budget mechanisms which seek to cap the growth of entitlement spending have perverse but predictable effects. He also explores the broader conflict between procedural and substantive justice, which pits inclusive democratic decision-making against special protections for the needy and vulnerable in society.

The food stamp program offers a valuable opportunity for studying the influence of shifting institutional factors. In an era when budgetary anxieties coexist with continuing poverty, King's book sheds new light on the increasing fiscalization of welfare in America.

By 1920 Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe in the previous decades. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city, Buenos Aires across the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

Army scout, buffalo hunter, Indian fighter, and impresario of the world-renowned "Wild West Show," William F. "Buffalo Bill" Cody lived the real American West and also helped create the "West of the imagination." Born in 1846, he took part in the great westward migration, hunted the buffalo, and made friends among the Plains Indians, who gave him the name Pahaska (long hair). But as the frontier closed and his role in "winning the West" passed into legend, Buffalo Bill found himself becoming the symbol of the destruction of the buffalo and the American Indian. Deeply dismayed, he spent the rest of his life working to save the remaining buffalo and to preserve Plains Indian culture through his Wild West shows.

This biography of William Cody focuses on his lifelong relationship with Plains Indians, a vital part of his life story that, surprisingly, has been seldom told. Bobby Bridger draws on many historical accounts and Cody's own memoirs to show how deeply intertwined Cody's life was with the Plains Indians. In particular, he demonstrates that the Lakota and Cheyenne were active cocreators of the Wild West shows, which helped them preserve the spiritual essence of their culture in the reservation era while also imparting something of it to white society in America and Europe. This dual story of Buffalo Bill and the Plains Indians clearly reveals how one West was lost, and another born, within the lifetime of one remarkable man.

Tracy Letts's tale of love, paranoia, and government conspiracy is a thought-provoking psycho-thriller that mixes terror and laughter at a fever pitch.

This dark comedy takes place in a seedy motel room outside Oklahoma City, where Agnes, a drug-addled cocktail waitress, is hiding from her ex-con ex-husband. Her lesbian biker friend R.C. introduces her to Peter, a handsome drifter who might be an AWOL Gulf War veteran. They soon begin a relationship that takes place almost entirely within the increasingly claustrophobic confines of her motel room. Peter begins to rant about the war in Iraq, UFOs, the Oklahoma City bombings, cult suicides, and then secret government experiment on soldiers, of which he believes he is a victim. His delusions infect Agnes and the tension mounts as mysterious strangers appear at their door, past events haunt them at every turn and they are attacked by real bugs. 
 

Building a Better Bridge is a record of the fourth "Building Bridges" seminar held in Sarajevo in 2005 as part of an annual symposium on Muslim-Christian relations cosponsored by Georgetown University and the Archbishop of Canterbury. This volume presents the texts of the public lectures with regional presentations on issues of citizenship, religious believing and belonging, and the relationship between government and religion—both from the immediate situation in Bosnia-Herzegovina and from three contexts further afield: Britain, Malaysia, and West Africa.

Both Christian and Muslim scholars propose key questions to be faced in addressing the issue of the common good. How do we approach the civic sphere as believers in particular faiths and as citizens of mixed societies? What makes us who we are, and how do our religious and secular allegiances relate to one another? How do we accommodate our commitment to religious values with acknowledgment of human disagreement, and how can this be expressed in models of governance and justice? How are we, mandated by scriptures to be caretakers, to respond to the current ecological and economic disorder of our world?

Michael Ipgrave and his contributors do not claim to provide definitive answers to these questions, but rather they further a necessary dialogue and show that, while Christian and Islamic understandings of God may differ sharply and perhaps irreducibly, the acknowledgment of one another as people of faith is the surest ground on which to build trust, friendship, and cooperation.

Called as an apostle in 1906, David O. McKay devoted the remaining sixty-four years of his life to serving in the Church of Jesus Christ of Latter-day Saints, including nineteen as church president. That lengthy tenure, combined with his warmth, extensive personal ministry, broadmindedness, deep spirituality, and unprecedented global travel made him one of the church’s most beloved and influential leaders of all time. When he died in 1970, roughly 60 percent of the church’s membership had known no other church president. Memories of McKay’s teachings and ministry remain a taproot for the spiritual convictions and values of many Latter-day Saints.

Why and how did Korean religious groups respond to growing rural poverty, social dislocation, and the corrosion of culture caused by forces of modernization under strict Japanese colonial rule (1910–1945)? Questions about religion’s relationship and response to capitalism, industrialization, urbanization, and secularization lie at the heart of understanding the intersection between colonialism, religion, and modernity in Korea. Yet, getting answers to these questions has been a challenge because of narrow historical investigations that fail to study religious processes in relation to political, economic, social, and cultural developments. In Building a Heaven on Earth, Albert L. Park studies the progressive drives by religious groups to contest standard conceptions of modernity and forge a heavenly kingdom on the Korean peninsula to relieve people from fierce ruptures in their everyday lives. The results of his study will reconfigure the debates on colonial modernity, the origins of faith-based social activism in Korea, and the role of religion in a modern world.

2001 Louis Brownlow Award from the National Academy of Public Administration

Reimagining public administration through the lens of constitutional governance and legislative intent.

Before 1946 the congressional role in public administration had been limited to authorization, funding, and review of federal administrative operations, which had grown rapidly as a result of the New Deal and the Second World War. But in passing the Administrative Procedure Act and the Legislative Reorganization Act that pivotal year, Congress self-consciously created for itself a comprehensive role in public administration. Reluctant to delegate legislative authority to federal agencies, Congress decided to treat the agencies as extensions of itself and established a framework for comprehensive regulation of the agencies' procedures. Additionally, Congress reorganized itself so it could provide continuous supervision of federal agencies.

Rosenbloom shows how these 1946 changes in the congressional role in public administration laid the groundwork for future major legislative acts, including the Freedom of Information Act (1966), Privacy Act (1974), Government in the Sunshine Act (1976), Paperwork Reduction Acts (1980, 1995), Chief Financial Officers Act (1990), and Small Business Regulatory Fairness Enforcement Act (1996). Each of these acts, and many others, has contributed to the legislative-centered public administration that Congress has formed over the past 50 years.

This first book-length study of the subject provides a comprehensive explanation of the institutional interests, values, and logic behind the contemporary role of Congress in federal administration and attempts to move the public administration field beyond condemning legislative "micromanagement" to understanding why Congress values it.

Building a Nation at War argues that the Chinese Nationalist government’s retreat inland during the Sino-Japanese War (1937–1945), its consequent need for inland resources, and its participation in new scientific and technical relationships with the United States led to fundamental changes in how the Nationalists engaged with science and technology as tools to promote development.

The war catalyzed an emphasis on applied sciences, comprehensive economic planning, and development of scientific and technical human resources—all of which served the Nationalists’ immediate and long-term goals. It created an opportunity for the Nationalists to extend control over inland China and over education and industry. It also provided opportunities for China to mobilize transnational networks of Chinese-Americans, Chinese in America, and the American government and businesses. These groups provided technical advice, ran training programs, and helped the Nationalists acquire manufactured goods and tools. J. Megan Greene shows how the Nationalists worked these programs to their advantage, even in situations where their American counterparts clearly had the upper hand. Finally, this book shows how, although American advisers and diplomats criticized China for harboring resources rather than putting them into winning the war against Japan, US industrial consultants were also strongly motivated by postwar goals.

Nineteenth-century Europe saw an unprecedented rise in the number of synagogues. Building a Public Judaism considers what their architecture and the circumstances surrounding their construction reveal about the social progress of modern European Jews. Looking at synagogues in four important centers of Jewish life—London, Amsterdam, Paris, and Berlin—Saskia Coenen Snyder argues that the process of claiming a Jewish space in European cities was a marker of acculturation but not of full acceptance. Whether modest or spectacular, these new edifices most often revealed the limits of European Jewish integration.

Debates over building initiatives provide Coenen Snyder with a vehicle for gauging how Jews approached questions of self-representation in predominantly Christian societies and how public manifestations of their identity were received. Synagogues fused the fundamentals of religion with the prevailing cultural codes in particular locales and served as aesthetic barometers for European Jewry’s degree of modernization. Coenen Snyder finds that the dialogues surrounding synagogue construction varied significantly according to city. While the larger story is one of increasing self-agency in the public life of European Jews, it also highlights this agency’s limitations, precisely in those places where Jews were thought to be most acculturated, namely in France and Germany.

Building a Public Judaism grants the peculiarities of place greater authority than they have been given in shaping the European Jewish experience. At the same time, its place-specific description of tensions over religious tolerance continues to echo in debates about the public presence of religious minorities in contemporary Europe.

A masterful account of the global Cold War’s decisive influence on Soviet economic reform, and the national decay that followed.

What brought down the Soviet Union? From some perspectives the answers seem obvious, even teleological—communism was simply destined to fail. When Yakov Feygin studied the question, he came to another conclusion: at least one crucial factor was a deep contradiction within the Soviet political economy brought about by the country’s attempt to transition from Stalinist mass mobilization to a consumer society.

Building a Ruin explores what happened in the Soviet Union as institutions designed for warfighting capacity and maximum heavy industrial output were reimagined by a new breed of reformers focused on “peaceful socioeconomic competition.” From Khrushchev on, influential schools of Soviet planning measured Cold War success in the same terms as their Western rivals: productivity, growth, and the availability of abundant and varied consumer goods. The shift was both material and intellectual, with reformers taking a novel approach to economics. Instead of trumpeting their ideological bona fides and leveraging their connections with party leaders, the new economists stressed technical expertise. The result was a long and taxing struggle for the meaning of communism itself, as old-guard management cadres clashed with reformers over the future of central planning and the state’s relationship to the global economic order.

Feygin argues that Soviet policymakers never resolved these tensions, leading to stagnation, instability, and eventually collapse. Yet the legacy of reform lingers, its factional dynamics haunting contemporary Russian politics.

2024 Spiro Kostof Book Award, Society of Architectural Historians
2022 PROSE Award in Architecture and Urban Planning
2022 Summerlee Book Prize in Nonfiction, Center for History and Culture of Southeast Texas and the Upper Gulf Coast
2022 Best Book Prize, Southeast Chapter of the Society of Architectural Historians
2022 On the Brinck Book Award, University of New Mexico School of Architecture + Planning

A significant and deeply researched examination of the free nineteenth-century Black developers who transformed the cultural and architectural legacy of New Orleans.

The Creole architecture of New Orleans is one of the city’s most-recognized features, but studies of it largely have focused on architectural typology. In Building Antebellum New Orleans, Tara A. Dudley examines the architectural activities and influence of gens de couleur libres—free people of color—in a city where the mixed-race descendants of whites and other free Blacks could own property.

Between 1820 and 1850 New Orleans became an urban metropolis and industrialized shipping center with a growing population. Amidst dramatic economic and cultural change in the mid-antebellum period, the gens de couleur libres thrived as property owners, developers, building artisans, and patrons. Dudley writes an intimate microhistory of two prominent families of Black developers, the Dollioles and Souliés, to explore how gens de couleur libres used ownership, engagement, and entrepreneurship to construct individual and group identity and stability. With deep archival research, Dudley re-creates in fine detail the material culture, business and social history, and politics of the built environment for free people of color and adds new, revelatory information to the canon on New Orleans architecture.